
A guide to Irish acts at Edinburgh Festival Fringe: From Rachel Galvo and Vittorio Angelone to Rosie O'Donnell and more
Scotland
for
Edinburgh Festival Fringe
? Here is your guide to the many Irish acts taking part.
Stand-up comedians
Vittorio Angelone: you can't Say Nothing any more
Monkey Barrel Comedy Club and McEwan Hall; August 6th-11th and 13th-24th; £18; see more
here
Italian-Irish comedian Vittorio Angelone is returning to the Edinburgh Festival Fringe for his third year with a new show the tagline for which is simply, 'Vittorio Angelone has always denied any involvement in the Edinburgh Fringe'. Angelone has built a dedicated following with his seamless blend of social commentary and comedy, and from its early reviews this show seems to be no exception.
Rachel Galvo: Shite Feminist
Pleasance Dome; August 6th-24th; £14; see more
here
Comedian Rachel Galvo. Photograph: Alan Betson
Rachel Galvo
is returning to the Edinburgh Fringe with Shite Feminist. The show is framed as an exposé of the '15 years she spent locked up in an all-girls catholic school run by nuns'. Last year a group of nuns did turn up to watch one of her performances – she felt the need to go to Confession after that.
Marise Gaughan: A Supposedly Fun Thing I'll Never Do Again
Monkey Barrel Comedy Club; various August dates; £9; see more
here
Marise Gaughan
Comedian, Dubliner and bestselling author Marise Gaughan has brought a new show to the Fringe based on her acclaimed
debut memoir Trouble
in which details her struggles with addiction. While being a self-reflective show about the realities of addiction, Gaughan swears that her show is not 'the serious Ted-talk kind'.
READ MORE
Warren Martin: Proud Father, Exhausted Dad
Various venues; August 6th, 9th, and 11th-16th; £10; see more
here
Kildare comedian Warren Martin has brought his solo show, first performed in Smock Alley in Dublin, to Edinburgh Fringe. Martin recounts his life story from birth to fatherhood, and reveals the funny side of life to all, except him apparently. Martin cofounded and runs Kildare's longest running comedy club, Mór Laughs, at Maynooth's O'Neills Bar.
Caroline McEvoy: Train Man
Assembly Roxy; August 6th-10th and 12th-25th; £10.50; see more
here
Originally from Bangor, Caroline McEvoy brings a story of sibling rivalry in post-Troubles Northern Ireland to the Fringe. Directed by Ben Target, McEvoy's show reckons with her lifelong battle against her younger brother, who loves trains and getting his way. Now based in London, McEvoy is the resident MC at the Comedy Bandits comedy club in south London.
Grace Mulvey: Did You Hear We're All Going To Die?
George Aikman Theatre; August 6th-10th, 12th-24th; £12; see more
here
Photography by Karla Gowlett
Rathfarnham comedian
Grace Mulvey
returns to the Fringe after her acclaimed debut show, Tall Baby, was named one of Rolling Stone's magazine's 12 standout shows of the festival last year. She is back with a new show in which, after suffering a series of personal tragedies, she attempts to make the audience better at attending funerals as she claims 'people are shit at funerals'.
Danny O'Brien: Adulting Hard!
The Beehive Inn; August 6th-25th; £15; see more
here
Wicklow-based comedian Danny O'Brien is performing at the Fringe after having sold-out shows at the festival for the last three years. His show explores his life as a mortgage-approved childless millennial trying to figure it all out. O'Brien makes regular appearances on Irish TV and radio and is the owner of Drumhill Event Management, one of Ireland's largest comedy event companies.
Rosie O'Donnell: Common Knowledge
Appleton Tower; 6th-10th August; £26; see more
here
Rosie O'Donnell, performing at the 3Olympia. Dame Street, Dublin. Photograph: Dara Mac Dónaill
Having been recently been made an Irish citizen and moved to Sandymount in Dublin,
Rosie O'Donnell
is making her debut at the Fringe with a show focused on her decision to leave the US for Ireland. The eleven-time Emmy and Tony Award winner has billed this show as a mixture of heart, humour and honesty.
Read our review
here
.
Roger O'Sullivan: Fekken
The Apex; August 6th-12th and 14th-23rd; £12.50; see more
here
The BBC News Comedy Awards nominee Roger O'Sullivan is bringing his nostalgic trip through the 1990s to the Fringe. Expect surreal stories about rural Ireland, video games and optical illusions in his hour-long stand-up set.
Mike Rice: Cruel Little Man
Monkey Barrel Comedy; August 6th-16th, 18th-24th; £13; see more
here
A Kilkenny comedian now living in London, Mike Rice returns to the Fringe after selling out shows there for the past six years. This year's act is an exploration of some of his rotten adventures, such as his past entanglement with a Spanish Sausage Dog. Rice shares a successful podcast with fellow Irish comedian Angelone called Mike and Vittorio's Guide to Parenting, despite either actually having a child.
Alison Spittle:
BIG
Monkey Barrel Comedy; various August dates; £12; see more
here
Alison Spittle. Photography by Karla Gowlett
Alison Spittle originally wanted to call her show Fat Bitch, but was told that you can't put that on a poster. The Westmeath comedian, now based in London, told Brendan O'Connor on RTÉ Radio 1 that her show is about, 'being a fat bitch, basically Brendan'. A TV regular Spittle has appeared on House of Games, Celebrity Gogglebox and Pointless Celebrities.
Variety comedy shows
A bit of a character
Multiple venues; August 11th-13th; Free and non-ticketed; see more
here
Irish comedians Seán Begley, Warren Martin, Oli Riordan, George Robinson and guests will perform widely different characters, it will be up to the audience to decide if they are playing themselves or characters. These shows are a collaboration between the Mór Laughs Comedy Club and PHB's Free Fringe.
Irish Comedy Headliners
The Caves; August 7th-11th and 13th-24th; £7; see more
here
Each day a few mystery Irish comedians will perform short sets. The comedians will not be announced before the show – they could be comedians who have a show at the Fringe or could be visitors there for a few days.
The Best of Irish Comedy
The Stand Comedy Club; August 6th-24th; £15; see more
here
This Irish comedy showcase has put on shows at the Fringe for the past 25 years. They claim to get the hottest new acts and best headliners to perform. Past performers including Dara Ó Briain, Alison Spittle and Aisling Bea.
Suitable for the whole family
You'll See...
Pleasance Courtyard; various August dates; £12; see more
here
James Joyce's Ulysses is brought to life in this inventive new show aimed at those aged eight and upwards. Combining live performance, intricate paper design and an original score, this is being billed as theatre which will excite both young and old.
Dance
Anatomy of a Night
Summerhall; August 13th-18th, 20th-25th; £17, see more
here
Nick Nikolaou is bringing his one-man contemporary dance show to the Fringe. It will tell the story of the personal identity journey which many queer people experience in club spaces. Nikolaou co-runs Dublin Modular, an artist-run organisation which mainly hosts live electronic music and visual arts meetups, workshops, talks and performances.
Dancehall Blues
Dance Base 1; August 12th-17th and 19th-24th; £13.50; see more
here
The acclaimed
CoisCéim Dance Theatre Company
takes its show, which was nominated for best production and design at Dublin Fringe 2024, to Edinburgh. This duet unfolds in a surreal dancehall at dusk, blurring the lines between reality and imagination.
Read our review
here
.
Drama
Lost Lear
The Traverse Theatre; various August dates; £25; see more
here
A darkly comedic retelling of Shakespeare's King Lear from the perspective of Joy, a person with dementia who is living in an old memory of King Lear. Utilising puppetry, projection and live video effects, the audience is transported into the world of someone living with dementia. This show is a collaboration between Matt Smyth, the Riverbank Arts Centre and the Mermaid Arts Centre.
Genre-bending performances
Aoife Dunne: Good Grief
Gilded Balloon Patter House; August 13th-25th; £12; see more
here
18/06/2025 - Comedian Aoife Dunne photographed for Magazine Photograph: Alan Betson / The Irish Times
Aoife Dunne
is bringing her critically acclaimed debut show, Good Grief, to Edinburgh after sold-out runs at the Brighton Fringe and Dublin Theatre Festival. While her mother's death is a rather dark subject to base her one-woman show around, the reviews have all emphasised her ability to find the humour in moments of devastation.
BITCH
Pleasance Dome; various August dates; £16; see more
here
BITCH is coming to the Fringe following its award-winning and sold-out run at Dublin Fringe Festival last year. Mary Breen's one-woman show combines cabaret, stand-up and drag and tells the story of a drunk, broken hearted woman who has decided to declare war at an open mic.
Carpet Muncher
Scottish Storytelling Centre; August 6th-12th; £14; see more
here
Jo Morrigan Black's solo spoken-word drag performance brings to life the contemporary folklore of the Mothman to explore themes of queer alienation, metamorphosis, cross-Border solidarity and homoerotic hot-tub encounters. Previously performed at the Dublin Fringe and Galway Theatre Festival this show has been described as 'spoken word at its best'.
This Sh*t Happens All the Time
Assembly George Square Studios; various August dates; £12.50; see more
here
Amanda Verlaque's darkly funny one-woman show tells the true story about how one woman's ex-boyfriend turned murderous after she came out as queer. The show seeks to challenge the inequalities faced by the LGBTQ+ community by exposing the coercive control and homophobia experienced by so many.
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What he knows for certain is that he had no time for maths or Irish, drawn instead to Gordon Ramsay and other chefs, dreaming, as he washed dishes in the cafe or rustled up risottos for his family, of one day being a Michelin-starred chef. Twist cafe was owned by a friend of his father. He was 14 or 15 when he first walked into the kitchen. 'It felt like my foot in the door, my start,' he says. 'I wanted to learn. I was keen.' This was the start of his real education. He didn't like onions back then, but Gavin, the chef, used to force the young apprentice to taste them. Exposure therapy. 'He'd make me something and ask, 'Did you like it?' and when I said yes he'd say, 'Well, guess what was in it?'. He made me like onions.' Nevin smiles at the memory. His only remaining dislike is liver. 'Too iron-y,' he says. He spent four years in Twist, and by the end of his tenure he was making broccoli purées to go with the beef bourguignon. 'The other chefs were pushing me, saying if I really wanted to do it I should go work in some of the best places.' So that's what he did. He spent a few months in Ballymaloe in Co Cork as an intern, working with the Allen family. He learned a lot there. 'About where food comes from, the whole farm-to-fork thing,' he says. 'They are lovely people.' After that it was up to Dublin for a trial at The Saddle Room in the Shelbourne Hotel , where he was asked to make a hollandaise sauce. The sauce wasn't much good but he hit it off with the chef, Andy Nolan, who, in a very Irish coincidence, used to work on building sites with Adam's father. This connection sealed the deal and he started there as a demi chef. It was a struggle at first but this is a pattern with Nevin, you discover. When he starts any job, he puts his head down and grafts hard until what was once difficult becomes second nature. By the time he left The Saddle Room he was a commis chef, easily managing the meat section on his own. It was time for the next challenge. 25/07/2025 - MAGAZINE - Chef Adam Nevin, at the Morrison Room, Carton House, Co. Kildare for Magazine profile. Photograph Nick Bradshaw/The Irish Times London was a culture shock. 'It was my first time there,' he says. 'I remember walking around Berkeley Square, kind of being a bit lost.' On that eye-opening trip he did a trial for Alyn Williams at The Westbury in Mayfair. He got there at 7.30am and worked in the kitchen until after midnight. He was offered a job. 'And then I went home. I remember, I had to get a bus to Luton Airport at two o'clock in the morning. I slept on the floor in the airport waiting for the 7am flight.' His mother – he mentions her and his dad a lot, grateful for their unwavering belief in him – was thrilled but sad to see him leave home. He thrived in Williams's kitchen, working in every section, including pastry. 'Some chefs steer clear of pastry but I think it's important to do everything.' Inspired by Williams's Walnut Whip dessert, he created a Snickers dessert there, which has become something of a signature. His next challenge was the kitchen at The Hand and Flower, the two-star Michelin pub in Berkshire made famous by Tom Kerridge. He says it was a different environment to the supportive kitchen of Williams, where chefs felt like equals and there was room to grow. In contrast, Kerridge's two-star joint sounds more competitive. 'I wanted to be worked hard but it was maybe a bit too much,' he says diplomatically of that experience. He lasted a year before reaching a breaking point. 'I remember just walking up the road in the morning like, zombie like, feeling like, 'oh my god, I'm absolutely shattered. Like, how am I going to get through the day?' The last thing you want to do is go around talking about it. Some chefs do that but it's not my style At around that time, he got a call from a former colleague at The Westbury. Tom Booton was setting up The Grill at the Dorchester Hotel in London . Booton had always said that when he had his own place he would come looking for Nevin. It was a big step up. As sous chef Nevin would be second in command, with a team to manage. He had the usual initial struggle but soon found his feet. The restaurant became a favourite of chefs. The newspaper reviews were raves. His Snickers dessert and several other of his dishes went on the menu. He was elevated to head chef. Interestingly, at the same time, the star of fellow Maynoothian Paul Mescal , with whom Nevin played hurling and football as a teenager, was also in the ascendant. After four years in the Dorchester, Nevin's plan for Michelin-stardom was coming along nicely. Then came a course-altering bicycle accident. It was a Saturday morning in April 2023. He was cycling to work along Park Lane, one of the busiest roads in the city. 'I was bombing it down the road, really going for it, and a car just pulled out in front of me from one of the side streets ... I went straight into the car. It happened in slow motion. I could see the driver's face, her mouth open, I went into the air and landed directly on my back. I remember trying to drag myself off the road, away from the traffic. I was in serious pain.' He thinks he was lucky it was a Saturday, that traffic was lighter than usual; otherwise he could have been run over as he lay on the road. Somehow Nevin got himself to work at the Dorchester, where he spent three hours in agony bending over to grab plates. His colleagues eventually persuaded him to go to the hospital so he booked himself a taxi and spent a night on a trolley bed. Scans revealed he had broken a vertebra in his back. He was told he couldn't work for two months. A lot of the time when I'm not in the kitchen, I am in deep thought about dishes I want to create It was a dark time. He didn't go home to Ireland because travel was difficult with the back brace he had to wear for recovery. He would get panic attacks on the bus because of the brace. 'I wasn't really myself. Don't get me wrong. I wasn't in a bad mental state. I'm quite a busy person. I like to be on the go and doing things. My mind's quite busy.' It was hard to be told, 'Just watch telly all day'. He put on weight due to the inactivity and pain medication, something he is still struggling with. 'My life revolves around food, so it's hard.' After the back injury, it felt like time for another change. 'I was proud of what I'd done ... but I wanted to grow and explore something new.' At the same time he heard from his friend Andy Nolan that the Fairmont-managed Carton House in his hometown was looking for a new chef. He arrived for the trial with printed-out menus – 'they'd never seen that before at a trial' – wowing management with a spectacular four-course meal. 'They gave me the job there and then,' he says. He's 'a mammy's boy' he says, and his mother was thrilled to have him home. Raw red prawns, cucumber and jalapeño at Carton House. Photograph: Nick Bradshaw Nevin's tasting menu is a sublime experience, from the first crunchy, cheesy canape and the turbot smothered in black truffle to the final flourish of a Valrhona Chocolate Caramelia you will try your best to make room for. He loves a wild-card flavour: pickled coriander seeds in a sauce or szechuan pepper in ice cream. He's also a generous chef: several of the six courses on the tasting menu also feature bread – pillowy brioche, expertly crafted sourdough focaccia or a milk loaf, in soft rounds. The main course, melt-in-the-mouth wagyu beef, also comes with a potato torte and an exquisite agnolotti pasta dish. When Nevin arrives tableside to sauce the dish – he spoons out two sauces, a tomato hollandaise and a beef jus – he laughs that he sometimes gets given out to 'for putting too much on the plate'. He's a feeder? 'Yes, I am. I want to give value.' He makes sure to chat to every table. It's part of his dining philosophy. The waiting staff, from Jodie, a young Blanchardstown woman, to sommelier Cosimo, from Florence, are all warm and friendly and very much themselves. Despite the elevated surroundings, there are no snooty airs or graces. 'I want it to be a friendly experience. I learned that in London; it's the most important thing.' Starting as head chef at The Morrison Room last summer, he kept his Michelin dreams quiet but he knew they were closer than ever. 'The last thing you want to do is go around talking about it. Some chefs do that but it's not my style.' He was quietly ambitious, humble but confident. 'In my head, I knew this was the time.' His best friend from childhood, Ramon Fernandez, works in the kitchen with him as sous chef. It keeps him grounded. 'He tells me how it is. When I need a kick he gives me one.' When he talks about that day in Glasgow last February, when he got the star, it's clear what it meant to him. 'I could barely eat that day. I couldn't look at Ramon. My nerves were wrecked. But when I got up there, it felt right. I knew I deserved it. I'd put in the work.' He still makes dinner – 'nothing fancy' – at home the odd time, where he sleeps in his sister's old childhood bedroom. He'll make a chicken and mushroom pie with mash and cabbage for his dad. His back still troubles him and some mental scars remain from the accident – once a keen cyclist, he's rarely on a bike these days. His plan is to return to more active days before the accident. His close family, his loudest cheerleaders, come to Carton House for a Sunday roast every few weeks. He tries to make sure his life is balanced, to make time for friends or family. He's not in a relationship at the moment. 'A lot of the time when I'm not in the kitchen, I am in deep thought about dishes I want to create.' [ Michelin-starred restaurants in Ireland, 2025: The complete guide Opens in new window ] He is happy at The Morrison, and delighted to be home, doing what he loves, after nearly nine years away. The dream now is to 'keep hold of the star, keep doing what we're doing. The goal is to make each menu better than the last.' He changes up dishes a lot and likes to keep moving, challenging himself. Dream dinner guest? ' Roy Keane ,' he says. Maybe Roy Keane and Paul Mescal at the same table? 'That would be great,' he says, smiling. The Michelin Starred Experience at The Morrison Room at Carton House, a Fairmont managed hotel, including overnight accommodation, the tasting menu and breakfast for two people is €720. The two-night experience for two is €920. Adam Nevin's six-course Signature tasting menu at The Morrison Room is €150