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Revolt Launches ‘The People's Brief' News and Commentary Series Hosted by Lynae Vanee (EXCLUSIVE)

Revolt Launches ‘The People's Brief' News and Commentary Series Hosted by Lynae Vanee (EXCLUSIVE)

Yahoo13-05-2025
Revolt, the youth culture multimedia platform, is set to launch 'The People's Brief,' an unfiltered news and commentary series hosted by Lynae Vanee.
Vanee is a three-time NAACP Image Award nominee best known for her 'Parkin Lot Pimpin'' digital series, where she offered compelling, authoritative and fearless takes on race, history and power dynamics. The show also featured her trademark intro, 'I'ma keep it Black, but I'ma keep it brief.'
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With 'The People's Brief' on Revolt, Vanee will continue to keep it Black, but she teases, 'I think we're gonna need more time.'
The new weekly series premieres on May 20, and is designed to 'shake up traditional news formats,' according to a press release announcing the project. On 'The People's Brief,' Vanee will break down top headlines from her distinct perspective and lived experience, providing coverage that 'blends incisive analysis, satirical commentary and real-world perspective to engage a new generation of viewers.'
The series is the latest offering from Revolt, which services content across digital, linear and live media channels and is the flagship media brand of Offscript Worldwide, a next-generation media and creator ecosystem (which absorbed the company earlier this year). The partnership with Vanee is indicative of Revolt's 'creator-first philosophy' — a mission to lead with substance in a crowded content landscape, as well as to invest in emerging talent.
'​​Revolt remains the trusted home for the culture's leading voices and innovators,' said Deon Graham, the brand's chief content officer. 'With 'The People's Brief,' we're proud to give Lynae the stage she deserves while continuing to push the culture forward through authentic, transformative storytelling.'
Vanee is a multihyphenate talent (a performer, poet, influencer, writer and actor) from Atlanta, Ga., and a rising force in media and culture. A graduate of Spelman College and Boston University with a master's degree in African American studies, Vanee has built a dedicated audience online, also hosting the longer-form video series 'The Let Out' and a podcast called 'Femme Time,' both of which center the voices of people of color and continue conversations about culture, mental health and identity. She is represented by ColorCreative.
'I'm beyond excited to collaborate with Revolt to bring something fresh and necessary to the conversation,' said Vanee. 'As a Black woman and creator, working with a platform that doesn't just feature us but truly believes in us — that's rare, and it means everything. We're taking the topics people are already talking about, from politics to identity and power, and presenting them in a way that feels real, relevant and grounded in community.'
Watch the trailer for 'The People's Brief' above.
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‘Joined at the Roots' is an exhibit to change the Haitian and Black American narrative
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Miami Herald

time31-07-2025

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Haitians and Black Americans have lived side by side in South Florida for decades. While the relationship between the two communities has not always been smooth, they have managed to coexist, 'building families, businesses, churches, and communities that defied the odds,' according to Bart Mervil, CEO of My Urban Contemporary Experience (MUCE) and organizer of the 'Joined at the Roots' exhibit, currently on view at the Little Haiti Cultural Complex through Saturday, Aug. 30. The exhibition aims to shift public perception by exploring shared stories that connect Haitians and African Americans, emphasizing the historical and ongoing ties between the communities. It showcases the works of a diverse group of artists working across painting, sculpture, and photography. 'Joined at the Roots was born out of a need to honor the quiet, powerful history of solidarity between Haitians and African Americans,' says Mervil, describing a legacy often eclipsed by stories of division. He notes that while both communities have made significant contributions, their impact is rarely part of mainstream conversations. 'From local politics to high school championships to shared porches and block parties, we have had real moments of collaboration, unity, and brotherhood,' adds Mervil. 'This hybrid culture did not just survive poverty. It gave rise to entrepreneurs, educators, artists, and a thriving Black middle class. This exhibition is a love letter to that shared struggle and success.' According to Mervil, every artwork featured in the exhibition contains an element of the shared narrative of the two black communities in Miami. Mervil explains that the exhibition highlights significant historical examples of collaboration between Haitians and African Americans in South Florida. 'The first wave of Haitian immigrants were welcomed by Black churches; residents in Overtown opened their homes, shared meals, and offered resources,' says Mervil. 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Among the artists contributing to the exhibit is Fabienne Polycarpe, a first-generation Haitian American and cultural wellness curator. She contributed a series rooted in her upbringing around her mother's beauty salon. Polycarpe's art explores hair as a profound cultural symbol, reflecting both Haitian traditions and Black American influences. 'Hair has always been more than just hair; it's been ritual, identity, memory, and survival,' says Polycarpe. As a child, she remembers how her Haitian mother instilled the importance of hairstyles that reflected discipline and respectability. 'I wore ribbons and 'boule gogo' [braid balls]; my hair parted into clean plaits,' she says. 'But deep down, I admired the colorful beads Black American girls wore.' Over time, Polycarpe began to recognize how her artistic voice was influenced by both cultures. 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Reflecting on those years, Dee adds, 'As a teen I listened to his music and even grew up thinking he was a Haitian American DJ, only to find out later that he was in fact African American. This was in part because he was very active in Little Haiti.' DJ Uncle Al, recalls Dee, founded the Peace in the Hood festival to bring together people from various neighborhoods and cultural backgrounds. His goal was to celebrate community and demonstrate that peaceful coexistence and mutual respect were possible and necessary. 'He wanted to show that we have more in common than what differentiates us, that we are all truly the same. Just different branches from the same tree.' Artist Tawana Dixon contributed two pieces to the exhibition. One pays tribute to Arthur Teele, an African American political figure whose work helped lay the foundation for the Little Haiti Cultural Complex. The other captures the vibrant Haitian presence at the West Indian American Day Parade in Brooklyn. 'I ultimately chose to center the portrait around Teele because I wanted to explore the relationship between communities,' says Dixon, who was raised in New York and now resides in Miami. 'In doing so, I hoped to honor the bond between Haitian and African American communities in a way that wasn't too literal or expected.' Reflecting on her second piece, Dixon says her New York upbringing made it essential to include Brooklyn's Little Haiti in the show. 'While Miami's Little Haiti came first and is home to established institutions like the Cultural Complex, Brooklyn has the largest Haitian population in the U.S. and a community that has fought hard for recognition,' she says. She adds, 'Haitians in New York were once seen as underdogs in the Caribbean community, but through resilience and pride, they've earned deep respect. Their presence, especially during the West Indian Day Parade, is powerful.' Ruth Louissaint, an educator and Haitian artist, contributed a shrine centered around Dana A. Dorsey, Miami's first Black millionaire. Her installation incorporates flags, religious symbols, and historical elements that reflect the intersection of culture and spirituality. 'To me, the shrine embodies all three themes of the exhibition: identity, resistance, and unity,' says Louissaint. Other artists in the exhibition also explore the emotional depth of blended identities. Joe Wesley's photography captures moments of intimacy, pride, and joy between community members. Oscar Martinez sculpts a tribute to Dana A. Dorsey. Rico Melvin's paintings evoke ancestral memory, while his textile art speaks in the quiet, powerful language of heritage passed down. The works of Edwaffle, Nica Sweet, and Anthony Lumpkin add layers of generational reflection, migration, and domestic life. For Mervil, the exhibit reflects MUCE's broader mission to preserve heritage while diversifying the artistic landscape in South Florida. 'MUCE has always believed in bringing culture to the people, not keeping it hidden behind museum walls,' he says. 'This exhibit lives right where it belongs: in the neighborhood, in the community, and in a space built for cultural expression.' Beyond its artistic value, the exhibit aims to foster real-life conversations among community members and visitors alike. Polycarpe says the community's response has been emotional and affirming. 'What I cherish most is when someone stands in front of my work, pauses, and says, 'That's my story,'' she explains. Dee hopes younger generations inspired by his tribute to Uncle Al will learn about the DJ's contributions. 'I hope they explore his legacy and all of the positive impact he had on the Miami cultural scene,' he says. Louissaint echoes the sentiment, emphasizing the role of art in countering the divisiveness currently shaping American discourse. 'We are currently in a strange time in the U.S. where much of the rhetoric is divisive. I think events like this are important and an act of resistance against this growing trend throughout the country.' 'Joined at the Roots' also acknowledges the evolving nature of cultural identity in cities like Miami, where gentrification and displacement threaten to erase long-standing community narratives. Artists like Polycarpe see their participation as a form of preservation, a way to anchor the stories of a vanishing neighborhood in memory and meaning. 'There's a deep sense of loss, but also a sense of responsibility to share my stories of witnessing and experiencing the forever that are no longer 'forevers' but a love letter to Little Haiti,' Polycarpe says. 'Being part of this exhibition is an honor. It feels like I am giving something back to the place that raised me.' WHAT: 'Joined at the the Roots' WHEN: 9 a.m. to 9 p.m., Monday through Friday; Saturday and Sunday schedule may vary based on programming and events. Through Saturday, Aug 30. WHERE: Little Haiti Cultural Complex, 212 NE 59th Terr., Miami COST: Free INFORMATION: 305-960-2969 or or is a nonprofit media source for the arts featuring fresh and original stories by writers dedicated to theater, dance, visual arts, film, music, and more. Don't miss a story at

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