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This could be the last place you ever visit...

This could be the last place you ever visit...

The chubby patient honestly replied: 'But that's never.'
Talking bull
As our regular readers know, the Diary is fascinated by the English language.
Occasionally we've even attempted to communicate using it, though we don't recommend that amateur linguists should stumble into such a thorny forest, where wolfish nouns and ravenous adjectives are lurking.
Diary correspondent Campbell Thompson informs us of the definition of the word 'avoidable'.
'It's what a matador attempts to do,' reports Campbell.
Clocking off
We sympathise with this comment on social media from Glasgow actor, musician and one-time River City fan-favourite Tom Urie: '1985: I can't wait to see what the world looks like in 40 years! 2025: I miss 1985.'
Phoney message
We continue with our tales of time travel. (See above.)
This time we're spinning and whirling backwards through the decades, instead of forward.
In yesterday's Diary we mentioned a poor teenager who was left feeling bereft when his phone ran out of charge while he was no where near a plug socket.
We are now told that whenever this happens to the teenage daughter of reader Debbie Harvey, she says to the grieving youngster in the sing-song tones of an aeroplane pilot: 'Welcome to the year 1999. Please enjoy your stay.'
Debbie's daughter does not find this amusing. Not in the least.
Donkey days
Time Travel: Chapter 3.
The Diary is celebrating the pungent smells of childhood that instantly take us back to the glorious days of our readers' youth. (Very much in the same way that nibbling on a madeleine cake transported the narrator of Marcel Proust's magnum opus, In Search of Lost Time, back to his formative years.)
Bert Houliston says: 'The scents from my childhood in Saltcoats would have to include Granpaw's Jaicket, a heady mixture of stale pipe tobacco, spilt beer, and spittle laced with mint imperials.
'Also Wet Dug; Seaside Donkey; and the Midden at Twilight.'
Handy advice
Dire warning of the day from reader Frank Gunn, who gets in touch to say: 'I don't care how wonderful the hand soap smells, you should never walk out of a bathroom smelling your fingers.'
Glass glancing
Staring out his living room window the other morning, reader Samuel Booth concluded: 'Looks like we're in for a bad spell of wheather.'
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The harrowing true story behind Barry Lyndon
The harrowing true story behind Barry Lyndon

Spectator

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The harrowing true story behind Barry Lyndon

Stanley Kubrick's swooningly gorgeous film, Barry Lyndon, has just been re-released in cinemas to mark its 50th anniversary. Much ink has been spilled about its hypnotic beauty, its lavish attention to historical detail, its dreamy, luscious, candlelit photography. Yet William Thackeray's bitingly satirical novel of the same name is often neglected – as is the true, harrowing story that inspired it. The book Barry Lyndon (first published in 1844) bore its genesis from the story of a real adventurer, Andrew Robinson Bowes, whose cruelty to his wife, the Countess of Strathmore, was notorious. Born Andrew Robinson Stoney, he rose to the rank of a lieutenant before marrying an heiress; after her death, he met the beautiful, rich Mary Bowes in a gambling house (her husband, the Earl of Strathmore, had recently died). He married her and took her name, becoming Andrew Robinson Bowes, and promptly squandered his wife's fortune, while being increasingly vicious towards her. Mary managed to escape from him twice. The first time, Bowes found and abducted her, and imprisoned her on their estate. The second time, she got him arrested, and he ended his days in prison. It's not hard to see the attraction of this as a plot for Thackeray. He knew what it was to be in debt for gambling, having left Cambridge without a degree because of it. He knew tragedy, too: one of his daughters died when she was a baby, and his wife was committed to an asylum. The similarities with Redmond Barry, the narrator of Thackeray's Barry Lyndon, are vivid. Barry follows almost exactly the same path, from impoverished Irishman as the son of a disgraced lawyer, through the military, marriage to an aristocrat, ruin and imprisonment. The novel is presented as Barry's memoirs, and he never once shows a modicum of remorse. A slippery character, he often changes names, taking on other, grander personae: Barry of Barryogue, Barry of Ballybarry, and eventually Barry Lyndon. In the novel, Barry's selfishness and egotism drive him onwards relentlessly in pursuit of gain. Where Kubrick makes us feel for the handsome young Redmond Barry, Thackeray gives us little to admire in this headstrong, hotheaded egotist. His picaresque career is marked by betrayal and intrigue. Following a duel in which he almost kills an English officer, he joins the army, where he distinguishes himself in the Seven Years' War with acts of senseless brutality, including killing a young ensign and robbing the boy's corpse without qualm. Later, when he is asked by the Prussians to spy on the Chevalier de Balibari (a famous gambler), who turns out to be his uncle, Barry becomes a double agent. Together, uncle and nephew cheat their way through the royal courts of Europe. Where Thackeray makes no bones about the pair's duplicity and dishonour, Kubrick invites us even to admire them, suggesting that they're simply taking money from those who have too much of it. When, in the novel, Barry claims he's no different to a lawyer or a merchant, we marvel at his disingenuousness; Kubrick's glorious portrayal of the aristocratic gambling dens and their foppish denizens forces us to question this. Dazzled by the trappings of wealth, Barry decides to marry a rich woman, and settles on the fabulously rich Lady Lyndon, whose husband, Sir Charles, is on his deathbed. Barry's pursuit of his prize is, in the book, markedly sinister. He becomes a figure of almost supernatural, Gothic power, wishing to bend her entirely to his will. All he wants, of course, is her money, and on their marriage the Irish upstart Redmond Barry becomes what he always wished for: the aristocratic Barry Lyndon, with vast estates and a vaster fortune at his beck and call. From here, the film takes a markedly different turn to the book. Thackeray shows Barry's dissipation in detail. He is a monster, openly having affairs and abusing and imprisoning the foolish, capricious Lady Lyndon. Meanwhile, her son by Sir Charles, Viscount Bullingdon (known as 'Bully'), vanishes off to America, abandoning her almost entirely. (Kubrick makes much more of this relationship, with the Viscount as an active agent of revenge.) Kubrick, on the other hand, shows Barry cutting a fine dash in society. Every time I watch the film I find myself, during this part, sinking blissfully into its sumptuousness. Ryan O'Neal (playing Barry), and Marisa Berenson (Lady Lyndon) are so attractive to watch that the viewer can't help sympathising with both of them. Barry floats around in gorgeous clothes, buys fabulous paintings, gambles and drinks. When he has a son, Bryan, with Lady Lyndon, he indulges him extravagantly, giving him a little coach drawn by sheep. In the novel, when Bryan dies by falling off a horse given to him by his father, Thackeray destroys any sympathy we might have. Immediately, Barry tries to pass off his illegitimate offspring as legitimate, desperate for a title that he can pass down to a son. Kubrick only hints at this appalling treatment of his wife: she's shown as a bored, virtuous bluestocking. Viscount Bullingdon is also rendered by Kubrick a much more ambivalent character. The final, engrossingly tense duel between him and Barry invites us to consider that, in the end, there isn't much between Bully and Ballybarry. They are two sides of the same golden coin. And yet this does a major disservice to the novel's intent. By downplaying Barry's violence and utter wrongness, Kubrick creates a fantasy. I'm not alone in wanting to live in the world that he built: the velvet coats, the glittering jewels. It's very much worth remembering that behind this luscious, seductive film lies real suffering: an imprisoned woman, and a monstrous man who tried to control her.

Freakier Friday: Lindsay Lohan ageless as she steals the show at sequel's London premiere
Freakier Friday: Lindsay Lohan ageless as she steals the show at sequel's London premiere

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Freakier Friday: Lindsay Lohan ageless as she steals the show at sequel's London premiere

The stars were out in style on Thursday evening at the London premiere of Freakier Friday. Over two decades after the hugely popular first instalment of the film, Jamie Lee Curtis and Lindsay Lohan were back together and ready for another switch-up. The sequel to 2003 Disney classic Freaky Friday hits cinemas on Friday, August 8. This time it has gone bigger and freakier - it includes a four-way switch. Lindsay Lohan, returning as Anna Coleman, swaps bodies with her daughter, while Jamie, who once again plays the part of Tess Coleman, ends up switching with her soon-to-be step-granddaughter. And with fans eager to see the latest offering, the stars of the show gathered in London for the fist sneak peek. Hollywood's finest took to the red carpet in the heart of the English capital's cinema district, Leicester Square. While Jamie went for a striking all red attire, Lindsay matched the purple carpet with her fitted dress. Both looked stunning as they posed for the cameras, while the likes of Chad Michael Murray was also seen strutting his stuff in a casual black suit.

Serie A side accidentally include fan's VERY X-rated tattoo in official kit launch shot on London housing estate
Serie A side accidentally include fan's VERY X-rated tattoo in official kit launch shot on London housing estate

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Serie A side accidentally include fan's VERY X-rated tattoo in official kit launch shot on London housing estate

Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) SERIE A side Genoa had a nightmare when released their new away kit without noticing one of the kit models' very explicit tattoo. The launch included a video filmed in London, as well as a series of promotional images featuring models posing in the new kit. Sign up for Scottish Sun newsletter Sign up 4 The model can be seen sitting with a pint modelling the kit in a promotional image, but fans quickly noticed an x-rated tattoo on the man's left leg Credit: Instagram / @genoacfc 4 The launch video featured all things English as Genoa pointed back to their historic roots Credit: Instagram / @genoacfc Play Dream Team now! Play The Sun Dream Team ahead of the 2025/26 season Free to play Over £100,000 in total prize money Play in Mini Leagues against your mates Submit a team for Gameweek 1 to enter £5,000 prize draw Play via Dream Team's app or website today! The tattoo, spotted by keen-eyed fans on one of the models' left leg in one of the promotional images, appears to feature two people engaged in a sex act. The image was quickly deleted by the club when fans started talking about the unfortunate oversight. One account re-posted the image on X with the caption "Interesting leg tattoo, that", garnering over 30,000 likes. Another asked: "How did the media team not catch that?" The kit itself is predominantly white and red and is based on the St George's Cross and its historic symbolism with the club. The cross is a symbol of the city of Genoa, and appears both on the city's coat of arms and Genoa CFC's club badge. The launch video, filmed in London, celebrates the English roots of the side, which is the oldest football club in Italy. It was originally formed as a cricket and football club by English sailors in 1893. 4 Locations such as Spensley walk have a special significance to the Italian clubs. Credit: Instagram / @genoacfc 4 The full kit will feature a white sponsor across the middle of the red cross, as well as gold detailing on the collar, sleeves and badges Credit: Instagram / @genoacfc The video's narration reads: "In 1983, a bunch of English lads rocked up with a cricket bat and a football, changing the game forever. "Born by the port, shaped by the sea, carried by Genovese pride, they cross-walked straight onto the pitch." Fans can't believe their eyes as WWE legend the Undertaker unveils Serie A minnows' kit in 'greatest collab ever' The video heavily features the Kirby estate in Bermondsey, known as the 'most patriotic estate' in London for its prominent displays of the St. George's cross. Another location in the video is Hackney's Spensley walk, featured in honour of James Richardson Spensley, who championed the footballing division of the sports club in 1897, and is known as a founding father of football in Italy. The club are no strangers to kit launch shenanigans- they unveiled an all-black third kit in November last year through a launch video featuring WWE legend the Undertaker.

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