logo
Dubai: Indian restaurant Daftar is perfect for that mid-week work break

Dubai: Indian restaurant Daftar is perfect for that mid-week work break

Khaleej Times20-05-2025

If you need to close your eyes to savour the feeling of that very first bite, you know it's good. At Daftar, the newly opened Indian restaurant at DIFC, we found most dishes elicited this response. Or a sigh of happiness. Or both.
The thing about Indian food is that while it's packed with flavour, it's also often got reserves of heat. Daftar, we are happy to confirm, did not. The result was meal of succulent meats, street food, and unusual regional fusion fare, without the huffing caused by generous amounts of chili.
The restaurant has a canteen vibe reminiscent of spots near offices, or daftars, in India. Done up in a cheerful palette of cream, brown, and green, it's a nice spot for a business lunch, a catch-up with a pal, or an after-work session of commiseration after a long day. On display are several knick-knacks that call for greater observation – there's an old 11-inch television, a typewriter, a phone, and other draws for the curious eye.
We began with a tastebud-tingling avocado and mango pani puri set that fell neatly into the shelf of unusual but familiar flavour. (Generally, these light balls of dough are stuffed with crumbled potatoes, black chickpeas, and a spice blend unique to the place making it. It is then laced with a spicy-yet-sweet dose of mint drink.) The avocado was a good replacement for the potato, adding not only nutrition but also a creamy texture to the bite. The mango brought a peppering of seasonal flavour.
For the starters, we were treated to the Pondicherry Gunpowder Prawns – a swoonworthy smoked prawn dish with earthy flavours – and tawa sarson fish garnished with a ring of radish. The sarson fish (or mustard fish) is a Bengali favourite; and we found ourselves wrapped in the nostalgia of eating tender morsels of fish with the sharp aftertaste of mustard. The Cajun chicken tikka was a melt-in-your-mouth treat.
Among other bites of note were the Himalayan jhol momos – well seasoned chicken wrapped in delicate pockets of flour, steamed and added to a delicious gravy and topped with burnt garlic, and the burhani raita – a crunchy yet cool bite.
For the mains, I insisted on trying a favourite – dal makhani. And while it may sound like a simple dish, it is, I have found, easy to mess up. They did it right though; I ended up eating the entire bowl.
It was served with laccha paratha, a soft, flaky flatbread that's fried.
The ending was sweet – with three different types of kulfi, served like scoops of ice cream. These desserts are made with season ingredients and the ones that melted in our mouths included date and apricot.
If you truly want to know if the food in a restaurant is good, ask diners about a week after they've eaten there – we may not remember exact flavours but we will recall the overall experience. In the case of Daftar, whether I waited one week or two, the verdict was the same: delicious fare in a cute spot that must be revisited.
Go midweek for some relief on hump day – on alternate Wednesday evenings, you'll be rewarded with a comedy night that will make you giggle.
For that familiar yet unusual taste experiment, going to Daftar is a must.
Al Fattan Currency House, Mezzanine Floor, Tower 1, DIFC, Dubai. www.daftar.ae. 050 666 4158.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Art as aide-memoire: Abda Fayyaz's works are reminders of the divine
Art as aide-memoire: Abda Fayyaz's works are reminders of the divine

Gulf Today

time21 hours ago

  • Gulf Today

Art as aide-memoire: Abda Fayyaz's works are reminders of the divine

Abda Fayyaz is one of the artists taking part in Perspectives – II, a celebration of art inaugurated on May 29 and ongoing at Capital Club, DIFC. A Pakistani national based in Dubai, she is a self-taught and award-winning artist; her work is a reflection of how she understands the universe and the constant changes and transformations that take place within and around us. She works mainly in acrylic and her artworks meld classical subjects, contemporary styles and cutting edge techniques. Her pieces convey the message of interlinked energies: Nature's mysteries and features of the cosmos, form a significant part of her canvas. 'Everything has a purpose, meaning and an important role to play, whether a grain of sand, a drop of water or the entire cosmos — we are here for a reason through which we all are closely connected. We all are one!' she says. An established artist with over 10 years of art practice, she has showcased her talent in nearly 20 exhibitions just only in the past three years. She holds art talks and workshops and has won innumerable awards, including the Anna Molka Gallery Award (2022) and DC Aviation and All Futtaim Art Award (2022, in the Flight into Innovation Art competition) and her artwork has been recognised as being among the best at World Art Dubai, 2021. Abda Fayyaz connects with Gulf Today What are the influences on your art? The deepest influences on my art come not from the external world, but from the subtle worlds we often ignore - the realms of silence, intuition, and inner knowledge. Nature is one of my greatest teachers; I often observe how a leaf curls, how shadows stretch at different times of the day, or how stillness can have its own language. My work is also shaped by a desire to peel back the layers we wear to survive the outer world, and instead offer a gateway inward. The influences are universal rhythms, timeless truths, and a yearning for connection. Every line I draw, every layer I build, is an echo of that journey — a way to bridge the infinite and the intimate. The Search Within — Red 2. Does Rumi or other Sufis play a role in your art? Rumi deeply resonates with me, as does Ibn Arabi and other Sufi mystics. Their words aren't mere poetry — they are openings, reminders, living teachings. The Sufi idea that the Almighty is not out there but in here — within every cell and in every breath — is the same current I try to touch in my work. What is the message of your works? If I had to distill it into one word, the message would be: 'Remember'. My work invites viewers to remember who they are beneath identity, conditioning, and distraction. It is a gentle nudge back to the sacred link that we all carry within us, a call to reconnect with the inner compass we often silence. The divine isn't something you need to seek outside - it's a remembering of what you've always carried. The canvas becomes a companion on that inner journey. What roles do black, grey and white play in your art? These colours are the spiritual language of the work. Black isn't used as a symbol of emptiness or negativity. It is a space of potential, like the night sky or the womb. White in my work is not purity in the traditional sense – it is illumination, a sudden knowing, or the light that enters when we allow it. Grey, the space between, holds its own wisdom. It allows the conversation between shadow and light to unfold in a more nuanced way. Together, these tones act like prayer beads. What made you turn to using red colour in your latest pieces? Red came like a pulse — a vital, undeniable force that insisted on being seen and felt. Red didn't arrive gently. It erupted. It brought fire, blood, and flesh. It's primal and spiritual at once — the colour of roots and also of awakening. I didn't choose red; it chose me. In the 'Red Edition', this colour acts as a mirror for all that we often suppress: desire, urgency, boldness, even action. It is the colour of the heart, of courage and also vulnerability. It brings with it not just energy, but a kind of sacred heat. Red is not a departure from my earlier works — it is a deepening. Abda Fayyaz looks out into the world. The calligraphy in your works do not belong to any particular school. Is this so? My calligraphy is untethered from any formal tradition. I'm drawn to the 'gesture' of writing rather than the message itself. My scripts are closer to breathing or chanting than to writing. I'm not trying to be read — I'm trying to be felt. In that way, the calligraphy becomes an extension of my deeper philosophy: that truth doesn't have to be explained to be understood. These cave like calligraphy elements speak to something older than language — something ancestral, intuitive, and timeless. Can you tell us how you are evolving as an artist? In the past, I might have sought validation or clarity before beginning a piece. Now, I allow myself to start without knowing where I'll end. That shift — from control to surrender — has been the most significant part of my evolution. I no longer seek perfection; I seek truth.

Opal Suchata Chuangsri from Thailand crowned Miss World 2025
Opal Suchata Chuangsri from Thailand crowned Miss World 2025

Gulf Today

time2 days ago

  • Gulf Today

Opal Suchata Chuangsri from Thailand crowned Miss World 2025

Opal Suchata Chuangsri of Thailand was crowned Miss World on Saturday in India, where the international pageant was held this year. Chuangsri topped a field of 108 contestants in the contest held in India's southern Hyderabad city. Hasset Dereje Admassu of Ethiopia was the first runner-up in the competition. Chuangsri received her crown from last year's winner Krystyna Pyszková. Miss World 2024 Krystyna Pyszkova (L) crowns Opal Suchata Chuangsri after winning the 72th Miss World 2025 pageant. AFP The 72nd Miss World beauty pageant was hosted by Miss World 2016 Stephanie del Valle and Indian presenter Sachiin Kumbhar. India hosted the beauty competition last year as well. India's Nandini Gupta exited after making it to the final 20. Participants take part in the grand finale of the 72th Miss World 2025 pageant in Hyderabad. AFP Six Indian women have won the title, including Reita Faria (1966), Aishwarya Rai (1994), Diana Hayden (1997), Yukta Mookhey (1999), Priyanka Chopra (2000) and Manushi Chillar (2017). Associated Press

Bhumi Pednekar shares how she ‘gets high' on life while shooting on set
Bhumi Pednekar shares how she ‘gets high' on life while shooting on set

Gulf Today

time3 days ago

  • Gulf Today

Bhumi Pednekar shares how she ‘gets high' on life while shooting on set

Actress Bhumi Pednekar recently offered a glimpse into what keeps her spirits soaring on set. In a candid moment, she shared how she often 'gets high' on life while working. Taking to Instagram, Bhumi shared photos of herself from the sets, writing, 'Bun maska and chai gets me high.' In the images, the Bhakshak actress is seen enjoying tea with bun maska. In the video, Pednekar could be heard saying, 'Bread, butter, and chai ultimate.' Bhumi shared a series of photos from the sets, capturing the cozy mood of a rainy-day shoot. Along with her post, she used hashtags like #monsoons, #onset, #filming, #BhumiPednekar, and #chai — perfectly summing up her love for simple pleasures during a busy filming schedule. Professionally, the 'Badhaai Do' actress was most recently seen in the series 'The Royals,' which also starred Ishaan Khatter, Zeenat Aman, Sakshi Tanwar, Nora Fatehi, Vihaan Samat, Dino Morea, and Milind Soman. Directed by Priyanka Ghose and Nupur Asthana, the romantic comedy centered on a once-wealthy royal family in present-day India, facing financial hardships. Their fate begins to change when the family's heir partners with a hospitality entrepreneur to transform their ancestral palace into a high-end resort. In the show, Bhumi Pednekar played Sophia Kanmani Shekhar, the CEO of Work Potato and the love interest of Fizzy. The series premiered on Netflix on May 9, 2025, and was renewed for a second season on May 28. Tanya Bami, Series Head, Netflix India, added, 'Rom-coms have a timeless charm; they make us laugh, believe in love, and embrace the beautiful chaos that comes with it. With The Royals, we've created a modern love story that has an equally modern-day conflict. While Bridgerton and Emily in Paris showed the world how compelling romantic sagas can be, The Royals brings that sizzle and swoon to a world that's unapologetically Indian. Creators Rangita Pritish Nandy and Ishita Pritish Nandy said, 'With The Royals, we've mounted a romance that whips together the old-world charm of palaces and Indian royalty with glass-walled boardrooms and modern reality—where love is anything but easy.' The creators shared that the series is about two people from completely different worlds, each fighting their own battles, constantly at odds, yet irresistibly drawn to each other in ways they never expected. Bhumi is next gearing up for the release of the psychological thriller 'Daldal.' In an Instagram post, the actress had opened up about her character in the upcoming web series. Reflecting on what she described as a year-long journey, she shared her excitement and nervousness about portraying a role she considers one of the most complex and layered of her career. Indo-Asian News Service

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store