
DBKL's festival showcases 14 orchestral ensembles at 10 venues
KUALA Lumpur is set to transform into a vibrant cultural soundscape with the return of Kuala Lumpur Orchestra Festival (FOKL).
Now in its second edition, the festival runs until June 29, taking place at selected venues across the city.
Organised by Kuala Lumpur City Hall (DBKL), this year's festival showcases 14 local and international orchestral ensembles, bringing together over 1,200 musicians.
'This is not just about music – it's about creating inclusive and impactful cultural experiences,' said DBKL Socioeconomic Development executive director Ismadi Sakirin at the festival's pre-launch.
'Beyond contributing to the growth of orchestral music, the festival also enhances KL's reputation as a cultural hub.'
Also present at the launch were DBKL Culture, Arts, Tourism and Sport Department director Naquib Hamdan, DBKL Music Unit head Isabella Pek, DBKL Culture, Art, Tourism and Sports senior deputy director Izwan Razif and Kuala Lumpur Society vice-president Jack Lim.
Ismadi noted that FOKL will expand its reach this year, taking place at 10 locations, up from just three last year – an indication of DBKL's growing commitment to the initiative.
Ismadi says the festival will position Kuala Lumpur as a cultural hub.
Festival venues include Auditorium DBKL and Dataran DBKL at DBKL headquarters, DBKL's training institute in Cheras, Dewan Filharmonik PETRONAS, and the River of Life area in Masjid Jamek.
The programme also features workshops led by musicians from across Asia, including Japan, China and Thailand.
To nurture the next generation of talent, the festival will spotlight performances by schoolchildren and youth ensembles.
According to a DBKL statement, over 60 schools have been invited to attend selected performances.
To promote accessibility, DBKL is collaborating with GNB Disabled Welfare Association to ensure people with disabilities can attend the concerts.
FOKL will also include a charity performance in support of the Malaysian Association for the Blind.
Admission is free. For schedule of performances, venues and showtimes, visit fokl.my
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Star
03-08-2025
- The Star
Malaysia celebrates the music of South-East Asia as 'KL Street Jam' kicks off in style at the city centre
The KL Street Jam 2025 kicked off with many Malaysians and tourists joining in the patriotic fervor at KL's Laman Jejak Pahlawan, Bulatan Dato' Onn on Saturday (Aug 2), in a special edition event in conjunction with Malaysia's 68th National Day celebration. Carrying the theme 'Merdeka Street Vibes,' this marks the first edition of the year and is produced by the Department of Culture, Arts, Tourism, and Sports (CATS) under the Kuala Lumpur City Hall (DBKL). Since its inception in 2013, KL Street Jam has become an open platform uniting hundreds of Malaysian artists—featuring both established names and those making comebacks in the local entertainment scene. This year's edition makes history as it debuts at a new venue — Laman Jejak Pahlawan, a public space within the Kuala Lumpur Heritage Corridor that is increasingly becoming a favourite destination for city dwellers and tourists alike. The vibrant evening showcased high-energy performances from a stellar lineup of artists. Haiza captivated the audience with songs like "Dag Dig Dug 3.0, Tanah Pusaka, and Penasaran". Maman (from Teachers' Pet) made an emotional return to the stage following the passing of his beloved wife, delivering heartfelt renditions of "Kasih Ku Pinjam Wajahmu, Cinta Kita, and Warisan Wanita Terakhir". Rock band Dr. Kronik lit up the stage with electrifying numbers such as "Hidup Hidup Dibakar, Zero to Hero, and Fanatik". The programme opened with a patriotic dance performance to Jalur Gemilang and Madani Jiwa Merdeka by DBKL Cultural Artists, accompanied by the DBKL Cultural Combo led by Tg Zainuddin. The charismatic host further enlivened the atmosphere, Nadia Hasnan, who engaged warmly with the audience throughout the evening. More than just a musical showcase, this event forms part of the strategic initiative WARISAN KL and the River of Life (ROL) project — both aimed at preserving heritage, activating public spaces, and shaping a distinctive urban cultural identity. DBKL envisions Laman Jejak Pahlawan as a permanent hub for community arts, cultural programs, and performances by institutions such as ASWARA, Universiti Malaya, UiTM, and various cultural NGOs. Strategically located, the venue is highly accessible from multiple directions via three main routes: 1. Route from Medan Selera D'Tebing (Jalan Raja) Visitors coming from Dataran Merdeka or Medan Pasar can take a scenic riverside walkway near Medan Selera D'Tebing. This path leads directly to a pedestrian tunnel that connects seamlessly to the Laman Jejak Pahlawan area. The walkway is peaceful and well-lit, adorned with artistic murals that add charm and vibrancy along the route. 2. Route from Jalan Sultan Salahuddin Ideal for visitors arriving from HQ Bank Rakyat or Sekolah Kebangsaan Sultan Hisamuddin Alam Shah, this dedicated pedestrian path leads directly into the landscaped grounds of Laman Jejak Pahlawan. It is especially suitable for families and tourists using nearby public transportation such as buses and MRT. 3. Route from Jalan Tun Perak (beside DBKL Building 1) Those coming from the city centre, especially via Masjid Jamek LRT Station, can walk along the side of the DBKL Building to access the Jejak Pahlawan corridor. This is one of the most convenient routes for those relying on public transport. Beyond music and cultural performances, the event was enriched by community participation and local vendors. Pushcart stalls offered light snacks and beverages, while nearby areas like D'Tebing saw increased footfall, contributing to the local economy and enhancing the festive atmosphere. The Merdeka edition of KL Street Jam 2025 is not merely an entertainment event — it is a celebration of local artistry and national pride. The next installment is scheduled for 23 August 2025, at 8:30 PM, at the same venue — promising another exciting night featuring an equally impressive lineup of performers.


The Star
01-08-2025
- The Star
Authenticity, passion drive dancers through every step
SYAHIDAH Hazmi, 25, from Selangor, has been with the Artis Budaya Dewan Bandaraya Kuala Lumpur cultural troupe for nearly five years. Over time, she has learned most of the traditional dances from across Malaysia, but says capturing their grace was still a work in progress. 'You can try to emulate the movements, but conveying the feeling is not easy. We just do our best,' she said. Syahidah and Amirul striking a pose in full Dayak traditional attire, complete with elaborate headgear and accessories used in Sarawakian dance performances. Syahidah said it was not enough to just memorise the dance steps. 'As dancers, we need to understand the story and meaning behind each routine. 'You can't simply mix and match, it must be authentic.' Fellow dancer Amirul Fahmi Zulkifli, 33, finds that the most important thing is to respect the dance and the costume. 'When we perform traditional dances from Sarawak or Sabah, even if we don't get everything perfect, we always make sure the costume is spot on. 'It has to be the correct outfit with the proper accessories,' he said. Ninie Marlina and Iznur Aireel dressed in Bajau traditional costume. Recounting a performance at Dataran Merdeka in full traditional Sarawak gear, Amirul said Sarawakians approached him after the show and quizzed him about his attire. 'They knew what it was, but they wanted to know if we got every detail right,' he said, referring specifically to the intricate headgear. 'The feathers on the headgear are from burung kuang (Great Argus pheasant). Those long, patterned tail feathers are crucial, especially in Dayak dances. 'The headgear is elaborate but meaningful. It's a big part of their culture, and we make sure to honour that,' he said. Siti Aishah Mustapa Kamal, 25 and Nor Muhammad Hijjahie Nor Hafizi, 21, dancers from Kuala Lumpur City Hall's cultural troupe rehearse in full Indian costume, presenting classical movements that celebrate Malaysia's Indian heritage through dance and dress. When asked which costume was his favourite, Amirul replied, 'Definitely the Dayak one, it's the least hot!' The Dayak men's traditional attire consists of a bark or cloth vest, and pants made from animal skin. Syahidah and Amirul find classical Indian dance, particularly bharatanatyam, most challenging. 'I especially love traditional Malay dances like joget gamelan. It's elegant and expressive,' said Syahidah. For 32-year-old Kesavaen Krishnamoorthy, Chinese dance is the most challenging, while his favourite is Bollywood dance as he finds it the most fun. Ninie Marlina Ahmaden, 31, described dancing with ABDBKL as a dream come true, as she can travel regularly, something that would not be possible if she was working elsewhere. Iznur Aireel Fauzi, 19, the youngest of the troupe, hopes to travel abroad for performances in the future. 'I am new and still learning, so I haven't been assigned an overseas performance yet, but I'm hoping one day I'll get the opportunity,' said Iznur. DBKL dancers, Haslinda Abdul Halim, 36, and Adam Khaiqal, 31, from Selangor, all striking a pose in full Chinese costume. 'I enjoy dancing, and it brings me so much joy. I am proud to represent Malaysia every time I perform,' said Natasha Idris Silva, 41, who has performed across the globe. 'It is a wonderful feeling to be appreciated for our differences,' Natasha added. Haslinda Abdul Halim, 36, from Ipoh, concurred, saying, 'We experience that a lot when performing abroad.' 'The support we receive overseas really boosts our morale, especially when we are far from home,' said Adam Khaiqal, 31, from Selangor.


The Star
01-08-2025
- The Star
Cultural ambassadors on, off stage
THE sound of music echoes through the air as feet glide, twirl and stomp in unison. Artis Budaya Dewan Bandaraya Kuala Lumpur (ABDBKL) dancers are in full gear, rehearsing tirelessly, arms outstretched, headgear fluttering and their feet hitting the wooden panels in synchronised rhythm. This is inside the Kuala Lumpur City Hall (DBKL) studio at Pusat Kesenian in Jalan Rotan, Kampung Attap. While the stage may be a riot of colours and tradition, rehearsals at the studio often begin in simple, everyday clothing like T-shirts, track pants, and socks, allowing the dancers to focus fully on precision, stamina and formations without the constraints of heavy costumes. Dancers from the DBKL cultural troupe in traditionalcostumes, embodying the vibrant spirit of Malaysia'smulticultural heritage. 'You can't be worried about headgear or fabric when you are ironing out footwork,' said choreographer Mohamad Taufik Bakar. 'We keep it practical in the early stages. It is about getting the basics right.' But as the performance date nears, the dancers switch gears, literally. Full-dress rehearsals are held with complete traditional outfits, accessories and elaborate headgear to simulate the actual conditions on stage. 'That is when they adjust to the weight, heat and restrictions, and still look effortless,' said Mohamad Taufik. 'Dancing in costume is a whole different challenge. It is the final layer of discipline,' he said. He claps to the tempo, correcting stances, fine-tuning gestures and urging sharper finishes. 'Again,' he calls out, not for the first time that morning. Mohamad Taufik (front) leading the DBKL troupe dancers through a dynamic routine during full dress rehearsals, blending traditional forms into a seamless celebration of unity. Taking culture overseas It is not just another day at practice. Mohamad Taufik is preparing the dance troupe for an upcoming cultural tour to Vietnam, where dancers will perform in Ho Chi Minh City and Hanoi as part of the Malaysia Food and Beverage Expo, a soft diplomatic mission to promote the Visit Malaysia 2026 campaign and showcase the country's rich cultural heritage. 'These shows are important; they are about celebrating Malaysia overseas,' said the choreographer who has been training the troupe for 20 years. 'We want the performance to be perfect, so rehearsals start early in the morning and go on until night.' A total of 17 dancers are involved in this international assignment, with nine heading to Ho Chi Minh City and eight to Hanoi. However, the rehearsals are being conducted as one big unit to ensure cohesion and consistency. The group will be away for over a week, performing at key segments of the exposition to draw attention to Malaysia's diversity through dance, costume and traditional music. Dancers from the troupe preparing for a showcase, donning intricate costumes representing Malaysia's rich ethnic heritage. 'They are more than just performers, they are ambassadors of the city, of the country. 'When people see them on stage, they see Malaysia,' Mohamad Taufik highlighted. For him, the dance troupe's role extends far beyond choreography and stage presence; it is about diplomacy through culture. He recalled a memorable cultural project in Thailand, done in collaboration with Tourism Malaysia, where the ABDBKL dancers performed and interacted with the public at a promotional booth. 'There was a booth set up outside the performance venue where people could try on traditional costumes like the ones worn by our dancers. 'We had baju melayu, cheongsam, saree, sinjang, you name it,' said Mohamad Taufik. 'The visitors were so enthusiastic. They loved it. They took photos, asked questions. 'It wasn't just about entertainment, it became an educational and cultural exchange,' he added. Malinda (right) guiding dancers during rehearsal to ensure precision and cultural authenticity in every step. Costume and craft Mohamad Taufik said assignments abroad were carried out on a rotation basis to give every dancer an opportunity to travel. 'When one team goes overseas, another team stays back to handle domestic events. There must always be a group ready to perform at local functions, so we rotate. 'It also ensures everyone gets a fair chance to represent the country abroad,' he stressed. Whether performing for dignitaries at home or curious crowds abroad, Mohamad Taufik said the mission remained the same – to share Malaysia's cultural soul, one performance at a time. Of course, no matter how talented a performer was, a good show was only as impressive as its costumes and the gear that went with it, he said. DBKL has invested significantly in procuring traditional dance attires, including elaborate headgear and accessories, to ensure performances are both visually stunning and culturally accurate. DBKL trainer Malinda Mohamed, 54, said costume procurement was done via open tender. 'We have a committee that researches the types of costumes required, then sources the fabrics and items accordingly. 'If it is a rare piece, someone may have to travel to Sarawak to buy it, but most of the time, the tailors we work with in Sarawak will get the materials for us,' she said. 'One full set can cost up to RM4,000. 'Fabrics, like Terengganu songket, can go up to RM3,000 per metre. We are dealing with authentic and high-quality pieces.' To ensure cultural accuracy and respect, every detail from fabric to headgear is meticulously curated, Malinda said. 'This is culture, and we are dealing with historical facts. We need to get it right,' she added. To support this commitment to authenticity, DBKL has dedicated an entire library to its growing collection of traditional costumes. Each outfit is paired with its corresponding headgear and accessories, carefully labelled and stored. The space functions both as a cultural archive and a working wardrobe, preserving heritage while preparing performers for the world stage. From street to stage Come rain or shine, on polished hotel stages or open-air tarred roads, ABDBKL dancers are trained to perform anywhere, and they do it with grace. Whether it is swaying to the rhythm of the rebana (Malay hand drum) under the scorching sun at the Sepang Formula One Grand Prix formerly or gliding across a soggy field at Dataran Merdeka, the show always goes on. 'They are professionals,' said Mohamad Taufik. 'They have danced on everything from asphalt to marble floors. They adapt to the space, weather and crowd, and always give their best.' The DBKL dance troupe was the brainchild of the late Elyas. For the troupe, it is not just about the location, but the purpose to represent Malaysia's cultural soul wherever they are called to perform. DBKL's cultural troupe has come a long way since its hum- ble beginnings. According to a DBKL spokesperson, the ensemble was first established in 1988 with just 16 dancers, five traditional musicians and a single choreographer. It was the vision of Kuala Lumpur's third mayor, the late Tan Sri Elyas Omar who served from 1981 to 1992. He laid the foundation for what the troupe is today. 'Tan Sri Elyas saw the need for a dedicated dance group as a tourism tool to represent the city,' said the spokesperson. In 1998, the troupe was officially brought under the wing of DBKL's Culture, Arts and Sports Department with its members being absorbed as full-time staff of the local authority, serving under contract. 'They became one of our key tourism products, showcasing the uniqueness of Malaysian culture both locally and abroad,' added the spokesperson. While the troupe's roots are firmly grounded in traditional Malay dance, there is growing recognition of the need to reflect the full spectrum of Malaysia's multicultural identity, so it has expanded to include dances of other ethnic groups too. With Kuala Lumpur emerging as a hub for major global events, including the 1998 Commonwealth Games, the Formula One Grand Prix and multiple national tourism campaigns, the troupe had to evolve. 'There was a need to adapt, to infuse some contemporary elements while still respecting traditional forms,' said the spokesperson. The ABDBKL troupe of 52 dancers, comprising 29 women and 23 men, perform at national and international events throughout the year. Aged between 19 and 41, the dancers pour their heart and soul into every performance, showcasing Malaysia's rich cultural heritage on stages around the world. With Visit Malaysia 2026 just around the corner, DBKL's cultural troupe is gearing up for what promises to be a packed and pivotal year, both at home and abroad.