New sculpture honoring Lost Creek Settlement dedicated in Deming Park
TERRE HAUTE, Ind. (WTWO/WAWV)— Art Spaces is having their new sculpture honoring the Lost Creek Settlement dedicated in Deming Park on June 12.
The piece, titled 'A View from the Porch,' was created by artist Reinaldo Correa Díaz. The dedication program will begin at the park at 5:15 p.m. and will include opening remarks from Art Spaces, state and local officials, the Indiana Arts Commission, Díaz, and descendants of the Lost Creek. The program will take place at the sculpture located past the stone bridge but before the large pond.
The sculpture will be the 22nd in Art Spaces' collection and the fourth on what they call the Cultural Trail. The trail was established in 2008 and honors individuals, groups, and icons who have had a lasting impact on the community and beyond through works of art.
The Lost Creek Settlement was formed in the early 1800s by a small group of free African Americans who came from Maryland, Virginia, and North Carolina and settled into what is now Vigo County to escape racial violence and systemic oppression in the pre-Civil War South. For generations, these individuals owned and farmed their lands and established a community with churches, cemeteries, general stores, blacksmiths, and schools. They also employed their own teachers and gave them supplies when it was forbidden to educate African American students in Indiana public schools.
For more information on the project or if you need accommodations, you can contact Art Spaces at 812-235-2801 or email them at info@wabashvalleyartspaces.com. The event is free and open to the public.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Yahoo
4 hours ago
- Yahoo
Willmar to celebrate Juneteenth during Willmar Fests Block Party
Jun. 11---- The city of Willmar will be celebrating Juneteenth during the Willmar Fests Block Party. Juneteenth is a federal holiday honoring African American freedom and culture. The city of Willmar is joining in the celebration, transforming the Willmar Fests Block Party into a vibrant gathering of community, music and reflection, according to a news release from Willmar Community Growth Director Pablo Obregon. The holiday marks the day in 1865 when Major General Gordon Granger announced the emancipation of those enslaved in Texas, more than two years after the Emancipation Proclamation, according to the news release. "This pivotal moment in American history symbolizes the ongoing pursuit of equality and justice," the news release states. The Willmar Fests Block Party begins at 5 p.m. Thursday, June 19, in downtown Willmar. The city will have a community table set up there for Juneteenth, offering free swag and fun giveaways while supplies last, and the band Dred I Dread will provide live reggae music. For more information, contact Obregon via phone or email at 320-894-2346 or .
Yahoo
7 hours ago
- Yahoo
A portrait taken in North Philly in the 1980s reconnects poet with cherished memories of her own beloved father
To celebrate Father's Day, The Conversation U.S. asked Philadelphia anthropologist, playwright and poetic ethnographer Kimmika Williams-Witherspoon to reflect on a poem she recently performed to accompany a 1986 photograph by Philadelphia photographer Joseph V. Labolito. Williams-Witherspoon, who also serves as senior associate dean of the Center for the Performing and Cinematic Arts at Temple University, shares how the collaboration came about, and why one of Labolito's photos in particular brought back a rush of cherished memories of being a little girl hanging out with her dad. The whole poem is a tribute to my father, Samuel Hawes Jr., who lived from 1920 to 1989, and the many men like him who were always present and participatory in the parenting of their children and the providing for their families. Because of stereotypes and popular culture – media, movies, news stories – that tend to demonize and pathologize Black men, there's a myth that men in our communities are all cut from the same cloth. For me, the poem discounts that stereotypical narrative and celebrates the African American men that I knew growing up – Daddy, my uncles, the deacons in our church, the neighborhood dads on my block. The men in this photograph represent men like Daddy, who at one point worked two jobs to provide for his family. He drove a yellow cab and worked the graveyard shift as a presser at the U.S. Mint. He took me to school every morning when I was in high school. He made it to every school function or occasion, drove me to and from parties so I could hang out with friends, took me to church every Sunday morning and on those special road trips to Cleveland, Akron, Ohio, and Fort Lauderdale, Florida, throughout my life. Joe Labolito is a Philadelphia photographer whose work, I believe, is visual ethnography at its best. Throughout the '80s, '90s and 2000s, he documented the people, streets and neighborhoods of Philadelphia. His photographs are housed in several public and private collections, including the Special Collections Research Center at Temple University and the Free Library of Philadelphia's Print and Picture Collection. About a year ago, I saw an exhibit of Joe's work at Temple. Since that time, I have been using some of his photographs as a visual prompt for my students, while he and I talked about doing something together down the road. When I was asked to participate in Temple University President John Fry's investiture events in March 2025, I asked Joe if he wanted to do something with me. Right away he said 'Yes … whatever it is.' I asked him to send me maybe 25 of his favorite photos, and instead, he sent me about a hundred. When I got a minute to sift through them, there were 11 that, as soon as I looked at them, immediately prompted lines of poetry. This photograph of the two men and the little girl, however, made me remember an old poem, 'There Are Black Fathers,' I had written a long time ago – on Father's Day on June 19, 1983 – for my father before he passed away from prostate and bone cancer. I went digging through my old journals until I found the poem that I had written for Daddy, and I performed that poem to this photograph at the event. The juxtaposition between the men and the little girl – their beautiful, bright smiles, the joy they seemed to radiate – it all made me think about and remember how much I loved Daddy my entire life but especially as a little girl. That's the power in these kinds of artistic, material and visual artifacts. This photograph transported me right back to my childhood, filled with the warmth of a summer's day, hanging out with my dad, and the promise of a banana Popsicle later in the afternoon. Whatever the prompt – a photograph, a landscape, a person I've passed on the street, a word or phrase – the first draft is a free-write sensory download dump. I ruminate and then write down everything that comes to me in whatever order it comes. And then with each subsequent draft or pass at it, I start reading the poem out loud and tweaking it, making edits, moving and changing things while crafting lines that frame and build the story. I read the piece aloud over and over and over again until the poem tells me when I've got it right. I don't know how, but my ear will tell me when it's done and right with my spirit. Ethnography is an area of anthropology. From the Greek word 'ethnos,' ethno simply means people or culture, and graphy, from the Greek word 'graphia,' is the writing about said people or culture. Traditional ethnographies are usually written in a diarylike journal form. You end up jotting things down – thoughts, feelings, expressions, verbatim texts from interview participants – alongside bits and pieces of theory that correlate. Field notes are a combination of prose and scientific inquiry. I am a proponent of compiling poetic ethnographies – turning my observation and investigation of cultures, communities, and my field notes, into poetic form. Growing up in Philadelphia and a product of Philadelphia public schools, my primary language is mainstream U.S. English, but I tell people that my actual language is poetry. I see the world through poetry, and through the medium of poetry, I think I am better able to articulate the world I see. Read more of our stories about Philadelphia. This article is republished from The Conversation, a nonprofit, independent news organization bringing you facts and trustworthy analysis to help you make sense of our complex world. It was written by: Kimmika Williams-Witherspoon, Temple University Read more: Nurturing dads raise emotionally intelligent kids – helping make society more respectful and equitable Fathers need to care for themselves as well as their kids – but often don't From 'dada' to Darth Vader – why the way we name fathers reminds us we spring from the same well Kimmika Williams-Witherspoon has received funding from Lumena Foundation's Fund for Racial Justice and Equity (2018-19) and PEW Charitable Trusts Arts Grant (2020). Joseph V. Labolito owns the copyright to Philadelphia Collections. Philadelphia Collections research and operations is supported and partially funded by the Bridge award; an internal grant provided by the Office of the Vice President for Research (OVPR) at Temple University for the 2024 - 2025 year.
Yahoo
10 hours ago
- Yahoo
Pastor Jamal Bryant comes to Cardi B ‘full of love' to confront her shopping at Target
'I hope you will…walk alongside us,' Pastor Jamal Bryant publicly invites the rap superstar to join boycott after seeing her post in Target. Pastor Jamal Bryant is very serious about mobilizing communities, especially Black communities, to join his national boycott against Target. Today, the religious leader took to Instagram to kindly call out rapper Cardi B, who recently snapped a photo of herself in Target with her children. 'Dear @iamcardib, Grace and Peace to you! I come to you with a chest full of love,' he wrote, explaining the reason for the ongoing boycott. 'When I saw you post a picture of you and your beautiful family in the store, I felt certain that with your demanding schedule, you were probably unaware. Having 163 million [people] following you is a great deal of influence, and many follow your lead. I hope you will visit and walk alongside us.' Bryant continued: 'I'm fully aware that you identify as Latino and that you have children that represent both communities, and to that end, you should know the movement has support as well as buy-in from the Latino community and more specifically, workers. Your presence to be a part of the most effective boycott in 70 years since the Montgomery bus boycott! In the words of Martin Luther King, a person who doesn't stand for something will fall for anything.' Since the beginning of this year, civil rights activists and community leaders like Bryant have been calling for consumers to boycott Target after the retailer decided to back away from its diversity, equity, and inclusion initiatives in compliance with the Trump administration's continuous efforts to roll back DEI. As Bryant noted in his message to Cardi B: 'There has been a national boycott against @target because they have betrayed our community by dismantling diversity, equity, and inclusion. African Americans have spent 12 million dollars a day, and yet they don't see us as a viable partner. We've asked them to invest in black banks, black colleges, and black communities, and under pressure from the administration, they haven't felt compelled to even respond. Our unified movement of churches and grassroots organizations has led to a drop in their stock, a reduction of foot traffic, a reduction of their valuation, and a slashing of the CEO's salary. Last, we collectively have cancelled Target because we don't think patronizing them is best for our community.' While Bryant may have had good intentions with his message to the New York rapper, social media users have had mixed reactions about his choice to call her out publicly. 'A DM would've sufficed,' one user noted. 'Yeah you prob should have reached out to her directly that way you share more information and gain an ally in this. You basically opened her up for attack as evidenced in the comments,' another user commented. 'This is not productive and causes a distraction we don't need. Cardi has been clear in how she stands on a lot of issues. More so than many others who are quiet. I hope you will reconsider your method here.' Others defended and applauded Bryant's approach, tagging the rapper to join them in their boycott efforts. 'I love this approach. I think you missed the spirit of his message. He came with love, not judgment — and offered insight, not indictment. It wasn't an attack, it was an invitation,' an Instagram user argued in the comments. 'We can acknowledge Cardi's impact and still hold space for strategic awareness around where our dollars go. That's how we move forward — with both truth and respect.' Cardi B, who has previously been vocal about her political advocacy, has yet to publicly respond to Bryant's message. More must-reads: Global LGBTQ+ advocates gather 'on Trump's doorstep' at World Pride despite travel anxiety 'Sinners' puts 'truth on screen' for the Mississippi Band of Choctaw Indians NBA Finals: Haliburton caps huge rally with winning jumper as Pacers stun Thunder 111-110 in Game 1