
What needs to happen in the transfer window?
The transfer window opens on Sunday - albeit for 10 days initially, mainly so sides competing in the Club World Cup can get early business done - before reopening for the rest of the summer on 16 June.Are there certain players you are desperate for West Ham to sign, or an area of the squad that needs improving? Or maybe holding on to a key player is your biggest priority.And what about sales - who needs to go?So over to you... what names need bringing in and shipping out?Let us know here
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Telegraph
19 minutes ago
- Telegraph
Lord Hermer not to blame for ‘lenient' rape sentences, insists Cooper
Lord Hermer is not to blame for a rapist receiving a shorter sentence than Lucy Connolly, Yvette Cooper has insisted. The Home Secretary defended the Attorney General after The Telegraph revealed he declined to review 'unduly lenient' sentences given to a rapist, a paedophile and a terrorist fundraiser despite signing off on the prosecution of Connolly, who was imprisoned for 31 months for a tweet about last year's Southport attacks. Critics have since claimed Lord Hermer thinks 'rape is less serious than Twitter comments' after fresh concerns were raised about his 'appalling judgment'. The three criminals all received softer sentences than Connolly. When asked to look again at their cases, the Attorney General's office opted not to refer the decisions to the Court of Appeal for review. The revelations prompted fresh calls for Lord Hermer to be sacked after it emerged that he personally approved Connolly's prosecution, despite having the constitutional power to prevent it. He did not have any say over her sentence. Chris Philp, the shadow home secretary, confronted Ms Cooper over the case during Home Office questions in the House of Commons on Monday. He said: 'It emerged yesterday that the Attorney General, Lord Hermer, chose not to refer a man given just 28 months for rape for a longer sentence under the unduly lenient sentencing scheme, which the Attorney General can do. 'Yet, Lucy Connolly got more prison time for a tasteless tweet. Why does Lord Hermer think rape is less serious than Twitter comments? 'This is two-tier justice in action, and doesn't this show Lord Hermer has appalling judgment, and the Prime Minister should fire him?' Ms Cooper initially dodged the question, referring back to Mr Philp's record as policing minister in the last Conservative government. But pushed for an answer by Tory MP Sir Julian Lewis, she said: 'Lord Hermer does not decide sentencing. He has a particular role as the Attorney General that (Sir Julian)… as a very experienced member of this House, will know the way in which the system works.' In England and Wales, members of the public can ask the Attorney General to re-examine a sentence handed down by a Crown Court if they believe it to be 'unduly lenient'. He may then refer the decision to the Court of Appeal, which can keep the sentence the same, increase it or issue guidance for future cases. The criminals whose cases were 'not referred', according to data published by the Government, included Ben Churcher, from Wiltshire, who was given 28 months in prison in January for raping a woman in her home. 'Defies common sense' Richard Tice, the deputy leader of Reform UK, claimed the findings suggested Lord Hermer considered a 'nasty offensive tweet' to be a more serious offence than rape, paedophilia or terrorism. This was because the Attorney General's office made the decision not to refer those cases to the Court of Appeal after Connolly had been jailed for 31 months, meaning he was supposedly aware of her sentence when he failed to challenge the others. Robert Jenrick, the shadow justice secretary, also claimed Lord Hermer was 'content for Lucy Connolly to receive a tougher sentence for a nasty tweet than a vile rapist or paedophile', adding: 'That defies common sense.' A source close to the Attorney General said: 'The law officers are not involved in sentencing decisions, which are a matter for the independent courts. Nor do they have any role in setting the sentencing guidelines for particular offences. To suggest otherwise is completely inaccurate. 'Each unduly lenient sentence case is assessed against the specific guidelines for that offence, case law and in many cases advice will be sought from a senior specialist barrister. The Court of Appeal has set out what constitutes undue leniency, and this is a high bar. 'The law officers have referred a large number of cases to the Court of Appeal, many of which have resulted in increased sentences, including of rapists and child sex offenders.'


Telegraph
19 minutes ago
- Telegraph
The incredible ceramics collection with a very surprising owner
Among the students of Oxford University, Sylvanus Sydney Denton was a name to be conjured with. For many years, he made his money selling bicycles to students, while simultaneously developing a passion for modern and contemporary ceramic art. He amassed a collection of over 220 examples which he kept in a specially built kitchen extension. Denton died last year at the age of 90 and his collection has gone on view at Sotheby's this week prior to being sold at the end of the month. It is estimated to fetch as much as £1.7 million. It is not known exactly when Denton caught the ceramic bug, but it was probably not until his late forties. Having done his National Service in Kenya he found work back home in Oxford fixing bikes and refurbishing caravans before investing in a bike and toy shop. By 1982 he had four shops and was displaying his ingenuity buying vintage 19th century bikes on which he posed for the local press. Sotheby's believes his journey to ceramics began with Modern British art (Henry Moore, LS Lowry and Barbara Hepworth) before he discovered more affordable ceramics by the likes of 1930s refugees from Nazi Germany, Hans Coper and Lucy Rie whose pots were beginning to be seen as fine art and superior to craft. According to the sale catalogue, one of Denton's earliest acquisitions was a work by Coper which he bought in 1988 at the trailblazing Oxford Gallery, which presented contemporary ceramics with avant-garde modern art by the likes of Terry Frost and Patrick Heron. Two works he bought there in the 1990s were by Edmund de Waal, the ceramicist and author of The Hare with Amber Eyes, long before he was swept up by the upmarket Gagosian contemporary art gallery. Denton also shopped at auction and in 1997 bought a Black Cycladic Form Arrow pot by Coper at Bonhams for about £9,000. To give an idea how Coper's prices have moved, another Cycladic Form Arrow pot bought by a different collector in the 1970s for £250 sold in 2018 for £381,000. Denton's example at Sotheby's is a comparatively tame £100,000 (check). Sotheby's describes Denton's collection as 'one of the finest collections of studio and contemporary ceramics in private hands'. Apart from Coper there are several delicate works by Rie in the £25,000-50,000 range, and a standout work by Elizabeth Fritsch, who is currently enjoying a high-profile exhibition at The Hepworth Wakefield museum near Leeds. Denton bought Fritsch's 20-inch, vividly coloured 'Spout' Pot (1998) for a double estimate record £10,160 at Bonhams in 2004, since when her record has risen to £51,400 last year. The estimate for Spout Pot has now doubled to £12,000-18,000. Another auction buy was a playfully twisted 'Monumental Body Pot', by Joanna Constantinidis which Denton bought for a record £1,600 at Bonhams in 2002, two years after she died. Posthumously, her prices have crept up to £15,000 for another Body Pot in 2021 so Denton's example, now estimated at £4,000-£6,000 should make more. His favoured method of acquisition, however, was to buy directly from the artists themselves; he was very popular with potters. One was Dame Magdalene Odundo, the British Nigerian who was the subject of an impressive exhibition at The Hepworth Wakefield in 2019. Three burnished terracotta pots by her in the sale all date from 1990/91, before she was famous. There is no record of their cost, but by this point art dealers were charging £5,000, compared to £250 in the 1970s. Since then, her prices have been multiplying. At auction in around 2010 they were selling for £10,000-£15,000, but after The Hepworth Wakefield show was announced and she was signed up by leading contemporary art dealer Thomas Dane, wealthy collectors like fashion designer Jonathan Anderson (who has been announced as the new head designer at Dior) began buying her work and at auction they soared to a record £533,400 for one of her pots in 2023. The estimate on that work was £100,000, a record for Odundo at the time. Now Sotheby's has gone a step further with two from Denton's collection estimated at £150,000 each. This is, though, a collection of value extremes. While most of the value is concentrated in just a handful of artists, the majority of lots are estimated at under £3,000 each, some with no reserve minimum price. Other artists include Janet and David Leach, the wife and son of the influential potter Bernard Leach, and Richard Batterham, a student of Leach who died in 2021 the same year that a pair of his pots hit a record £20,000 at auction. So, for fledgling ceramic collectors it's time to get on your bikes and bid. How the art market is coping with sanctions on Russia The sanctions that were imposed on Russian businesses after Putin's invasion of Ukraine in 2022 put an end to the regular art sales, worth millions of pounds, which London used to stage mainly for the benefit of Russian buyers. Russian art auctions in London went from being worth over £100 million a year to nothing. But last year, Sotheby's held a sale – unnoticed by the press – entitled Fabergé, Imperial & Revolutionary Works of Art, which included Russian paintings, and it exceeded its £2.9 million estimate to make £3.9 million. And this November they are planning a repeat. So what is going on? According to analysis conducted by advisory group Overstone Art Services, Russian art continues to appear, but in different sale categories – from Old Master and 19th century to Modern. Russian art can be bought and sold, so long as the client is not a Russian passport holder or on a sanctions list. This April, for instance, Sotheby's included two paintings by the 19th century artist Richard Zommer, who worked in Central Asia and would previously have been sold in a Russian art sale, in its sale of Orientalist art together with a variety of European artists. One of his paintings, a depiction of a chaikhana (or meeting place for travellers) on the Silk Road, was estimated at £20,000 and sold for a record £114,300. Trade sources believe the Russian art market is buoyant within Russia, better than property, and that Russian buyers are still active in the West but operate under a dual nationality, as Ukrainian, say, or Belarusian. In a statement released to the Telegraph last week, Sotheby's said: 'Today there is a significant diaspora of Russians who collect. As ever, we have worked to ensure that we are complying with sanctions and other restrictions placed on Russian clients and property of Russian origin. Where appropriate, we have also been offering Russian paintings in international sales across various selling locations. While the international auction market for Russian art remains significantly smaller than it was, we have seen areas of positive momentum.' The statement echoes Overstone's observation that while sale totals are down, average hammer prices for Russian artists have increased, indicating that 'growth is already beginning to occur. If this trend continues, it seems likely that the accessibility of the Russian paintings market will increase, thus allowing for the market to grow again when the situation is more settled.'


Telegraph
19 minutes ago
- Telegraph
Lisa Nandy to be quizzed on football regulator after accusations of cronyism
Kogan, a media executive nominated as the first chair of the new football regulator in April, told MPs last month that he had made 'very small' contributions both to Nandy and Sir Keir Starmer's 2020 Labour leadership campaigns. The admission reignited the row over 'crony' appointments by the party, which was accused by the Conservatives of breaching transparency rules. A DCMS spokesperson said: 'We have received the letter from the commissioner for public appointments and we look forward to cooperating fully with his office. The appointment is in the process of being ratified in the usual way.' Kogan appeared before the Culture, Media and Sport select committee on May 7 after being named by Nandy as the Government's preferred choice to lead the new body. 'I am prepared to declare now, on the public record, that five years ago I contributed very small sums of money to both the leadership campaigns of both Sir Keir Starmer and of Lisa Nandy,' he said, after reports he also donated £75,000 to Labour MPs. 'That hasn't been discovered by the press and I am happy to declare it now,' he said, insisting he had 'total personal independence from all of them', and had 'never actually been particularly close to any of the individuals to whom I have donated money'. He told MPs: 'I'm not really susceptible to any pressure, including political pressure, and the so-called ties to the Labour Party are, in fact, far less than have appeared in the public press. 'I don't believe that I have undermined that [independence] by writing books about the Labour Party, being on the LabourList board or being a donor, but clearly that's a judgment call that others may need to make, rather than myself.' Kogan added that he had 'never had a one-on-one meeting' with Starmer and had not met him since he became Prime Minister, but recognised there was 'a perception of bias'. The donations to Starmer and Nandy's leadership campaigns are understood to have been below the threshold for public declaration. A source told Telegraph Sport they were each less than £3,000. 'Fans promised impartiality but are being handed political appointee' But Louie French, the shadow sports minister, said the failure to disclose those donations publicly when Kogan was put forward for the role was 'a clear breach of the governance code on public appointments' and called for an investigation. He said: 'The decision to install David Kogan – a major Labour Party donor and former director of LabourList – as chair of the Independent Football Regulator, without disclosing his extensive personal political donations to Keir Starmer, is a serious breach of public trust. 'Fans were promised an impartial and independent regulator, but instead they are being handed a political appointee whose impartiality is already in question.' The Prime Minister's official spokesman said Kogan's appointment had been 'made as a result of fair and open competition' and run 'in accordance with the Government's code on public appointments'. The spokesman repeated that all rules had been followed when asked whether Nandy or Starmer had declared the donations from Kogan during the appointment process. He said: 'The declaration process as set out by the rules has obviously been followed. The process for appointing him to the role has been followed and will continue to be followed.' Stuart Andrew, shadow culture secretary, said: 'This appointment bears all the hallmarks of yet more Labour cronyism. After significant public pressure, Lisa Nandy has belatedly stepped aside from the process, a necessary move that highlights just how compromised this selection has become. 'No 10 must now come clean about the involvement of the Downing Street appointments unit and special advisers in promoting David Kogan as the preferred candidate. The public has a right to know whether this was a fair and impartial process, or yet another case of political patronage disguised as due diligence. The decision to launch an inquiry is welcome.'