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Locals launch legal challenge to protect park ahead of major music festivals

Locals launch legal challenge to protect park ahead of major music festivals

Daily Mirror12-05-2025
The campaign group Protect Brockwell Park have launched a legal challenge against Lambeth Council, arguing large-scale music festivals are 'damaging the ecological fabric of the park'
London's Brockwell Park has become a hub for music festivals in recent years, but some Lambeth locals argue they come at the cost of conservation. In the lead up to a summer of back-to-back festivals in the park, a sect of South Londoners have launched a legal challenge against Lambeth Council, saying that the park is being 'overused and under protected.'
The local campaign group, Protect Brockwell Park (PBP), issued an open letter to Lambeth Council, calling for an end to 'large-scale, unsustainable events' that are 'damaging the ecological fabric of the park'. On April 9, Protect Brockwell Park sent a pre-action letter to Lambeth Council, notifying them of their intent to initiate court proceedings.


The group seeks to challenge the council's decision to allow Brockwell Live's commercial events to proceed under "permitted development" rules. The campaign group said this move bypassed "proper planning scrutiny" for what was "clearly a major, damaging change of use". PBP has already raised more than £34,000 through their crowd funder to cover legal costs and received more than 3,000 signatures for its petition.
This summer, Brockwell Live will host nine days of events running across two weekends between May 23 to June 8. The line-up of events includes music and culture festivals like Wide Awake, Field Day, Cross The Tracks, City Splash, Mighty Hoopla, and London's biggest festival, Lambeth Country Show. These events bring thousands of visitors to the park, with the Lambeth Country Show bringing 120,000 attendees alone.
One of the prominent figures of the campaign is BAFTA award-winning actor, Sir Mark Rylance (Wolf Hall, Bones and All). 'The imposition of high steel walls for Brockwell Live every summer destroys the park for weeks and harms the grass, trees and plant life for months — if not forever. It turns it into a prison camp,' says the actor.
Since instigating its petition, the campaign group has been met with some pushback from other Lambeth locals. In an open letter addressing 'the people of Lambeth', SayYesLambeth has accused Protect Brockwell Park of being an elite and "well-funded" minority.
'For too long, a small but powerful group has dominated the debate about Lambeth's future — shouting down new homes, opposing events in our parks, and trying to silence our vibrant night-time economy,' the open letter said. SayYesLambeth contests that PBP does not reflect the values of the area's young residents, creatives and small business owners.
The open letter added that Lambeth's night-time economy is not just about entertainment but business, insisting music venues and other community spaces need to be protected. The group purports that events like Might Hoopla and Lambeth Country Show 'showcase our diversity, support local businesses, and give thousands of people access to music, culture, and community right on their doorstep.'

In exclusive comments to The Mirror, Protect Brockwell Park responded to SayYesLambeth 's letter, saying 'it sets up a false choice between culture and conservation'. PBP asserts that they are not trying to ban festivals.
According to the campaign group, SayYesLambeth's claim that the events are part of shared, joyful use of the park is 'nonsense' when 'they result in almost half of Brockwell Park being fenced off each summer'. Protect Brockwell Park also rejects any claim of 'NIMBYism' (an acronym for Not In My Backyard), saying: 'This is not a campaign bankrolled by the elite — it's powered by local people who care deeply about their park.'
Lambeth Council has shared its own response to the legal challenge, saying 'any impacts from the events on the park are fixed with our event partner' and that they are 'committed to addressing all potential issues promptly and effectively, whilst ensuring Lambeth's residents continue to have access to a diverse and meaningful range of events.'
The council has also made note of the cultural importance of Brockwell Live events, saying they are 'really valued within our LGBTQ+ community' and that 'similarly, City Splash celebrating Caribbean and African music and culture is much loved by our Black communities and beyond.'
At time of writing, Protect Brockwell Park has said that Lambeth Council have not responded to their concerns or their petition.
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Martin Shaw: ‘Lewis Collins behaved so badly'
Martin Shaw: ‘Lewis Collins behaved so badly'

Telegraph

time3 days ago

  • Telegraph

Martin Shaw: ‘Lewis Collins behaved so badly'

Passing through the corridors backstage at the Harold Pinter Theatre on the way to meet Martin Shaw, line after line of A Man For All Seasons runs through my head like holy writ. The Robert Bolt play, turned into an Oscar-winning film in 1966, includes some of the most powerful but perfectly weighted dialogue of the 20th century. Shaw is making his second appearance in the play as Sir Thomas More – Henry VIII's martyred chief minister – for a summer West End run. 'I never got this play or Sir Thomas More out of my system,' he says. Shaw's career has oscillated between high theatre and high-profile TV roles such as Judge John Deed, Inspector George Gently and – most famously for those of a certain vintage – as Doyle in the much maligned cop show The Professionals. When we speak, he is an incredibly spritely 80 in his Hush Puppies, with long white hair falling either side of the face of a man 10 years his junior. That's just as well given the demands of playing More, a man with such integrity he would rather die than endanger his immortal soul by taking an oath confirming Henry VIII as Supreme Head of the Church. More's saintly virtues have been called into question recently, with Hilary Mantel's Wolf Hall trilogy and the resulting BBC drama adaptation portraying him as a sadistic schemer of the Tudor court who enjoyed torturing heretics in opposition to his great rival Thomas Cromwell. In A Man For All Seasons, these roles are more or less reversed. 'I think Wolf Hall is one of the greatest dramas with the greatest performances ever produced by British television,' says Shaw. 'I've heard Hilary Mantel partly wrote Wolf Hall as a response to A Man For All Seasons. But from what I know, I think her portrayal of More is probably not accurate.' 'I told the casting director I couldn't work with Lewis' Whatever philosophical puzzles Shaw grapples with on stage, it's the legacy of a much less distinguished TV show he still finds tricky to escape. The Professionals, produced from 1977 to 1981, made Shaw a household name – all high cheekbones, footballer's perms and karate chops. It's remembered for the unbridled machismo of lead characters Bodie and Doyle – part police, part secret agents working for the fictional CI5 – who spent most of their time skidding a Ford Capri around the streets of London, shooting terrorists and making off-colour remarks about beautiful women. The trouble is, Shaw hated every single minute of it, in particular his toxic relationship with Lewis Collins, the actor who played Bodie to his Doyle. 'It was truly, truly horrible and there was a sense of blessed relief when it was over. Ten years after the show finished I met Lewis and everything was healed between us. But the trouble all started when I was a villain in The New Avengers in 1977 and he was my sidekick. Lewis behaved so badly on that set. He had a small part but he was so arrogant. It was beyond that. It was bizarre.' Shaw describes how Collins would boast about his physical prowess at the expense of the other actors and confuse the director by talking about how the scenes would play out if he had to fight for real. 'I looked at the script for The Professionals and was offered the part. I'd done a film with Anthony Andrews and we were good mates so we rehearsed together and I thought he was a shoe-in for the other lead. But the production company wanted an abrasive relationship. 'I'd already said to the casting director, 'I can't work with Lewis because we don't get on', but they cast him anyway. I went up to him on the first day of shooting and said: 'You know I didn't want you to do this but let's get on with it and have fun.' And he told me to f--- off and he never forgave me for the next four years.' There is a notorious episode of The Professionals called 'The Klansman' about a far-Right group Shaw's character has to infiltrate. It was never broadcast in the UK because it featured such a prevalence of racist language. Did Shaw think this seemed insane during filming? 'I thought pretty much every episode was insane,' he replies. The thing Shaw found most uncomfortable then as now is that his work up to that point – the Royal Court and the National Theatre, TV and movie roles – 'vanished' once he was in The Professionals. Shaw, born in Birmingham in 1945, attended the London Academy of Music and Dramatic Art (Lamda) from 1963, served his time in rep and London theatre, and came to prominence playing Banquo in Roman Polanski's film of Macbeth in 1971. Polanski – who owned a flat in Chelsea – asked him to test for the role of Macbeth, though the lead eventually went to Jon Finch. 'When I saw the people testing for Macbeth, including Antony Hopkins who was my hero and with whom I shared a house, I thought I had no chance. But Polanski called me and offered me the role of Banquo.' Shaw recounts the conversation in a Dracula-esque Polanski accent and says the seven months of Macbeth's production were some of the greatest of his life. He's understandably circumspect about Polanski's ongoing exile in France as a result of his flight from the US in 1971 following his conviction for sex with a minor. 'Polanski was great with actors. My admiration and respect for him carried on through the whole production. There is so much gossip about the case he was involved in but it's a terrible loss to the industry.' 'Rhodes did some very bad things but I didn't mind playing that character' In the four decades since The Professionals, Shaw invariably appeared on British TV as a detective or a judge, which he says is attributable more to television's obsession with the law than anything to do with his persona or slow, sonorous voice. One notable blip on this long list of hits was the eight-part BBC epic drama Rhodes in 1996, which told the story of Britain's most 19th-century empire builder Cecil Rhodes in southern Africa. It seems almost inconceivable that this would be made today, given the bitter controversy over Rhodes's reputation. The show was rounded on by critics and the ratings almost halved between the first and second episode. 'Rhodes was hard enough to make even then,' says Shaw. 'The BBC didn't want to support it. I suspect they wanted to kill it. Eventually it was made for £8m instead of £12m. The South African government withdrew their funding, not because of any sensitivities over the theme of colonialism, but because they didn't like Rhodes being portrayed as a homosexual. 'It was clear even in 1996 that Rhodes did some very bad things. I didn't mind playing that kind of character. Those bad things are there in all of us and having a licence to access them as an actor is great.' 'It's almost impossible to be a person of integrity in public life' 'Bad things' are harder to find in Thomas More, but they must be in there somewhere. A Man For All Seasons is Shaw's happy place, having already taken the role in 2005 at London's Haymarket Theatre. Shaw says he went to see the play and the film over and over again in the 1960s, starring the peerless Paul Scofield. Shaw wants to keep evolving his approach to More, as much to make the most of the character's limitless depth as to step out of the great man's shadow. 'This time I'm playing him as a more life-enhancing, life-loving character who could laugh and get incredibly angry as well as his better known qualities.' This is a play that poses one dilemma after another. At its heart is the question of how far a person is prepared to go to preserve their own conscience, their own sense of truth as they believe it to be. Every other character compromises for gain or self-preservation (other than Henry VIII, who doesn't need to). More goes to the block for his beliefs. 'From my point of view, More's stand was borderline ridiculous,' says Shaw. 'For him, his oath was 'words you say to God' so he could not, as his daughter suggested, take the oath and think differently in his heart.' Among many memorable lines – the quickfire battles with Cromwell, More's stirring defence of the law – the exchange between More and former hanger-on Richard Rich stands out. Rich perjured himself to gain promotion to the Attorney General of Wales and his lies provide the only evidence against More. Knowing his trial is all but over, More asks to see the red dragon on Rich's new badge of office. 'Richard, it profits a man nothing to gain the whole world if he should lose his soul … but for Wales?' The script is all but perfect. Shaw recalls the line, 'When statesmen forsake their own private conscience for the sake of their public duties they lead their country by a short route to chaos.' 'That is true now more than ever,' he adds. 'Think about how important conscience and integrity are. It's almost impossible to be a person of integrity in public life – but I truly believe they are out there.' Shaw is full of contradictions. He has been a vegetarian since 1971 and follows Sant Mat, a mystical philosophy movement influenced by Sikhism and Hinduism. There's no reason why that shouldn't co-exist with sliding over the bonnet of an Escort RS2000 in pursuit of a gun runner, but it feels like it might. Still, despite all Shaw's misgivings, he has made something approaching peace with the worst experience of his career. 'There is another side to The Professionals. Years later an actor walked up to me on set and said 'It's so wonderful to meet you. You're my childhood hero.' So that helped me see the show differently. So many people loved it and got some sort of happiness from it.' It's wisdom of which Sir Thomas More would surely approve.

From Love Island to BGT and Clarkson's Farm, we reveal the top 25 TV shows of the last 25 years – but do you agree?
From Love Island to BGT and Clarkson's Farm, we reveal the top 25 TV shows of the last 25 years – but do you agree?

The Sun

time3 days ago

  • The Sun

From Love Island to BGT and Clarkson's Farm, we reveal the top 25 TV shows of the last 25 years – but do you agree?

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All Points East 2025: bag policy and full list of banned items for east London festivals
All Points East 2025: bag policy and full list of banned items for east London festivals

Time Out

time12-08-2025

  • Time Out

All Points East 2025: bag policy and full list of banned items for east London festivals

London's festival season is still powering on, folks. We've got down to Charli XCX at LIDO, marathoned on Drake at Wireless and belted to Kneecap at Wide Awake. And the next big fest on the cards is the seventh edition of All Points East. Over five days across the next two weeks, east London's Victoria Park will welcome the likes of RAYE, Doechii, Barry Can't Swim, Confidence Man, Cleo Sol and the Maccabees for the eclectic indie/ dance focused event. But before you get carried away with thoughts of dancing away on the field, tinny in hand, there are a few rules you'll have to follow first. Got tickets for All Points East this year (or tempted to pick some up last minute)? This is the lowdown on what you can and can't take to the festival. When is All Points East 2025? All Points East will return to Vicky Park over the weekends of August 15-17 and August 22-24. Here's a breakdown of the headliners for each day: Friday, August 15: Cleo Sol and Sault Saturday, August 16: Chase & Status Friday, August 22: Barry Can't Swim Saturday, August 23: RAYE Sunday, August 24: The Maccabees Bag policy Keep in mind that you won't be allowed to bring any bags larger than A4 (297mm x 210mm x 210mm) into the festival site. If your bag is too big, festival organisers suggest that you leave it at one of Stasher 's nearby left luggage locations for £6 per day. Banned items This is a festival, of course there's a long list of things banned from the site. When it comes to food and drink, punters will only be allowed an empty reusable water bottle to fill up on site or water in unopened an plastic container of up to 500ml – if you get hungry there'll be loads of street food to purchase on site. Your bag will be searched before you enter the festival site, so if you want to get in, make sure you don't have any of the following on your person. Alcohol Dangerous or hazardous items Illegal substances or new psychoactive substances ('legal highs') Professional cameras, go-pros or video cameras Flags, banners or poles Golf umbrellas or parasols Gas canisters Glass (of any kind), Chinese lanterns, fire or fireworks Laser pens Skateboards or scooters Bicycles (cyclists may pass through the event site but must dismount) Selfie sticks Spray cans, air horns, klaxons, or similar Any other items deemed unsafe or a risk to public safety

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