
The Used celebrate 25 years with a three night stand in Boston
Get Starting Point
A guide through the most important stories of the morning, delivered Monday through Friday.
Enter Email
Sign Up
The group's debut came one year later, though McCracken reveals that stardom didn't happen overnight. The musicians' calamitous sound captivated Feldmann, but audiences took a little longer to warm up to it. 'It was weird at first, because there was really no place for The Used to fit in. We toured with all sorts of different bands just to try to find a space in the scene,' McCracken says. 'We were kind of the outlier, the homeless band, so to speak.'
Advertisement
After playing pubs with Audiovent and Riddlin' Kids and performing at radio festivals alongside artists like Unwritten Law and Andrew W.K., The Used would soon find a home on the
'We played this Warped show and there was a point where all the equipment on the stage went out and the crowd just kept singing 'The Taste Of Ink.' It was amazing to see the self-titled [album] kind of pick up like that,' he recalls. 'We had this really cool feeling, like, 'Yeah, this is going somewhere.'' Their sophomore record, 'In Love and Death,' was released in 2004 and remains The Used's most commercially successful album to date. Despite McCracken processing the tragic loss of his pregnant ex-girlfriend at the time and the group dealing with their own internal conflict, 'In Love and Death' exemplified a palpable maturation that few artists can achieve.
The project's first single, 'Take It Away,' was a visceral shot of adrenaline punctuated by McCracken's frantic energy and harrowing vocals. Other singles, like 'All That I've Got' and 'I Caught Fire,' showed his aptitude for penning melodic anthems. McCracken says that the album's universality was a by-product of innate authenticity.
Advertisement
'['In Love and Death'] kind of lends itself to a really listenable record. Everyone will or has experienced loss and heartache and sorrow and for me to be able to open up my heart like that…I think it's helpful for music fans. Especially this kind of catharsis that we get to experience when putting all of our emotions into a song,' he says. McCracken's resounding passion grew on subsequent Used records ('Lies For The Liars,' 'Artwork,' 'The Canyon').
He also channels his emotions into the group's live performances. McCracken has previously said that The Used has always been a live band first, and for 25 years, he's made good on that claim. Constantly touring is how they gained their unwavering fanbase, but the band's caliber of performance is why those fans have stayed loyal.
'We take performing really seriously nowadays and we do this big long warmup. We play the entire show before we actually go out and play the show…that really helps us to get in the head frame and get in the mind space to put on the best show we can,' he explains. He says that's only increased over time.
'We've never cared more about how the band sounds and how the band makes a statement. We've never practiced harder and we've never been more dedicated. When I'm on stage, I have no choice but to be in it and to be on fire. But I never felt a lot of pressure–it's always about the love for playing and love for singing.'
During their three-night stand in Boston, The Used will continue to use their sonic nonconformity to cultivate a space for audiences to freely express themselves. McCracken understands that self-expression is now more important than ever. 'I think people are lost as to where they should fit in or where they belong…so for younger generations growing up, this music has something incredible to offer,' he says. 'We encourage that kind of individuality at shows and the space to not be judged or not to judge other people.'
Advertisement
After all of these years, fans of The Used remain devoted. As shows continue to sell out across the country, McCracken insists he does not take this support for granted. 'Looking back, we've been through a lot of ups and downs, but we're just so humbled and grateful to still be here after 25 years. I'm excited to make it 25 more.'
The Used
At House Of Blues, 15 Lansdowne St., Boston, April 9, 11, 12. 7 p.m., $63.00,
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


UPI
5 hours ago
- UPI
Mariah Carey to perform, receive Video Vanguard Award at MTV VMAs
1 of 3 | Mariah Carey will perform and receive the Video Vanguard Award at the MTV Video Music Awards in September. File Photo by Jim Ruymen/UPI | License Photo Aug. 21 (UPI) -- Mariah Carey will perform and receive a special honor at the the 2025 MTV Video Music Awards. MTV announced in a press release Thursday that Carey, 56, will perform a medley of her biggest hits and receive the Video Vanguard Award at the VMAs in September. The Video Vanguard Award recognizes the artist's contributions and influence on music videos and popular culture. Previous recipients include Katy Perry, Shakira, Beyoncé, Nicki Minaj, Madonna, Janet Jackson, Jennifer Lopez, Justin Timberlake and Missy Elliott. LL Cool J, the 1997 Video Vanguard Award recipient, will host this year's VMAs Sept. 7 at UBS Arena in New York. The show will air at 8 p.m. EDT on CBS and also stream on Paramount+. Carey made her debut as a performer at the VMAs with "Emotions" in 1991, and is nominated for Best R&B for her song "Type Dangerous" this year. The singer will release her 16th album, Here for It All, on Sept. 26. Mariah Carey turns 56: a look back Mariah Carey won Top Pop Artist at the Billboard Music Awards on December 3, 1991. Earlier that year, her album self-titled album topped the Billboard charts. Photo by Jim Ruymen/UPI | License Photo
Yahoo
10 hours ago
- Yahoo
What kids don't want you to know about Gen Alpha culture
This story originally appeared in , Vox's newsletter about kids, for everyone. . As long as youth culture has existed, adults have been mystified, perplexed, and even threatened by it. At least once a week I think about the scene in A Hard Day's Night, a film released in 1964, in which the Beatles are being interviewed by clueless older journalists. ('What would you call that hairstyle you're wearing?' 'Arthur.') But even seen against the long history of grown-ups not getting it, the culture of Gen Alpha — kids born between about 2010 and 2024 — feels especially hard to pin down. It is famously fragmentary — the monoculture is dead, and if adults aren't all watching the same shows anymore, a lot of kids aren't even watching shows. They're watching short-form video on their phones, sources of entertainment (or personality erosion) so limitless that every kid in the world could, in theory, be consuming a different piece of content right now. Given all this, every time I hear a claim like 'Gen Alpha doesn't laugh at farts,' I'm tempted to ask whether Gen Alpha collectively laughs at — or cries over, or has any sort of aesthetic experience with — anything. Is there a mass culture for kids and teens today? And if so, where does it come from, and what does it look like? When I posed these questions to people who study kids and culture, the answer I got was that while young people probably aren't watching the same things, a lot of them are craving similar experiences from the culture they consume, whether it's movies, YouTube, or, increasingly, video games. They want to feel safe, they want a sense of community, and they really, really want adults to leave them alone. Kids 'are still participating in culture,' said BJ Colangelo, a media theorist and analyst who has spoken about Gen Alpha trends. 'They just are making their own, and they're choosing not to share it with the rest of us.' Kids don't need mass media anymore Young people have never enjoyed being told what to like, and there's always been something organic and chaotic about their engagement with pop culture. At the same time, previous generations did have cultural arbiters and gatekeepers who controlled, to some degree, what they could access. For millennials and Gen Xers, 'magazines, MTV, and the radio were major outlets that were promoting and selling us what 'cool' is,' Colangelo told me. Young people could accept or reject what they were offered, 'but even with that choice, it was still being curated by editors, producers, DJs.' That was also true of culture aimed at younger kids, whose options were circumscribed by conglomerates like Nickelodeon and Disney. Parents also had a lot of involvement in — and veto power over — what kids watched. Your whole family could see what you watched on the TV in the living room, and parents could ban, or at least sneer with disapproval at, shows they found unwholesome. (I can't be the only millennial who looked forward to sleepovers as a time to watch R-rated movies after the grown-ups went to bed.) Today, media companies still try to manufacture hits, and sometimes they succeed. But kids no longer need to go through those companies to get their entertainment. And while parents can set screen time limits and put controls on children's phones or iPads, kids are notoriously great at getting around them. The result is a cultural landscape dominated by social media, one in which nearly half of younger kids' viewing time takes place on YouTube, TikTok, or other social platforms. You could certainly think of social media trends as shared cultural experiences within that landscape — indeed, many of the touchstones of youth culture that have received mainstream media coverage in recent years have been trends that managed to spill over into offline life, like the phenomenon of young people wearing suits to the film Minions: The Rise of Gru (incidentally, this trend appears to have been promoted by Universal Pictures, the studio that distributed Minions). Trends can be shared cultural experiences like the popular shows or movies of previous generations. The difference is that there are so many of them, and they pop up and flame out so quickly, said Jenna Jacobson, an associate professor of retailing at Toronto Metropolitan University who studies social media. 'Young people are experiencing a series of these micro mass events, which could be a sound or a meme, or a particular brand.' At the same time, 'social media allows many micro-communities to exist, which means that not everybody is seeing the same thing at the same time' — until something becomes big enough that it permeates everyone's feed, Jacobson said. Some of those big trends come from movies like Minions or Barbie, but a lot of them come from video games. It's no accident that A Minecraft Movie, one of the most popular films with Gen Alpha to date, is based on a massively popular game. In a survey of 10- to 24-year-olds last year by the Center for Scholars & Storytellers at UCLA, only 12 percent reported not playing games. 'More than a lot of things, it is a unifying culture,' Yalda T. Uhls, founder and CEO of the center, told me. 'When my kid, at 21, was hanging out with a 6-year-old, they were playing Minecraft together.' What kids want from media now Young people today crave a sense of connection, Uhls said: 'In a world where kids are not allowed to run outside, there aren't as many spaces for them, or they're overscheduled, gaming is a place they can gather.' It's no surprise that a generation of kids who spent formative years in lockdowns and remote school would feel starved for community. To me, another desire was more striking: The top goal for Gen Alpha and Gen Z, according to research by the Center for Scholars & Storytellers, is to feel safe. But if part of what kids want is to be safe from us, maybe we need to pay attention to that. This took me aback a little because a lot of what I think of as archetypal Gen Alpha content — Skibidi toilet, for example — can feel jarring, choppy, and a little scary. But Uhls points out that young people in 2025 are facing down climate disaster, rampant inequality, and active shooter drills at their schools. For them, gaming, and media in general, can be a source of comfort. And kids don't just want to be safe from the very real threats to their lives and livelihoods, Colangelo told me. They also want to be safe from the constant evaluation and judgment of adults. Gen Alpha 'has come of age in the social media surveillance state that we are all suffering under,' Colangelo said. 'So many of them already have a digital footprint that they never consented to because their parents posted them online when they were babies.' They're drawn especially to sandbox games and open-world games like Roblox and Minecraft because those games allow them to 'make their own realities and mini games and communities away from the watchful eye of Big Brother,' Colangelo said. 'It allows them to have something that they are in complete control over.' A Minecraft Movie was such a success not just because it was based on a game, but because it was truly for kids, not for their parents. 'So much of the mainstream culture right now is based on nostalgia,' Colangelo said. 'It's stuff their parents, their siblings, or even their grandparents like. Minecraft is very much their thing.' Adults often deride young people today for craving safe spaces, being afraid of anything new, different, or difficult. But if part of what kids want is to be safe from us, maybe we need to pay attention to that. I don't want to be too much of a Pollyanna — kids, like adults, are certainly capable of wasting time watching AI slop or its equivalent (don't ask me about the video my kid loves in which a toddler is inexplicably stung by a caterpillar). It's also the case that if kids are spending all their time within their microcommunities or on their highly-curated feeds, they're less likely to discover new artists or ideas, Colangelo pointed out. At the same time, a lot of kids' media habits can be understood as bids for autonomy, Colangelo said. They're really 'against things that are being force fed to them.' That's scary for adults who, sometimes understandably, want some say over what kids see and hear and play. But it's also a message about what we've taken away from a generation of kids, and what we might need to give back. What I'm reading The Department of Health and Human Services has said that its upcoming second MAHA report will include solutions for improving kids' health. But a draft report obtained by the New York Times does not include restrictions on pesticides, which experts say are necessary to reverse the increase in children's chronic disease. Oklahoma will require teachers from California and New York (and only those two states) to take a certification test showing they know 'the biological differences between females and males,' among other topics, before they can teach in Oklahoma. (The state's superintendent of schools previously announced that all teachers would need to incorporate the Bible into curricula.) Wired asked a group of kids what they think of AI. My favorite is Leo Schodorf, who tries to be polite to ChatGPT because, 'if they take over the world, and they're destroying everyone, then maybe they'll be like, this guy says please and thank you.'My little kid has been enjoying Zog, about a dragon who becomes an ambulance, kind of. Also, journalist Alyssa Rosenberg has started a new Substack all about children's books, and you can check it out here. Solve the daily Crossword
Yahoo
a day ago
- Yahoo
'RuPaul's Drag Race' S18 and 'All Stars 11' are coming—here's what we know
The flagship RuPaul's Drag Race series — nominated for 10 Emmy Awards this year — is coming back for season 18. Untucked is also returning as a companion series for the actual show. Sign up for the to keep up with what's new in LGBTQ+ culture and entertainment — delivered three times a week straight (well…) to your inbox! MTV, Paramount+, and World of Wonder confirmed that All Stars 11 is happening as well, and it'll remain on Paramount+. "We want to express our gratitude to Paramount for their unwavering support of the RuPaul's Drag Race franchise as we celebrate more seasons of spreading joy and laughter," World of Wonder co-founders and executive producers, Fenton Bailey and Randy Barbato, wrote in a statement. The official release reads: "RuPaul's Drag Race will return to MTV for its 18th season following a standout year, with season 17 delivering the highest-rated premiere in seven years. Onya Nurve made herstory as well, becoming the first queen from Cleveland to snatch the crown as America's Next Drag Superstar. Also returning is the Emmy Award-winning after-show, RuPaul's Drag Race: Paramount+ has renewed RuPaul's Drag Race All Stars for season 11, following the first-ever Tournament of All Stars season, where Ginger Minj earned a coveted spot in the "Drag Race Hall of Fame." The season was stacked with extra-special guest stars, including Ariana Grande, Cynthia Erivo, and Chappell Roan. RuPaul's Drag Race All Stars: Untucked will also return." We can't wait to see another lap of this race. Condragulations! Watch the official video announcement below. This article originally appeared on Out: 'RuPaul's Drag Race' S18 and 'All Stars 11' are coming—here's what we know Solve the daily Crossword