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I rewatched ‘Legally Blonde' on Prime Video — here's why Elle Woods is more relevant than ever

I rewatched ‘Legally Blonde' on Prime Video — here's why Elle Woods is more relevant than ever

Tom's Guide5 days ago

In a world full of mean girls, be an Elle Woods — not a Regina George. As the upcoming "Elle" series on Prime Video prepares to take us back to Elle's high school days, it's worth remembering why "Legally Blonde" remains a standout in the crowded field of '90s and early 2000s It Girls.
Cher Horowitz, Summer Roberts, Blair Waldorf, Elle Woods: These teen and young adult queens strutted through pop culture hallways with glossy hair and to-die-for wardrobes. But only one of them climbed the hallowed Harvard Law steps ("What, like it's hard?")
Now, you can revisit Elle's story by streaming "Legally Blonde" before the TV prequel series premieres. It's currently available on Prime Video, but not for long, so don't wait or you'll miss out.
Sure, Elle Woods (Reese Witherspoon) has privilege and lots of it. But unlike her pop culture peers, she wields it as a tool, not a weapon. While Cher and Blair perfected the art of the 'frenemy,' Elle breaks the mold from the very first scene.
She's not just popular, she's smart, compassionate and fiercely self-aware — traits rare enough in teen rom-coms that pigeonhole women into 'popular,' 'nerd,' or 'weirdo.' Elle is all three at once.
The film's only truly sharp barb? 'When I dress up as a frigid b---h, I try not to look so constipated.' Honestly, the recipient of that quote, Vivian (Selma Blair), deserved worse after the relentless bullying she dishes out.
But Elle balances that with generosity, like pretending to be Awkward David's jilted ex just to help him score a date and championing Paulette (Jennifer Coolidge), the unsung nail tech queen. The early Elle-Vivian rivalry fizzles quickly; instead of tearing each other down, they team up to take down Warner (Matthew Davis) and the patriarchy.
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Elle's story isn't the typical Popular Girl vs. Nerd showdown. It's a reminder that sometimes, the real enemy is the system, not each other. Unlike Blair Waldorf or Regina George, who cling to power by controlling others, Elle genuinely supports her friends and uplifts those around her. She embodies benevolence where most It Girls wield their status like a weapon.
At its core, "Legally Blonde" is a rom-com about Elle and ... herself. She initially chases Warner to Harvard Law, but quickly realizes she's too complex, too capable and yes, too blonde for anyone's narrow expectations. When Warner dismisses her, Elle quietly flips him off with a near-perfect 179 on the LSAT and a revelation that self-love beats dependence.
Even 24 years later, "Legally Blonde" still resonates. It's not just a nostalgia trip; it inspired young women to challenge expectations, pursue law, and fight for causes. The sequel spotlighted animal rights before cruelty-free beauty was mainstream, arguably helping kickstart a cultural shift.
Elle's influence even extends into Broadway and pop culture, with Ariana Grande's '7 Rings' tipping a pinky to the iconic film.
The rumored "Legally Blonde 3" movie has lingered for years, but now the wait is over for fresh Elle Woods content. Prime Video's prequel series, "Elle," set for 2026, promises to introduce a new generation to the confident, kind and unstoppable Elle Woods—Lexi Minetree has big heels to fill.
And honestly, who better to remind us all: In a world of Regina Georges, be an Elle Woods.

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Nothing can stop ‘Oh, Mary!' and Cole Escola at the Tony Awards
Nothing can stop ‘Oh, Mary!' and Cole Escola at the Tony Awards

New York Post

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  • New York Post

Nothing can stop ‘Oh, Mary!' and Cole Escola at the Tony Awards

Sirens call from stage It's Tonys time soon. June 8. More exciting news than the bulletins at Newark. I haven't been this moved since Sutton Foster told me in 2022 that she'd been picked to work with Hugh Jackman in Broadway's 'The Music Man.' Not knowing him so well before, she was therefore very excited. Now 2025, getting divorced from his wife of decades. New lady friend — Sutton Foster. The first Tonys were 1947. At the Waldorf Astoria, which may reopen when the Statue of Liberty goes co-op. Tickets, $7. Now Radio City. Price? $795 plus whatever's an $8 venue fee. The first winners? Arthur Miller, Ingrid Bergman, Agnes de Mille, Helen Hayes. 1947 was a good year. Its aging musicals of that time still get rejuiced — 'Oklahoma!,' 'Brigadoon,' 'High Button Shoes.' The hotshot drama later that year: 'A Streetcar Named Desire,' with Marlon Brando, Kim Hunter, Jessica Tandy, Karl Malden. It was names like Orson Welles, Ethel Merman, Victor Moore, William Gaxton, Ray Bolger, Arthur Godfrey, Walter Huston, Bert Lahr, Lillian Gish, Dorothy Gish, Basil Rathbone, Uta Hagen, Anthony Quinn, Katharine Cornell, John Gielgud, James Mason, Bobby Clark, Maurice Evans and Tallulah Bankhead — all became biggies. Get opinions and commentary from our columnists Subscribe to our daily Post Opinion newsletter! Thanks for signing up! Enter your email address Please provide a valid email address. By clicking above you agree to the Terms of Use and Privacy Policy. Never miss a story. Check out more newsletters My Tallulah story: Trying to be a reporter I got myself to the Waldorf. In the ladies' room, next stall over, separated only by a thin wall — the superfamous thick throaty-voiced Bankhead came at me with: 'Little girl, have you any paper in there?' 'N-n-no, Miss Bankhead.' Sounds of a purse opening, scrabbling around, closing, then: 'Have you two fives for a ten?' All hail 'Mary' So, who's going to schlep home the Tony? It is the quickie show 'Oh, Mary!' The star, writer, creator, costumer Cole Escola. Nobody else. Forget anybody else. If Shakespeare himself showed up onstage live and inhaling a ham sandwich — he'd blow it. It's Cole. Cole Escola! Two years ago, it was another one-of-a-kind: Alex Newell. In a cornball musical about growing corn. The title was 'Shucked.' He won. Where is he now, what's he doing, why isn't he starring someplace in some musky theater? Is this the power of the famous fabulous Antoinette Perry Award? That after you sweat and strain and slave and worry and borrow a shmatta and rent jewels and rehearse your speech and try not to flop lumbering up the stairs — you end up the following year — where? It brings you nothing? Borscht? I know he's working. He's done concerts. He's done a movie. But is he on a Broadway stage right now grabbing another Antoinette Perry Award? No. Talent has its difficulties. Michelangelo spent four years daubing the Sistine Chapel. He didn't mind because he was union. What bugged him was that the Vatican then asked for a second coat. Watch the Tonys, kiddies, watch the Tonys.

Capitol Centre launches new season
Capitol Centre launches new season

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Capitol Centre launches new season

The Capitol Centre has launched its upcoming season with performances and exhibits to suit all tastes. Hundreds filed into the theatre on the evening of May 27 to see what was on offer for the 2025 – 2026 season. Katina Connolly, the Capitol Centre's Executive Director, along with Dan Misturada, Director of Programming and Events, presented the upcoming shows at the Betty Speers Theatre, and Jennifer Allison, Gallery Director and Curator, detailed the art exhibits on deck at the WKP Kennedy Gallery. There are some big names on the performance roster, including Howie Mandel, Jann Arden, the Sam Roberts Band, and Tom Morello, perhaps best known as being a founding member of Rage Against the Machine. Natalie McMaster and Donnell Leahy, the Grand Shanghai Circus, and Broadway star Jeremy Jordan round out the Hot Ticket Series. Misturada told BayToday, 'We were looking for a balanced season that has something for everyone, and we really tried to focus on Canadian content. We felt that this year more than ever, we really wanted to support local Canadian artists to make sure they had platforms because we know how difficult it is for them to travel back and forth between the States and here.' 'That was a really big focus for us.' There is much Canadian talent on tap, aptly named the Oh Canada! Series. Bedouin Soundclash, Tenille Townes, and Maple Blues Revue will all take the stage. Northern Strum, Pretty Archie, and Crown Lands are also set to perform. At the WKP Kennedy Gallery, Allison has put together a variety of exhibitions throughout the season. Currently on display to launch the season, is Pattern / Perspective: A Survey of Work by Lizz Aston. Also on exhibit is 100 Years, 100 Perspectives, a show designed to honour North Bay's 100 anniversary. 'This is an exciting exhibition line-up,' Allison said of the new season. 'We have a lot of community focused shows, in line with the Centennial anniversary. We also have a lot of group exhibitions where the community can take part.' Misturada acknowledged the Capitol Centre holds a special place in the community's heart, and within the hearts of many musicians and artists who have graced the stage. 'We seem to have really held a place in their hearts. When they come here, they know that they can count on the North Bay hospitality, they're treated well here by staff and the community, so they really want to come back.' For the full lineup and more information, visit the Capitol Centre's website. Tickets are on sale now for Capitol Centre members, and sales open to all on June 10. David Briggs is a Local Journalism Initiative reporter who works out of BayToday, a publication of Village Media. The Local Journalism Initiative is funded by the Government of Canada.

Taye Diggs on getting his groove back in ‘Forever': ‘This role was very therapeutic for me'
Taye Diggs on getting his groove back in ‘Forever': ‘This role was very therapeutic for me'

Yahoo

time2 hours ago

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Taye Diggs on getting his groove back in ‘Forever': ‘This role was very therapeutic for me'

"She put me on the map." So says Taye Diggs of Terry McMillan, the writer-producer who catapulted him to stardom in 1998 with How Stella Got Her Groove Back. More from GoldDerby 'The Studio' leads 2025 Astra TV Awards nominations with 14, followed by 'Severance' and 'The Last of Us' with 13 each 'House of the Dragon' Emmy submissions for Season 2 revealed: Emma D'Arcy to campaign in lead, Matt Smith in supporting Reality TV roundtable panel: 'American Idol,' 'Queer Eye,' 'The Secret Lives of Mormon Wives,' 'The Traitors' Reflecting on that period of his life, the 54-year-old actor remembers fully expecting to become a star. "I don't know who I thought I was," he recalls with a laugh (watch our full video interview above). "I remember graduating from college and saying, 'I'm going straight to the top.' When I got Rent (on Broadway) I was like, 'OK, when is the next movie coming?' I don't know where I got that confidence from because I don't have it anymore." Looking to get his own groove back, Diggs reunited with his old friend in Lifetime's Terry McMillan Presents: Forever. Diggs served as an executive producer with McMillan and star, playing Johnnie, a military veteran who falls head over heels for a local policewoman named Carlie (Meagan Good). Home for the first time in years, Johnnie must learn to let go of old grudges to find the true meaning of love and family — while earning the approval of Carlie's three daughters. While playing the complex character, Diggs was able to pull from his own life experiences like never before. "After having been tossed around a bit, married, divorced, in great relationships, and in some pretty horrible ones, I was able to use all of that in this piece. I didn't know that I had some of that pain within me. This role ended up being very therapeutic for me." Diggs calls this film "one of the most emotional and tumultuous stories" he's been a part of. 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