
David Schwimmer says he is ‘doubling down' on Lookingglass Theatre
On Thursday, after an existential crisis and a hiatus of close to two years, Chicago's famous Lookingglass Theatre Company officially returns to public performances in its Michigan Avenue theater in the city-owned Water Tower Pumping Station. Aptly for a company known for its physically oriented performances, the new production is 'Circus Quixote,' as devised and developed by longtime ensemble member David Catlin and his wife, Kerry Catlin, with a circus-based assist from Sylvia Hernandez-DiStasi. Prior to that, on Monday morning, Lookingglass also cuts the ribbon on a new lobby, cafe and bar space, funded by a grant from the State of Illinois and with an entrance at 163 E. Pearson St.
Founded in 1988 by former classmates at Northwestern University, Lookingglass has many illustrious long-time ensemble members, including Joy Gregory, Laura Eason, Mary Zimmerman and J. Nicole Brooks, many of whom now work mostly in film and TV. But the most famous of all is David Schwimmer, who shot to global fame with 'Friends,' one of the most popular TV sitcoms of all time. Schwimmer is expected Monday at the ribbon cutting and spoke to us from his home in New York. The following conversation has been edited for clarity and length.
Q: You grew up in Los Angeles. How is your family doing?
A: Everyone is OK but going through a lot. We know so many people who have had to evacuate their homes.
Q: It's been a while since you were back in Chicago and also a while since Lookingglass performed.
A: It has. But I am really glad to come back. I am hoping the return of our company will be as exciting to the city as it is to me. Listen, I think what transpired over the last four years with the pandemic and our having to shut our doors and lay off some 70% of our staff was just incredibly difficult for us. First, we weren't able to produce, then we came back with an original show only for us to have to close it up again. And the Magnificent Mile has had difficulties too, as have so many other theaters and arts groups.
Q: I, like many, was worried Lookingglass was gone for good.
A: I'm not going to lie. Over the last few years, there has been significant burnout and things became a bit demoralizing, especially when it comes to finding new sources of contributed income at a time when people are not giving much to the arts. There were times when we all asked each other whether we should just fold up shop, be glad for the 30-plus years we've been doing this, all the work we'd done and all the jobs we'd created. Or do we dig in, put on our big-boy pants and ask, can we figure out a new way forward in this climate while still sticking to our mission of original work? I thought we just do it, try for a return and give it everything we've got.
Q: You are a very famous and a very busy person beyond Lookingglass and Chicago. So what does this comeback mean for you?
A: I decided I'm going to lean in and double down on Lookingglass. I've joined our board of directors for the first time. I am donating myself, of course, but I am also trying to meet new people in Chicago and get more investment in us from the business community. We want to revitalize this whole corridor on Michigan Avenue and make Lookingglass a fun destination for parties, speakers, classes, even stand-up comedy. This has to be a vibrant space, even when we don't have a show running, and that is our goal now. We're talking to Hubbard Street Dance, Broadway in Chicago, the Museum of Contemporary Art. We want to transform our space into a shared arts hub and also work ourselves in other, bigger spaces. That is the dialogue we have been having.
Q: Admirably ambitious.
A: We have to start slow and ramp up over the next three to five years as we figure out our new producing model. We have some incredibly new shows in the pipeline but one show I'd love us to bring back is Mary Zimmerman's 'The Odyssey,' a wonderful story about returning home. But that's a big show and we cannot do that in our space and hope to break even, so we need to find new producing partners.
Q: The ensemble has changed some over the years.
A: Yes. Some have wanted to pull back. But we want our return to be all about the new guard and the best of the old guard. We have new leadership and they are fantastic and we really hope we can get people to come back downtown. That's the key.
Q: Are you going to direct or act in a show?
A: I definitely am. I can't wait to get back on the stage at Lookingglass, where I have not performed since I did 'Our Town' (in 2009). We might fall flat on our faces but we really need the whole community to help us rise to this challenge. We need the governor, the mayor, this whole neighborhood, too.
Q: I know there long has been a struggle to get signage on Michigan Avenue, where so many people once walked by.
A: We have to get that foot traffic back to where it once was. And we need the city's help in letting people know there is a theater here.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
McDaniel: Trump, Musk feud like Ross and Rachel on ‘Friends'
Former Republican National Committee (RNC) chair Ronna McDaniel during a recent TV appearance equated the bitter feud between President Trump and tech billionaire Elon Musk to the cyclical relationship between Ross and Rachel on the sitcom 'Friends.' 'I'm hoping it's like a Ross and Rachel thing. That it's just a break and they come back together. You know, we all panicked when they broke up on 'Friends,'' McDaniel said in a Thursday night appearance on NewsNation's 'Cuomo,' adding that she hopes they 'come back together.' Musk, who heads six companies, has been slamming Trump's 'big, beautiful bill' that is currently moving through Congress. He amped up the rhetoric Thursday, taking direct jabs at Trump by backing a call for the president to be impeached and accusing him of being in the Jeffrey Epstein files. Trump threatened to cancel the contracts that Musk's companies have with the federal government. Earlier at the White House on Thursday, Trump said he was 'very surprised' and 'very disappointed' in Musk over his criticism of the massive spending bill that passed the House last month. 'I think Trump's — you've seen Trump forgive people who have said things about him. You've seen these two men work very closely together. Elon was a big part of this election,' the former RNC chair told host Chris Cuomo. 'He came in, their businesses have both suffered, they've been attacked, they've taken a lot of personal hits for coming out politically, and I hope in the end they call a truce.' Cuomo then asked McDaniel if she thinks both men are 'worth more or less than before the election?' 'I think they're both worth more,' she said in response. Trump is looking to move past the fallout. Officials close to the White House did not rule out the possibility of the two men fixing their relationship. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Yahoo
4 hours ago
- Yahoo
Lisa Kudrow Reveals Why She Might 'Avoid' Joining 'The White Lotus' Season 4
Lisa Kudrow revealed that she would love to work with Mike White during a conversation with Parker Posey for Variety's Actors on Actors series When Posey said Kudrow should join season 4 of The White Lotus, the Friends alum expressed hesitation for taking on a role that is "too dark" Kudrow also revealed that she might not be White's "cup of tea," but joked that she'd let Posey know if she was offered a partLisa Kudrow might've just landed her next role. The Friends alum, 61, sat down with Parker Posey for the June 6 episode of Variety's Actors on Actors series, where they reflected on their careers and opened up about recent projects. As they talked about Posey's fan-favorite role on season 3 of The White Lotus, she questioned if Kudrow would join the next installment of the iconic series. 'Work with Mike White?' Kudrow replied, naming the show's creator. 'Yes. That's a quick answer. I love Mike White.' Although her interactions with White have been limited to hanging out with him at a party, Kudrow revealed that she is also a big fan of his work. 'Brad's Status was my favorite movie of that year,' she said of the 2017 comedy, which White wrote, directed and acted in. 'I emailed him to let him know because I had to. It was so good, I had to, and I don't do that a lot.' 'Lisa, you should be in season 4 [of The White Lotus],' Posey, 56, chimed in. 'You need to be a part.' Gushing over her character Victoria Ratliff, a wealthy North Carolina wife and mother of three who is unaware that her husband's business is under investigation during their vacation in Thailand, added that Kudrow needs to experience the power of the show's writers as they uncover 'the complexity of people.' 'Well, we'll see,' Kudrow joked. 'I'm not asked, but I'll have to let you know.' When Posey highlighted White's unpredictable storylines, the No Good Deed star admitted that she 'might not be his cup of tea.' 'Which is allowed to happen,' she noted. 'But no, I'm a huge Mike White fan.' 'I know you're his cup of tea,' Posey interjected. 'I'm going to text him after this to ensure that you know that you are!' Still, Kudrow had some hesitation about how she would fit into the series. 'I do get nervous about inhabiting things that are too dark,' she confessed. 'I try to avoid that.' Variety confirmed that The White Lotus has been renewed for a fourth season in January 2025, a month before the premiere of season 3, which broke records with 6.2 million viewers tuning in for the finale in April. Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories. The White Lotus is currently streaming on Max. Read the original article on People


Forbes
5 hours ago
- Forbes
‘Brandy' Singer-Songwriter Elliot Lurie Talks Enduring Popularity Of Proto-Yacht Rock Hit More Than 50 Years Later: ‘Good, Tight Storytelling'
Fifty-three years ago today, a New Jersey-based band called Looking Glass debuted its first and self-titled studio album. The second track on the LP told the story of a heartbroken barmaid pining after a sailor who refused to give up his nomadically maritime lifestyle for her. That song, of course, was 'Brandy (You're a Fine Girl)", a primordial yacht rock hit that quickly shot to the top of the Billboard Hot 100 in the summer of 1972. 'I guess a romantic tragedy is a good way to describe it,' Looking Glass founder, songwriter, and frontman, Elliot Lurie tells me over Zoom. 'From the sailor's point-of-view, it's about a guy who really does love a woman but can't get tied down … I think it's a really good, really short story. The challenge of telling an entire story with a beginning middle and end — and two characters you can relate to in a musical setting that lasts three minutes — I think that's pretty good, tight storytelling." While some artists come to revile their most popular compositions after a few decades of playing them non-stop in front of crowds, Lurie says his fondness for 'Brandy' has never waned in the last half century. In fact, he even named his publishing company 'Braided Chain Music' after the piece of Spanish jewelry the sailor gifted to Brandy. 'It's my one really big hit and if anybody comes out to see me, that's what they want to hear. I'm perfectly happy to play it for them,' he says. "I always enjoy doing it. I mean, people love it.' Lurie later adds: 'I always get emails and notes on social media saying, 'I was in the Navy in 1972 when it came out. Everybody played it all the time and we loved it.' I get a lot of that from people who are associated with the Navy or shipping or sailing.' Filmmaker James Gunn isn't a salty sea dog, but he loved the song so much, that he made it a crucial part of both the screenplay and soundtrack in his Marvel Studios sequel: Guardians of the Galaxy Vol. 2. Lurie, who 'loved the way that all the '70s music was used' in the first movie, admits he disappointed that his retro chart-topper was not included in Peter Quill's (Chris Pratt) initial 'Awesome Mix Vol. 1' tape. 'I was a little bit upset that they hadn't used 'Brandy,'" he shares. 'I said, 'I had a great '70s song, why didn't they use it?' And then about a year later, I got an email from my publisher saying that they wanted to use it in the second movie. I was thrilled. Then I started to see the script pages they sent me and it was fantastic because not only was it used as the opening song in the movie, but they discuss the lyrics [later] In particular, the lyrics are ruminated on by Quill's long-lost father, Ego (Kurt Russell), a living planet and god-like being who empathizes with the sailor in the story, owing to the fact that he's visited countless worlds and fallen in love, but never stayed to put down roots. Well, proverbial roots, anyway. 'When my wife and I saw the clip of that before they released the movie, our mouths were hanging open,' Lurie remembers. 'We were like, 'What?!' There's a line in the movie where [Ego] calls it 'Perhaps Earth's greatest composition.' My wife and I heard that and went, 'Whoa!'' Lurie wrote the song shortly after graduating from Rutgers University with a degree in sociology, which 'left lot of time for rehearsing,' he quips. 'We played all the fraternity parties and all the local bars. Those were our main gigs.' Before going out into the real world to find jobs, however, he and his three bandmates — two of whom were also Rutgers graduates — rented 'a big old farmhouse' in Glen Garden, New Jersey, in which to write, practice, and record demos. 'We would occasionally drive up the Jersey Turnpike and try to get a record deal in New York City,' Lurie adds. Their big break ultimately came in the form of producer Clive Davis, who signed them up at Epic Records, a subset of Columbia Records. Lurie crafted 'Brandy' with an acoustic guitar in one of the farmhouse's upstairs bedrooms, relying on his usual method of experimenting with guitar chords 'until I get a couple of chords that go together that I'm kind of liking. And while I'm doing that, I'll sing nonsense lyrics over the music," he explains. The name of the titular character, meanwhile, was inspired by a high school girlfriend he'd had named Randye. 'I was just singing her name along with some other things. And when the song started to come together, I said, 'Well, I can't use Randye, because that could either be a male or female name, and if it's going to be a bartender, she should be Brandy.' So that's where the name came from and then the story continued to evolve from there.' He subsequently brought the song downstairs to hone it further with the rest of the rest of the group, though 'the final recording that you hear on the radio was a little different than the way we worked it up in the living room,' he reveals. 'We added the background vocals and the groove to it and all. But then in the production of the final record, we added a horn section, opened up a lot more background vocals, and mixed it six or seven times before we got the version we wanted. So it went through quite a few changes, but the song basically stayed the same." Davis knew the song would be a hit, but the band, not wanting to be mistaken as a pop-focused group, decided to release the bluesy, rock and roll-inspired "Don't It Make You Feel Good" as a single first. 'It didn't do a thing,' Lurie says of the highly underrated track. 'So then they released 'Brandy,' and that made a big difference.' The song began to pick up traction after being played on the radio in the Washington, D.C. and a handful of other American cities. After calling the band into a meeting the executives at Epic proclaimed, 'Your record is going to go to Number One. It's going to sell a million copies,' Lurie recalls. 'And we asked, 'How do you know that?' They said, 'Listen, we do this for a living, and we can tell you that if it's getting the kind of reaction it's getting in that city and a couple of others, it's going all the way.'' He modestly continues: 'I don't consider myself a great singer, but my tone is kind of distinctive, and it worked very well on the radio — especially back then on the AM radio, it cut real well. And also, the production on the record is interesting. When you listen to some other slick pop records from that era, the production on 'Brandy' is a little different [by comparison]. It sounds a little bit garage band-y, it sounds a little bit pop. It's kind different-sounding than some of the other records from the era. That may be part of the reason why it's hung in there.' 'Brandy" continued to gain momentum until it was ubiquitous on AM stations that summer. The public loved it while the guys of Looking Glass understandably felt a little burnt out. 'We had worked on it for so long, that we wound up changing the station when it came on, because we were sick of it at that time,' Lurie confesses. In the decades since its release, 'Brandy' has been deemed an early example of yacht rock, a form of soft rock that didn't become a prevalent genre until later in the decade. Lurie, on the other hand, thinks it falls more into the pop category, but has 'no problem" if others want to consider it a yacht rock antecedent, particularly because its story centers around nautical exploits. 'Sometimes I'm surprised that it's included [in that genre],' he says. 'I guess it has to do with the lyrics [but] it's a little early for yacht rock. It came out in 1972 and most yacht rock stuff is from the late '70s and early '80s. Also, most of the great yacht rock singers are high tenors like Daryl Hall and Michael McDonald. I'm a baritone. So it's little different than a lot of yacht rock songs, but I'm happy to be on the list.' Starting in the 1980s, Lurie left the recording side of the industry when he became head of the music department at 20th Century Fox (now branded as 20th Century Studios under Disney's ownership). For close to three decades, he worked on such high-profile projects as 9½ Weeks, Die Hard, Home Alone, and the Lizzie McGuire television series (for which he wrote the main theme). 'I hadn't really played or sung in 25 years. When I retired from that, I got back into performing, and I'm still doing it fairly regularly," he says. "It's very cool to have been able to have those two separate careers and then come back to the writing and performing.' The musician concludes our interview by mentioning the fact that his self-titled solo album (released in 1975, two years after Looking Glass's second and final record: Subway Serenade), is now available to stream via Spotify after years of being unavailable to the public. 'The solo album didn't sell anything, but it used some of the great session musicians in LA, many of whom were in that yacht rock documentary,' he finishes. 'So I'm going to plug the Elliot Lurie solo album from 1975 which, after 50 years, is finally available again — and includes some really, really great yacht rock session players from LA." Information on Lurie's live shows can be found on his official website