Nick Offerman on his new role in 'Sovereign'
Actor Nick Offerman joins Morning Joe to discuss starring in the new film 'Sovereign' about a single father struggling with debt who embraces the 'Sovereign Citizen' movement.
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‘Call Her Daddy' Host Alex Cooper Accuses College Soccer Coach of Sexual Harassment
Call Her Daddy host Alex Cooper claims in her new Hulu documentary that she was sexually harassed by her soccer coach, Nancy Feldman, at Boston University. Call Her Alex premiered at the Tribeca Festival on Sunday, and in part one, the podcasting mogul details the harassment she suffered over three years at the school, accusing Feldman of commenting on her body and asking questions about her intimate life, among other claims. Cooper, a top soccer player in high school, went to Boston University on a full scholarship. More from The Hollywood Reporter 'Boy George & Culture Club' Review: An Affectionate Look at the '80s Band and Its Flamboyant Frontman That Entertains but Treads Too Carefully 'Sovereign' Review: Nick Offerman's Fierce Turn as an Anti-Government Extremist Boosts a Timely Drama 'American Psycho' Director Mary Harron Is Surprised by Movie's Lingering Relevance 'My sophomore year, everything really shifted,' she said in the documentary. 'I started to notice her really starting to fixate on me way more than any other teammate of mine. And it was confusing because the focus wasn't like, 'You're doing so well, let's get you on the field, you're gonna be a starter.' It was all based on her [Feldman] wanting to know who I was dating, her making comments about my body and her always wanting to be alone with me.' Cooper said she would try to avoid Feldman, but that her coach would retaliate by benching her during games. It ultimately ended with Cooper being kicked off the soccer team senior year. 'It was this psychotic game of, 'You wanna play? Tell me about your sex life, I have to drive you to your night class, get in the car with me alone,'' she recalled. 'I started trying to spend as little time as possible with her, taking different routes to practice where I knew I wouldn't run into her. During meetings, I would try to sit as far away from her as possible, literally anything to not be alone with this woman.' In Call Her Alex, Cooper claimed university officials 'dismissed' her allegations against Feldman and that there was no investigation. Cooper graduated from Boston University in 2017, and Feldman retired in 2022. The Hollywood Reporter has reached out to Boston University for comment. In a Q&A following the premiere, Cooper shared why she chose to open up about the sexual harassment allegations in the documentary. 'I think a lot of this process almost made me realize, if I have the finances to pay for a lawyer and I have the resources to do all these things, how is another woman going to feel comfortable to come forward? I'm still fucking scared up here, you know. And I was nobody when I was in college. I did come forward. I was denied, essentially. And so the story is frustrating, because I want to tell women come forward … But I did, and I wasn't believed, and then it took me a decade.' She continued, 'I actually think this is just the beginning. It's really opened my eyes to how difficult the system is, and it's so built against us as women, and we have to fight so fucking hard to have our voices heard, and we are denied, or we're questioned, or you feel shame, and that started to really get in my head of, how am I about to not put this in the documentary?… I realized, holy shit, I have so much more work to do, and I'm going to use my platform to hopefully inspire other people to come forward and tell their stories, because conversation is the only way that we're going to actually have change and we're going to make change.' Best of The Hollywood Reporter Hollywood's Most Notable Deaths of 2025 Harvey Weinstein's "Jane Doe 1" Victim Reveals Identity: "I'm Tired of Hiding" 'Awards Chatter' Podcast: 'Sopranos' Creator David Chase Finally Reveals What Happened to Tony (Exclusive)
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Nick Offerman on his new role in 'Sovereign'
Actor Nick Offerman joins Morning Joe to discuss starring in the new film 'Sovereign' about a single father struggling with debt who embraces the 'Sovereign Citizen' movement.
Associated Press
5 days ago
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Movie Review: Tom Hiddleston leads the cosmic puzzle that is 'Life of Chuck'
'Life of Chuck' is a peculiar movie with grandiose ambitions. It teases out a cosmic mystery about life and some guy named Charles Krantz ( Tom Hiddleston ) in a story told in reverse chronological order that gets smaller and smaller with each act. This is a story that begins with the apocalypse and ends with a middle school dance. Well, kind of. I'm not out to spoil (much) here. It's based on a novella by Stephen King (part of his 'If It Bleeds' collection of stories) and adapted by filmmaker Mike Flanagan, who was also behind 'Gerald's Game' and 'Doctor Sleep.' This, however, is not a horror movie, though there are spooky elements laden with ominous ambiguity. There are also big, joyful dance numbers, a fair share of cynical jokes, whimsical narration from Nick Offerman, earnest conversations about the end of the world and plenty of references to Walt Whitman's 'Song of Myself' — in particularly 'I am large, I contain multitudes.' That is most movingly conveyed in a sweet scene with a teacher (Kate Siegel) and a middle school aged Chuck ( Benjamin Pajak ) on the last day of school. 'Life of Chuck' wants to make you think, feel, laugh and cry about the most mundane of characters: Krantz, a white, American, middle-aged accountant, whose life is modest and whose childhood was full of tragedy and loss. And while I certainly enjoyed elements of this odyssey in reverse, I was ultimately left feeling very little — especially about Chuck and the questionable end-of-film explanation that ties it all together. Hiddleston, it should be said, is not in 'Life of Chuck' as much as one might expect for being the titular character. His presence looms large certainly — it's why we're here. But, in reality, Hiddleston as a performer is more of an ensemble player among a sea of recognizable faces. In the third act, which opens the film, he's everywhere — on billboards and television ads, cheerily smiling in a nondescript grey suit, coffee cup in one hand, pencil in another. 'Charles Krantz. 39 great years! Thanks Chuck!' the signs read. It's the background until it's all that's left as the world appears to be ending. The internet has gone out. Parts of California have drifted into the Pacific. Environmental disasters rage. Suicides are skyrocketing. Hail Mary life decisions are being made. And poor Marty (Chiwetel Ejiofor) is just trying to do his job as a school teacher. His parent-teacher conferences have become parent therapy sessions. Everyone — a maintenance guy (Matthew Lillard), a funeral director (Carl Lumbly) — seems to want to philosophize about what's going on, and who the heck Chuck is. He has big conversations about the history of the universe with his ex-wife (Karen Gillan). And together they wait for the end. In act two, a grown Chuck (Hiddleston) dances in the street in a joyful six-minute sequence. Compelled to move when he hears the beat of a street drummer (Taylor Gordon), he even pulls in a stranger to join him (Annalise Basso). In act one, he's a kid ( Pajak ) who has lost both his parents and unborn sister in a car accident and is living with his grandparents (Mark Hamill and Mia Sara, who it's nice to have back on screen). It's during this segment, which comprises nearly half the movie, that he learns to dance. First, it's through his grandmother freestyling to Wang Chung and curating a movie musical marathon (including 'Singin' in the Rain,' 'Cabaret, 'Cover Girl' and 'All That Jazz'). Then it's at school, where little Chuck learns the perks of being a straight man who can dance. There's also a possibly haunted cupola on the top floor of their house that's causing grandpa lots of anxiety. This is a film with a big heart that has already made a significant impact on some moviegoers. Last fall it won the audience award at the Toronto International Film Festival, an honor which has produced many best picture nominees and winners. And it's one where a second viewing might be rewarding, so you can more appreciate the thoughtful throughlines and the piece as a whole since you know what it's building toward. But I also suspect this particular flavor of sentimentality might not be for everyone. This critic felt a bit like the film was trying to trick you into caring about Chuck, while revealing very little about the man he became and explaining too much about the mystery. And yet it's a nice message, with nice performances and might be that kind of affirming hug of a film that someone is craving. 'Do I contradict myself? Very well then I contradict myself.' Film reviews can also contain multitudes. 'Life of Chuck,' a Neon release in theaters Friday, is rated R by the Motion Picture Association of America for language. Running time: 110 minutes. Two and a half stars out of four.
