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Will Japan lose all pandas after scheduled return of twins at Ueno zoo to China in 2026?

Will Japan lose all pandas after scheduled return of twins at Ueno zoo to China in 2026?

The Mainichi30-04-2025
TOKYO -- Panda fans in Japan are keeping their eyes on Xiao Xiao and Lei Lei, twin giant pandas at Tokyo's Ueno Zoological Gardens, after it was decided that all four of the bears at the Adventure World amusement park in Shirahama, Wakayama Prefecture, will return to China.
Pandas at Ueno zoo, the country's very first to have the animals, have historically symbolized the Japan-China friendship, but will we see the day when the beloved bears disappear from Japan?
Pandas first arrived in Japan in 1972, when China sent two named Kang Kang and Lan Lan upon the normalization of diplomatic relations between the two countries, and the pair were kept at the zoo in Tokyo. Then-Chief Cabinet Secretary Susumu Nikaido reportedly summoned the zoo director and others at the time and told them, "Whatever you do, don't let them die."
China has engaged in "panda diplomacy" not only with Japan but other countries by gifting the animals. In 1984, however, pandas were classified under the Convention on International Trade in Endangered Species of Wild Fauna and Flora, commonly known as the "Washington Convention," as one of the most endangered species, and international trade for commercial purposes was banned. As a result, the pandas at Ueno zoo shifted from being "gifts" to being "loans" for breeding and research purposes. Under the pretense of conservation, a "rental fee" also began to be charged. Although there has been no official announcement, the fee is said to be around 100 million yen (roughly $700,300) per year for a male-female pair.
The zoo has kept a total of 15 pandas over the past 53 years, including periods when it had none of the animals. Seven cubs have been born, and five of them -- Tong Tong, You You, Xiang Xiang, Xiao Xiao and Lei Lei -- were raised there.
The latest pair, Xiao Xiao, male, and Lei Lei, female, were born in June 2021 and are growing steadily. According to the April 24 announcement, as of April 17, Xiao Xiao weighed 95.7 kilograms and Lei Lei was 93.1 kg. They mainly eat bamboo, along with carrots and apples, and during this season, they also enjoy bamboo shoots. Since July 2023, the twins have been working hard at "husbandry training," which involves learning behaviors necessary for health management.
The return deadline for the twin pandas is Feb. 20, 2026. This date was set in accordance with the original deadline for their father Ri Ri and mother Shin Shin, who were sent back to China in September 2024 for hypertension treatment and other reasons. However, there have been cases of extensions in the past, and a Tokyo Metropolitan Government official expressed hope, saying, "The specific return date for the twins has not yet been decided."
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Musical messages: Hiroshima piano tuner, atomic-bombed instrument, US pianist perform for peace
Musical messages: Hiroshima piano tuner, atomic-bombed instrument, US pianist perform for peace

NHK

time14 hours ago

  • NHK

Musical messages: Hiroshima piano tuner, atomic-bombed instrument, US pianist perform for peace

A piano tuner in Hiroshima has been travelling across Japan and beyond for decades, sharing the stories of his pianos that survived one of the most destructive events in human history. Nearly eight decades after the U.S. atomic bombing of his city, he has joined together with an unlikely ally on a journey he calls "planting the seeds of peace." Yagawa Mitsunori, the instrument's owner and tuner Yagawa Mitsunori, the 73-year-old Hiroshima-based tuner, has brought seven A-bombed pianos back to life so far. Their original owners, who also survived the blast, donated them to Yagawa after they learned he had been refurbishing old pianos to donate to civic organizations. They trusted him to use their instruments for a good cause. Yagawa has so far restored seven pianos damaged by atomic bombs. Yagawa's philosophy is keeping repairs minimal, just enough so that the pianos could "sing" again. He does not alter any of the marks left by the blast, explaining, "If I were to change anything, that means I would be erasing history." Scars on the piano left by the blast The tuner, whose parents also survived the bombing, says the hardest part of his job has been receiving the instruments from the original owners. He says most of them cry, as if separating from a beloved family member. Yagawa says he can never forget their tears – they inspired his life's mission of using these Hiroshima pianos to convey a message of peace. Yagawa's mission is to convey a peace message through the pianos. Hauling instruments Yagawa's determination as an anti-nuclear war campaigner led him to purchase a four-ton truck to travel with the hulking instruments. Over the past two decades, he and his pianos have participated in more than 3,500 concerts across Japan – and they have even made several overseas trips. Yagawa transports the pianos in his truck. One instrument was played at a September 11th memorial in New York 15 years ago. In 2017, that piano was included in the Nobel Peace Prize ceremonies in Oslo honoring the International Campaign to Abolish Nuclear Weapons. Yagawa spends about two-thirds of every year on the road, hauling his pianos across Japan in his truck. When he is at home, he and the instruments – which he fondly describes as his "alter egos" – welcome students from all over the country. Yagawa and the pianos welcome students visiting Hiroshima. A student who played one of the pianos in front of the city's Atomic Bomb Dome said, "The keys felt heavier than those of the pianos I am used to. I think that is because of the fact this piano survived the atomic bombing." A student played one of the pianos. The tuner is aware that he is getting older, and someday his long-distance truck trips will no longer be possible. 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The piano was played at a Tokyo event to promote the abolition of nuclear weapons in 2024. Koller says playing Yagawa's pianos has been a "life-changing journey" for him, which has brought a new dimension to his art. In addition to popular songs he plays to entertain his fans, he began composing his own pieces with themes of war and peace. In February, Koller released an album featuring his original pieces to remember war victims and pray for peace. His wife Noriko, his "biggest fan and best critic," played a key role in in the album's creation but passed away from cancer shortly before its release. Koller released an album in February. Koller is now raising their two children on his own. He says he is sustained by his resolve to be the best father he can be. That includes passing on the values he holds dear. "I think it's important to teach my kids about what has happened and we need to work for the future and how important peace is in the world," he says. "I want to do my best to make them appreciate peace and become good human beings when they grow up." Koller with his children and late wife Quest for peace On a sunny day in May, the trio appeared in a Tokyo park. The distinctive sounds coming from the war-scarred piano had various effects on audience members. Some grooved when an upbeat piece was played, while others shed tears when a subdued piece touched them. Koller played the piano and Yagawa sat behind him. One listener said the peace-themed event was timely because of the wars happening in the world now. She said Koller was "the one American national playing the piano to promote peace, that's the point." The woman's American partner added, "It's kind of undoing this bad history, isn't it?" Another audience member said, "When we think that Japan and America fought in the war, it's wonderful to see these two working together to touch all kinds of people's hearts in their pursuit of world peace." 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From far and wide, overseas visitors flock to Fuji Rock
From far and wide, overseas visitors flock to Fuji Rock

Japan Times

time18 hours ago

  • Japan Times

From far and wide, overseas visitors flock to Fuji Rock

The 2025 edition of Fuji Rock Festival, held from July 25 to 27 at Naeba Ski Resort in Niigata Prefecture, marked a high point for Japan's premier music event. Three-day passes and Saturday tickets sold out two weeks before the gates opened, and according to festival organizer Smash, ticket sales were the strongest they have been since the COVID-19 pandemic — a testament to renewed enthusiasm for live music in Japan. Part of that momentum came from a growing number of overseas visitors. Organizers say international ticket buyers accounted for roughly 10% of all sales, but they believe the real figure could be higher, supposing many foreign attendees purchased tickets through friends or acquaintances in Japan. Tickets were sold in 60 countries this year, with the majority going to fans in Taiwan, South Korea and China. These developments are in line with a report recently released by the World Economic Forum, which found that tourists traveling for experiences, such as attending music festivals and sporting events, is growing significantly. Qingzhe Chen, who goes by Jimmy, is a Fuji Rock regular currently living in Michigan, and he has witnessed the growing international presence firsthand. Chen, 39, is the moderator of a Fuji Rock group on Reddit and uses it to coordinate informal meetups, particularly for people coming from overseas. Each year, he organizes a group dinner, inviting newcomers and returnees to gather and connect ahead of the three-day festival. 'There are a handful of people who come who live in Japan, but there are a lot of people from (places like) Southeast Asia and Australia,' he says. So what makes Fuji Rock so appealing to overseas visitors? For Chen, it's the festival's chilled and civil atmosphere. 'Everybody is very orderly,' he says. 'My friend remarked to me last night that he'd never been to a concert where he wasn't constantly being bumped into, pushed, shoved or having people trying to get to the front. It's just relaxing to be (at Fuji Rock).' Fuji Rock regular Qingzhe Chen moderates a Fuji Rock group on Reddit and uses it to coordinate informal meetups, particularly for people coming from overseas. | Courtesy of Qingzhe Chen Each year, Chen organizes a group dinner, inviting newcomers and returnees to gather and connect ahead of the three-day festival. | Courtesy of Qingzhe Chen Many attendees traveled to Japan specifically for the festival, and some, like Michael Hall, 33, from North Carolina, made the trip this year for one artist in particular — legendary singer-songwriter and producer Tatsuro Yamashita. 'I saw that Yamashita was playing at the festival, and it's very hard to get concert tickets to see him normally, even if you're willing to travel to Japan,' Hall says. 'So I decided to go. He's an artist I wanted to see at some point in my life.' David Levy, 46, from California, says that as a regular concertgoer, he had known about Fuji Rock for a long time, and he came to the festival for the first time last year with his teenage daughter. 'The event is kind of perfect as a festival, so it doesn't matter who's playing,' he says. 'Everyone is (at Fuji Rock) to enjoy the music, to have fun, to see some art, to bring their kid to play in a river.... Fuji Rock feels uniquely like the festival is the thing.' Alex Emexezidis, 35, who traveled from Thessaloniki, Greece, to see Yamashita perform, was also drawn to the festival's variety of musical genres. 'I already knew some of the bands, but many, including some headliners, were new to me, so I was exposed to some good new music.' He also appreciated the event's connection to nature. 'It was a lot of families and people enjoying the music — not many 'posers' that would be there only for Instagram,' he says. Emexezidis experienced some frustrations, too. 'The walking distances were huge,' he says. 'Everything felt like a faraway trip.' He also found the food area lacking in shade and places to sit, and pointed out the difficulty of maintaining hygiene while camping: 'I felt like the festival could not handle that many people... with long lines for toilets and showers.' In fact, Emexezidis chose to leave the festival before Yamashita's set on Saturday night, put off by the limited hygiene facilities and uncomfortable camping conditions. Fuji Rock returnee Charmaine Mak, 35, from Singapore, faced a different type of challenge: attending the festival by herself. 'I told myself, what's the worst that can happen? Just have some faith and do this alone. ... I didn't want to regret (not going),' she says. Her solo trip turned out to be a rewarding one — she even met OK Go frontman Damian Kulash, an artist she had admired since her youth. What made the experience even more enjoyable was how safe and welcoming the festival felt, especially for solo female attendees. Thoughtful touches, like a campsite area reserved specifically for women, helped her feel more at ease throughout the weekend. Fuji Rock returnee Charmaine Mak met OK Go frontman Damian Kulash, an artist she had admired since her youth, during her first solo outing at festival. | Courtesy of Charmaine Mak Vritri Krishna, 18, from Bengaluru, India, echoes that sense of safety. 'Even (coming from) a very large and very safe city like Bengaluru, being at a place where I could go out by myself at two or three in the morning, dance in a very crowded area with some fairly drunk people at times, and then just be fine with nothing horrible happening to me was really freeing. It's one of the reasons that made me love Fuji Rock as an experience a lot more.' Traveling from Jakarta, Michael Geoffrey, 29, was surprised by the sheer size of the festival. 'I really did not expect a festival to take up such a large area,' he says. 'There's so much going on.' One day, he clocked over 42,000 steps. 'That was probably the most I've walked in a day.' He especially enjoyed the smaller performances throughout the grounds: 'You see local comedians or someone doing a dance or a performative art show... I find that those little things really add up.' Even with some logistical bumps, international fans agree Fuji Rock offers something more than just music: an atmosphere of joy, discovery and shared experience set against Japan's natural beauty. For many, it wasn't just a stop on their trip; it was the trip.

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