American Promise is worth betting on to win Derby
Drew Dinsick joins FFHH to reveal his best bets for the 151st Kentucky Derby, explaining why American Promise is the "spitting image of Justified" and why Journalism is a "worthy" favorite and bet at current price.
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Yahoo
10 hours ago
- Yahoo
Stephen King's ‘The Institute' Trailer Sees Gifted Kids Subjected To Horrific Experiments In MGM+ Series
UPDATED: MGM+ has dropped the first trailer for The Institute, its upcoming thriller series based on the 2019 Stephen King novel. 'There are things going on that you would not believe,' says a voiceover at the opening of the trailer. More from Deadline Titus Welliver To Star In 'The Westies' MGM+ Series Daniel Dae Kim's 'Butterfly' Series Based On Comic Gets Prime Video Premiere Date; First-Look Photos J.K. Simmons To Headline 'The Westies' MGM+ Series In one scene, one of the gifted children who have been abducted and taken to The Institute describes one of the horrific experiments that she is being subjected to. 'It feels like a nail is being hammered into your forehead.' The eight-episode series comes from director/executive producer Jack Bender (From), writer/executive producer Benjamin Cavell (Justified, The Stand) and MGM+ Studios. Watch the trailer above and see further details below. The Institute premieres July 13 on MGM+. PREVIOUS, June 5: MGM+ has slotted July 13 for the premiere of The Institute, its upcoming thriller series based on the 2019 Stephen King novel. The streamer also released some first-look photos and key art, which you can view above and below. From director/executive producer Jack Bender (From), writer/executive producer Benjamin Cavell (Justified, The Stand) and MGM+ Studios, the eight-episode series follows the story of teen genius Luke Ellis (Joe Freeman) who is kidnapped and awakens at The Institute, a facility full of children who all got there the same way he did, and who are all possessed of unusual abilities. In a nearby town, haunted former police officer Tim Jamieson (Ben Barnes) has come looking to start a new life, but the peace and quiet won't last, as his story and Luke's are destined to collide. The Institute also stars Mary-Louise Parker (Ms. Sigsby), Simone Miller (Kalisha), Fionn Laird (Nick), Hannah Galway (Wendy), Julian Richings (Stackhouse), Robert Joy (Dr. Hendricks) and Martin Roach (Chief Ashworth). King executive executive produces alongside Bender, who directs, Cavell, who penned the teleplay, Gary Barber, Sam Sheridan and Ed Redlich. Series is produced by Amazon MGM Studios. Best of Deadline Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds A Full Timeline Of Blake Lively & Justin Baldoni's 'It Ends With Us' Feud In Court, Online & In The Media Where To Watch All The 'John Wick' Movies: Streamers That Have All Four Films
Forbes
13 hours ago
- Forbes
New Report Details 'Dragon Age: The Veilguard' Failure, Raises Questions About Bioware's Future
Dragon Age: The Veilguard If there's a AAA game that bombs hard in the market, you can bet that Bloomberg journalist Jason Schreier will eventually figure out why that happened. And now Schreier has just published his post-mortem on what went on with Dragon Age: The Veilguard, the 2024 release that only got half the players EA wanted, resulted in mass layoffs, and appears to have killed the IP altogether. Some of this has been known to some extent, some is definitely new. I highly recommend you read the whole piece here. One throughline is something we've heard about in bits and pieces before. Because development on Dragon Age: The Veilguard spanned 10 years, it got caught up in live service/multiplayer trend-chasing. When the game was being conceived, of course, the idea was to make it another traditional single-player RPG. But as games like Destiny were starting to take off, multiplayer games rose in popularity. So, there was a pivot to that format. Then, later, when it wasn't working, they had to pivot back to a regular RPG but without being able to start over, just hammering the multiplayer stuff to try to fit into the single-player mold again. The result of that was a mish-mash of pieces that were pulled from both types of games. Other issues compounded this, like the change in tone to be more 'snarky' than the series had been traditionally, and a lack of significant choices. Things like the big 'which city to save' choice was jammed into the game late in production. FEATURED | Frase ByForbes™ Unscramble The Anagram To Reveal The Phrase Pinpoint By Linkedin Guess The Category Queens By Linkedin Crown Each Region Crossclimb By Linkedin Unlock A Trivia Ladder There are also segments about how BioWare brought in Mass Effect team members to try and salvage what had become a mess, but there was only so much they could do. Dragon Age: The Veilguard The end result of all this is harrowing. The piece ends with Cowen analyst Doug Creutz saying, '[I]f they shuttered the doors tomorrow I wouldn't be totally surprised. It has been over a decade since they produced a hit.' That's true. It really has been since Dragon Age: Inquisition, given that Anthem and Mass Effect: Andromeda were in the middle. Now, The Veilguard is another miss. As big as Anthem? Perhaps not, but it did kill a brand that BioWare had worked on since 2009. If the next Mass Effect game does not land (which still does not have a release date), Cowen may be right, and there's little reason to think that EA would want to keep the now miss-producing studio in operation. Check out Jason's full piece here, which has a lot more detail on the situation. I can't say I'm surprised about any of this. Even if I personally liked the game more than most, it was easy to see the overall reception after release was poor, and clearly something had gone wrong in development. Many things, it turns out. Follow me on Twitter, YouTube, Bluesky and Instagram. Pick up my sci-fi novels the Herokiller series and The Earthborn Trilogy.
New York Times
20 hours ago
- New York Times
In Small-Town Germany, a Reporter Sees the Bigger Picture
Times Insider explains who we are and what we do and delivers behind-the-scenes insights into how our journalism comes together. As a reporter on the Obituaries desk at The New York Times, I write about the lives of famous — and not so famous — people who have left their mark on history. I also speak German, which is why I found myself spending the month of May in Berlin, filling in for a colleague. Before I left, I worked with a tutor to polish my conversational skills. I asked her if she had any fun ideas for articles I could pursue. 'Well, you know,' she said, 'the city of Bielefeld? Everyone says it doesn't exist.' About 300,000 people live in Bielefeld, but I'll admit that I was only vaguely aware it existed. To Germans, Bielefeld is the equivalent of, say, Scranton or Cedar Rapids — cities where the best you can say about them may be that you can't think of anything bad to say. For much the same reason that Scranton was the setting for 'The Office,' Bielefeld had become the butt of a joke. Like many jokes these days, it started online, though this one began back in 1993. It came in the form of a goofy conspiracy theory: that the existence of Bielefeld is a sham, and anyone who says otherwise is in on the plot. Over time, the town became a byword for boring. Songs were written about its utter blandness, including one performed by a talking slice of bread named Bernd — this is Germany, after all. Want all of The Times? Subscribe.
