
John Cena jokes Margot Robbie's Barbie was a mistake that happened over dinner
That spontaneous act led to a reconnection with Robbie, who invited him to join 'Barbie'. He explained, 'Of course, I had the fortune of working with Margot before in 'Suicide Squad', and she is the absolute best - with aspirational work ethic and talent. She said, 'I'm doing Barbie,' and I said, 'I'm doing Fast X' We were literally shooting across the street from each other. She said, 'Come over and do Barbie,' and I said, 'I'd do anything. I believe in your project and think it's going to be cool.' It goes against what people think of me - who cares? What's the worst that can happen? I like to think about what can go right I always rely on instincts. We did all this in two hours. It was fast!' he added.Directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling, 'Barbie' went on to cross the $1 billion mark globally, becoming a cultural and box-office phenomenon. Cena's cameo, though brief, stood out - further cementing his reputation for taking on roles that challenge expectations.Beyond 'Barbie', Cena continues to explore varied characters. He recently appeared in 'Heads of State' alongside Priyanka Chopra and Idris Elba, now streaming on Prime Video.- EndsTrending Reel
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India Today
an hour ago
- India Today
The Summer I Turned Pretty just got its most twist-the-knife-in-your-heart episode
Weddings are supposed to bring people together, but in 'The Summer I Turned Pretty', this one is tearing hearts apart. The latest episode of the series opens with Belly and Jeremiah planning their big day, but instead of bliss, what follows is a quiet storm of broken bonds, unspoken pain, and the kind of heartbreak that lingers long after the credits and her mother, Laurel, are no longer on the same page. And if you've ever been to a place where your mother looks at you and just doesn't understand, you'll feel every second of their fallout. It's not just about the wedding. It's about growing up. About choosing a path your mum never imagined for you. About the aching silence between two people who used to be inseparable. Laurel doesn't hate Jeremiah. But she sees what Belly can't, or won't. The doubt. The history. The ghost of another boy still lingered like a shadow in every room. Conrad. Conrad, you guys!Now let's talk about him. Because this wouldn't be 'The Summer I Turned Pretty' without Conrad Fisher silently falling apart behind his perfect jawline and sad, sad eyes. He doesn't throw a fit or make things about himself. That would be too easy. Instead, he suffers in silence. The kind of silence that screams. Every glance at Belly and Jeremiah is a tiny betrayal. Every smile he forces is a heartbreak buried just beneath the the kind of pain that's almost worse than a breakup - watching the person you love choose someone else, every single day. Watching them build a life you once dreamed of, and pretending like it doesn't still kill you. That's the tragedy of unrequited love; it doesn't leave scars, it carves you the mother's pain?This episode doesn't thrive on drama, it thrives on truth. On the complex, messy, beautiful sadness of growing up and growing apart. Of watching your child become someone you don't fully recognise. Of loving someone so much, it hurts to let them go. Of knowing, they may never come not just Belly's story any more. It's her mother's. It's Conrad's. It's every person who's ever had to smile through heartbreak, or walk away when they wanted to if you're watching this week's episode thinking, 'Why does this hurt so much?' It's probably because it's supposed to. Love isn't always loud. Sometimes it's a whisper. A look across a crowded room where everything is different honestly? That kind of heartbreak hits harder than any plot twist ever latest episode of 'The Summer I Turned Pretty Season 3' is available on Prime Video. The season's finale is expected to be released on September 17.- Ends


Economic Times
2 hours ago
- Economic Times
Aamir Khan's film goes pay-per-view on YouTube, gives OTT giants a miss
Mumbai: Aamir Khan Productions has partnered with YouTube to release Sitaare Zameen Par on a pay-per-view basis in a potentially significant move, said people familiar with the development. This marks the first time in recent memory that a marquee Hindi film featuring a major star has not been licensed to a dominant subscription video-on-demand (SVOD) platform such as Netflix, Prime Video or JioHotstar, opting instead for a pay-per-view strategy via the world's largest video platform. India had 551 million online video viewers in 2024, with YouTube accounting for 92% of online video consumption, according to the FICCI-EY 2025 sources say Aamir Khan is tapping into the pay-per-view window, which has been a phenomenon globally but remains underutilised in India. However, they noted that it's still unclear how long he will delay the SVOD release following the pay-per-view Khan Productions and YouTube declined to comment. The film is likely to move to YouTube early next month. While the industry typically follows an eight-week window for streaming on SVOD platforms, Khan recently said that all his films will follow a six-month theatrical run to protect box office revenues. The film was released on June 20 in theatres."It's a bold move by an A-list star, and all eyes will be on how much the film can earn from pay-per-view, as well as how long Aamir Khan plans to keep it there before releasing it on an SVOD platform," said Shariq Patel, former CEO of Zee is expected to be priced at ₹ and Prime Video continue to dominate India's post-theatrical streaming market. According to Media Partners Asia, producers' streaming revenues have grown to 1.5 times their net theatrical share, making it a critical monetisation the FICCI-EY 2025 report shows that streaming rights revenue in India fell to ₹3,100 crore in 2024, down from ₹3,500 crore in 2023 and ₹3,300 crore in 2022, as platforms cut back on content spending in pursuit of not everyone sees this as a replicable model. Abundantia Entertainment CEO Vikram Malhotra noted that such an approach may work better for mid-budget films than big-budget ones, which often depend on upfront OTT deals for financial recovery. "Therefore, it's unlikely to serve as a viable financial model across the board, especially for films with higher break-even points. That said, it's an interesting and important experiment whose impact and sustainability will become clearer over time," he said. Suniel Wadhwa, a veteran distributor, cofounder and director of Karmic Films, said: "Film distribution through YouTube may not be remunerative for all actors or producers. It is a long-gestation affair. It will work only for well-established or A-list actors who have a huge or unique following. Besides this, it will be a practical alternative only for producers who have capacity to wait and earn revenues in the long-term." Sitaare Zameen Par is said to have been made on a budget of under ₹100 crore. As an in-house production, Khan has reportedly waived his fee, potentially making the model more viable. The film has collected ₹166.2 crore in India and ₹263.7 crore worldwide, according to box office tracker added that while the pay-per-view model has been tried before, it hasn't gained traction, largely because audiences favour subscription platforms offering a wider content Phutane, a veteran of film distribution and marketing, said digital distribution is becoming increasingly important as theatre footfalls decline post-pandemic."The fall in theatrical viewership is directly tied to the rise in digital subscribers," he said. "A ₹99 pay-per-view release on YouTube is a significant step, especially given its vast reach. With many single screens shut and limited theatres in tier 2 and tier 3 cities, YouTube offers a more economical and convenient alternative as viewers can watch at their own time, place, and pace." ( Originally published on Jul 27, 2025 )


Indian Express
3 hours ago
- Indian Express
Barbie designers Mario Paglino and Gianni Grossi killed in tragic car crash in Italy
Renowned Barbie designers and life partners Mario Paglino and Gianni Grossi, the creative force behind the custom doll brand Magia2000, tragically died in a car crash on Italy's A4 Turin-Milan highway. The head-on collision occurred after 82-year-old Egidio Ceriano reportedly drove nearly four miles in the wrong direction travelling at a speed of 129 kilometres per hour. Ceriano also died in the crash. Also traveling with the couple were bank employee Amodio Valerio Giurni and his wife, Silvia Moramacro. Giurni was killed, while Moramacro was hospitalised with injuries. Paglino and Grossi were celebrated in the global Barbie community for their intricate and glamorous celebrity dolls, having created likenesses of icons like Madonna, Cher, Lady Gaga, Sarah Jessica Parker, and Sophia Loren. Their Madonna doll was featured in the 2009 Simply Madonna exhibition in London, and the pair even met the pop legend in person on The Graham Norton Show. In 2015, one of their custom dolls fetched $15,000 at the National Barbie Convention to support a charitable cause. A post shared by Barbie (@barbie) In 2016, they were honoured with the Barbie Best Friend Award by legendary Mattel designer Carol Spencer. Mattel, the parent company of Barbie, paid tribute to the duo with a heartfelt message on Instagram: 'The Barbie team is heartbroken by the loss of Mario Paglino and Gianni Grossi, two treasured creators and Mattel collaborators who brought joy and artistry to the world of Barbie as Magia2000. Barbie is better because they loved the brand, and our beloved collector community is richer for having known them and shared in their passion. Barbie honours their memory with deep gratitude.'