Could Melbourne survive as a megacity? Play this game to find out
This isn't the plot of the latest dystopian blockbuster, rather it's the premise of Open House Melbourne's first ever citywide urban role-playing event.
Conceptualised by urban play scholar Troy Innocent, Reworlding Naarm will invite groups of 16 people to tour Victoria's capital city alongside experienced game-masters who will describe a future city in need. Combining augmented reality, immersive sound and storytelling, each group will grapple with the question: when one world collapses, how do we build the next?
'It's a matter of learning from place,' Innocent says. 'It's about accepting there is a crisis, but rather than thinking 'every person for themselves', or waiting for somebody to come along and save the day, it's about thinking, 'how can we collectively respond to this? How could we bring people together to explore ways to reimagine and remake our cities over the next decade – to be responsive and adaptive to change?''
Reworlding Naarm came from the trauma of the COVID-19 pandemic and Black Summer bushfires. While play-testing another project, Innocent says he began to smell the smoke, and suddenly the crises around him felt incredibly real.
But instead of catastrophising, Innocent says he invested his energy into creating an event in which the core mechanics are possibility and hope. Players – who can either play their future selves or someone else entirely – will be given a handful of marbles to represent this hope, which they can lose over time as extreme heat, flash floods and other events occur along the way. If you lose all your marbles, and therefore all hope, the group will leave you behind and your game ends.
Innocent began smaller-scale, creating Reworlding: Cardigan Commons, which physically transformed Cardigan Street in Carlton into a future Melbourne. Now, Reworlding has expanded to encapsulate the entire inner-city.
For many of the participants, Innocent says this could be the first time they have engaged with place in a multisensory, complex way since they were children. This kind of urban role-playing – which blends familiar, contemporary urban settings with fantastical elements – offers an opportunity to bring imaginative play into adulthood, something that has proven to be regenerative and joyful rather than anxiety-inducing. For example, a dilapidated building could be reimagined as an urban garden, or a submerged shopping centre could become regenerated wetlands.
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Nighttime Economy Minister John Graham said the funding would help collectives generate "self-sustaining" initiatives to boost local offerings and promote the visitor economy. Venue owners in Newcastle's Midtown precinct between Steel and Union streets say the injection of almost $800,000 in state grants will help launch more vibrant events like the West Best Bloc Fest to boost the city's nightlife. The state will funnel around $770,000 into three inner city venue collectives, including Midtown - a group of around seven members; the East End group, and the villages of the Throsby basin, as well as the Shoaly Collective at Shoal Bay, to promote inter-venue cooperation. It represents the third round of the state government's Uptown grants program, and the first time that regional venues outside of Sydney have been beneficiaries. The Hunter's slice comes from a pie of some $5.5 million in state funding aimed at growing a 24-hour hospitality and entertainment economy. 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Newcastle MP Tim Crakanthorp, who announced the grant winners on Friday afternoon, said the funding follows legislative changes to better mediate between venues looking to capitalise on a vibrant nighttime economy and residents living in those precincts. "In certain precincts where there are bars and restaurants and clubs, there will be music and clatter and noise. That is a good, vibrant 24-hour economy. That's what we want. But people need to know that precinct is where it's going to happen." "(Newcastle) is not a retirement village. It's the second biggest city in the state ... It's all part of a vibrant and active city, and people understand that. And if they don't know, they need to certainly do a bit of research before they move in." Grace Frey, a director of Bernie's Bar, said years of disruptions to the city's going-out economy had changed its make-up, but said the injection of state funding would help smaller, niche venues compete and meet patron needs. Nighttime Economy Minister John Graham said the funding would help collectives generate "self-sustaining" initiatives to boost local offerings and promote the visitor economy.