
Alumnus returns to uni to speak at graduation ceremony
As one of the world's leading cardiac neurobiologists, Prof David Paterson will be very aware of his slightly elevated brain and heart activity when he gives the graduation address at the second of tomorrow's two University of Otago graduation ceremonies.
The Otago University graduate is now the University of Oxford physiology, anatomy and genetics department head and a Merton College Fellow.
His research focuses on the neural control of the cardiovascular system in normal and diseased states.
Cardiac neurobiology is the study of the interactions between the nervous system and the cardiovascular system, specifically focusing on the brain's influence on the heart.
Prof Paterson leads a cardiac neurobiology research team and the European component of a Leducq International Network of Excellence award, which studies heart arrhythmia and how both branches of the cardiac autonomic nervous system communicate at "the end organ level".
An world-renowned cardiac neurobiologist who spent his formative years in Dunedin will be recognised with one of the most esteemed awards from the University of Otago.
As well as giving an inspiring University of Otago graduation address, Prof Paterson will be given an honorary doctor of laws at tomorrow's ceremony.
"It is a great honour to receive an honorary degree from the university that laid the foundation for my subsequent academic career," he said.
"Although I have lived outside of New Zealand for 45 years, it is a thrill to return and retrace my journey from Dunedin, which started at Otago Boys' High School, then the University of Otago.
"When I look back, I can see my time at Otago as a schoolboy, athlete and undergraduate were formative years."
Prof Paterson graduated from Otago with a diploma in physical education in 1979, before going on to study at the University of Western Australia.
He completed his doctoral studies in physiological science at the University of Oxford in 1989, eventually becoming a member of the faculty.
Prof Paterson is an Honorary Fellow of The Physiological Society, Fellow of the American Physiological Society, Royal Society of Biology, Royal Society of Medicine, member of Academia Europaea, and an Honorary Fellow of The Royal Society of New Zealand.
He was inducted into the University of Otago School of Physical Education, Sport and Exercise Sciences Wall of Fame in 2012.
Vice-chancellor Grant Robertson said he was proud of the fact Prof Paterson's career started at Otago.
"David is a very active member of our alumni community and takes a keen interest in Otago people and all that we do.
"We are always pleased to see our alumni making a difference in the world and he has certainly done that."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Otago Daily Times
2 days ago
- Otago Daily Times
Vote to pursue $20m research into lakes
Find the money now or face "astronomically expensive restoration efforts" for Otago's deepwater lakes later, a regional councillor says. Cr Alexa Forbes, of Queenstown, said the Otago deep water lakes technical advisory group had clearly shown that research to support "proactive management" was far more cost-effective than remediation after degradation was evident. Voting in favour of the most ambitious research proposal in front of Otago regional councillors was a "no-brainer", Cr Forbes said yesterday. And councillors subsequently did vote unanimously in favour of pursuing an up to $20 million, 10-year monitoring and research effort for Lakes Wakatipu, Wānaka and Hāwea. Cr Forbes praised the decades-long campaigning by University of Otago freshwater scientist Associate Prof Marc Schallenberg and Guardians of Lake Wānaka president Don Robertson, who she said had both been raising the issue of the lakes' health "for a long, long time". Now, degradation of the lakes was "impossible to ignore", Cr Forbes said. "We've got multiple interconnected environmental stressors with long-term consequences for biodiversity, for our economics, for our water quality, for our environmental health and for how we live among these lakes," she said. "We can't move forward without evidence. "We can't not afford it. "The report makes the case for strategic research that can prevent astronomically expensive restoration efforts." The technical advisory group's report to the Otago Regional Council's science and resilience committee yesterday said recent test results had highlighted "concerning patterns and the limitations of the existing monitoring programme". Monitoring by the council showed algal biomass in the lakes had doubled in the past nine years. Invasive zooplanktonic and phytoplanktonic species had gained a foothold. And climate change signals had been observed in the region. However, it was "not clear exactly" why or how this was happening, because the monitoring programme now in place was not able to identify the "stressor-response relationships" at play, which limited its usefulness, the group's report said. Cr Elliot Weir said the $20m price tag for the work was "dwarfed by the economic and social and cultural and aesthetic benefits that those lakes bring". "Let's set this direction today," they said. "We do want to take care of these lakes and we'll invest quite heavily, if necessary, to fill those big knowledge gaps to do so." Council chairwoman Cr Gretchen Robertson said other organisations needed to get involved in the work. "We can't be the only organisation in this space. "And actually, we can't afford $20m. "But this is extremely important. "These lakes, as Cr Weir has just outlined, are incredibly valued, not just in Otago, but nationally. "They bring a huge amount to our country in terms of values Kiwis put on them — also international visitors. "We can't have them deteriorating. "Other lakes have got huge investment and research programmes that have been put into them once they've got to the point where they've deteriorated — we don't want to have that happening here." At the councillors' request the technical advisory group will now develop a more detailed research and monitoring plan at the $20m funding level. The group has also been asked to identify "funding opportunities" apart from the council to pay for the work.


Otago Daily Times
2 days ago
- Otago Daily Times
Oxford scholarship follows career ‘punt'
University of Otago master's graduate Joseph Balfe has received a University of Oxford scholarship. PHOTO: SUPPLIED From musician to neuroscientist, an Oamaru man's career change has paid off. Former Waitaki Boys' High School student Joseph Balfe has been awarded the prestigious Clarendon Scholarship at the University of Oxford in England. About 38,000 graduates apply each year for the fully funded scholarship at the collegiate research university. Mr Balfe was one of only 200 people selected worldwide. Mr Balfe, 25, attended WBHS from 2012-16, and achieved his master's of science (with distinction) in neuroscience at the University of Otago last year. He will undertake his PhD in psychiatry at Oxford. Mr Balfe said he was astounded to receive the scholarship. "I'm very surprised but absolutely grateful at the same time because it was definitely a lot of work to get to this point. "I'm really looking forward to being surrounded by very like-minded people who are working very hard and excited and passionate about what they do." After completing his bachelor's degree in music he was "at a bit of a crossroads" and said he "kind of fell into neuroscience". "It was a bit of a punt because I wasn't really a science person, but I just gave it my best shot and now it's gone pretty far obviously, and my life has gone in a completely different direction." WBHS rector Darryl Paterson said the school community was "incredibly proud of Joseph" as they were of "many old boys who are changing the world". "To be recognised for such a prestigious scholarship is an amazing achievement and a tribute to his talents." Being a prefect, Mr Balfe was an outstanding student as well as a talented musician, public speaker and sportsman, Mr Paterson said. "Speaking with many of his former teachers, and having met him in 2017, he is a most humble and hardworking young man, highly respected by all." After graduating, Mr Balfe completed an internship in cancer diagnostics at Pacific Edge Ltd, where he now works as a clinical trials associate in the Centre for Innovation. He is also a part-time research assistant at the University of Otago. Over the past two and a-half years, Mr Balfe has been working on developing a novel wearable smart device to detect and relieve asthma attacks by harnessing the interconnectivity of the nervous system. "A lot of what has driven me forward academically has been what I've done with Otago through this device that I'm developing with my supervisor, Associate Prof Yusuf Cakmak, called the VentiMate," he said. Mr Balfe will join Oxford's Translational NeuroStimulation Laboratory, where he will investigate a novel form of brain stimulation for the treatment of depression. His concern for mental health sparked his initial curiosity for neuroscience, after he worked in a support role in residential colleges and met many young people with mental health issues. He said it was a tremendous advantage to continue to work on novel technology that had the potential to make a difference for people who were suffering daily. "That's an enormous privilege and I'm quite humbled to be a part of such an important mission." Born in Portsmouth, England, Mr Balfe moved to Oamaru with his Filipina mother and British father at the age of 6. He "owes everything" to his parents, who were excited for him to attend Oxford. Mr Balfe said music would always be a part of his life. He had a couple of "cool shows" coming up in Dunedin, before he moved to Oxford in mid-September to begin his scholarship course in October.


Otago Daily Times
2 days ago
- Otago Daily Times
Invasion of the red tide
As climate change is the big issue of the day, there is plenty of scope for Dr Octavia Cade's brand of science fiction writing. Rebecca Fox talks to this year's Robert Burns Fellow. A toxic algae bloom is creeping up Otago Harbour, smothering everything in its path. Do you race down to the harbour to see it for yourself or shrug it off as just one of those things? Kerikeri writer Dr Octavia Cade is fascinated by the ways people could react to the scenario and interact with the environment. "So there's this plethora of strange and fascinating possible reactions." So much so the scenario forms the basis for a science fiction novel and a research paper she is writing this year while the Robert Burns Fellow at the University of Otago. "They've all gone a bit barmy, my characters. But it's fun. If you're into science fiction as I am, and you've been reading New Zealand science fiction from when you were a kid, there's a surprising amount of it that really looks at what do we do with an invasive species once it gets to New Zealand." Algae blooms are becoming more common in New Zealand summers with warming waters and nitrate run-off impacting waterways. It makes the perfect villain for Cade's preferred "near-future" writing style. "There are some really strange and interesting side effects [from it]." Even Under the Mountain by Cade's favourite author from childhood, Maurice Gee, has its invasive species. "The invasive species there was obviously the Wilberforces. They horrified me as a child, but as I grew up, and I keep reading it, because I do read it on a fairly regular basis, the solution to it is pretty damn horrifying, if you think about it. The solution to ecological invasion in the Wilberforces is for children to commit genocide." Cade grew up in Nelson and used to live across the road from the botanical gardens where Gee's The World Around the Corner is set. "So I would run up, well, I would play on the mountain pretending to be Caroline, who was the hero of that book." Her love of science fiction developed in childhood thanks to her mother who made sure she and her sister watched Star Trek . "So we're both sci-fi fans from way back so when I started writing, it was going to be science ficition rather than anything else." But it took time before Cade embraced writing as she planned to be a scientist. She came to Dunedin to study botany but soon discovered she "really hated" the way scientists were trained to write and the language of scientific papers. "The idea behind this is that the writing is as efficient as possible and can be read by other scientists working in your field. The downside of that is that it blocks everyone else out." As she was finishing her scientific studies, the Centre for Scientific Communication was starting up and gave her hope of another way. "That was the genesis for the shift, the sheer disgust of the scientific paper. I think at the time I remember there was a bit of a kerfuffle, it was one of the national journals in sciences, and it was supposed to be revolutionary that they were moving in their methods from third person to first person. I thought, God, do I really want to be reading and writing this for the rest of my professional life?" The move to science communication (the programme has since been cut) was an excellent move for Cade who has since completed her PhD in science communication and discovered she could turn her "fun" short-story writing hobby into something more. Back then she was writing more generic science fiction featuring vampires and other more usual genre characters. "But I wasn't very good at writing them. It turned out what I was quite good at writing about was plants and animals and how people react with nature and how we talk about science. And so once I started writing, they say write what you know, and eventually I started listening." It turned out to be good advice and her stories began to do well. "So I started writing science fiction as a way to communicate science, basically. And it sort of took off from there. So yes, the scientific paper is responsible for my career writing novels about algal blooms." After helping her marine biologist father as a child she knew marine biology was not as glamorous as it sounded. "It was standing in freezing cold warehouses holding clipboards while he dissected fish. And so I thought, I don't want anything to do with marine biology on any level." But a compulsory marine botany paper turned out to be more interesting than she expected. And down the line it has ended up producing a story about algae blooms. She has discovered a real fascination for the blooms, imagining a bright red harbour and people going slowly "doolally" around it after injesting food affected by it. "With algae, the colour and how toxic it is, how poisonous, how it smothers everything in the harbour. I mean, imagine an albatross trying to float in that or a seal. It sort of kills everything and you can't go swimming. It affects all the water sources, it sort of spreads. It's like this little contagion. "And the fascinating thing about algae blooms is really we have a decent idea how to stop them. You know, we've got to control runoff and all sorts of things, but we often don't." So while she no longer writes purely scientific papers, she continues to read a lot of them — for inspiration. "When I see something particularly weird or disgusting happening in the animal world, I "favourite" the page and then shove it in my story ideas file." Her first novel The Stone Wētā , published in 2020 and expanded from a short story written in 2016, came about after she read how scientists during Donald Trump's first term as United States president were working across borders to store climate data and information as they were concerned about censorship. The short story had been picked up by one of the top international science fiction publications Clarkesworld Magazine . "I was thinking, well, this sounds like something people should be talking about more than they are. And so that's where a lot of my stories come from, actual interesting bits of science. And I was able to include a lot of weird stuff in that book." Still really liking the concept, Cade developed it into an adult novel and it won the Sir Julius Vogel Award for best novel. Another news article she has bookmarked is of the fishscale gecko, which sheds its scales and "skitters off looking like raw chicken breast". "The pictures of this thing are revolting and fascinating. And I just love that anything weird and disgusting that can be used as colour." Cade believes each writer has their own natural length. Hers is short stories — she has had about 70 published to date around the world — so writing a novel is more of a challenge. "It's one of the advantages of the Burns. You get space to upskill in your creative practice." She sees her short stories as being part of a long historical and cultural tradition of short story writing in New Zealand with New Zealand children growing up on authors like Katherine Mansfield, Janet Frame, Patricia Grace and Owen Marshall's work. "I just love them. I love how short stories require different things from readers and writers. You cannot, because you've got such a limited word count, you can't go explaining everything. You can't really go down sidetracks and wander. You've got to be very economical with your storytelling. And you have to trust that the reader can follow along. And I quite like that. "Whenever I try to write a novel, I often feel like I'm putting in all this waffle. But you can't write a novel like you're writing a short story." Cade remembers her first day in the Robert Burns fellow's office sitting staring at her computer. "For nearly the entire day, I stared sort of frozen in terror at this blank screen because they'd given me the opportunity and I'd been expected to produce something, something good." She gave herself a good talking to that night and the next day began to write. But she still feels slightly intimiated by the list of top New Zealand writers that have gone before her. "I have a bucket list, you see, of writing opportunities that I would like to apply for. And I've been quite lucky in getting them, but it is a luck that has been very much underpinned by a lot of hard work." She has applied for the Burns fellowship and others many times before, seeing each application as practise developing her application skills and learning from the rejections and comments she receives. "I mean, if you are in the creative sector, you have to have a very thick skin when it comes to rejection. A lot of it is luck, but a lot of it is hard work and not taking yourself too seriously. It's never nice having a story rejection or a novel rejection or a residency rejection. But if you are going to work in this industry, you need to learn to suck it up. And it's all part of the learning process, I suppose, in the end." These days her other "hobby", academic writing, has also become more of a focus as she became aware that it is an advantage to have a list of academic papers to her name when applying for residencies. "I don't get paid for academic writing but there is a cachet there and it is an investment." But it is also an excuse for her to indulge some of her passions such as a love of horror movies — a side effect of growing up on science fiction and her love of Under the Mountain . "The terror I spent lying awake at night thinking about the Wilberforces, you know, sludging at the window the way they did to the twins. There was something fascinating about that. So that was my gateway drug for horror." So writing papers about something she has seen in a horror film gives her an excuse to watch more of them. One of the papers she is working on is an academic collection coming out called "Sharksploitation, Shark Horror Films in the 21st Century". She is writing a chapter looking at urban shark films, things like "Under Paris" and "Bait", when sharks come into the cities. She finds urban ecology very interesting, especially the way people react to it when they see wildlife in places they do not expect to see it. "Because these are issues that are happening all around the world. I mean, in Colorado, I've written papers before on animal horror films, you know, giant sharks and crocodiles and so on. And they're kind of problems in wildlife management. "I think there's something very interesting that horror films are contributing to this sort of ongoing discussion. Because they remind us that, you know, we're not just existing outside of a food web." Cade is enjoying being back in Dunedin and revisiting all the places she remembers from her university days. "It's a great place if you want to write books or learn about nature, because you have the albatross and the sea lions and the penguins and Orokonui's just over there. There's so much scope for creativity." She was gutted to learn recently that the Frances Hodgkins and Mozart fellowships had been put on hold for a year given the benefits the fellowships have for creatives of all types.