logo
Beverly Hills Estate Owned By A String Of Industry Titans Hits The Market At $10 Million

Beverly Hills Estate Owned By A String Of Industry Titans Hits The Market At $10 Million

Forbes23-05-2025

Tall gates and dense hedging ensure complete seclusion—essential for a residence that has welcomed a former president.
Few buyers place 'previous owner' at the top of a must-have list, yet provenance casts color on every address. A storied history suggests how a house is lived in, loved, even re-engineered. At 708 North Rexford Drive in Beverly Hills, that color comes from an elite palette. Three power players—fashion mogul Max Azria, Netflix co-CEO Ted Sarandos with former author, producer and former U.S. ambassador Nicole Avant, and Fox Television chief Jack Abernethy—have all at different times called these walls home.
Built in 1923, the residence has been thoughtfully modernized while standing by its classic character.
From the curb, the house projects discreet East Coast formality. A high hedge, twin motor courts and a black-slate rooftop adorned with dormer windows whisper New England more than Los Angeles. Step through the door and the illusion continues. Traditional millwork and formal rooms project buttoned-up composure. Yet sliding walls open to a sun-bleached pool deck—pure California. Style says tux, setting says swimsuit.
Living areas favor the formality of measured layouts and polished finishes.
Speaking of attire, Max Azria, founder of women's fashion brand BCBG (not to be confused with CBGB, the legendary dive bar turned NYC punk nirvana), likely found the six-bedroom layout perfect for his eye for fashion. Twin dressing areas—with closets spacious enough to host a season's collection—surely proved irresistible. The short hop to Rodeo Drive's designer ateliers only sweetened the choice.
Time and temperature recommend the gathering scene: brisk coffee around the kitchen island in the morning, a chilled white on the patio once the air turns warm.
Azria's buyers, Sarandos and Avant, brought a different spotlight. In 2012, the power couple staged a private fundraiser here for President Barack Obama. No press allowed. Guest cars curled through the dual motor courts and vanished behind foliage. Inside, the floor plan proved more than hospitable. Formal living and library corridored into a glassy family room, then spilled outdoors to a lantern-lit dining grove. Tickets ran towards $40,000 a seat. Proof positive that this architecture can handle both intimate scripts and box-office blockbusters.
The keys would eventually land in the hands of 708 North Rexford Drive's current owner, Jack Abernethy, who quickly went to work behind the scenes. The Fox executive relocated the kitchen to the back of the house. Now marble countertops spectate as family and guests cannonball into a newly minted pool. A guest cottage sprang up a few steps away, outfitted with its own fireplace and two baths. The overhaul moved the heart of the home toward the garden, coaxing people outside, letting conversation track the sun across the lawn.
The primary suite doubles its indulgence with twin closets and separate ensuite baths.
Private quarters remain suitably elevated. The primary suite pushes onto an airy terrace with a fireplace. Two secondary suites play their own balconies. A convertible fifth bedroom waits on the main floor for staff, teenage independence… or a sudden brainstorm that needs an office by morning.
Location completes the portrait. The Flats earns its name from—you guessed it—flat ground that stalls just before the Santa Monica Mountains begin to climb skyward. That gentle topography means quick hops to studios along Pico, red-carpet premieres on Hollywood Boulevard, late dinners on Rodeo Drive. The Beverly Hills Hotel glows five minutes away. Private jets at Van Nuys break the horizon in under half an hour. For executives who measure days in such increments, minutes matter.
A detached guest house—equipped with living room, kitchen, bedroom and two baths—grants visitors enviable poolside access.
So does legacy. A house that has inspired couture, courted presidents and rewritten prime-time schedules speaks to more than square footage. It signals uncompromising standards. Buyers may not list 'former owner' on a spreadsheet, yet the notion hovers. Who actually lived here? At 708 North Rexford, the cohort is hard to ignore, with each name a benchmark of success. The home rose to their levels. Now the question is: who will shape its legacy next?
Brett Lawyer of Carolwood Estates holds the listing for 708 N Rexford. Carolwood Estates is a member of Forbes Global Properties, an invitation-only network of top-tier brokerages worldwide and the exclusive real estate partner of Forbes.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Gibson is searching for an iconic movie guitar
Gibson is searching for an iconic movie guitar

Digital Trends

timean hour ago

  • Digital Trends

Gibson is searching for an iconic movie guitar

Lost to the Future - The Search for Marty McFly's Back to the Future Guitar Gibson is on the hunt for one very special guitar: The cherry red Gibson ES-345 used by Marty McFly to play Chuck Berry's Johnny B Goode in the 1985 hit movie Back to the Future. Remember it? Course you do. To mark the movie's 40th anniversary, the legendary guitar maker has decided it wants to track down the whereabouts of the iconic instrument, and it's even called on those connected to the movie to help it in its quest. In a star-filled video (top) released on Tuesday, Back to the Future lead Michael J. Fox says: 'We need your help. We're trying to find the guitar I played in Back of the Future. It's somewhere lost in the space-time continuum … or it's in some Teamster's garage.' The actor adds: ' If you know where it is, if you know who has it, call us, text us.' Christopher Lloyd, who played the mad scientist Dr. Emmett Brown in the movie, also chimes in, saying: 'Somehow, it's vanished … This guitar has been lost to the future.' Ah, lost to the future, that's catchy. Well, it turns out that the search for the Gibson ES-345 will form the basis of a documentary called just that: Lost to the Future. The project appears designed to engage fans of both the movie and the guitar, while also documenting the guitar's impact and its mysterious disappearance. On the YouTube page featuring Fox et al, Gibson elaborates: 'When it comes to guitars in movies, no guitar was more iconic or more influential than the cherry red Gibson ES-345 used by Marty McFly to play Johnny B Goode in the movie Back to the Future. That scene has been cited by countless artists as the moment they knew they wanted to play guitar.' It adds: 'One problem: the guitar has been missing since 1985, and no one knows its whereabouts.' The documentary team will apparently 'search the globe' for what Gibson insists is 'the most important guitar in cinema history.' Guess Spinal Tap's 'never played' guitar doesn't quite cut it. So, Back to the Future's Gibson ES-345. Do you know where it is?

Alex Cora takes ownership after another Red Sox loss: ‘At one point, it has to be on me'
Alex Cora takes ownership after another Red Sox loss: ‘At one point, it has to be on me'

New York Times

timean hour ago

  • New York Times

Alex Cora takes ownership after another Red Sox loss: ‘At one point, it has to be on me'

BOSTON — Boston Red Sox manager Alex Cora usually keeps the same steady tone after wins and after losses. To him, it's necessary throughout a long season not to read too much into one game. Not Tuesday. After the team's major-league leading 17th one-run loss this season, a 4-3 defeat to the Los Angeles Angels in 10 innings, Cora didn't hold back his frustration. Advertisement 'We keep making the same mistakes, we're not getting better,' Cora said. 'At one point, it has to be on me, I guess, right? I'm the manager. I got to keep pushing them to get better. They're not getting better. They're not. We keep making the same mistakes. 'I'm being very honest about it. Very open about it,' he continued. 'You get frustrated, but at one point it's like, 'OK, what are we going to do? What's going to change?' Because we keep doing the same thing, same thing. We can keep talking about one-run losses, we have what, 17? It's the same thing. Is it effort? Preparation? Attention to detail? I have no idea, man. I watched that game tonight and was like, 'Wow this is real.' It's frustrating.' The visceral emotion from Cora was rare for the manager in his seventh season at the helm, a manager who just signed a three-year contract extension last summer. But the brutal nature of the way the team has lost so often this season has compounded the frustrations. The team's defense, which had been better of late, regressed on Tuesday with three errors. It marked their 16th multi-error game of the season and 10th such game at Fenway Park. With 53 errors, they surpassed Colorado for the most in the majors. Ceddanne Rafaela's wild throw home in the third inning moved runners into scoring position, allowing two extra runs to score. Kristian Campbell botched a grounder later in the game and reliever Zack Kelly couldn't field a ball cleanly off the mound in extra innings. 'What you saw today, routine groundballs for double plays we don't turn, we throw to the wrong bases, we miss cutoff guys, PFPs (pitcher fielding plays) were horrible,' Cora said. 'So there's a lot of bad right now.' Starter Brayan Bello pitched six innings for the first time since May 2 after a month of awful starts. He allowed three runs, but the offense couldn't bail him out. Advertisement Jarren Duran hit an RBI double in the third and Rafaela's two-run homer in the sixth tied the score 3-3, but there was little else to show from there. In the 10th, Kelly, who was recalled earlier in the day as reliever Nick Burdi went on the injury list with a foot contusion, was ineffective. Kelly loaded the bases, and the Angels scored the go-ahead run on a ground-ball double play. Despite 10 hits on the night, Cora lamented the chances the Red Sox gave the Angels. 'Missed the cutoff guy, they score two, we hit the eighth hitter, we walk the ninth hitter, we didn't execute a bunt play, we didn't advance when we needed to,' the manager said. 'You can talk about chances. I can tell you the chances we gave the opposition. We were lucky to be in that game at the end, to be honest with you.' The Red Sox now sit at 29-34, their most games below .500 on the season. They're 10 games back of first place in the American League East. Asked where the team could go from here, a listless Cora didn't have many answers. 'Show up tomorrow. Show up tomorrow, that's all we can do,' he said.

A leaping catch, happy tears, and a win: How TJ Friedl saved the Reds
A leaping catch, happy tears, and a win: How TJ Friedl saved the Reds

Associated Press

timean hour ago

  • Associated Press

A leaping catch, happy tears, and a win: How TJ Friedl saved the Reds

CINCINNATI (AP) — In what has been a frustrating first season with the Cincinnati Reds, manager Terry Francona was able to shed some happy tears Tuesday night courtesy of a game-saving catch. TJ Friedl made a leaping grab in center field for the final out to rob pinch-hitter Jake Bauers of a tying home run in the Reds' 4-2 victory over the Milwaukee Brewers. 'We couldn't tell if Friedl caught it. We were just kinda goin' on his body language,' Francona said. 'That was certainly a nice feeling. You may have seen a grown man cry.' The Reds appeared to lock up the win when Caleb Durbin hit a grounder to Elly De La Cruz, but the shortstop's throw to first base was high and sailed into the camera well for an error, allowing Durbin to reach second base. Bauers got ahead in the count 2-1 before he got the barrel on a fastball by Emilio Pagán. According to MLB's Statcast, the ball had a 95% hit probability, but Friedl did a nice job of tracking it and timed his jump perfectly to help the Reds snap a three-game losing streak. 'I knew it was hit well off the bat. I think it was probably when I was coming close to the warning track that I thought, I could have a chance at this,' Friedl said. Milwaukee manager Pat Murphy brought in Bauers because of his experience in late-game situations. It almost resulted in the third pinch-hit homer of his career. 'It's hard to get it out of here in center when it gets later in the evening. It was such a line drive I knew it was going to be close,' Murphy said after the Brewers had their eight-game winning streak snapped. 'It was a great play by Friedl. You play to the last pitch and he made it.' It was the second time in three years Friedl made a homer-saving catch in center at Great American Ball Park. The previous time came against the club Francona managed for 11 seasons, when Friedl robbed Cleveland's Ramón Laureano of a two-run shot during the third inning on Aug. 16, 2023. Friedl and the other Reds outfielders worked on making plays at the wall before Monday's series opener against Milwaukee. When he robbed Laureano, they practiced it before that game, too. 'Maybe we should work on it a lot,' Friedl said. Francona wasn't the only one relieved. Pagán thought he made a great pitch to Bauers. 'I didn't realize he hit it so well. I turned around and saw that TJ was making a sprint. The way this game works, you prepare and do the right things,' Pagán said. The win improved the Reds' record to 30-32 with a chance to snap a string of 11 consecutive series losses to the Brewers. Cincinnati is nine games behind the first-place Chicago Cubs in the NL Central and four back in the wild-card race. Whether Friedl's heroics can serve as a catalyst for a win streak remains to be seen. 'Your guess is as good as mine. We're just going to continue to go out every day and control what we can control and play our game. And then we'll see what ends up,' Friedl said. 'It's a long season, so we're going to continue to go out there and play the best baseball.' ___ AP MLB:

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store