Blake Lively accused of creating ‘insane, toxic, emotionally draining' workplace at now-defunct lifestyle brand: report
'The entire company was an absolute disaster,' one staffer claimed to the Daily Mail in a bombshell exposé published Monday.
'The workplace allegations that Blake is making now [against Justin Baldoni] are deeply ironic, given that it was one of the most insane, toxic, emotionally draining and disorganized environments you could imagine.'
Lively, now 37, launched Preserve, an online shop that sold artisanal home goods, in 2014, but it shuttered within a year.
'The impression [Lively] left on me after I worked at Preserve is that she doesn't care,' a second ex-employee shared. 'It was a really toxic work environment.'
One staffer recalled a time when the 'It Ends With Us' actress was set to host a photo shoot for the brand at her Westchester County, NY, mansion, but when Preserve staffers and a model arrived, she allegedly came out of her house 'looking like an absolute mess.'
Lively's brother Eric Lively, who was reportedly hired to be the creative director of the company, was allegedly also careless with his role and often 'overslept,' leaving many staffers to wait outside in the cold before they were let into the Manhattan studio apartment where the company was based.
Former staffers also claimed they had to sit on the floor of the studio for 'months' before furniture arrived.
'[Eric] was completely unqualified to run a company,' an ex-employee alleged to the Daily Mail. 'There were a lot of ways in which the employment was unprofessional.'
'For many weeks or months, there were no desks,' the source further claimed. 'The irony of it being a lifestyle site that was selling these really expensive wares was not lost on anyone.'
One former staffer described Eric as an 'actor' who was 'acting the part of creative director.'
The former employees further alleged that they would often have to work 'a crazy amount' of hours.
Two staff members claimed they were unable to afford subway fares when they were not paid on time.
According to the report, some staffers allegedly received settlements of up to $300,000 after threatening legal action over their mistreatment.
However, all of the company's inner turmoil stayed under wraps due to Blake's longtime publicist, Leslie Sloane, per the former staffers.
'Leslie Sloane shut it down,' one worker claimed. 'They buried every single thing from that company.'
In an interview with Entrepreneur in 2023, Blake owned up to mistakes she made with Preserve.
'I poured everything I had into that company,' she told the outlet, according to E! News, but noted 'behind-the-scenes stuff that we just couldn't figure out.' The 'Gossip Girl' alum did not go into great detail at the time about some of the issues her company faced.
Page Six has reached out to Blake's rep for comment on the former Preserve employees' allegations but did not immediately hear back. We also did not hear back from Eric.
The exposé comes as the 'Age of Adeline' star is embroiled in a serious legal battle with Baldoni, 41, whom she has sued for sexual harassment, launching a smear campaign and several other claims.
The actor-director has denied wrongdoing and countersued Blake, her husband, Ryan Reynolds, and Sloane, their publicist, for extortion, defamation and other claims. They are set to go to trial in March 2026.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
26 minutes ago
- Yahoo
Reese Witherspoon Reveals What It's Really Like Being a Famous Mom in Intimate, Behind-The-Scenes Photos
Following your dreams, lifting up women in Hollywood, and raising well-rounded kids in the public eye — Reese Witherspoon has done it all! Like Elle Woods would say, 'What, like it's hard?' In actuality, though, being a famous mom is hard, and Witherspoon just lifted the curtain on what it actually takes. She shared intimate, behind-the-scenes photos of real parenting moments throughout the years, and we love seeing her authenticity. In a new post on Instagram, the Big Little Lies star shared that she's been asked what 'raising three kids and building a career in Hollywood' was like. Witherspoon is mom to Ava Phillippe, 25, and Deacon Phillippe, 21, who she shares with ex Ryan Phillippe, and Tennessee Toth, 12, with ex Jim Toth. It may look glamorous, but it's not always. More from SheKnows Bindi Irwin's Daughter Grace Warrior Has a Loud New Hobby - & She's More Like Uncle Robert Irwin Than We Realized Witherspoon shared photos throughout the years in her Instagram carousel, captioning each slide to give more details. In one photo with a young Tennessee, she wrote, 'It looked like spending a lot of time in trailers together.' In another, she smiled next to Ava and Deacon in the back of the car, with all three dressed up. (Deacon even wore a cute fedora!) One screenshot happened from a text Deacon sent her, when he told his mom, 'Mom you butt-dialed an Instagram live.' She wrote, 'It looked like my kids constantly giving me career advice!' Ugh, can you imagine? Sometimes were much harder than others. In one smiling selfie, she wrote, 'It looked really hard sometimes. I'd cry working 14 to 17 hours, sometimes all night long and still woke up early for carpool.' 'I was deliriously tired,' Witherspoon added. Working moms know exactly what this feels like, whether you're in Hollywood or not. We work so hard for ourselves and our kids, but we still want to be part of all the important moments in their lives too. Being tired is the price we pay to do it all. At the end of the day, though, Witherspoon did her best to never complain. The You're Cordially Invited star said she would do her best 'to say something positive about work when I got home at night.' She explained that she did this 'so my kids would know that my work was meaningful to me and could be fun!' 'Even though it was challenging at times, having kids gave me perspective about what was important in life,' Witherspoon added. 'Nothing was better than getting to come home and hug them and hear about their day!' In the comments, other moms (both in Hollywood and not) appreciated her vulnerability. 'Thank you for this ❤️,' Lily Collins wrote. Kerry Washington commented, 'This hit hard today. Straight into my heart. Thank you.' Isla Fisher said, 'This is so true! Well done 😘' Paris Hilton left a '🥰' emoji and Suki Waterhouse commented, '❤️🥹.' 'this is like a breath of fresh air no one ever shares this,' someone else said. Another wrote, 'I love this and you so much 🥹🙌 such a good mama and inspiration to other mom bosses 💙🩵' This isn't the first time Hello Sunshine founder has chatted about working motherhood. 'I'm just trying to hold on, trying to make it through,' she previously told InStyle. 'My older kids help with the little one. It's nice to have a big family… My mom worked, and I think it's good for kids to see women working and being successful. I think it's going to make them hard workers because they see that I don't get much sleep. But I love what I do.' 'I want them to grow up with passion,' she continued. 'This is the one life you get, and you have to live it to the very end.' Before you go, check out who have an eye-watering net worth! Best of SheKnows Birthday Freebies for Kids: 25+ Places That'll Make Their Big Day Extra Sweet These Raw & Beautiful Breastfeeding Photos Show There's No 'Right' Way to Nurse 'But I Hate School': What To Do When Your Teen Dreads Going Back Solve the daily Crossword
Yahoo
26 minutes ago
- Yahoo
Louisiana attorney general sues Roblox
The attorney general of Louisiana has filed a lawsuit against Roblox, accusing the platform of failing to implement basic safety controls and making the site the 'perfect place for pedophiles.' The lawsuit, filed on Thursday by Attorney General Liz Murrill, alleges that Roblox 'has and continues to facilitate the distribution of child sexual abuse material and the sexual exploitation of Louisiana's children.' It also accuses the platform of purposely not rolling out basic safety controls to protect children from predators and failing to notify parents of risks. Roblox, which launched in 2006, has 82 million daily active users. The lawsuit notes that 20% of these users are under the age of 8, whereas another 20% are between the ages of 9 and 12. 'Due to Roblox's lack of safety protocols, it endangers the safety of the children of Louisiana,' Murrill said in a statement. 'Roblox is overrun with harmful content and child predators because it prioritizes user growth, revenue, and profits over child safety. Every parent should be aware of the clear and present danger poised to their children by Roblox so they can prevent the unthinkable from ever happening in their own home.' According to the lawsuit, adults can pose as children on Roblox, and children can bypass age requirements to access experiences meant for older users. The lawsuit points to several sexually explicit experiences that were on the platform, including 'Escape to Epstein Island,' 'Diddy Party,' and 'Public Bathroom Simulator Vibe.' A spokesperson for Roblox said that while the company can't comment on pending litigation, the platform dedicates 'substantial resources, including advanced technology and 24/7 human moderation, to help detect and prevent inappropriate content and behavior, including attempts to direct users off platform, where safety standards and moderation may be less stringent than ours.' 'While no system is perfect, Roblox has implemented rigorous technology and enforcement safeguards, including restrictions on sharing personal information, links, and user-to-user image sharing,' the spokesperson said. 'The safety of our community is a top priority.' Last year, Roblox launched a number of safety measures to protect children on its platform, including barring users under the age of 13 from sending direct messages. The measures were implemented following reports that Roblox was exposing young users to dangerous risks, such as grooming and explicit content. Murrill's lawsuit states that Roblox's recent safety measures were implemented too late and are inadequate. The lawsuit seeks permanent injunctive relief, prohibiting the company from claiming that it has adequate safety features and from engaging in any activity that would violate the Louisiana Unfair Trade Practices Act. Error while retrieving data Sign in to access your portfolio Error while retrieving data Error while retrieving data Error while retrieving data Error while retrieving data
Yahoo
26 minutes ago
- Yahoo
Taylor Swift is reinventing her style for a 'Showgirl' era. There's a reason for that.
Swift recently unveiled a series of extravagant outfits for her new album, "The Life of a Showgirl," featuring plenty of crystals and scalloped diamonds. Another album, another standout sartorial era. On Wednesday night, Taylor Swift unveiled the track list and album artwork for her 12th studio album, The Life of a Showgirl, which will be released on Oct. 3. Just as the album's title suggests, Swift has so far referenced burlesque imagery in her looks, with feathered boas, opulent headpieces and scalloped diamonds fit for the most glamorous burlesque dancer. With help from luxury houses like Area, The Blonds and Rene Caovilla, Swift's Showgirl era is already underscoring that more is more — and that a true Vegas showgirl always embraces excess. For the album cover of The Life of a Showgirl, Swift wore an intricate, crystal-embellished minidress with a balconette-style bra and scalloped cutouts from embellishment designer Area. The garment hails from the brand's spring 2022 collection and is a nod to what Vogue describes as 'the glitz of an off-duty Vegas dancer.' Art Deco-inspired glamour appears to be the theme of Swift's recently unveiled Showgirl era. Also among her featured album artwork ensembles is a rhinestone-encrusted, deep red one-piece with a corseted bodice and pointed accents along the bust from The Blonds fall-winter 2024 collection. Swift completed the look with matching opera gloves and knee-high boots, along with her signature fishnet tights. Swift's voluminous ostrich feather Showgirl look is from The Blond's fall 2025 collection too. Sarah Chappelle, a Swift-focused fashion critic, notes how the brand's designers previously said that their muse for this specific collection was a 'model, showgirl, it-girl, or an actress' — appropriate descriptors for Swift's Deco-coded sartorial era. The False God hitmaker paired the extravagant, light pink getup with a crystal headpiece and chandelier wrap-around sandals by Rene Caovilla. Swift's Showgirl style is capturing the attention of both Swifties and high-fashion aficionados in general. Jack Savoie, a stylist and content creator, was delighted by Swift's commitment to the maximalist allure of Vegas showgirl dressing. 'This era is pure glamour,' Savoie told Yahoo. 'The crystals, sweeping feathers, and gorgeous heels. It's a celebration of beauty and craftsmanship. I think it's right on trend especially after Pamela Anderson's role in The Last Showgirl. Showgirl dressing requires lots of time, details, craftsmanship and artistry, and I can only imagine the joy her stylist, Joseph Cassell Falconer, is having creating these unforgettable looks.' That Swift is clad in decadent designs isn't anything new. The Guilty as Sin pop star has proved herself to be a high-fashion darling, as she made clear with the slew of custom designer looks she wore during her record-breaking Eras Tour, which concluded late last year. Vivienne Westwood, Roberto Cavalli and Alberta Ferretti are just a handful of designers who helped bring Swift's distinct eras to life through fashion. With The Life of a Showgirl, Swift takes the glitz and glamour peppered through prior eras to showstopping new heights. She first gave audiences a taste of her Showgirl inclinations with the 'Bejeweled' music video from her Midnights era, tapping famed burlesque dancer Dita Von Teese to re-create her sultry martini-glass dance in the video. In another scene from the video, Swift has a major Moulin Rouge! moment in a custom, crystal two-piece designed by Michael Schmidt Studios. While on Travis and Jason Kelce's podcast, New Heights, Wednesday night, Swift unveiled the inspiration behind The Life of a Showgirl era: She wanted to dramatize the realities of life on the road. Swift visited 21 countries over the course of 21 months during the Eras Tour, which kicked off in March 2023 and concluded in December 2024. Clocking in 149 shows across five continents, it became the highest-grossing tour of all time. 'My day ends with me in a bathtub, not usually in a bedazzled dress. … I wanted to sort of, like, glamorize all the aspects of how the tour felt,' Swift said on the podcast. 'The reason I wanted to have an offstage moment as the main album cover is because this album isn't really about what happened to me onstage. It's about what I was going through offstage.' Solve the daily Crossword