Capcom's Devil May Cry 5 Sales Top 10 Million Units!
OSAKA, Japan--(BUSINESS WIRE)--Capcom Co., Ltd. (TOKYO:9697) today announced that worldwide cumulative sales of Devil May Cry 5 have surpassed 10 million units.
In Devil May Cry 5, players can enjoy thrilling, high-speed gameplay, stylish action, and beautiful graphics, depicted with intricate realism thanks to Capcom's proprietary RE ENGINE.
The title has garnered strong support from users due to its exceptional gameplay experience, leading to expanded sales as a catalog title since its release. Capcom provided an even more advanced story and action elements in the game with the addition of a new playable character, and more recently, on April 3, 2025, the company released the new Devil May Cry animated series on Netflix, in line with the company's Single Content Multiple Usage strategy. The animated series has garnered critical acclaim from around the world, and with more than 5.3 million views it ranked fourth during its first week globally in the 'Shows | English' category, while also ranking in the top 10 for seven consecutive days in Japan. As a result of the game's exhilarating action, and due to efforts to enhance brand awareness by leveraging the title beyond the scope of videogames, including television adaptations, the title has now exceeded 10 million units in cumulative sales worldwide.
Capcom remains firmly committed to satisfying the expectations of all stakeholders by leveraging its industry-leading game development capabilities in order to create highly entertaining gameplay experiences.
About the Devil May Cry series:
The Devil May Cry series consists of stylish action games known for their unique characters and exhilarating gameplay. As one of Capcom's major brands, the games in this series have cumulatively sold more than 33 million* units since the first title was released in 2001. The popularity of the series has gone beyond videogames, with expansion into other media, including animation and merchandise.
ABOUT CAPCOM
Capcom is a leading worldwide developer, publisher and distributor of interactive entertainment for game consoles, PCs, handheld and wireless devices. Founded in 1983, the company has created hundreds of games, including groundbreaking franchises Resident Evil™, Monster Hunter™, Street Fighter™, Mega Man™, Devil May Cry™ and Ace Attorney™. Capcom maintains operations in the U.S., U.K., Germany, France, Hong Kong, Taiwan, Singapore and Tokyo, with corporate headquarters located in Osaka, Japan. More information about Capcom can be found at https://www.capcom.co.jp/ir/english/
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
5 hours ago
- Yahoo
Remember when town was invaded with colour and cheer?
Wimborne was transformed into a colourful mix of music, dance, and ancient traditions in June 2005 as hundreds of brightly dressed Morris dancers, bedecked with a cascade of colourful ribbons, jingling bells, and jaunty feathers, jigged and reeled through its streets for the annual folk festival. In a joyous invasion, more than a thousand dancers and musicians, armed to the teeth with polished sticks and crisp cotton handkerchiefs, descended upon the town for three days of spectacular pageantry and heartfelt community spirit. The air, thick with the scent of summer and the sound of laughter, pulsed with the rhythmic clash of wood on wood and the melodic swell of accordions, fiddles, and flutes. Teams of dancers, some having journeyed from as far afield as the rolling hills of Scotland and the emerald shores of Ireland, wowed the bustling crowds with their stunning synchronised routines and spectacular, time-honoured costumes. From the intricate, handkerchief-waving Cotswold style to the robust, stick-clashing Border Morris with its performers in vivid 'tatter' jackets, the diverse traditions of this uniquely English art form were on full display. The jangling bells, historically believed to ward off evil spirits, provided a percussive soundtrack to the dancers' movements, while the fluttering ribbons and feathers added a splash of theatricality to the proceedings. 'It's very traditional and what we want to encourage is the family atmosphere,' explained festival committee member Maria Bisp at the time, her voice filled with a passion for the event. Read more: Would you like to see a return of the 500ft 'Bournemouth Eye'? The rise and fall of Tucktonia - Dorset's 'greatest little Britain' When tragedy struck one of Bournemouth's oldest pubs 'We want to attract lots of young people to the festival because we hope that they will continue the traditions and help preserve our unique heritage.' This commitment to nurturing the next generation of folk enthusiasts was evident in the numerous workshops and interactive sessions held throughout the weekend, inviting festival-goers of all ages to try their hand at a Morris jig or learn a traditional folk song. The festival's roots run deep in the community. Brian founded the festival 45 years ago, spurred by a desire to share his love for folk culture and to support a cause close to the nation's heart. With a loan of just £395 from the local branch of the Royal British Legion, given on the condition that any profits would be donated to the Legion's Poppy Appeal, Mr Bisp embarked on his mission. The Poppy Appeal, a symbol of remembrance and a vital source of support for armed forces personnel and their families since the end of the First World War, found a fitting partner in the community-focused festival. That first event was a resounding success, doubling the initial investment, and the festival has flourished ever since, growing into a cornerstone of the UK's folk calendar. And their efforts undoubtedly paid off. Beyond the captivating street performances, the festival celebrated the very best of English and Celtic folk music in a series of live concerts at the Allendale Community Centre. The line-up was a who's who of the folk world, featuring the intricate melodies of top Irish bands like Lúnasa and Flook, and the soulful tunes of Mise. The Allendale also played host to the wonderful Nancy Kerr and James Fagan, the poignant storytelling of Colum Sands, and the energetic rhythms of Welsh trio Hoover the Dog. Read more: Pictures show the historic bridge which connects Christchurch and Bournemouth Bournemouth wave pool will never be forgotten The event that lit up Bournemouth but vanished without a trace Local talent was also given a platform to shine, with rousing performances from Four Hand Reel and Paul Burke's band. For many, a highlight was the sensational performance of one of the finest voices in the folk world, Roy Bailey. His career, hailed as representing the very soul of folk's working-class ideals, resonated deeply with the appreciative audience, his songs weaving tales of struggle, hope, and humanity. As evening descended, the Queen Elizabeth School became a whirlwind of energy as Whapweasel and Random provided the foot-stomping music for a lively Ceilidh, getting everyone, from seasoned dancers to enthusiastic novices, in the mood for dancing. Throughout the weekend, the town centre was a feast for the senses. Street entertainers captivated onlookers with their dazzling skills, while colourful stalls offered a treasure trove of goods, from ethnic clothes and intricate jewellery to handcrafted rugs and an array of musical instruments.
Hamilton Spectator
5 hours ago
- Hamilton Spectator
Yukon Public Libraries introduces summer reading passport
June 13 is the last day of school for most students across the territory. As kids spill out the doors of schools and into the sunshine, the Yukon Public Libraries is introducing an initiative to make sure they don't leave their books behind. For the first time, Yukon Public Libraries is launching the Summer Reading Passport Program across all 15 libraries in the territory: the English-language passports are available at the Whitehorse library, and will be arriving at community libraries in the coming days. There will also be French language passports available. The passport looks akin to the Canadian passport, dimension-wise, said Drew Whittaker, the public programs librarian with Yukon Libraries. Inside, artwork done by local artist Dan Bushnell adorns the stamp pages, inspired by Yukon nature and wildlife, Whittaker said. Interested children will be given passports and be encouraged to come up with a summer reading goal in consultation with their families, he said. 'Maybe it's about numbers of books, but it doesn't have to go numbers of books,' Whittaker said. 'Maybe it's about the type of books that kids want to read, and it's also there's a chance for kids to kind of reflect on reading something new…' The librarian will sign off on a child's reading goal, and stamp the reader's passport as they move towards their goal, he said. 'They take their passport with them. They check out books. They read, read, read all summer long, books from the library, books from home, books from those small community library boxes. They read comic books. They just read as much as they can. They keep track of it, loosely. Keep track, and then they get their passport stamped at any Yukon Public Library location,' he said. Aside the gift of reading, children will also receive a medal at summer's end to reward them for their reading, Whittaker said. All 15 libraries will hold a community event to honour those that have achieved their reading goals, he said. Reading is a radical and revolutionary thing, Whittaker said. It preserves and shares information with others across space and time, he added. 'The value of reading to children is about interacting with their world, is about deeper, enriching experiences with their world. It's about being able to share, communicate their ideas. It's about opening their lives into human creative processes, of which, writing, discussing, debating, is part of our intellectual human existence,' he said. Reading and writing are also important for a child's future, be it education or employment, he said. A good foundation in literacy is connected to better life outcomes, he said. This is the first year the program is running, although previous years have seen similar programs imported from outside the Yukon, said Whittaker. Whittaker said creating a made-in-Yukon version was discussed for years. 'We like the made-in-Yukon approach. We are a different place. I think we're very keenly aware of how, of the differences up here, and often think like, oh yeah, we can do it. We can do our own and it'll be better,' he said. 'Libraries are institutions that are constantly changing, with changing technology and changing community needs. So you know, we're always keen to, like, look at our programs and see if they need a tweak or a change or an overhaul.' Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .
Hamilton Spectator
8 hours ago
- Hamilton Spectator
Slick Rick returns after 26 years with ‘Victory' album and proves hip-hop storytelling still reigns
LOS ANGELES (AP) — Hip-hop legend Slick Rick is proving his creative spark is far from fading. The English-born rapper — known for his signature eye patch and masterful storytelling — returned to the booth with his first new project in nearly three decades. He's reminding the world of his timeless rap prowess on his visual album, 'Victory,' released Friday. It marks Slick Rick's first album since 1999's 'The Art of Storytelling.' This new project is largely self-produced, with the rapper handling 95% of the production and sharing executive producer duties with Emmy-nominated actor and occasional rapper-DJ Idris Elba , who appears on the album alongside Nas , Giggs and Estelle. 'You was a young adult, then a middled aged man and now you're an older man, so my mentality has to grow with it,' said Slick Rick, known for his rap classic such as 'Children's Story,' 'La Di Da Di' with Doug E. Fresh and 'Mona Lisa.' His debut album, 'The Great Adventures of Slick Rick,' in 1988 hit No. 1 on the Billboard R&B/hip-hop charts. 'Victory' was four years in the making, with Slick Rick, now 60, writing and recording the album between his birthplace of London then France, while the visuals were filmed in the United States, United Kingdom and Africa. Slick Rick believes his voice still resonates in hip-hop. He said the subjects he tackles have grown with him. 'Can't always be children all the time,' he said. 'We grow and talk about things that interest us at this age.' In a recent interview, Slick Rick spoke with The Associated Press about how storytelling plays a role in today's rap, his relationship with Elba and how hip-hop has no limitations. Remarks have been edited for clarity and brevity. AP: How did you and Idris hook up? SLICK RICK: We met at a party and then we clicked. His people reached out to me, and they wanted to make an album. They flew me to England and France. I hung out with Idris at his cribs, and we just did what we do. We just had fun, And then when we was finished, we said, 'Yeah, we're ready to bring it to the marketplace.' AP: Did you ever feel hesitant stepping back into the spotlight, or did this album feel like destiny? SLICK RICK: It might've been a little hesitation, but you're just having fun. We just bringing it to the marketplace and see what happens. There's no pressure or nothing. We're bringing it to the people to see if they like it. Feed them. AP: When did you feel like this project was ready for public consumption? SLICK RICK: When we were in the studio with Idris doing our thing, I checked the reactions of people. But then I saw people in their happy place. Once I saw that, I'm good. I see him and his people's happy. A little dancing. Popped a little Moet. We were having a good time. AP: You blended hip-hop melodies with various sounds including reggae and house music. What was your vision behind this musical approach? SLICK RICK: It's what Black people like. We're not just hip-hop. We like reggae. We like house music. Let's say like the Beatles or Barry Manilow. We go all over the place. Dionne Warwick, Diana Ross. We go places. We try to entertain ourselves in different areas of existence. AP: What made you go the visual album route? SLICK RICK: It was saving time. People make songs and do videos anyway. So why not just speed this up real quick? Video and rap both at the same time. Boom, let's keep it moving. ... This is like watching a movie. You want to expand the picture. Not only do you hear my voice and the music, which is the essence. You get ... visual picture as well. AP: You produced the bulk of the album. Why did you decide to go that route instead of enlisting other producers? SLICK RICK: In my creative process, I need to have a lot of input or it's not going to be authentic Rick. Too many hands, it's not going to pop. So many hands is going to distort stuff. I do my own music most of the time. AP: What's the importance of rap storytelling in 2025? SLICK RICK: It's an open space. It hasn't been filled, the whole storytelling thing. Before it gets too lost back into braggadocios, one frequency. Expand your horizons. You don't always have to be rough. Be romantic. Be humorous. Be vulnerable. Go all over. Be a politician. Use your imagination. Go places, so we can take stories and give to our people's imagination.
