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Strategic layering: The key to warm winter dressing

Strategic layering: The key to warm winter dressing

This story is part of the July 12 edition of Good Weekend. See all 13 stories.
Can I really get through winter with just one coat?
In winter, forget traditional fashion wisdom and accept that more is more. Until ski suits become acceptable office attire, a minimalist approach to dressing won't keep you warm when arctic winds confront you on your commute to work. Rather than accept the challenge of winter dressing, most people simply give up, reach for the nearest black puffer jacket and place their bodies into style hibernation until the first sign of spring. Quitters.
A bulky coat or jumper on its own is never the answer.
You might be warm, but you won't look hot. While other people focus on preparing their bodies for summer, showcase your winter silhouette with strategic layering. A crisp business shirt, fitted jumper and sporty windbreaker keep the elements at bay without adding unnecessary bulk to your figure. The fit is important here: body skimming – not body-clinging – and never baggy.
Careful layering has a dynamic result, taking the eye on a journey around an outfit without settling for too long in one area. Like Miu Miu designer Miuccia Prada, take inspiration from school uniforms where contrasting colours unite for a style A+. Stop short at wearing a school tie – you don't want to look like an actual student – and elevate your accessories with a leather tote or messenger bag in place of a backpack.
If you're wearing a longer skirt, you might be able to tolerate the wind against your calves; if it's just too icy, though, turn to tights. Meanwhile, underlining your outfit with a cool socks-and-stilettos combo will signal that ultimate layering mastery has been reached.
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‘A baby-shaped hole': When creativity clashes with the call of motherhood
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‘A baby-shaped hole': When creativity clashes with the call of motherhood

This story is part of the July 26 edition of Good Weekend. See all 15 stories. Summer. A group of us trudges down the steep, narrow path to Wattamolla Beach in Sydney's Royal National Park – a haunt we loved in our 20s. Those of us without kids arrive early, claiming a patch of shade. Eventually, we spot the new parents making their way down, laden with bags like Bedouins, a grandparent trailing behind. The new mum – whose husband I've known since we were 13 – has that post-pregnancy glow. Her limbs are soft, supple. Beneath a pink sunflower hat, the baby is perfection. A miniature of her father. The grandmother asks when I'm planning to start a family. As a married woman in my mid-30s, it's a frequently asked question. I hedge, joking (though not really) that we already have a cat. She sighs, taps an imaginary watch, and retreats to the shade. Motherhood has been on my mind for a long time. Partly because of my age. 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‘A baby-shaped hole': When creativity clashes with the call of motherhood
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This story is part of the July 26 edition of Good Weekend. See all 15 stories. Summer. A group of us trudges down the steep, narrow path to Wattamolla Beach in Sydney's Royal National Park – a haunt we loved in our 20s. Those of us without kids arrive early, claiming a patch of shade. Eventually, we spot the new parents making their way down, laden with bags like Bedouins, a grandparent trailing behind. The new mum – whose husband I've known since we were 13 – has that post-pregnancy glow. Her limbs are soft, supple. Beneath a pink sunflower hat, the baby is perfection. A miniature of her father. The grandmother asks when I'm planning to start a family. As a married woman in my mid-30s, it's a frequently asked question. I hedge, joking (though not really) that we already have a cat. She sighs, taps an imaginary watch, and retreats to the shade. Motherhood has been on my mind for a long time. Partly because of my age. 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He's the kind of person who, without blinking, can say, 'We're too selfish to have children,' if his dad brings it up. As an artist, I tap into something maternal when I paint. I've even joked that I go through labour – metaphorically – bringing a work to term. But I'm not deluded. I know that raising a child is different. And the fear sits heavy: that I can't be both a mother and an artist. One American artist told me she had to put her art aside when her kids were little. She didn't have the energy. But eventually, she returned to her work: smaller pieces, baby steps. An Australian artist said the same. One friend only started making art after having children. I admire these women deeply. But I'm not sure I'm cut from the same cloth. When I developed thoracic outlet syndrome, and experienced a pain that felt like being burned or electrocuted down my arm and the right side of my face, I had to stop painting altogether. I thought I was going to lose my mind. I did, for a bit. 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Where climate change is no longer theoretical, and the window for action is closing. Where decency is eroding, and nuance is flattened by false binaries and the pace of technology. Where everything is louder, faster, but somehow less meaningful. My friends feel it, too: the dread, the paralysis. The question: Will the world even be hospitable by the time our kids are grown? Ultimately, I feared the world didn't think I was enough on my own – that I needed a child in order to be whole and worthwhile. Loading The doctor nods. She says more young women are choosing not to have children at all. Back at the beach, the new mother tells me about postpartum depression. How real it is. How, sometimes, she fantasises about returning to work just to escape this version of her life. But she adores her daughter. As she says it, her face softens. Later, I watch her partner crouch beside his daughter on the picnic blanket, offering her morsels of the foods his mother has made. 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