"Friday the 13th" Prequel Series "Crystal Lake" Finds Its Pamela Voorhees
Yara Sameh
Linda Cardellini is set to take the lead in the 'Friday the 13th' prequel series at Peacock.
Cardellini will star as Pamela Voorhees in the expanded prequel series, which is titled 'Crystal Lake.' The show was originally picked up straight to series at Peacock in 2022.
Fans of the 'Friday the 13th' franchise will recall that Pamela Voorhees was the mother of Jason Voorhees, the hockey mask-wearing slasher featured throughout most of the films in the horror franchise.
But in the original film, Jason is a child who drowns at Camp Crystal Lake. His death leads his mother, Pamela, to seek revenge against the counselors she blamed for her son's death.
Cardellini was recently cast in a lead role in the upcoming HBO series 'DTF St. Louis' alongside David Harbour and Jason Bateman. She is a three-time Emmy nominee — one for 'Mad Men' and two for 'Dead to Me.' Her other TV roles include 'Freaks and Geeks,' 'ER,' and 'Bloodline.'
In film, Cardellini is known for her role in the 'Scooby-Doo' live-action franchise as well as features like 'Brokeback Mountain,' 'The Founder,' and for playing Laura Barton in the Marvel Cinematic Universe.
Brad Caleb Kane took over as creator, writer, showrunner, and executive producer on 'Crystal Lake' in August 2024. A24 is also executive producing.
Victor Miller, who penned the original film in the franchise, remains onboard as an executive produce along with Marc Toberoff, Robert M. Barsamian, Robert P. Barsamian, and Stuart Manashil. A24 is the studio.
The original 'Friday the 13th' was released in 1980. It grossed nearly $60 million against a reported budget of $550,000. Since then, there have been eleven further films in the franchise, including 'Jason X,' 'Freddy vs. Jason,' and the 2009 reboot. Jason became the main antagonist beginning of the second film.
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Mid East Info
13 hours ago
- Mid East Info
Sony Future Filmmaker Awards Announce Winners of 2025 Global Competition - Middle East Business News and Information
(Dubai, United Arab Emirates, 9 June 2025) – The Sony Future Filmmaker Awards announced today the 2025 winners during a special ceremony hosted by Emmy-award winner Denny Directo (Entertainment Tonight) in the iconic Sony Pictures Studios Scenic Arts Building in Culver City. Now in its third edition, this trailblazing global awards program for short films established by Creo and sponsored by Sony ignites the careers of emerging visionaries, amplifying bold storytelling from different corners of the world. Selected for their outstanding work from over 11,750 films submitted by more than 7,500 filmmakers across 158 countries and territories, the winners of the Sony Future Filmmaker Awards 2025 are: Rossana Montoya (Colombia, Fiction), Juliet Klottrup (United Kingdom, Non-Fiction), Santiago O'Ryan & José Navarro (Chile, Animation), and Hayder Hoozeer & Franz Böhm (United Kingdom / Germany, Student). The jury gathered leading figures from the industry including filmmaker and writer Minhal Baig ( We Grown Now, Hala, BoJack Horseman ); President of 3000 Pictures Elizabeth Gabler ( Where the Crawdads Sing , upcoming Klara and the Sun, Life of Pi ); Academy Award®-nominated filmmaker Jason Reitman ( Saturday Night, Ghostbusters: Afterlife, Juno ) and award-winning director Justin Chadwick ( Mandela: Long Walk to Freedom, The Other Boleyn Girl, upcoming Sierra Madre ) as Chair of the Jury to evaluate creative excellence and innovative storytelling, selecting the winning filmmakers from a wider shortlist. The Sony Future Filmmaker Awards jury shared their collective admiration for this year's winners and shortlisted filmmakers: ' It is truly exciting to look toward the future of filmmaking through the eyes of this incredible group of winners. As new custodians of the craft, each of them brings a particular vision that challenges the status quo as well as breathing new life into the stories we tell. The Sony Future Filmmaker Awards are not only about recognising this talent — they're about supporting and empowering those who will shape the industry for years to come, and we are eager to see how they continue to redefine the cinematic landscape.' The Awards help to inspire, equip, and empower the next generation of filmmakers at a pivotal moment in their careers; as part of their prize, this year's winners and the broader shortlist across the four categories participated in an immersive four-day industry program at Sony Pictures Studios from June 2-5, 2025, culminating in the Awards ceremony. Through a carefully curated program of workshops led by Sony Pictures executives, screenings, and behind-the-scenes access, participants deepened their understanding of the craft and sharpened their skills while forging meaningful connections with industry leaders and fellow creators from around the globe. The program explored topics such as cinematography masterclasses, script-writing, navigating talent deals, cutting-edge technology demonstrations, and the art of soundtracking a story. In addition, the four winners also receive cash prizes and Sony Digital Imaging equipment. The winners of the Sony Future Filmmaker Awards 2025 are: FICTION The Fiction category rewards narrative-led submissions that convey an original fictional story or event. The category winner receives Sony Digital Imaging equipment and a $5,000 (USD) cash prize. In the Fiction category, the winner was presented by Jason Reitman, Academy Award®-nominated filmmaker and Sony Future Filmmaker Awards 2025 jury member : Rossana Montoya (Colombia), My Demon – As they race to the hospital for the imminent birth of their first child, Eva and Jacobo clash over their relationship. Shot in a single 17-minute take, the film infuses the raw emotional intensity of two on-screen characters into this intimate narrative. NON-FICTION The Non-Fiction category awards short films that are predominantly factual in content. These can include archive footage, documentary footage, reenactments and animation. The category winner receives Sony Digital Imaging equipment and a $5,000 (USD) cash prize. In the Non-Fiction category, the winner was presented by Elizabeth Gabler, President, 3000 Pictures and Sony Future Filmmaker Awards 2025 jury member : Juliet Klottrup (UK), Travelling Home – An English Romany Traveller reflects on his heritage and the annual pilgrimage to Appleby Fair. Shot on 16mm film, the analogue texture enhances the film's exploration of time, tradition, and belonging, reflecting Klottrup's collaborative approach with local communities and her visual artistry focused on rural identity. ANIMATION The Animation category embraces filmmakers using stop-motion, motion graphics, computer animation, drawn-on-film, rotoscoping, experimental animation, and additional available techniques. The category winner receives Sony Sony Digital Imaging equipment and a $5,000 (USD) cash prize. In the Animation category, the winner was presented by Minhal Baig, filmmaker, writer, and Sony Future Filmmaker Awards 2025 jury member : Santiago O'Ryan & José Navarro (Chile), Hermanos Casablanca (Casablanca Brothers) – At the height of the Pinochet dictatorship, two divers agree to help an army official in the hope of receiving information on their missing sister in return. The film employs engaging visual storytelling and a muted and dark colour palette to evoke a sense of loss, uncertainty and danger. STUDENT The Student category rewards filmmakers studying a film course at a registered institution at a diploma or degree level worldwide. The category winner and their institution each receive Sony Digital Imaging equipment. In the Student category, the winner was presented by Tatsuhito Tabuchi, Head of New Contents Creation Business Unit, Sony Corporation : Hayder Hoozeer (UK) & Franz Böhm (Germany), The National Film & Television School, Rock Paper Scissors – Based on a true story, a father and son in a warzone hospital face life-or-death choices as their hideout becomes increasingly compromised. Their direction uses stark color contrasts and claustrophobic settings to heighten the film's emotional impact, supporting the actors' powerful performances. Following a successful third edition, the Sony Future Filmmaker Awards will return for a fourth edition in spring 2026, with submissions opening July 2025. To learn more about the winning and shortlisted filmmakers, please visit . 2025 WINNERS & SHORTLIST FICTION Winner Rossana Montoya (Colombia), My Demon Shortlist Miguel Angel Caballero & Luis Antonio Aldana (USA), The Ballad of Tita and the Machines Ethan Evans & Jess Bartlett (UK), Outside Noise Alexis Gómez (México), Bumbumpapá Meng Han Hsieh (Taiwan) & Menna Morgan (UK), The Test Irene Lopez & Robin Asselmeyer (Sweden), Killing R Linda Ludwig (Germany) & James Curle (UK), Under The Blue Andrew McGee (UK), First Sight Florine & Kim Nüesch (Switzerland), Marriage Unplugged Robin Takao D'Oench (USA), Fireline NON-FICTION Winner Juliet Klottrup (UK), Travelling Home Shortlist César Flores Correa (México), A Field That No Longer Smells of Flowers Will Hewitt & Austen McCowan (UK), Have You Seen The Beast? Kieran Hodges (New Zealand) & Eduardo Vento (Portugal), Justice Brothers Annabel Moodie (UK), Friends on the Outside Loic Niyonkuru & Floriane Kaneza (Burundi), Before 16 Stefan Pollak (UK), ALT Jay Kirsten Slemint (Australia), Burnt Country Riah Taipodia (India), Khiew Ranei (Black Clay) Shaquille Zaki Nathandra & Quina Qaumitaquna Mirxela (Indonesia), Tanah Kitai (Our Land) ANIMATION Winner Santiago O'Ryan & José Navarro (Chile), Hermanos Casablanca (Casablanca Brothers) Shortlist Rich Farris (UK), From The Top Case Jernigan (USA), Noggin Fadi Syriani & Jana Wehbe (Lebanon), All This Death ( The Day Vladimir Died) Leo Wright (UK), The Big Bad Wolf STUDENT Winner Hayder Hoozeer (UK) & Franz Böhm (Germany), Rock Paper Scissors The National Film & Television School Shortlist Luis J. Arellano (México), Long Journey Till Dawn Centro de Capacitación Cinematográfica Muhammed Ashfaque (India), URA K R Narayanan National Institute of Visual Science and Arts Gianfranco Fernández-Ruiz & Gus Murray (USA), When Big People Lie American Film Institute Faith Olaewe & Doyinsola Ajayi (Nigeria), Angel in the Stone EbonyLife Creative Academy FUTURE FORMAT Winner Bijan Gashti (Islamic Republic of Iran), Select/Or Shortlist Joni Astin Ariadi (Indonesia), Sleeping Monster Siwei Yu (China Mainland), Love is the End NOTES TO EDITORS For media inquiries, please contact: Polly Brock, Hugo Ximenes (Creo) – media@ Steven Wilson, Kylie Elliot, Austin Good (Scenario Communications) – sffawards@ Film press kits are available to download on . Images from the Awards ceremony are available to download here . Established by Creo and sponsored by Sony, the Sony Future Filmmaker Awards is a major annual awards program for short films devoted to supporting and elevating independent filmmakers and creators from across the globe. Set apart by its exceptional prize, the Awards provide successful filmmakers with invaluable opportunities in the form of a trip to Los Angeles and to the historic Sony Pictures Studios in Culver City, California, where they gain exclusive access to experts and unparalleled insight into the inner workings of the industry. Winners additionally receive cash prizes and a range of Sony Digital Imaging equipment. Free to enter, the Awards comprise four categories: Fiction, Non-Fiction, Student and Animation, and are judged by a panel of leading figures. By supporting talents in film, video and storytelling, the Sony Future Filmmaker Awards provides a gateway for the development of creative excellence. Creo initiates and organizes events and programming across three key strands: photography, film and contemporary art. Since 2007 Creo's mission has been to develop meaningful opportunities for creatives and to expand the reach of its cultural activities. Its flagship projects include the Sony World Photography Awards, Sony Future Filmmaker Awards, PHOTOFAIRS and Photo London. Working in partnership with Angus Montgomery Arts (AMA), Creo helps deliver the group's ventures, comprising some of the world's leading art fairs. Taking its name from the Latin for 'I create,' it is in this spirit that Creo sets out to empower and give agency to creative voices. Sony Pictures Entertainment (SPE) is a subsidiary of Tokyo-based Sony Group Corporation. SPE's global operations encompass motion picture production, acquisition, and distribution; television production acquisition, and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. Sony Pictures Television operates dozens of wholly-owned or joint-venture production companies around the world. SPE's Motion Picture Group production organizations include Columbia Pictures, Screen Gems, TriStar Pictures, 3000 Pictures, Sony Pictures Animation, Stage 6 Films, AFFIRM Films, Sony Pictures International Productions, and Sony Pictures Classics. For more information, visit . About Sony Middle East and Africa: Sony Middle East and Africa FZE is a 100% subsidiary of Sony Corporation and is the regional headquarters for the Middle East and Africa regions. The company is engaged in the business of Sony Consumer Electronics, Mobile Electronics (Car Audio), broadcasting and professional products and Computer Entertainment (PlayStation) products in more than 40 countries in the region. Apart from stock operations in the Jebel Ali Free Zone Establishment in Dubai, Sony Middle East and Africa leads execution of various logistics, sales, marketing, advertising and customer services activities through its business partners. 353 accredited third-party service centres reinforce Sony's presence in key markets in the region. About Sony Corporation Sony Corporation is a wholly owned subsidiary of Sony Group Corporation and is responsible for the Entertainment, Technology & Services (ET&S) business. With the mission to 'create the future of entertainment through the power of technology together with creators,' we aim to continue to deliver Kando* to people around the world. For more information, visit: *Kando is a Japanese word that roughly translates to the sense of awe and emotion you feel when experiencing something beautiful and amazing for the first time. For media enquiries, please contact:
Al-Ahram Weekly
3 days ago
- Al-Ahram Weekly
The moral high ground
A few months into the war on Gaza, following the 7 October attacks, I found myself like everyone else, glued to the news around the clock, watching non-stop the horror coming out of Gaza. One night, as the Israeli forces started to bomb Al-Shefa Hospital – a spot I was familiar with, having developed a bond with the reporter who broadcast from there – I realised that reporter was no longer there. He was not even mentioned. That night was particularly heartbreaking for me. I felt pressure in my head, as if it might literally explode. Waves of anxiety surged through me, along with terrible thoughts, and I had to turn off the television and wander around my house at 2:00am, desperately trying to shift my focus. I remembered that night as I watched the Palestinian documentary A State of Passion – directed by Carol Mansour, a Lebanese-Canadian filmmaker with Palestinian ancestry, and Muna Khalidi, who has a very close friendship with Abu-Sittah – which follows the renowned Palestinian-British plastic and reconstructive surgeon Ghassan Abu-Sittah when he volunteered to enter Gaza for the sixth time at a time of conflict only to realise that this time it was full-scale genocide. He had never performed this number of amputations on children ever in his life, as he said at one of the most moving moments. At this point, when the film was recently screened at Zawya in the lineup of the Between Women Filmmakers Caravan – an independent initiative organised by a group of female filmmakers and film curators – the Gaza war was already one year and eight months old. Still, I'd missed the first screening of the film, which made its world premiere at the Cairo International Film Festival, receiving three awards: the top award of the Horizons of Arab Cinema section, the Saadeddin Wahba Award for Best Arabic Film, and the second prize for Best Palestinian Film as well as a Special Mention for Abu-Sittah. After 43 days in Gaza, Abu-Sittah jumped on a plane to Amman to spend 24 hours with Mansour and Khalidi, who had called to request the meeting. As they stated in an online interview with the audience after the screening, the phone call that appears in the film is the real phone call. In Amman, the camera captures the emotions involved in the meeting, which also involves an old friend of Abu-Sittah's and his proud mother, whose favourite son he was, according to the two filmmakers. Mansour and Khalidi accompany Abu-Sittah on a quick visit to Kuwait, where he was raised and where he reminisces about his father, also a doctor, in front of said father's former clinic. Abu-Sittah was born in Kuwait to a Palestinian father and a Lebanese mother. His father's family originated in Maain Abu-Sittah in the southeast of Gaza, which they were forced to flee when the Zionists attacked during the Nakba. They moved to Kuwait and later to the United Kingdom in the 1980s and Abu-Sittah eventually realised his father's dream by studying medicine at Glasgow University. The documentary includes some harsh photos of children undergoing surgical procedures, especially when Abu-Sittah is trying to prove that Israel used white phosphorus in their military operations, but such graphic imagery was limited, reflecting the filmmakers' decision to give only a small taste of the horror after they were faced with the predicament of whether and how much to show. Abu-Sittah recalls performing amputations on six children in a single day, and when he elaborates on how complicated the situation is there, he explains that health procedures are based on people directing you to save the life of the only living member of the family or whether a doctor can just clean up a wound that will keep someone alive for a day so as to save a few other lives that require urgent attention. Abu-Sittah made his way to Gaza to treat patients all the way through Rafah many times; his first medical visit to Gaza was during the first Intifada in 1987. He was back during the second Intifada in 2000 and then in the wars of 2009, 2012, 2014, 2021 and finally 2023. Mansour alone accompanies Abu-Sittah to London where he lives with his family: his wife Dima and three sons. Khalidi couldn't go due to complications with her visa. And this is where the documentary becomes a more personal exploration of Abu-Sittah's extraordinary character. When he's not working, he is with his family, a dedicated husband and father whose presence is a delight to them. He is seen ironing his sons' school uniforms and putting together their lunch boxes in the morning. There is a sequence in the 90-minute documentary when we hear the exchange of voice messages between him and his three sons. It is touching how he says good morning to each of them in spite of the horrors he is enduring so many miles away. Dima and Abu-Sittah have a sweet relationship with the Palestinian cause at its core. Dima explains how she took the children to Gaza, showing them every corner of it with a strange presentiment that it might not survive. They went to the beach and visited all the landmarks. Her presentiment was right: they returned on 7 September, exactly a month before the horrific incidents began. When Dima and Abu Sittah were in Gaza, they took along Dima's mother, who needed medical attention in London while her father remained alone, an old man tired of being repeatedly displaced, refusing to leave his house. The mother could not return to Gaza but she has been living in Egypt: she was even present at the screening of the film. When Dima spoke of Palestinian resilience, it rang true in a way it usually doesn't. 'If he hadn't gone to Gaza, I wouldn't have known how to maintain my respect for him,' she also said of Abu-Sittah, who, for his part, said they were both so clear about his need to be there, the decision didn't even have to be discussed. * A version of this article appears in print in the 5 June, 2025 edition of Al-Ahram Weekly Follow us on: Facebook Instagram Whatsapp Short link:
See - Sada Elbalad
4 days ago
- See - Sada Elbalad
First Lady Extends Eid Al-Adha Greetings to Arab, Islamic Nations
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