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'Forgotten' Glasgow guides reveal city's best bars, restaurants and dance halls

'Forgotten' Glasgow guides reveal city's best bars, restaurants and dance halls

Yahoo3 hours ago

ASK an older relative from Glasgow about nightlife in their youth and there's a good chance they will speak fondly of the many cinemas, theatres and dance halls the city has offered over the years.
Legendary institutions frequently mentioned include La Scala cinema, the Alhambra music hall and the Locarno ballroom.
While nothing beats personal anecdotes from the people who frequented these places, it's still great fun to look through the city guides held within the city archives.
(Image: Newsquest)
Many are clearly targeted at tourists, but a number seem to have been produced for citizens and give detailed insight into the variety of places where the people of Glasgow could go to entertain themselves.
Glasgow Illustrated Guide by George Eyre-Todd, author and historian, was published around 1930.
This guide caught my attention thanks to the level of detail and evocative language Eyre-Todd uses when describing different institutions.
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He writes that the Grosvenor restaurant is 'busy with dances and dinners all winter through' and 'rivals the Grand Hotel as a resort of the city's gilded youth."
Meanwhile, the King's Theatre is pronounced the premier theatre in Glasgow thanks to the calibre of actors who appear on its stage as well as its musical comedy and revue performances put on throughout the winter.
Amongst the growing number of 'sumptuous' cinemas in the city he highlights the New Savoy and La Scala as notable for the fine music which accompanies their performances.
(Image: Glasgow City Archives)
My favourite section of the guide, however, has to be the feature on 'Palais de Danse' which highlights the Ritz on Berkeley Street, the Dennistoun Palais de Danse and La Plaza near Eglinton Toll.
(Image: Newsquest)
Indicating changing tastes amongst the dancers, he notes that 'at all of these, dancing is of the fox-trot, one-step and jazz pattern. No reels, strathspeys or country dances."
And if you didn't have a partner to dance with, not to worry - professional dancers were retained at each place and could be relied on to whirl you about for the moderate fee of sixpence per dance.
Glasgow Through a Drinking Glass, another insightful publication, was produced by the Junior Chamber of Commerce in 1973.
This features an introduction from writer and broadcaster Jack House, who quips that as a former teetotaller passing a pub 'I used to hold my breath because of the smell. Now pubs hold their breath if I pass them."
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As well as noting the general improvement in atmosphere of Glasgow pubs since the 1920s, he also gives contextualising details about different drinking establishments.
Rogano's is described as a high-class bar thanks to the cigar cutters attached to every table, while many aspiring stage artists hung out at Lauder's Bar, hoping its proximity to the nearby Pavilion and Theatre Royal might get them some work.
Lauders, June 1930 (Image: Glasgow City Archives)
In total, more than 80 pubs are featured in the guide. Just like Lauder's Bar (now called The Lauders), there are a number of pubs that still exist today.
The Griffin is described as modern and bright with trendy clientele from the nearby King's theatre.
The Saracen Head is also mentioned, although the popularity of the champagne cider, which he describes as a favourite of the locals, seems to have fizzled out.
The legendary Horse Shoe bar is also featured, described as deserving its long-held reputation as 'one of the finest drinking places in the city centre.' As a pun-lover, however, my favourite pub in the guide has to be The Muscular Arms.
(Image: Glasgow City Archives)
Beyond nightlife, there are plenty of guides which cover activities for all to enjoy. Tourist guides from the 1950s list the city's pools, baths, billiard rooms, art galleries, museums and sports grounds.
Visitors are encouraged to visit golf courses outside of the city or to take day trips on the Clyde coast steamers.
There is also a very useful publication named Glasgow Official Guide: Historical, marketing and industrial survey, published in around 1938 and again in 1947. These read almost like handbooks for new citizens, featuring adverts for apartments and providing information on the development of schools and public health in the city.
Bursting with ideas, these guides confirm Glasgow's long-held reputation as both a popular tourist destination and a great place for a night out.

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Sizzling at 60 and beyond! Senior stars share their secrets to looking smokin' hot
Sizzling at 60 and beyond! Senior stars share their secrets to looking smokin' hot

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  • News24

Sizzling at 60 and beyond! Senior stars share their secrets to looking smokin' hot

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Autodesk CMO Dara Treseder on how brands are navigating attention and polarization at Cannes Lions
Autodesk CMO Dara Treseder on how brands are navigating attention and polarization at Cannes Lions

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Autodesk CMO Dara Treseder on how brands are navigating attention and polarization at Cannes Lions

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Because we're living in such a polarized time, where there are very few things people can align on. And so there is really that, but we are also in an attention recession, where it's so difficult to get attention, and getting attention is not enough, because you have to convert that attention into intention, right? To get people to actually go into discovery, consideration, and ultimately purchase. So, it's not just getting the attention, but the attention in the way that's right for your brand. Exactly. Getting attention in a way that's right for your brand and drives action, drives engagement. And now, there's just so much that grabs people's attention, so grabbing attention isn't enough. It's actually converting the attention into intention, into buyer intent. Are there any rules about it, or is it that each brand has to do it in its own way? 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YouTube Will Add an AI Slop Button Thanks to Google's Veo 3
YouTube Will Add an AI Slop Button Thanks to Google's Veo 3

Gizmodo

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  • Gizmodo

YouTube Will Add an AI Slop Button Thanks to Google's Veo 3

I told you that AI slop was coming for your YouTube content, and did you believe me? I don't know, maybe you did, but if you didn't believe before, you certainly will now. According to YouTube CEO Neal Mohan, who gave a keynote at the Cannes Lions International Festival of Creativity on Wednesday, YouTube is getting a new tool that generates Shorts from 'scratch.' By scratch, I mean with the help of Google's recently unveiled Veo 3 AI generator. That's right, a one-stop shop for AI slop is incoming, which should be great if you like not ever knowing what's real or fake. Mohan, like many executives in tech and otherwise, is decidedly very excited about the potential for AI to shake up the game. Here's what he said during his keynote, per the Hollywood Reporter. 'Communities will continue to surprise us with the power of their collective fandom. And cutting-edge AI technology will push the limits of human creativity. My biggest bet is that YouTube will continue to be the stage where it all happens. Where anyone with a story to share can turn their dream into a career… and anyone with a voice can bring people together and change the world.' Sure, that's one possibility, I guess. The other possibility? A new and heaping mountain of junk content that neither enriches your general selection of YouTube fodder nor protects the already embattled line between reality and fiction. I hate to be the resident slippery slope guy, but how far are we really going to take this? According to Mohan, pretty freakin' far. 'The possibilities with AI are limitless,' Mohan said during the keynote. 'A lot can change in a generation. Entertainment itself has changed more in the last two decades than any other time in history. Creators led this revolution.' people are using veo3 to bring history to life in the form of vlogs 🤣 via HistoryVisualizedbyAI on YouTube — Tanay Jaipuria (@tanayj) June 15, 2025 It's a little ironic to extol the creator-led content revolution on one hand and introduce a watershed tool that helps vacuum up all of their content and regurgitate it into AI slop on the other, but hey, who's counting? Oh, that's right, Hollywood is. As noted by the Hollywood Reporter, YouTube has already struck a deal with the Creative Artists Agency (CAA) that gives artists and athletes control over their likeness. But that's just some artists who are okay with capitulating to the apparent tsunami of video generation. Hundreds of other actors have already voiced their concerns over the potential for AI to ruin their careers and plunder their intellectual property. As a result, they've called for regulation on generative AI and its implementation. You may have gathered from the simple fact of my writing these words right now that those cries for a legal framework haven't really gone anywhere. They may never, to be honest, which brings me back to YouTube's plans for a future AI slop faucet. Here we are, on the precipice of real and fake, looking out at the horizon of God knows what, waiting for the deluge of AI slop to send us kicking and screaming into the ravine of existential AI pain. I'm not saying YouTube's generative shorts are going to be the lynchpin in that frankly depressing, slop-filled future, but there's no denying it's a nod in a sloppy direction. I guess we may as well get used to it. I mean, it can't get any worse than MrBeast, right? Right?

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