logo
Move over, Aperol — the Hugo Spritz is summer's hottest cocktail

Move over, Aperol — the Hugo Spritz is summer's hottest cocktail

Yahoo20-07-2025
The Hugo Spritz has emerged as the trendy cocktail of the moment and successor to the Aperol Spritz.
The recipe calls for prosecco, club soda, and elderflower liqueur, resulting in a sweet, low-ABV drink.
A foodservice trend analyst said the French-made liqueur lends the Hugo Spritz an escapist appeal.
Last month, while mulling the menu at a trendy restaurant, a suggestion from a friend made me feel woefully out of touch.
"Why don't you get a Hugo Spritz?" the friend asked when I said I was craving a light, summery, and refreshing cocktail.
I asked what that was and was promptly met with a table full of shocked faces. Somehow, I had missed the introduction and gradual takeover of the the hottest new cocktail.
While the thirst for Hugo Spritz certainly isn't new — the recipe has been gaining momentum online for a few years, achieving fleeting virality in 2023 and capturing the attention of wealthy bar patrons in 2024 — recent data indicates that the Hugo's mainstream crossover moment has officially arrived.
In its 2024 trend report, Yelp found a 1,121% increase in searches for "Hugo Spritz" compared to the previous year. Google search volume for "Hugo Spritz" rose 122% from 2023 to 2024, and analytics show interest is even higher this summer than at this time last year. The use of the hashtag #HugoSpritz has steadily increased on TikTok over the last year, reaching peak popularity in late June and early July. Creators have been sharing their favorite takes on the recipe, gleefully adding sprigs of mint or splashes of lime juice. The trend has even inspired at least one original piano ballad, which features the standout lyric, "Cuckoo for Hugo, baby."
The Hugo Spritz has emerged as the clear successor to its Italian cousin, the Aperol Spritz. The latter enjoyed its own renaissance a few years back, arguably reaching peak popularity in the summer of 2023 — auspiciously fueled by HBO's "The White Lotus," whose celebrated second season was filmed in Sicily and aired in late 2022.
Despite its rise to ubiquity, however, Aperol — an apéritif liqueur with strong notes of orange peel and herbs — remains a polarizing ingredient. While some love its bittersweet flavor, others say it tastes thick and medicinal, akin to cough syrup.
By comparison, the Hugo Spritz is positively dessert-like. As with most spritzes, it's typically made with two parts prosecco and two parts soda water. The defining addition is elderflower liqueur — a sweet, floral spirit with such broad appeal and versatility that it earned the nickname "bartender's ketchup" in the late aughts.
St-Germain has long been considered the leader in the elderflower liqueur market, credited for inspiring a slew of copycats after its launch in 2007. The brand was acquired by Bacardi in 2013, further cementing its dominance.
Emma Fox, Bacardi's Global VP, told me via email that St-Germain has seen a 20% increase in retail sales value in the US since last year and an 11% increase over the last five years. Globally, she said the brand's market share has nearly tripled since 2019.
"We know that demand for St-Germain continues to grow, particularly this summer, as people are looking for more choice and creativity in their spritzes and discovering our lighter, brighter taste," Fox said.
St-Germain is made with hand-picked flowers from elderflower trees that grow in the French Alps. Last year, the brand took advantage of that scenery's aesthetic touchstones in a summer ad campaign featuring "Game of Thrones" star Sophie Turner, which highlighted the Hugo Spritz for its French flair and easy elegance. (The brand reunited with Turner for another campaign launched in May of this year.)
Much like how Aperol benefited from its Italian roots and eye-catching cameos in the hands of glamorous onscreen Sicilians, the Hugo Spritz has an aspirational appeal in addition to its tasty flavor profile. In the right context, enjoying an effervescent, European-sourced cocktail can feel like micro-dosing a much-needed getaway.
Paige Leyden, Associate Director of foodservice, flavors, and ingredients reports at Mintel, a market intelligence agency, said she noticed the Hugo Spritz trend gain traction in the US in the wake of the 2024 campaign. She attributed the effect to a combination of celebrity influence and our positive associations with a luxurious French lifestyle.
"Travel is expensive, but there is that level of escapism when you can just go to a nice bar and sit outside and have this drink," Leyden said. "You might not be on the picturesque Mediterranean coast, but you're still kind of emulating that."
Of course, in the age of Instagram and TikTok, the power of a compelling visual cannot be overstated. It's not just that a Hugo Spritz can evoke a picturesque setting, but that the drink itself is picturesque, perfectly engineered for virality.
Leyden said her team's research has found that 54% of consumers like to order drinks they see on social media, whether because they were influenced themselves or because they see the potential to influence others — to communicate their knowledge of trends and prove their own sophistication.
On TikTok, food and drink influencers are already doing their part. "It's the perfect drink: refreshing, lemony, floral gorgeousness," creator Lex Nicoleta recently declared to her hundreds of thousands of followers while sipping a homemade Hugo Spritz. "I just think there's not a chicer drink in the world."
Read the original article on Business Insider
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Complete Unseen: New Doc on History of Newport Folk Festival Announced
Complete Unseen: New Doc on History of Newport Folk Festival Announced

Yahoo

timean hour ago

  • Yahoo

Complete Unseen: New Doc on History of Newport Folk Festival Announced

For anyone who saw A Complete Unknown and wondered how close it resembled the actual Newport Folk Festival where Bob Dylan amped up his music, a new documentary will help answer that question. Among the many films just announced as part of the annual Venice Film Festival in September is Newport & the Great Folk Dream, which documents the legendary (and ongoing) festival in the pivotal folk-to-rock years between 1963 and 1966. The doc includes footage of Bob Dylan, Joan Baez, and the Paul Butterfield Blues Band — some of it from the same 1965 festival where part of A Complete Unknown was set — alongside previously unseen live clips of blues, gospel and folk legends, including Dave Van Ronk, Pete Seeger, John Lee Hooker, Judy Collins, the Staple Singers, Bill Monroe, and many others. More from Rolling Stone Margo Price Pays Homage to Bob Dylan in 'Don't Wake Me Up' Video Willie Nelson's Outlaw Music Festival Tour Hits Pause After Extreme Weather Damages Gear How Many Bob Dylan, Leonard Cohen Lyrics Can You Identify in This New York Writer's New Song? According to director (and writer and historian) Robert Gordon, Newport & the Great Folk Dream had already been completed before the release of A Complete Unknown, but he waited to gauge the reaction to that film first. 'I have to praise Timothée Chalamet and [director] James Mangold for expanding our audience tremendously,' Gordon tells Rolling Stone with a chuckle. 'A year ago, my friends' kids weren't really interested in Newport, and now they know all about it.' All the footage in Newport & the Great Folk Dream comes from the archives of the late documentarian Murray Lerner, who shot Newport for years. (His footage of the 1970 Isle of Wight festival has resulted in separate docs on performances there by Leonard Cohen, the Who, Jimi Hendrix, and others.) In 1967, Lerner released Festival!, a compilation of his footage from Newport between 1963 and 1966. According to Newport producer Joe Lauro, Lerner had planned to make an expanded Newport movie himself but died in 2017, by which time he'd sold his archive to Lauro's Historic Films company. Newport & the Great Folk Dream repeats only a few clips from Festival! Most of it consists of newly unearthed and restored footage, including Hooker romping through 'Boom Boom'; Joan Baez and Mary Travers of Peter, Paul and Mary singing the traditional 'Lonesome Valley'; Van Ronk doing the Reverend Gary Davis' 'Cocaine' (familiar to those who know Jackson Browne's Running on Empty); and the Staple Singers rocking out gospel with 'I Wish I Had Answered.' 'Festival! was about 95 minutes, and Murray shot about 100 hours, so an extraordinary amount of musicians and music were filmed,' says Lauro. 'It's the greatest archive of Americana music that's existed.' Although it wasn't entirely set at Newport, A Complete Unknown recreated some of its major moments during the years Dylan first played there. Newport & the Great Folk Dream allows us to see real-life- counterpart clips of Dylan and his band warming up for his going-electric moment, a different cut of his 'Maggie's Farm' that night, and performances by a gaunt-indeed Johnny Cash ('Big River') and Baez (Dylan's 'Don't Think Twice, It's All Right') from the same festivals in A Complete Unknown. One of the Mangold film's antagonists, folklorist and Newport overseer Alan Lomax, is seen and heard debating the idea of purity vs. commercialism in folk music. 'A Complete Unknown was great, but it was a Hollywood movie,' says Lauro. 'They had the fight with Lomax and [Dylan and Butterfield manager] Albert Grossman happening during 'Maggie's Farm.' It happened during Butterfield's set, so we set the story straight.' To further tie in A Complete Unknown with his doc, Gordon moved a clip of Cash to the beginning of the film. 'It worked out great, and it's a way to connect the two films,' he says. 'There's the thrill of seeing the Hollywood film come to life in a different way. There are a lot of the same tensions.' The Newport Folk Festival first launched in 1959 and soon became a destination for anyone wanting a full immersion into folk, country, bluegrass, gospel, and other vernacular genres, although rock and singer-songwriter music also crept in. This year's gathering — taking place this weekend in Newport, Rhode Island as always — was curated by Nathaniel Rateliff and is a vivid demonstration of how much the festival's scope has expanded. Its three days are scheduled to include sets by Luke Combs, MJ Lenderman, Jack Antonoff & Bleachers, Jeff Tweedy, Lukas Nelson, the Yeah Yeah Yeahs, Margo Price, Bonny Light Horseman, and both Geese and Goose (the latter joined by Kenny Loggins, of all people). Future release plans for Newport & the Great Folk Dream have not yet been finalized, but Gordon feels it will have a place in today's fractured world. 'We talk about diverse groups of people, but what we see here is an extremely concerted effort to represent songs from all kinds of lifestyles, work and play,' he says. 'I know this sounds corny, but the story is about harmony.' Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked Solve the daily Crossword

Is Bob Dylan's ‘Subterranean Homesick Blues' Video the Most Copied of All Time?
Is Bob Dylan's ‘Subterranean Homesick Blues' Video the Most Copied of All Time?

Yahoo

timean hour ago

  • Yahoo

Is Bob Dylan's ‘Subterranean Homesick Blues' Video the Most Copied of All Time?

Rolling Stone named Beyoncé's 'Formation' the greatest music video of all time in 2021. But when it comes to the most influential, first place can arguably go to a clip that isn't even a proper music video — and was shot in black & white 60 years ago. Last week, Margo Price released a jaunty new single, 'Don't Wake Me Up,' accompanied by a video in which she holds up white cards with snippets of lyrics — among them, 'cow pasture cemetery,' 'honky tonk leaky tent,' 'dive bar,' 'madness' — as the song plays. It didn't take a classic-rock historian to see the video as a nod to Bob Dylan's 'Subterranean Homesick Blues,' the canonical footage of the young Bob of 1965 in a London alleyway holding, and discarding, cards with bits of the tune's lyrics; in the background is poet Allen Ginsberg talking to off-screen Dylan pal Bobby Neuwirth. More from Rolling Stone Complete Unseen: New Doc on History of Newport Folk Festival Announced Margo Price Pays Homage to Bob Dylan in 'Don't Wake Me Up' Video Willie Nelson's Outlaw Music Festival Tour Hits Pause After Extreme Weather Damages Gear Not an actual music video, the scene was the opener of documentarian D.A. Pennebaker's penetrating 1967 film Dont Look Back, shot during Dylan's U.K. tour of two years before. As Pennebaker later said, the concept came from Dylan himself: 'He said, 'I've got this idea for a film where I take a whole lot of sheets of paper and write lyrics for a song, and hold them up as the lyrics come up in the song and then I just toss them away.' And I said, 'That's a fantastic idea.' So we brought along about 50 shirt cardboards.' The footage was shot in the alley behind the Savoy Hotel in London, and according to Pennebaker (who died in 2019), some of the handwritten lyrics were supplied by Joan Baez and Donovan, who were both in Dylan's vicinity (and crosshairs) at the time. Once the MTV era began, the sequence, relatively primitive as it was, was seen as a music video prototype and began to inspire knockoffs and tributes. 'When Margo approached me with the concept, I did a deep dive on groups who'd done similar projects with poster cards or cue cards and was shocked to see how many there were,' says Hannah Gray Hall, who directed Price's 'Don't Wake Me Up.' 'It's like keeping a tradition going.' The first may have been 'Misfit,' the 1986 video by the stylish British pop band Curiosity Killed the Cat, which featured Andy Warhol dropping white cards during a brief cameo. The following year, INXS' 'Mediate' elevated the Dylan homage to another level. Starting with singer Michael Hutchence, all the band members held up and subsequently dropped lyric cards in sequence. 'You had to get the timing right,' INXS' Andrew Farriss tells Rolling Stone of filming outside of Sydney in the band's home country of Australia. 'You had to make sure the cards landed.' In another salute to the Dylan video, some of the words on the cards were intentionally misspelled. In a sign that not everything was instantly available on YouTube in 1987 (of course, YouTube was yet to exist), Farriss says he wasn't aware of the source material at the time. 'I'm not sure if it was the director's idea or Michael's, but I have to admit that I didn't even know Bob had a video like that,' he says. 'Maybe some of the other guys did. All I know is that it sounded like a good idea. I saw [the original] later and went, 'Oh, wow.'' The recreation was so obvious that one critic at the time noted that 'both the filmmaker [Pennebaker] and his subject [Dylan] ought to round up the lawyers,' but that didn't prevent the song from winning Video of the Year at the 1988 MTV Music Video Awards, in conjunction with the band's companion clip for 'Need You Tonight.' Since then, a cottage industry of 'Subterranean Homesick Blues' videos has risen up, each honoring the original in different ways. As with Curiosity Killed the Cat, some approached their remakes as parodies. 'Weird Al' Yankovic's 'Bob,' in 2003, found everyone's favorite satirical hero with a Dylan wig, vest, and alleyway of his own, a pretend Ginsberg behind him, as Yankovic tweaked Dylan's surrealistic imagery ('Rise to vote, sir/Do geese see God/Do nine men interpret/Nine men, I nod'). Even though 'Subterranean Homesick Blues' isn't one of Dylan's topical songs, others have used the setup for protest shots of their own. Les Claypool and the Frog Brigade's 'Buzzards of Green Hill' has typically carnivalesque Claypool lyrics, which could be about the perils of drunken driving, hence Claypool's use of cue cards in the song's video. Earlier this year, Kim Gordon redid the packing-list lyrics of 'Bye Bye' into a minimalist anti-Trump protest song, 'Bye Bye 25!,' complete with a video with Gordon holding cards with the new lyrics ('immigrant,' 'hate,' 'injustice'). Artist Ed Ruscha has a Sonic Youth connection of his own (the band named its song 'Brave Men Run' after one of his paintings) and a Dylan one too: In 2012, his offered up a lyric-card homage, honoring friend and conceptual artist Lawrence Weiner with snippets of Weiner's own words. Wir sind Helden's 2005 video 'Nur ein Wort' ('Just One Word') featured the now-defunct German pop band in their own alley, dancing and cavorting as they flashed their lyric sheets. (Since the song is about encouraging a private person to express themselves — 'your silence is your tent' — the use of words in the video made conceptual sense.) And before he was slaying zombies, Andrew Lincoln was wooing Keira Knightley in Love Actually with, yep, words on white cards. In the case of Price's video, director Hall says Price's team approached her about doing something similar to Dylan, 'but they said to make it my own and do a contemporary take on it.' Using 77 different poster-board cards for her shoot, Hall thinks those lyric snippets also connect to the song's theme and to Dylan's own legacy: 'Margo and I didn't talk about it in depth, but to me, it speaks very heavily to our current social climate and people being isolated in their own ways and not looking into other people's opinions. It's more social commentary than protest song.' For Farriss, one thing unites nearly 40 years of 'Subterranean Homesick Blues' homages. 'It's simple,' he says. 'Just because something's complicated doesn't mean it's necessarily good.' Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked Solve the daily Crossword

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store