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Spring Preview: A Few Books We're Excited For

Spring Preview: A Few Books We're Excited For

New York Times07-03-2025

Every season brings its share of books to look forward to, and this spring is no different. On this week's episode the host Gilbert Cruz and his colleague Joumana Khatib talk about a dozen or so titles that sound interesting in the months ahead.
Books discussed on this episode:
'Dream Count,' by Chimamanda Ngozi Adichie
'Sunrise on the Reaping,' by Suzanne Collins
'The Buffalo Hunter Hunter,' by Stephen Graham Jones
'Medicine River: A Story of Survival and the Legacy of Indian Boarding Schools,' by Mary Annette Pember
'Great Big Beautiful Life,' by Emily Henry
'John & Paul: A Love Story in Songs,' by Ian Leslie
'Yoko: A Biography,' by David Sheff
'Searches,' by Vauhini Vara
'Strangers in the Land: Exclusion, Belonging, and the Epic Story of the Chinese in America,' by Michael Luo
'Rabbit Moon,' by Jennifer Haigh
'Mark Twain,' by Ron Chernow
'Authority,' by Andrea Long Chu
'Spent,' by Alison Bechdel
'Fish Tales,' by Nettie Jones
We would love to hear your thoughts about this episode, and about the Book Review's podcast in general. You can send them to books@nytimes.com.

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Ms. Notley took traditional forms of poetry such as villanelles and sonnets and laced them with experimental language that fluctuated between vernacular speech and dense lyricism. She also created pictorial poetry, or calligrams, in which she contorted words into fantastical shapes. In her 2020 collection, 'For the Ride,' one calligram took the form of a winged coyote. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up 'The signature of her work is a restless reinvention and a distrust of groupthink that remains true to her forebear's directive: to not give a damn,' David S. Wallace wrote in The New Yorker in 2020. Advertisement As Ms. Notley herself said in a 2010 essay, 'It's necessary to maintain a state of disobedience against ... everything.' She wrote without restraint, saying that she never edited or revised her work. 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Ms. Notley realized early in her career that, as she wrote in a 2022 essay for the website Literary Hub, her 'dreaming self was better at some aspects of poetry writing than I, awake, was.' Her dreamlike style lent a 'sort of seer quality' to her poems, Waldman said in an interview. 'There's this traveling through realms,' she added. 'There's a great fluidity in her poetry, a lyric quality -- these different voices and modes -- and then there's magic: dreamlike connections where it shifts and suddenly you're somewhere else.' In the 1980s, several of Ms. Notley's loved ones died: her husband, Berrigan, in 1983 from complications of hepatitis; her stepdaughter, Kate Berrigan, in 1987 after she was struck by a motorcycle; and her brother Albert Notley, a Vietnam War veteran who suffered from post-traumatic stress disorder, in 1988. Advertisement Ms. Notley said their voices had continued to speak to her, so she translated them into poetry. 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They founded two literary magazines there, Gare du Nord and Scarlet. Oliver died in 2000. In addition to her sons, Ms. Notley leaves two sisters, Rebecca White and Margaret Notley, and two granddaughters. This article originally appeared in

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