Seven Siblings Survive Nazi Germany In Documentary ‘UnBroken'
It's quiet on the indie front. Oscar contenders linger in theaters ahead of the March 2 Academy Awards ceremony that will close the book on 2024. The Indie Spirits unspool tomorrow. The Berlinale, with prizes to be handed out Sunday — along with Sundance last month and SXSW next — are planting cinema's new crop of independents.
Neon is out with horror The Monkey, which appears to be scaling the heights in wide release. is still on screens. A24's The Brutalist continues its run.
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Relative newcomer by Matthew Rankin, from Oscilloscope, expands to 24 screens from two last weekend, adding runs in the New York and Los Angeles area along with Chicago, San Francisco, Seattle and Austin. The Cannes audience award-winner grossed $51k its first week at two theaters.
New in limited release: Greenwich Entertainment debuts documentary by first-time director Beth Lane at the Quad in NYC and at Laemmle Town Center in LA, and on demand. Seven siblings evade capture and death and ultimately escaped Nazi Germany following their mother's incarceration and murder at Auschwitz. After being hidden by a benevolent farmer, the children — Alfons, Senta, Ruth, Gertrude, Renee, Judith and Bela Weber — spent two years on their own in war-torn Germany. The director is the daughter of Bela, the youngest sibling.
Emboldened by their father's mandate that they stay together the children fight through hunger, loneliness, rape, bombings and fear. But their journey culminates with a painful ultimatum. Separated from their father, they are told that they must declare themselves orphans to escape to a new life in America. This salvation would become what would finally tear them apart, not to be reunited for another 40 years.
Premiered at the Heartland Film Festival in 2023 where it won Best Premiere Documentary Feature, going on to screen at Doc NYC and other festivals across the U.S. It won audience awards at RiverRun International Film Festival in North Carolina, Julien Dubuque International Film Festival in Iowa and Berkshire International Film Festival in Massachusetts.
Magnolia Pictures/Magnet Releasing open TIFF-premiering action thriller on 17 screens including NYC's IFC Center and the Laemmle LA, and on demand. Inspired by real events, this is the story of the biggest and most spectacular heist in Danish history and the complex preparations by a team of ambitious and uncompromising criminals required to pull it off. In 2008, Kasper, a boxer with few chances left in life, is offered the opportunity to plan the robbery by its foreign initiators. At the risk of losing his family and everything that matters to him, he takes on the challenge in a bid to break all records. Directed by Frederik Louis Hviid, written by Anders Frithiof August. Starring Gustav Giese, Reda Kateb, Amanda Collin.
Music Box Films' genre label Doppelgänger Releasing debuts home invasion horror by Mickey Keating. Produced by Joe Swanberg. A young woman arrives in the Chicago suburbs and begins to suspect that something terrible has happened to her missing cousin, but soon realizes that her greatest fears don't even begin to scratch the surface. Stars Vero Maynez and Colin Huerta.Opens on six screens including Alamo Drafthouse theaters in lower Manhattan, LA and Austin and the Music Box in Chicago.
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Business of Fashion
11 minutes ago
- Business of Fashion
What's Driving the Filipina Influencer Takeover
A Louis Vuitton runway seat is a notoriously tough 'get' for the Paris fashion flock. The benches are narrow, the celebrities are Oscar-level and the demand to see the latest painted pochettes in person means that even some prominent editors and social media stars receive a respectful but swift 'non' from the French mogul brand. Heart Evangelista's invite, however, is never lost in the mail. The Manila-based actress, singer and model strolled into the Louis Vuitton show in Paris in March with the same black boots and monogrammed bag seen on Zendaya and Emma Stone. She also made appearances at Chloé, Dior, Fendi, Hermès, Versace and nearly a dozen more front rows. When I caught up with Evangelista between shows in Milan a few months back, she said it was 'a lot of fun and also a big privilege' to be a Filipina attending global fashion moments. 'It's so important to me that Filipina style is represented, because there's so much joy in it,' said 40-year-old Evangelista, who boasts over 16 million Instagram followers, and whose TikTok videos have been viewed over half a billion times. 'We have a real flair,' she continued, 'for making beauty into an expression of optimism.' Evangelista isn't the region's only star. There is Bini, a pop group with eight shimmying girls who have helped popularise holographic eyeshadow and blurry blush among their fans. There is Belle Rodolfo, a former Manila magazine editor who now works with brands like YSL Beauté and Sephora. And there is Kelsey Merritt, the first Fillipina to walk in a Victoria's Secret show who remains a Ralph Lauren muse. Merritt recently became paparazzi bait thanks to her new boyfriend, the actor Chace Crawford; since December, there has been a 500 percent increase in Pinterest content chronicling her style. 'We're a pretty small group of islands,' said Nicolette Santos, a Fillipina-American culture strategist for brands like Adidas, Colourpop and Hourglass Cosmetics who currently lives in Los Angeles. But the uniqueness of Filipino identity represents a broad range of connection points, a fact that may explain why influencers from the archipelago are becoming go-to creators for the beauty and fashion industries, and why their resonance goes far beyond the South Asian country with a population of 115 million. 'We're Asian. We're also Latino. We understand aspects of both cultures,' Santos continued. 'We understand colonialism and colourism. We're a Catholic culture but we have a huge and active queer community.' Because Filipino identity overlaps and intersects with so many other cultural folds, said Santos, the relatability is always there. A Culture of Beauty According to the 2023 census, in the US, about 4.6 million people identify as Filipino-Americans — the country's third largest Asian diaspora, including movie star Hailee Steinfeld and real estate billionaire Manny Villar. For many within that community, beauty is a family practice. 'We're a matriarchal culture, and there's always moms and aunts and grandmothers around,' said Melissa Magsaysay, a Filipina-American journalist who founded her clothing brand Duster last year after searching for a traditional Filipino house-dress in the style of mother and grandmother. (Think Hill House Home's 'nap dress', but with tailoring and visible pockets.) 'When you're hanging out with your family, someone is always fussing over your hair, your makeup, your outfit. Beauty awareness starts really early. It's part of playtime.' Santos explained that pageant culture is a staple of Filipino television stations. Poverty is rife, which can only deepen the commitment to glamour, she said. 'Being 'presentable' in our culture isn't seen as shallow; it's seen as community pride. Makeup is part of our cultural identity in a very deep way,' said Santos. Content creator Kristina Rodulfo is a first-generation Filipino-American who grew up in Queens, New York. A former beauty director at and Women's Health, Rodulfo is now a full-time influencer who regularly works with Sephora and has been an online face for Tatcha and Cover Girl. The 32-year-old confirmed her online engagement 'always goes up' when she connects current beauty trends or ingredients with her heritage, and created a newsletter — Pearl — devoted to Philippines beauty brands and founders in 2022. Rodulfo has observed a growing number of Filipino-American campaign stars like Olivia Rodrigo for Lancôme and H.E.R. for Dove. She also cites the nascent popularity of foods like Ube, a popular Filipino dessert and recent Tower 28 and Nyx Cosmetics lip gloss flavour. Still, Rodulfo said the opportunity for Filipino beauty brands is largely under-realised. 'There's a huge opportunity to fill this white space, culturally,' she said. 'I keep being like, 'Where is our [cool cult brand] Ceremonia? Where is our K-beauty?'' The Power of Filipino Faces In May, Condé Nast launched Allure Philippines with a cover featuring Evangelista alongside influencer Bretman Rock. The same month, Rock became a rare male spokesperson for Sol de Janeiro. Santos says that's not a coincidence. 'Drag culture is very much part of Filipino culture. Drag shows are always on TV. Even though parts of the Philippines are still very conservative, there is a deep and longtime love of queer culture in our community. Men are encouraged to be glamorous, too.' Santos said that Rock is a star in his home country, on par with Paris Hilton in America. Queer beauty icons like makeup artist Patrick Starrr and Perfect editor-in-chief Bryanboy also claim Filipino roots. Male-focused brands often flounder, even with a famous face. Because many male Filipino influencers have glamour already built into their identity, Rodulfo says they're more likely to read as genuine to possible shoppers. Evangelista has another theory about why the Philippines' beauty influencers are gaining popularity with American fans. 'It's an island climate! There's always rain and sun happening very close together. We know how to make our makeup last a very long time, no matter the weather.' As global warming turns New York summers into sub-tropical sloshes, and rainfall becomes more common — and more extreme — in formerly temperate locals like Southern California, sweat-proof essentials like powder-to-cream foundation, liquid eyeliner and hardcore setting spray are becoming more in-demand. 'Our glamour really lasts,' said Evangelista. Rodulfo agreed in a more literal sense, having just returned from a trip to Manila with her suitcase full of products from Filipino brands like Happy Skin and Sunnies Face. While she fears she overspent, Rodulfo believes the sweat-proof formulas were worth the splurge. 'When they're made by Filipino founders, I know I only have to apply them once.' Sign up to The Business of Beauty newsletter, your complimentary, must-read source for the day's most important beauty and wellness news and analysis. Disclosure: LVMH is part of a group of investors who, together, hold a minority interest in The Business of Fashion. 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Yahoo
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- Yahoo
Will Jared Leto's Sexual Misconduct Allegations Impact His Big Studio Movies ‘Tron: Ares' and ‘Masters of the Universe'?
Jared Leto is about to step into a global spotlight he hasn't occupied since 2022, when the emo vampire movie 'Morbius' flopped at the box office. The Oscar winner has two starring roles in the big-budget films 'Tron: Ares' and 'Masters of the Universe' in the next 12 months. Along with his designer luggage, he'll bring the baggage of sexual misconduct accusations. A Saturday report from Air Mail contained accounts from 9 accusers (almost all speaking anonymously) saying that Leto serially pursued them, some while they were underage, in the mid-to-late 2000s. In some cases, Leto was accused of exposing himself and harassment. In a public statement, Leto flatly denied any wrongdoing, but the report arrives at a fraught moment for the actor carrying Disney's 'Tron' franchise, as well appearing as the villain in Amazon MGM's He-Man adaptation. Industry insiders are wondering how he can shoulder the pressure of selling two theatrical movies and dance around the damning claims. Will a glossy monthly magazine invite Leto to flaunt his signature long locks and elevated fashion on the cover if he doesn't elaborate on the accusations? Will Hot Ones serve him a hellfire habanero chicken wing? Will Jimmy Fallon spin his Wheel of Impressions if Leto has become radioactive? Those type of appearances are standard for an actor promoting a big movie like 'Tron: Ares,' which is a rare first-name-on-the-call-sheet gig for Leto. Over the past decade, he's largely focused on supporting roles in films like 'Suicide Squad' and 'House of Gucci' that often find him outfitted in elaborate makeup and prosthetics. Leto is currently on tour with his band 30 Seconds to Mars through the end of summer. Directly after he's meant to gear up for the Oct. 10 release of the next 'Tron' film, in which he co-stars with Evan Peters, Greta Lee, Jodie Turner-Smith and Gillian Anderson. Disney is no stranger to leading man headaches around its franchise films, having soldiered through Hurricane Johnny Depp during his 'Pirates of the Caribbean' run. Most think the Leto allegations aren't comparable to the numerous scandals that rocked Depp. The most explosive allegations in the Air Mail piece were its claims that Leto used sexually aggressive language with a minor, asking her if she had ever given oral sex. The report also said that Leto paraded with his 'dick out' in front of a 17-year-old at his home. Leto denied both accusations. None of the alleged misbehavior happened on a film set, sources close to 'Tron' noted, and no criminal charges or civil suits have been brought against the star. Another insider close to 'Masters of the Universe' made similar points. Representatives for Walt Disney Studios and Amazon MGM had no comment on the matter. A rep for Leto declined to provide comment for this story. There are several playbooks floating on how to reconcile personal crisis with contractually mandated media saturation. Blake Lively decided to hide in plain sight earlier this year, attending photo calls in elaborate gowns to hype her thriller 'Another Simple Favor.' Not once did she address her scorched-earth court battle with her 'It Ends With Us' director Justin Baldoni. Shia LaBeouf ran headfirst into a tornado of his own making last month in Cannes, appearing in black tie to support 'Slauson Rec,' an intimate look at the actor's disastrous attempt to start a theater group in South Central Los Angeles. The film documented alarming bouts of rage and regret from LaBeouf, who was open about his sobriety struggles, and even touched on abuse allegations from former partner FKA Twigs. His appearance seemed to part of an effort by LaBeouf to show he's attempting to make amends. One seasoned C-suite executive believes that Leto may benefit from a feeling that the #MeToo movement has lost steam in the current political landscape. 'In this climate, you'd get in more trouble for saying something bad about Donald Trump on the air,' the exec noted. More from Variety 'Tron: Ares' Trailer: Rogue Programs Race Light Cycles Through the City in First Look at Disney's Sci-Fi Sequel Jared Leto, Jeff Bridges Debut Visually Stunning 'Tron: Ares' Trailer at CinemaCon: 'It Will Hit You Right in The Grid' Nicholas Galitzine Shows Off He-Man Training (and Bulging Muscles) in CinemaCon Set Footage: 'He Is Transforming' Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar
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Review: ‘FUBAR' Season 2 wastes Arnold Schwarzenegger's star power
When 'FUBAR' premiered on Netflix in 2023, its biggest draw wasn't the plot or action — it was Arnold Schwarzenegger. And for a moment, the novelty of watching the Governator tackle scripted television — like a blockbuster giant squeezing into a Roku-sized streaming box — was enough. Throw in Oscar-nominated Monica Barbaro for some snappy father-daughter banter, and it sounded like the makings of a compelling show. It wasn't. Now we're back for round two, and instead of evolving, creator Nick Santora's series doubles down on action movie cliches and strained punch lines. The result is a new season that plays like a B-movie but thinks it belongs in a big-budget franchise. With about 90 minutes of story sloshing around in an eight-hour bag, the show again proves nostalgia alone isn't enough. Schwarzenegger's Luke Brunner is still a CIA agent with a messy personal life, now under the same roof as his recon team and ex-wife Tally (Fabiana Udenio), with whom he's trying to rekindle a romance. But the relative peace is short-lived. Another global catastrophe looms, courtesy of Carrie-Anne Moss as a shadowy former flame of Luke's with unresolved business. It's a setup layered with intrigue and stakes, but the execution wobbles between sitcom shenanigans and save-the-world spectacle, landing uncomfortably in the middle. This tonal inconsistency is the show's fatal flaw. The eye-rolling quips and mid-tier gunplay could be forgiven if the story leaned into its absurdity or, conversely, its potential as an espionage drama. Instead, major action beats are consistently undercut by jokes, ensuring the threat level remains perilously low regardless of how many countdown timers or high-stakes missions are thrown into the mix. Where the show does flicker to life is in the chemistry between its cast. Schwarzenegger, well past his box office prime but still commanding with his signature steely charm and self-aware muscle, brings surprising pathos to Luke. There's a weathered quality here — not just age, but the burden of legacy. It's one of the few times the project understands the value of its star. Barbaro, meanwhile, remains a standout. The Bay Area native is effective with the action, yes, but even more so in the quieter moments. As Emma Brunner, her scenes with Schwarzenegger give the series rare flashes of emotional clarity, including an especially amusing one late in the season involving an adorable 'Sesame Street'-esque puppet of dad (trust me, it makes sense in context). Some of the side players earn their keep as well. Jay Baruchel and Andy Buckley, cast as Emma's boyfriend and Tally's boyfriend, respectively, are both used to delightful effect as everyday guys hopelessly adrift in the world of cloak-and-dagger chaos. Still, it's hard to escape the sense that 'FUBAR' is all concept, no conviction. 'I'll be back,' says Luke at one point, a meta wink at Schwarzenegger's most iconic catchphrase. It's a fitting reflection of the show as a whole: built on callbacks, but with little to call back to. Arnold Schwarzenegger headlining a TV series should've been an event — a streaming-era reintroduction of a cinematic icon — but it never finds something meaningful to do with him. After two seasons, the question isn't whether 'FUBAR' will come back, but whether anyone would even notice if it didn't.
