logo
Julia Child's Boozy Secret To The Best Fruity Crepe Filling

Julia Child's Boozy Secret To The Best Fruity Crepe Filling

Yahoo12-05-2025

Does anyone do it like Julia Child? I doubt she needs an introduction, but just in case you're not in the know, she's a storied chef who helped make cooking more accessible to the average American. She was a veritable pioneer in the fields of televised cooking, considering she was one of the first to have a cooking show broadcast to a wider audience. Among her many gems of cooking advice and recipes, you can find plenty of French-inspired dishes, since that was a central point of her cooking career. Today we'll take a look at Child's fruit crepes recipe, which she shared in her cookbook, "Mastering the Art of French Cooking," and the liquor that makes it so special.
Crepes are, in and of themselves, a pretty tricky food to prepare. People spend hours in the kitchen working on their crepe tips and tricks, trying to nail the recipe to perfection. Child has plenty of advice on how to get a buttery, soft, thin crepe with a perfect crispness on the edges, but she also teaches about the joys of alcohol-based fruit marinades. According to her, you should take the fruit you intend to fill your crepe with and soak it in a mixture of sugar and either kirsch, cognac, or orange liqueur for an hour. Only after giving the flavors time to meld should you use them as a filling.
Read more: 16 Best Bourbons To Use In Your Old Fashioned
Why go through these extra steps to make alcohol-infused fruits for your crepe filling? The answer lies in the flavor profile and balance of the crepe and fruit. Crepes, when eaten alone, are actually a relatively mild-tasting dessert. The batter isn't enormously sweet or decadent, and it can actually lean savory with how much butter and how little sugar is in it. You can really go ham when you're deciding what to fill and top it with, an art that Japan has certainly nailed. Fresh fruits alone are tasty, but adding the sweetness and bite of a sugar and alcohol syrup provides an excellent contrast to the mellow flavors of the crepe itself.
Kirsch, orange liqueur, and cognac are the best choices for their own fruity notes. They pair well with whatever fruit you choose for your filling (strawberries and bananas are super popular) and bring dimension to the alcohol, which by itself can be a little flat. You only want to add a sprinkle of liquor to the fruits, though. Too much, and your eyes will be watering. You can leave the fruit alone if you want a more traditional crepe, or heap in some whipped cream to make it decadent. Crepes are a versatile dessert, and Child was one for kitchen creativity, so don't be afraid to give some unique fruit and liquor combos a try. You may just find your new favorite dessert among them.
Read the original article on Tasting Table.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Emmanuel Macron invites wife Brigitte to stand by his side to celebrate soccer championship, week after infamous viral slap clip
Emmanuel Macron invites wife Brigitte to stand by his side to celebrate soccer championship, week after infamous viral slap clip

New York Post

time15 minutes ago

  • New York Post

Emmanuel Macron invites wife Brigitte to stand by his side to celebrate soccer championship, week after infamous viral slap clip

French President Emmanuel Macron invited his wife to stand by his side Sunday to celebrate the Parisian soccer team winning the Champions League at the Elysee Palace, just a week after the first lady was caught slapping the president on video. Macron gently took his wife Brigitte's hand in front of dozens of cameras as the couple cheered on the victorious team, following a tense week of speculation about their relationship status amid their public quarrel. The shocking video showed Brigitte take both her hands and smash them into Macron's face as they were departing the presidential jet that had just landed in Hanoi for an official visit with Vietnamese dignitaries last Sunday. Advertisement 3 President Emmanuel Macron and First Lady Brigitte Macron stand side-by-side with the hometown championship soccer team one week removed from the viral slap. via REUTERS As they descended the stairs, the first lady appeared to mutter 'Dégage, espèce de loser' — or in English: 'Stay away, you loser' to her husband, a lip reader told the UK's Daily Express newspaper. Footage of the soccer celebration this Sunday shared by the Daily Mail shows a much happier couple. With a broad smile, the French president encouraged his wife to join him as he stood with the players from the triumphant Paris Saint-Germain team. Advertisement Macron welcomed the Paris Saint-Germain team back to the French capital Sunday after the athletes beat Inter Milan 5-0 Saturday night, hoisting the Champions League trophy for the first time in the club's history. In Sunday's more cheerful video, Macron poses for photos with the jubilant team. He shouts 'bravo' and then happily calls for Brigitte to join them. The players can be seen moving out of the way so the first lady can stand with her husband. Nasser Al-Khelaifi, president of the PSG, also encourages her to join the crowd, and moves aside for her, the clip shows. 3 Emmanuel Macron, holds up a soccer jersey, and his wife Brigitte welcomed the victorious French team. POOL/AFP via Getty Images Advertisement Then the video show Macron and his wife inviting others to join the photo op. Macron eventually steps forward to hold aloft a team jersey. The pair tried to play off last week's highly publicized slap, as playful rough housing, then as Russian disinformation, but eventually conceded that the camera caught them mid-domestic squabble. 'At the beginning, the Elysee [Palace] denied the truth of the images, suggesting a video generated by AI and relayed by pro-Russian accounts before finally authenticating the sequence which [they said] evoked a moment of 'complicity,'' said news outlet Breves de Presse in a post on X Monday. 3 The shocking moment that First Lady Brigitte Macron slaps her husband French President Emmanuel Macron. Advertisement President Trump offered up cheeky advice last week for France's first family to help keep the peace. 'Make sure the door remains closed,' Trump chuckled in the Oval Office while responding to a question about the stunning video of Madame Macron's assault. 'That was not good,' Trump said of the slap video. 'No, I spoke to him and he's fine, they're fine. They're two really good people. I know them very well. And, I don't know what that was all about, but I know him very well and they're fine.' The pleasant meeting with the team came during a tumultuous time on the streets. Two fans died and a police officer is in a coma after mass nationwide celebrations turned into violent riots, French authorities said Sunday.

BAO Celebrates a Decade of Creative Taiwanese Cuisine With Special Anniversary Menu
BAO Celebrates a Decade of Creative Taiwanese Cuisine With Special Anniversary Menu

Hypebeast

time3 hours ago

  • Hypebeast

BAO Celebrates a Decade of Creative Taiwanese Cuisine With Special Anniversary Menu

Summary BAOis set to mark its 10th anniversary, celebrating a decade of Taiwanese-inspired innovation in London's culinary landscape. Founded by Shing Tat Chung,Erchen Changand Wai Ting Chung, BAO began as a humble street food venture, operating with nothing more than a cool box and a steamer. Over the years, it has grown into a renowned restaurant brand, famed for its cult-status Taiwanese steamed buns andxiao chiplates, influencing London's perception of Taiwanese cuisine. To honor this milestone, guests can enjoy BAO's classic steamed buns at their original street food stall price starting June 10 for a month. Guests can indulge in beloved fillings like braised pork belly, beef short rib and vegan daikon, all folded into BAO's pillowy-soft buns, delivering a nostalgic yet celebratory experience. Meanwhile, the restaurant is also unveiling a brand-new menu, introducing an entire section dedicated to Taiwanese fried chicken, featuring charcoal-finished fried chicken steak — a UK-first. Guests can personalize their dish with a house BBQ glaze dusted with garlic chili powder or a chili lime pour with shredded cabbage, alongside sticky Peking caramel wings and nuggets paired with Sichuan mayo, hot sauce, basil ranch, or yushiang for dipping. Beyond its savory selections, BAO is debuting the BAONUT, a decadent fusion of fluffy BAO and crispy Taiwanese donut, offering a unique twist on classic indulgence. Other exciting additions include a new calamari BAO, dry beef noodles infused with rich bone marrow, and a summer salad topped with juicy grilled chicken. The refreshing lineup of bubble teas introduces an aromatic mango and salted coconut flavor, expanding BAO's beverage offerings. Reflecting on the journey, Shing Tat Chung shared, 'We started BAO with no expectations – just three young creatives with a passion for food and design. We could not have imagined the journey that would come over the next decade.' Co-founder Erchen Chang added, 'We're grateful to every single one of our guests and team members from over the years and excited to celebrate our 10th birthday in style. Having recently been back to Taiwan, we're mixing up our menu for the first time, adding some new additions inspired by our trip. We can't wait to welcome BAO fans both old and new over the next month.' The anniversary celebrations will culminate in the Battle of the BAO, where alumni and current BAO chefs will compete for a spot on the new permanent menu. Hosted in collaboration with premium rewards card Yonder, the event promises a showcase of creativity and culinary expertise. BAO's new menu and special £3.50 GBP (approx. $5 USD) pricing will officially launch on June 10 with the celebratory offer available across all locations until July 10, 2025.

Snapping Tel Aviv: Alex Levac on capturing the city that never sleeps
Snapping Tel Aviv: Alex Levac on capturing the city that never sleeps

Yahoo

time6 hours ago

  • Yahoo

Snapping Tel Aviv: Alex Levac on capturing the city that never sleeps

Israel's city that never sleeps was founded over Passover, 1909, during the counting of the Omer leading up to Shavuot. Photographer Alex Levac sees things the average person on the street doesn't catch. When we meet up at his Tel Aviv apartment, a stone's throw away from the beach, I ask the evergreen octogenarian, who was awarded the Israel Prize for his groundbreaking photography 20 years ago, where the notion of snapping incongruous yet complementary overlaps first emerged. 'I don't know. Perhaps I got it from the French photographers, like Robert Doisneau and Henri Cartier-Bresson,' he suggests bringing the lauded humanist documentarists into the philosophical equation. 'But, it was mostly a British photographer called Tony Ray-Jones.' Those men were powerful sources of inspiration, who shined a bright light on his own path to visual expression, Levac says. 'I didn't invent anything. You know, you see something you like and you think, 'I'll try to do something like that.'' The above lauded trio may have sparked the young Israeli's imagination and sowed the seeds for one of his main lines of thought and endeavor, but it was something of a slow burner. 'I left Israel for London in late 1967,' he says. 'I left Israel for a year and stayed 14 years. But I came back from time to time, to visit family and friends.' And snap a few frames, he may have added. Levac studied photography in London in its Swinging Sixties heyday, and subsequently worked in the field in Britain. But the time and, in particular, the place were not aligned with Levac's native cultural continuum. 'I don't think, then, I looked for these [idiosyncratic] confluences. That didn't interest me outside the Israeli context.' But the idea of getting into that after he returned here to roost was gestating just below the surface. 'I thought that it was more interesting to do in Israel because I am more familiar with the culture and the visual language.' Evidently, there is more to what Levac does than observing quotidian jigsaw pieces align themselves and pressing the shutter release button at exactly the right happenstance microsecond. 'It is not just a combination of all sorts of anecdotal elements. There is, here, also a statement about the Israeli public domain.' The dynamics of human behavior, of course, can vary a lot between differing societies. In Israel, we are much more physically expressive than the average Brit or, for that matter, Japanese. ONCE RESETTLED in the Middle East, the mix-and-match line of photography soon took on tangible form, without too much premeditation. 'I don't remember exactly when it started but I took one of the first shots one day when I was in Ashkelon. I lived there at the time with my first wife. I started seeing a lot of contrasts on the street, coming together at the same time.' It was around that time that still largely conservative Israel got its first tabloid newspaper, Hadashot, which shook up the industry and Israeli society, and introduced it to risqué material and full-color photographs. Levac was soon on board and, before too long, also found himself in hot water as a result of the now-famous news picture he took. 'That was Kav 300 (Bus 300),' he recalls. The said snap was of a terrorist being led away from the scene after IDF soldiers stormed an Egged bus in which passengers were being held captive. The initial official IDF report was that all four Palestinian terrorists had been killed in the attack. However, Levac's picture provided irrefutable evidence that one of the terrorists was still alive after the operation was over. 'They shut the paper down for a while after that.' Brief hiatus notwithstanding, Levac had, by then, established himself as a bona fide photojournalist here. 'I had a regular column in a Hadashot supplement called 'Segol' (purple). They had very visual-oriented editors at the time, so photographers were given a lot of column space. Then I got my regular weekly spot. I've been doing that for around 40 years, every single week. That's crazy!' That may be wonderful, but it comes with a commitment to produce the visually left-field goods, week in and week out. 'Sometimes I can just pop out and I'll find something really good, very quickly. Other times, it can take a while, and there are times I come back without having taken a photograph,' he says. After all these years, Levac's sixth sense is constantly primed and ready to pick up on some unexpected sequence of events that could fuse into an amusing or captivating frame. Anyone who has seen his candid snaps, which have been running in the Haaretz newspaper for the past three-plus decades, will have a good idea of his special acumen for noting and documenting surprising, and often humorous, street-level juxtapositions. 'By now, I see those kinds of things more than I see the ordinary stuff,' he smiles. 'I also look for that, like Gadi.' GADI ROYZ is a hi-tech entrepreneur and enthusiastic amateur photographer. Levac recalls that 'Gadi came up to me one day and told me he'd attended a lecture of mine and began taking photographs,' he recalls. At first, Levac wasn't sure where it was leading. 'You know, you get nudniks telling me how much they like my photographs and all that,' he chuckles. 'You have to be nice when people do that, but it can get a bit tiresome.' However, it quickly became clear that Royz was in a different league and had serious plans for the two of them. 'Gadi didn't just want to be complimentary; he said, 'Let's do a book together.'' Producing a book with high-quality prints can be a financially challenging business. But, it seems, Royz didn't just bring boundless enthusiasm and artistic talent to the venture; he also helped with the nuts and bolts of putting the proposition into attractive corporeal practice. In fact, the book, which goes by the intriguing name of A City of Refuge, is a co-production together with Royz, who, judging by his around 40 prints in the book, also has a gift for discerning the extraordinary in everyday situations, and capturing them to good aesthetic and compelling effect. The city in question is, of course, Tel Aviv, where Levac was born and has lived for most of his life. 'Gadi said he had the money to get the book done,' Levac notes. That sounded tempting, but Levac still wanted to be sure the end product would be worth the effort. 'We sat down together, and I saw some of his photographs. I liked them, so I said, 'Let's go for it.'' And so A City of Refuge came to be. There are around 100 prints in the plushly produced volume. All offer fascinating added visual and cerebral value. There is always some surprise in store for the viewer, although it can take a moment to absorb it, which, in this day and age of lightning speed instantaneous gratification, is a palliative boon. The unlikely interfaces, which can be topical or simply contextually aesthetic, may be comical, arresting, or even a little emotive. Every picture demands a moment or two of your time and, as Levac noted in the dedication he generously wrote for me in my copy of the book, can be revisited for further pondering and enjoyment. The book is great fun to leaf through. One of Levac's more sophisticated items shows a man sitting on a bench with a serious expression on his face, which is echoed and amplified by a childish figure on the wall behind him of a character with a look of utter glumness. There's a smile-inducing shot by Royz (following in Levac's photographic footsteps) with a young, heavily pregnant woman walking from the left, about to pass behind a spiraling tree trunk with a hefty protrusion of its own. Royz also has a classic picture of Yaacov Agam's famed fire and water sculpture, in its original polychromic rendition in Dizengoff Square of several years ago. The picture shows two workers cleaning the work, each on a different level. The worker on the top level is visible from his stomach upward, while his colleague, on the street level, can only be seen from his waist down. Together, they looked like an extremely elongated character, something along the lines of a Tallest Man in the World circus performer. It is often a matter of camera angle, such as Royz's shot of a wheelie bin in Yarkon Park with a giant hot balloon-looking orb looking like it is billowing out of the trash can. And Levac's delightfully crafted frame of an elegant, long-haired blonde striding along the sidewalk led by her sleek canine pal, which appears to have an even more graceful step, poses a question about the human-animal grace divide. I wondered whether, in this day and age if – when we all take countless photos with our smartphones, of everything and everyone around us – his job has become harder. 'Quite the opposite,' he exclaims. 'Now that everyone takes pictures, people notice me less, which means I can do what I want and snap with greater freedom.' Long may that continue. ■

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store