
STAR TREK: STRANGE NEW WORLDS x SPONGEBOB SQUAREPANTS Advert Gets Blooper Featurette
Surely, you've already heard the news: in late April, Paramount+ released an advertisement that mashed up Star Trek: Strange New Worlds and SpongeBob SquarePants. Not unreasonably, Trekkies couldn't get enough of this short-but-meme-laden clip. Featuring characters from both Strange New Worlds and SpongeBob, the advert became an instant classic. But the F.U.N. isn't over, as Paramount has followed up on the commercial with a behind-the-scenes blooper featurette.
You can scroll down below this article to watch the bloopers for yourself. Star Trek: Strange New Worlds x SpongeBob SquarePants
The blooper reel for the Strange New Worlds x SpongeBob mash-up features both laughs and insight into how the advert was made. It opens with a pretty hilarious sequence that sees Spock (Ethan Peck) mimicking the way SpongeBob (Tom Kenny) plays his 'nose flute.' We also see Christopher Pike (Anson Mount) riffing on the topping on his Krabby Patty.
RELATED: 5 Star Trek Meme Source Episodes
Nyota Uhura (Celia Rose Gooding) gets a role in the blooper video, as well. In the advert, she uses a spatula to flip a burger over her shoulder without looking. It is subsequently caught by Pike, who is seated in the center chair. But as the bloopers reveal, this flip was not accomplished on the first attempt.
Another fascinating element of the video is the revelation that they used plush toy versions of the SpongeBob characters to film the advert. We also see stand-ins for the claws of Mr. Krabs (Clancy Brown) as they operate the ship's controls. In the final version of the advert, these stand-ins and plush toys were replaced with CGI versions of the characters.
RELATED: Star Trek: Strange New Worlds Season 3 Will Debut at Tribeca Festival 2025
If you enjoyed the Strange New Worlds x SpongeBob mash-up advert — and how couldn't you — you'll also enjoy this fun behind-the-scenes blooper featurette.
Currently, Star Trek: Strange New Worlds and SpongeBob SquarePants are available for streaming on Paramount+.
STAR TREK: STRANGE NEW WORLDS x SPONGEBOB SQUAREPANTS: Beam Aboard the Patrick Starship Enterprise Avery Kaplan is the author of several books and the Features Editor at Comics Beat. She was honored to serve as a judge for the 2021 Cartoonist Studio Prize Award and the 2021 Prism Awards. She lives in the mountains of Southern California with her partner and a pile of cats, and her favorite place to visit is the cemetery. You can also find her writing on Comics Bookcase, NeoText, Shelfdust, the Mary Sue, StarTrek.com, in many issues of PanelxPanel, and in the margins of the books in her personal library.
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Business of Fashion
33 minutes ago
- Business of Fashion
Is Sailing Ready for Its Fashion Moment?
Last weekend, nearly 10,000 people packed a grandstand in New York for this year's kickoff of SailGP, an international sailing race often likened to Formula 1 on the water that has rapidly attracted audiences with its elite, globetrotting allure. At the top of every sail on the high-speed catamarans was the logo for Rolex, which has sponsored the race since its start in 2019. This year, L'Oréal was also featured on the French team's sail as part of its three-year sponsorship deal with the team, while Tommy Hilfiger claimed nearly the entire sail of the US team, which it also outfitted on and off the water. On the ground, however, it was a different story. Fashion and beauty were largely absent, with most of the brand activations coming from hospitality players like The Plaza Hotel and Nobu. The event showed early hints of how fashion and beauty are starting to take notice of SailGP, but also how much room there is to grow. 'It's the very beginning,' said Christophe Babule, L'Oréal's chief financial officer. 'Look at Formula 1 30 years ago. It was a much more confidential event. Today, it's a worldwide event with a huge [following], so I'm quite sure that we will see more and more players coming into this event in the near future.' While it's early to crown SailGP the next Formula 1 for brands, the sport is seeing success in attracting a wider range of viewers, many of whom are drawn in by its aspirational nature. At its Auckland race, for instance, 70 percent of viewers had never sailed before. SailGP is also the subject of a new Paramount+ docuseries released today, 'SailGP: Uncharted,' that should bring it even more exposure, and as in other sports, high-profile investors have been getting involved with the teams, which may help with driving visibility. Anne Hathaway has joined the ranks of investors backing the Italian team, while Ryan Reynolds and Hugh Jackman bought the Australian team, following Reynolds' investment in English football team Wrexham A.F.C. alongside co-owner Rob McElhenney, which has turned into a sensation with the series 'Welcome to Wrexham.' 'Our challenge is education and marketing to new eyeballs,' said Mike Buckley, co-owner and chief executive of the US SailGP team. SailGP has been promoting itself to an affluent fan base at events like the Tribeca Film Festival, as well as the Las Vegas Grand Prix to tap racing fans more broadly. While sponsors of SailGP were traditionally more specific to sailing, like Helly Hansen and Sail Racing, the shift creates an opportunity for brands outside of the performance gear space. 'Our audience is an audience that I think high end fashion brands would resonate with, in terms of our demographic that are either coming to our events or watching on TV or a small screen,' said SailGP managing director Andrew Thompson. Storytelling Through Sailing SailGP's Paramount+ series has its brand partners banking on enhanced visibility. The fast-paced nature of the event set against backdrops from Saint-Tropez to Dubai is eye candy for today's short attention spans. 'It is obvious that it will work, because it's pretty well designed to be seen on a screen,' said Babule from L'Oréal. 'We know what it takes today to activate consumers. These races are very quick ones, so you can follow that on Instagram or on TV.' Beyond the show, content production opportunities for brand partners are plentiful. For Tommy Hilfiger, being easily visible on the boat and at the heart of the sport is crucial. 'With SailGP, we chose a place where one of the key athletes sits to play a pivotal role in steering and maneuvering the boat,' said Virginia Ritchie, the brand's chief marketing officer. 'So we get a lot of great content of him sitting right on top of the flag.' In addition to designing the team uniform, as well as performance goggles in partnership with Safilo, the brand dresses the team in fashion outside of the performance realm for moments like walking to the race, or for event appearances, said Ritchie — all of which can easily be repurposed as content across brand channels. The company sees a significant opportunity for driving fashion sales through storytelling that uses sailing and performance content. To accompany the launch of its spring 2025 sailing capsule collection, its window displays in key European stores used photos from the Los Angeles and San Francisco races featuring its branded red, white and blue flag. Rolex has leaned into storytelling around SailGP athletes. It produced a series featuring the British SailGP team's strategist Hannah Mills and showcasing her career and journey becoming a mother and then returning to the team. The sport also gives brands an opportunity to position themselves in a new light with customers. L'Oréal, for instance, is hoping to reach more men, who are historically more challenging to sell on beauty. They make up 'probably 25 percent of beauty consumption, but actually 10 percent of our sales,' said Babule. 'When you are in a sport like high-tech sailing, it's a way to more easily reach a new target of consumers that is in the clear objective that we set ourselves.' The group can activate differently depending on where the races occur, varying the brands it features and marketing tactics it employs. Education around suncare, for instance, remains a challenge for L'Oréal in the European market, and activating around sailing moments, where sun exposure is an obvious element of the sport, creates chances for the group's dermatological beauty division to further its goals in the region. Brand Alignment For brands considering potential sports partnerships, however, alignment with the sport is a key consideration. Tommy Hilfiger, for instance, landed on SailGP after looking at seven potential sports to work with. Sailing was one of them — and a natural fit, too, due to how influential the sport was to the formation of the brand's DNA, all the way down to the Tommy Hilfiger flag, which is based on the nautical letters (colourful flags used in sailing to represent different letters in the alphabet) for the designer's initial, T J H, said Ritchie. The brand also launched its first Sailing Gear collection in the early 1990s. Tommy Hilfiger's experience as an F1 partner let it see that it had another opportunity to marry brand history, a similar racing product and the chance to work closely with athletes in the way that Tommy Hilfiger had with racecar drivers Lewis Hamilton and George Russell, transforming the paddock walk, which had been very 'uniform driven,' into a runway of sorts, Ritchie said. 'That kicked off a ton of collaboration opportunities, a whole new content stream and storytelling,' said Ritchie. L'Oréal has its own history in sailing. The company has been involved with a number of sailing races, including sponsoring the French team when women could compete in the America's Cup for the first time in 2024, as part of the group's broader goal of supporting women. SailGP, which is the only sailing race to include both men and women on the same boat, fell squarely into L'Oréal's value system. While Rolex has historically been involved with sailing — it first partnered with the New York Yacht Club, which created the America's Cup, in 1958 — SailGP, a more modern version of the sport, 'is not their traditional sailing property,' said Thompson. When the brand came on board as SailGP's title sponsor when the race first launched, 'For them, it was quite a bold move,' Thompson added. 'We were untested. [But] Rolex saw the opportunity.'
Yahoo
37 minutes ago
- Yahoo
And that's what you missed: Every 'Glee' star who's won a Tony Award
Kristina Bumphrey/Variety via Getty Images; Bruce Glikas/WireImage; Marsha Bernstein/WWD via Getty Images Jonathan Groff; Alex Newell; Darren Criss The Glee cast featured some of the most talented musical theater performers to ever grace the TV screen. With an iconic run between 2009 and 2015, Glee was centered on group of young performers as the members of a high school Glee Club in Lima, Ohio. The show was all about how much talent and potential these high schoolers had, dreaming up big futures for many of them. In the series finale of Glee, the character of Rachel (Lea Michele) goes on to win her first Tony Award, which did set the tone for what fans could expect from the careers of some of the stars. The show also featured numerous guest stars, including Broadway stars and musical theater legends. Many of those stars had Tony Awards before appearing on the show, but have also continued to produce great work that earns them even more nominations. As of 2025, 12 performers who played characters on Glee have Tony Awards, including five members of the New Directions. Scroll through to discover which cast members over the years have won Tony Awards — starting with the latest addition to this list! Darren Criss joined the Glee cast in season 2 as Blaine Anderson, a member of the glee club at a rival all-boys school called Dalton Academy. Eventually, he transferred to William McKinley High to join the New Directions and started dating Kurt. In 2025, Criss won a Tony for Best Performance by an Actor in a Leading Role in a Musical for Maybe Happy Ending. Jonathan Groff starred in Glee as Jesse St. James, a rival to the New Directions and on-again-off-again boyfriend to Rachel. Groff was first nominated for a Tony for his role as Melchior in Spring Awakening in 2007. Lea Michele — Groff's love interest in that musical and eventual Glee costar as well — was not nominated, alas. Groff was then nominated again for playing King George III in Hamilton, and eventually won his first Tony for starring in Merrily We Roll Along in 2024. After appearing on The Glee Project, Alex Newell joined the season 3 cast of Glee as trans student Unique Adams, and subsequently joined the New Directions in season 4. In 2023, Newell originated the role of Lulu in the Broadway musical Shucked and won the Tony Award for Best Featured Actor in a Musical for the role. Along with J. Harrison Ghee, who won for Some Like It Hot that same night, Newell became the first out nonbinary performer to win a Tony. Ali Stroker is another person who went from The Glee Project reality competition series to getting cast on Glee. In 2016, Stroker won a Tony for Best Featured Actress in a Musical for her role as Ado Annie in Oklahoma!. She was the first wheelchair user to win a Tony Award for acting. Jenna Ushkowitz was a member of the original New Directions as the character Tina Cohen-Chang, and stayed on the show until it ended. Over the years, Ushkowitz has won two Tony Awards as a producer: One trophy for Best Revival of a Musical, for Once On This Island, in 2018, and another trophy for Best Play, for The Inheritance, in 2020. Brian Stokes Mitchell has been nominated for four Tonys overall, and won for Best Actor in a Musical for his performance as Fred Graham/Petruchio in Kiss Me, Kate in 2000. On Glee, the actor played LeRoy Berry, one of Rachel's gay dads. Broadway legend Kristin Chenoweth won a Tony for Best Featured Actress in a Musical for her performance as Sally Brown in You're a Good Man, Charlie Brown in 1999. She's been nominated for two other Tonys for her roles as Glinda in Wicked and Lily Garland in On the Twentieth Century. On Glee, she played April Rhodes, a washed-up former glee club singer who never graduated from high school and joins the New Directions as an adult. Idina Menzel is another massive Broadway legend who's appeared on Glee. On the show, Menzel played Rachel's birth mom, Shelby Corcoran. She was nominated for her first Tony in 1996 for playing Maureen in Rent, and then won for originating the role of Elphaba in Wicked (2004). Then years later, in 2014, Menzel and was nominated again for If/Then. On Glee, EGOT winner Whoopi Goldberg played Carmen Tibideaux, the Dean of Vocal Performance and Song Interpretation at NYADA, the performing arts school that Rachel and Kurt attend after graduating from high school. In real life, she's been nominated for three Tonys as a producer, winning in 2002 for Best Musical for Thoroughly Modern Millie. Neil Patrick Harris appeared in one episode of Glee as Bryan Ryan, a former high school rival of Will Schuester's who's now a board member of Lima Public Schools and is seeking to defund the glee club. He won a Tony in 2014 for Best Actor in a Musical for Hedwig and the Angry Inch. Legendary actor and singer Carol Burnett played Doris Sylvester on Glee — none other than Sue Sylvester's mother! After being nominated for Best Actress in a Musical for Once Upon a Mattress in 1960 and Best Actress in a Play in 1996 for Moon Over Buffalo, Burnett won a Special Tony Award in 1969. Helen Mirren played the inner voice of Becky Jackson, a member of the Cheerios who had Down syndrome, on Glee. Over the years, Mirren has been nominated for three Tony Awards for Best Actress in a Play. In 2015, the actress won for her performance in The Audience.


New York Times
37 minutes ago
- New York Times
Jon Stewart to Los Angeles: ‘Is Your City Ever Not on Fire?'
Welcome to Best of Late Night, a rundown of the previous night's highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now. Fire and I.C.E. Things have been tense for days in Los Angeles, where President Trump deployed the military in response to protests against immigration raids. Jon Stewart called the situation 'the very predictable result of a liberal city, reliant on an immigrant population, colliding with a heavy-handed MAGA migrant-trawling operation looking to hit its quota of brown Pokémen. Gotta catch 'em all!' 'Is it too much to ask to have one weekend where I don't have to Google 'when count as martial law'?' — STEPHEN COLBERT 'It's an explosive situation, on the cusp of federalism vs. states' rights, border control vs. due process, terrifyingly militarized sweeps vs. hard-working people in local communities, the United States Marines vs. the Postmates guy who brought you an egg sandwich.' — JON STEWART 'Trump's actions are shocking because this troop deployment is in defiance of the California government. Normally, the governor is in charge of the National Guard, and in Los Angeles, local and state authorities had not sought help in dealing with the protests. So nobody asked for this, and it's only going to make things worse. And in Los Angeles, there's a word for that: 'Transformers: Rise of the Beasts.'' — STEPHEN COLBERT 'There has been some pelting of police and I.C.E. agents with rocks and garbage. For instance, people began throwing objects at law enforcement in a protest that started when demonstrators took over the 101, though locals were quick to point out they should've taken over the 405 to the 5, saved at least 10 minutes on the road to fascism.' — STEPHEN COLBERT 'Also, if you're against property damage and protesters flying un-American flags, you guys would've hated Jan. 6.' — SETH MEYERS 'And quick question for those of you who live in that area: Is your city ever not on fire? Whether you win a basketball championship, a World Series championship, whether you have an exploding piñata gender reveal gone wrong — congratulations, it's a boy and an evacuation! — or you're just protesting the Trump administration's expanded deportation raids, L.A. continues to be our most flammable city.' — JON STEWART The Punchiest Punchlines (The Long Breakup Edition) 'Everybody's still talking about Trump's feud with Elon Musk, and apparently, Trump is considering getting rid of the Tesla that he bought a few months ago — although that's the same feeling every Tesla owner has.' — JIMMY FALLON 'Giving up the car makes sense. I mean, after a breakup, you always get rid of things that remind you of your ex.' — JIMMY FALLON 'I wouldn't worry. The dude has plenty of breakups. You know his policy — don't cry because it's over, frown because it happened.' — SETH MEYERS Want all of The Times? Subscribe.