logo
My Hero Academia Vigilantes Episode 11: Exact release date, time and more

My Hero Academia Vigilantes Episode 11: Exact release date, time and more

Hindustan Times19 hours ago

With My Hero Academia: Vigilantes Episode 11 just around the corner, fans are eager to see what's next. In the previous episode, Soga Kugizaki continued working with Knuckleduster to track down the mysterious bee user, while Kazuho Haneyama received an unexpected offer for a stage performance. The small event quickly gained major attention thanks to Makoto Tsukauchi's efforts to involve Captain Celebrity.
Also Read: My Hero Academia Vigilantes Episode 10: Exact release date, time and more
My Hero Academia: Vigilantes Episode 11 is officially scheduled to air on Monday, June 16, 2025, at 11 p.m. JST in Japan, as confirmed by the anime's official website. Given the global interest in the series, fans outside Japan should note that release times will vary depending on their region and time zone. To avoid missing the episode as it drops, viewers are advised to consult the official release schedule or streaming platform updates for their specific local airing time.
Also Read: Who is Zack Bia? All on Madelyn Cline's rumored boyfriend
My Hero Academia: Vigilantes Episode 11 will air on local Japanese networks, including Tokyo MX and Yomiuri TV, with a later broadcast on BS NTV. Fans in Japan can also stream the episode on platforms like ABEMA, Netflix, Amazon Prime Video, Hulu, Lemino, and the Anime Store. Crunchyroll will stream the episode for international viewers, ensuring easy access worldwide.
The preview for My Hero Academia: Vigilantes Episode 11, titled The Day Of, hints at a power outage during the Marukane Department Store event, leaving Koichi and Kazuho in the dark about Knuckleduster's actions and opponents. The episode also promises the introduction of new characters, likely other stage performers. Meanwhile, Knuckleduster prepares to face off against Kuin Hachisuka, and fans can look forward to seeing Eraser Head in action.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Something terrible to happen on July 5 in......., bone-chilling predictions made by Japanese Baba Vanga…
Something terrible to happen on July 5 in......., bone-chilling predictions made by Japanese Baba Vanga…

India.com

timean hour ago

  • India.com

Something terrible to happen on July 5 in......., bone-chilling predictions made by Japanese Baba Vanga…

Something terrible to happen on July 5 in......., bone-chilling predictions made by Japanese Baba Vanga… It is a natural human trait to wonder what life may hold in the future. We all want to know the possibilities of how our lives may develop, what bumps or opportunities may happen down the road, or whether we will have any abrupt major calamities happen to us. The concept of being able to see even a small bit of what the future holds has fascinated mankind since humanity's beginning. There are also many others around the globe who claim to possess the ability to predict events in the future. One such person is Japan's Ryo Tatsuki. Japan's Ryo Tatsuki has made several predictions that have proven true over time. Notably, she had foreseen the outbreak of the coronavirus pandemic well in advance. Due to her accurate predictions, she is often referred to as the 'Baba Vanga of Japan.' Ryo Tatsuki is an interesting Japanese manga artist who has prophetic dreams and began documenting them for those interested in the 1980s. These visions formed the basis of her 1999 manga, The Future I Saw—a collection of illustrated predictions. Many of them forecasted actual events: the Kobe earthquake of 1995, the Tōhoku earthquake and tsunami of 2011, and COVID‑19. In her 2021 book The Future I Saw, she cautioned that a disaster could occur in Japan on July 5, 2025. Some people dismiss these ideas, but Ryo has made correct predictions in the past–like the 2011 earthquake and tsunami in Japan–so there is cause for worry, and her warning is already causing concern. Ryo Tatsuki is no ordinary manga artist. She has made predictions based on her dreams. People began to take notice of her work when she wrote a warning in 1999 about a 'great disaster in March 2011', which paralleled the real March 11, 2011, Tōhoku earthquake and tsunami disaster that hit Japan, and which killed over 15,000 people, and caused the Fukushima nuclear crisis. The Future I Saw by Tatsuki is a strange cocktail of images, dreams, and glimpses of future possibilities. Each edition includes new 'visions' that have surprised readers with their accuracy. None of the reports of her past predictions seem coincidental, with strange major events aligning on the same timeline, especially deaths such as Princess Diana, Freddie Mercury, and even COVID-19, none of which had happened yet. For July 5 in the year 2025, she initially wrote that something terrible will happen in Japan. But given that she provided no details or location, the ambivalence of the warning makes it a point of great anxiety for people. In the 2021 edition of The Future I Saw, Ryo Tatsuki included a short but disturbing line: 'On July 5, 2025, a great catastrophe will happen in Japan.' No further elaboration was given. Due to the seriousness and concern for such a message, people on social media have been talking and worrying about this, especially considering numerous previous predictions have come to reality. The new predictions have captured the world's attention, once again highlighting this individual's predictions.

Amitav Ghosh's Wild Fictions is a heartfelt essay collection on how climate crises are shaping human activity
Amitav Ghosh's Wild Fictions is a heartfelt essay collection on how climate crises are shaping human activity

Indian Express

time2 hours ago

  • Indian Express

Amitav Ghosh's Wild Fictions is a heartfelt essay collection on how climate crises are shaping human activity

Amitav Ghosh's collection of essays, Wild Fictions, is an invitation to be part of the author's journey as he seeks ways for a more caring and humane world. They traverse Ghosh's arc as a writer who has cast a critical eye on the ways human societies relate to themselves and the environment. He questions certitudes on civilisation, progress and Eurocentric modernity and problematises the links of postcolonial societies with their colonial past. In his recent works, Ghosh has tried to join the dots between the world of the past three hundred years and perhaps the gravest challenge of our times — climate change. The world, as he puts it, quoting the Italian Marxist Antonio Gramsci, is entering a 'time of monsters', when an old era is dying and a new one is struggling to be born. 'But the monsters that Gramsci had in mind were political creatures — fascists. What is distinctive about our time is that its monsters also consist of weather events that would have been considered improbable in Gramsci's time — supercharged storms, megadroughts, catastrophic rain bombs and the like'. Ghosh is aware of the pitfalls of a cause-and-effect narrative. He was trained as an anthropologist, but it's well known that the writer is adept at looking at events through the eyes of a historian, environmentalist and climate scientist. Like his works of fiction, the essays showcase what Ghosh is best at — lending an attentive ear to migrants, sailors, soldiers, tribal communities, friends, neighbours. He isn't a passive interlocutor, but a seeker who scans archives, diaries and correspondences and reaches out to his respondents to draw out the complexities of their experiences. He is alert to the changes brought out by the developments in communication technology and, most importantly, does not shy away from showing that the ecological is political. As with his works of fiction, the reader is struck by the wealth of Ghosh's research. Those acquainted with his fiction will find familiar characters — Deeti from The Sea of Poppies (2008), the seafaring community Lascars from the Ibis trilogy, the legend of Bon Bibi from The Hungry Tide (2004). At times, the writer lets the reader make connections. For instance, in one essay, he observes the tragedy of 9/11 through the eyes of friends — among them. architects of the Twin Towers — as one of them gives up his life trying to evacuate people from the crumbling skyscraper. In another essay at a different part of this collection, he gets a ringside view of the incident from his daughter who sees the buildings coming down from her classroom. The incident evokes memories of research he had conducted 20 years ago in Egypt as a doctoral student in Anthropology. The 'uncanny feeling' deepens when he learns that Mohammad Atta, the leader of the 9/11 attack teams, hailed from the same region where he had done field work — 'indeed his ancestral village was closely connected with the places I had worked'. What makes people undertake arduous and expensive journeys across continents? Hope of a better life? Displacement? The force of ideology? Community memory? Ghosh's fiction abounds with such curiosity, and inevitably, the quest occupies a major part of this essay collection as well. Like in his novels, he eschews easy answers to underline that migrants — whether they are from the Indian Subcontinent, Africa, West Asia — could bear scars of the past and also enrich their host cultures with their ideas and enterprise. A delightful essay — some of it, a reprise of a section in The Sea of Poppies — contemplates the etymology of the word 'banyan'. Ghosh scorns marketers who try to brand the garment as 'a sleeveless undershirt', 'singlet' or vest. Instead, he tries to find connections between the eponymous tree, the bania, the traveller, sailor and nawabs, and then locates the changing fortunes of the garment in the country's economic trajectory. Wild Fictions is about migration, ecological crises and conversations of Ghosh with fellow writers and academics. It's also a travel book — about the journeys of communities, commodities and ideas. But if there's one thing that unites the essays, it's Ghosh's criticism of Eurocentric modernity. In an exchange with historian Dipesh Chakrabarty, he draws links with modernity, colonialism and racism. In other essays, he asserts that current crises — whether events such as 9/11, the discomfiture with migrants in some parts of the world, the climate and ecological challenges — have to do with power structures created by modernity. Ghosh isn't against modernity per se, but he does seem to believe that European hegemony has foreclosed alternative imaginations of progress. Ghosh doesn't engage much with the large corpus of scholarly engagement with modernity. But in many ways, the writer is like Manmohan Mitra, the protagonist of Satyajit Ray's trenchant critique of the modern civilisation, Agantuk (1991) – a seeker who amplifies the moral voice of some of his protagonists. He draws attention to myriad forms of inequalities — between humans and nature, between different worldviews, nations and peoples. And, he does so gently, without even a sentence in anger.

Otr Of The Flame Chapter 6: Otr Awakens Heroic Vigor—Recap, Release Date, Where To Read And More
Otr Of The Flame Chapter 6: Otr Awakens Heroic Vigor—Recap, Release Date, Where To Read And More

Pink Villa

time3 hours ago

  • Pink Villa

Otr Of The Flame Chapter 6: Otr Awakens Heroic Vigor—Recap, Release Date, Where To Read And More

The fifth chapter of Otr Of The Flame, titled 'Heroic Vigor,' begun with Etupirko explaining Heroic Vigor as life energy drawn from within, distinct from the external magic of sorcerors. Otr's fusion with Fylgja was unsafe without it strengthening him. Sixten starts Otr's training with a brutal cliff climb up Meat Mountain. This is to help Otr learn energy control. Etupirko then sparred with him, teaching that Heroic Vigor needed a balance between effort and ease. After days of exhausting cycles of movement and rest, Otr awakens Heroic Vigor mid-battle after recalling his memories of family. However, Etupirko still calls his form unrefined. Expected plot in Otr Of The Flame Chapter 6 Otr's training is far from over. With Heroic Vigor now partially awakened, Etupirko will likely refine his form in Otr Of The Flame Chapter 6, focusing on discipline, control, and minimizing self-harm. Fylgja may learn to harmonize better with Otr's physical limits, improving their synergy. Sixten, satisfied with Otr's progress, could step into the sparring directly, presenting dangerous new challenges. Elsewhere, Alajoki's condition may be addressed, and the Ice Kingdom—quiet since Beezbl's defeat—might unveil a deadlier offensive or reveal their next commander preparing to strike. Otr Of The Flame Chapter 6: Release date and where to stream Otr Of The Flame Chapter 6 is scheduled to drop on Monday, June 16, 2025, at 12 am JST. International fans can look for it on Sunday, June 15, around 3 pm GMT / 8 am PT / 11 am ET, though release times will vary by individual region. Fans can find Otr Of The Flame Chapter 6 on official platforms such as Viz Media's site, Shueisha's MANGAPlus, and the Shonen Jump+ app after its release. Additionally, a physical version will be released in Weekly Shonen Jump Issue 29. Keep an eye on Pinkvilla for more updates from the Once Upon A Witch's Death anime.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store