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Foreigner lead singer reveals departure from band on The Voice: ‘It's time to pass the mic'

Foreigner lead singer reveals departure from band on The Voice: ‘It's time to pass the mic'

News.com.au22-05-2025

Foreigner's longtime lead singer Kelly Hansen stunned fans when he announced his departure from the legendary band in rock star fashion.
The 64-year-old rocker, who joined the band in 2005, broke the news on the season finale of NBC's The Voice US on Tuesday after performing the group's 1977 hit song Feels Like the First Time alongside his bandmates.
'After 20 magical years fronting this band, this will be my last year with Foreigner,' Hansen told the crowd. 'At the end of this summer, a new great voice will sing these songs for you; my friend Luis Maldonado.'
Maldonado — who joined Foreigner in 2021 as a guitarist and has filled in as lead singer on the recent Latin America tour — appeared with a mic in hand on centre stage and started singing one of the band's radio hit songs, Juke Box Hero.
Hansen joined Maldonado in an emotional send-off as the pair ended the night singing I Want to Know What Love Is.
'Being the voice of Foreigner has been one of the greatest honours of my life,' Hansen said following the announcement.
'But it's time to pass the mic. Luis has the voice, the energy, and the soul to carry these songs into the future. I couldn't be prouder to hand this off to him.'
Maldonado added that he was ready to step up to the plate and 'honour Foreigner's legacy.'
'This music has been part of my life for as long as I can remember. I'm ready to honour Foreigner's legacy and bring my heart to every performance,' Maldonado said.
Founding member and guitarist Mick Jones is the only original member of Foreigner to remain with the band. However, the 80-year-old rock star has not performed live with the band since 2023.
'In 1976, my goal was to assemble the finest group of musicians I could find. Results have shown that it worked!' Jones said of Hansen's departure, according to Rolling Stone.
'Kelly Hansen is one of the best frontmen in our business and over the last twenty years he has breathed new life into our songs. His boundless energy and flawless talent has helped us climb the mountain and set up the opportunity for Foreigner vocalist and guitarist, Luis Maldonado, to bring us home.'
Hansen will put down the mic for good as the band's frontman at the end of their current summer tour, featuring both him and Maldonado as vocalists.
Hansen's upcoming departure from the band caps off a 20-year run as Foreigner's vocalist after he replaced original lead singer, Lou Gramm — who left the group over creative differences, Billboard reported.
In April, Gramm, 75, revealed he would be touring with Foreigner for one last run as the band and appeared as a special guest at their recent South American tour shows.
Hansen did not join the band at those concerts due to scheduling issues, but he and Gramm have acknowledged their strained relationship, according to Billboard.
Foreigner was inducted into the Rock and Roll Hall of Fame in October 2024, including Jones, Gramm, the band's original drummer Dennis Elliott, bassist Ed Gagliard (who died in 2014), keyboardist Ian McDonald (who died in 2022), keyboardist Al Greenwood, and bassist Rick Wills.
Hansen was not included in the Rock and Roll Hall of Fame induction.
Current members include Maldonado, Bruce Watson, Michael Bluestein, Chris Frazier, and Jeff Pilson.
Foreigner is on tour across North America through November and will celebrate their 50th anniversary in 2026.

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U2 singer Bono lays his life bare in one-man stage show Stories of Surrender
U2 singer Bono lays his life bare in one-man stage show Stories of Surrender

ABC News

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  • ABC News

U2 singer Bono lays his life bare in one-man stage show Stories of Surrender

"All this saving the world, is it really service, duty, righteous anger, or is it just a childlike desire to be at the centre of the action?" Bono wonders backstage at his sold-out, one-man show at New York's Beacon Theater in 2023. "Desire and virtue is a whole dance." What: U2 singer Bono lays bare his life and career in a one-man stage show, part spoken-word and part solo music performance. Starring: Bono Director: Andrew Dominik Where: Streaming now on Apple TV+ Likely to make you feel: Like falling in love with U2 again — if you're a fan Across a 45-year career as a globe-straddling superstar and activist, the U2 singer has danced the fine line between rock 'n' roll icon and enduring public nuisance. He's been both the voice of one of the biggest bands of the late 20th-century and — to some, at least — a blowhard palling around with celebrities and world leaders. But as the new movie Bono: Stories of Surrender shows, there's a complicated, endearingly contradictory man behind the often-outsized public profile; one whose idealism is frequently troubled by self-doubt, and whose pursuit of stardom stems from a past steeped in loss. Filmed over several nights of his New York residency, Stories of Surrender vividly captures Bono's one-man adaptation of his best-selling 2022 memoir, Surrender, translating the book's revealing candour to the stage with the singer's typically self-reflexive humour. As he quipped to Jimmy Kimmel recently: "I play an aging rock star on a massive ego trip." There are no mirror-balls or giant lemons or jumbotrons broadcasting prank calls to The White House, just a starkly lit stage and a few empty pieces of furniture to stand in for key figures in his life — including the rest of U2, who are nowhere to be found. It begins, as many such stories do, with a health scare that prompts a crisis of faith and life evaluation. "How did I get here?" Bono asks, echoing the words of his contemporary David Byrne, after an operation on his "eccentric" heart in 2016. Still, it's hardly a sombre opening: the star is in full-tilt carnival-barker mode, part preacher, part game-show host, a pair of wraparound shades short of his Zoo TV MacPhisto. Bono's brand of ironic bravado, in which every sincere moment is inevitably chased by a self-deprecating shot, will do little to convince detractors who regard him as the epitome of anti-cool. For U2 fans, however, it's a wonderful reminder of just how adept he is with a pithy turn of phrase or ready-made pop graffiti — he's perhaps the only songwriter to land the line "you're turning tricks with your crucifix" on a major motion picture soundtrack aimed at children. Much of Bono's humour appears to originate from his late father, Bob Hewson, a man who looms over the show despite appearing only as an empty chair and a glass of Black Bush whiskey. Playing both father and son, Bono recreates infrequent pub meetings with his Da, who remains hilariously unimpressed with his kid's success (labelling him "a baritone who thinks he's a tenor"), nor his phone calls from Pavarotti (Bono's impression of the Italian opera giant is among the film's funniest moments). Their relationship was complex. After a 14-year-old Bono lost his mother, who collapsed at his grandfather's funeral ("It sounds almost too Irish, I know," he jokes), his father never spoke of her again. Her death haunted almost every aspect of the rocker's life and career. At the very same time, he would meet his future wife, Ali, and the musicians — The Edge, Larry Mullen Jr, and Adam Clayton — with whom he'd rocket to mulleted 80s stardom. The stories of U2's early adventures are invariably charming, as the teenage band fumbles about to land on their signature sound — at one point Bono urging The Edge to make his guitar "sound like an electric drill into the ear". It's Bono's reckoning with fame that proves to be the real revelation, however, as he and his band mates wrestle with their spiritual beliefs in the wake of new-found celebrity. "Fame is currency," Bono reasons. "You wouldn't need charity if the world was just, so — get the cheque." If the humanitarian act borders on Vegas schtick, Bono is the first to admit it. "I am an over-paid, over-regarded, over-rewarded, over-fed rock 'n' roll star," he says in voiceover, commenting on the action. And whenever the self-therapy pauses for a burst of music, it's hard to resist those soaring pipes, still stirring after all these years and audible wear and tear. 'With Or Without You', delivered here in thorny tribute to his wife, remains as sad and gorgeous as ever, while 'Sunday Bloody Sunday' takes on a new, ghostly power in a stripped back, slowed down performance. 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