
Jenny Eclair backs £3.8m fundraiser to ‘save Hepworth artwork for the nation'
Toward the end of 2024, the sculpture was given a temporary export bar to prevent it from leaving the UK, allowing time for a UK gallery to acquire it.
The Hepworth Wakefield art museum and national charity Art Fund have launched an appeal to acquire it, with the aim of permanently and publicly displaying the sculpture in Wakefield, West Yorkshire, where artist Dame Barbara was born.
Artists and creatives including Jonathan Anderson, Richard Deacon, Katy Hessel, Sir Anish Kapoor, Veronica Ryan, Joanna Scanlan and Dame Rachel Whiteread have backed the appeal.
Sir Antony, 74, said: 'Barbara Hepworth's work remains a luminary example of both an engagement with modernism and a return to direct carving.
'The opportunity for the museum named after her to acquire this important work is precious and should be supported.'
Sculptor Sir Anish, 71, who won the Turner Prize in 1991, said: 'Barbara Hepworth's Sculpture with Colour (Oval Form) Pale Blue and Red must be saved for the nation.
'Art fund has put up a quarter of the value of this important sculpture in an extraordinary bid to keep this work in a public collection and accessible to all.
'This sculpture comes from a period of work by Hepworth in which she explores form and emptiness and looks forward to radical modernity.'
Simon Wallis, director, The Hepworth Wakefield, added: 'We established The Hepworth Wakefield 14 years ago to celebrate, explore and build on Barbara Hepworth's legacy.
'This sculpture is the missing piece, a masterpiece which deserves to be on display in the town where Hepworth was born.'
The museum is home to Wakefield's art collection, including significant works by Dame Barbara but excluding her finished works from the 1940s.
The art work is made of painted wood and string and is part of a larger series in Dame Barbara's oeuvre, which she developed throughout the Second World War after she settled with her family in St Ives, Cornwall.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
2 days ago
- Daily Mail
Disney BANS theme park guest after bizarre act with character
Disney's theme parks have earned the nickname as The Happiest Places on Earth because of the immense joy and fun they provide for millions of families each year. But if you break one of Disney's strict rules, your magical vacation may be transformed into a nightmare - because the company takes its regulations very seriously. One man has learned that the hard way, after his bizarre act with a character during a recent visit to Shanghai Disneyland in China reportedly resulted in him being hit with a two-year ban. According to multiple reports, the unidentified male jumped on stage during a show on August 10 and began touching one of the characters. He reportedly attempted to dance with someone who was dressed as the red panda Mei Mei from the film Turning Red before he was escorted off stage by staff. Shanghai Disneyland said the man's behavior disrupted the park's normal operations and violated the park rules, per Inside the Magic. He was reportedly told to leave and banned from stepping foot in Shanghai Disneyland for two full years. The Daily Mail has reached out to Shanghai Disneyland for comment. Under its rules and regulations section on its website, Shanghai Disneyland states, 'Please show common courtesy, both on-site and online, to fellow Park guests, our Cast Members (including but not limited to staff and performers) and the Disney Characters, and do not use profanity or engage in unsafe, illegal, disruptive or offensive behavior.' An ex-Disney World character attendant previously shared the craziest things he saw guests do at the theme park exclusively with the Daily Mail - from someone who lied about being in Make-A-Wish to adults who had 'full-on meltdowns.' Patrick McKee, 35, from Atlanta, Georgia, spent years working at the Happiest Place on Earth as the 'person who made sure the magic ran smoothly.' Part of his job was to assist in character meet and greets - and he said he witnessed some 'truly wild behavior' along the way. He recalled 'overbearing' parents trying to 'cut the line' or 'demand something special' for their kids. And according to the worker, adults without children were 'just as extreme.' 'Some adults could completely lose themselves in the experience,' he shared. '[They set] expectations so high that when reality didn't match up, things got... interesting. 'Picture grown adults having full-on meltdowns - it was like watching a toddler tantrum, but with much bigger stakes.' He recalled one time when he told a guest that the meet and greet for a princess had ended, and they became so 'furious' that they 'threw their drink on him.' 'I couldn't believe it, but unfortunately, situations like that weren't as rare as you'd think,' he continued. 'When you're working with characters, you never quite know how a guest will react. 'I've had the most delightful conversations in line, only to see that same person do something totally unexpected when they finally met their favorite character.' Patrick said one of the most 'disturbing' things he ever saw while working at the park was a family who 'lied about being a part of the Make-A-Wish program to take advantage of the special benefits.' Make-A-Wish 'grants wishes to children with critical illnesses' in order to 'create hope and happiness for the whole family,' per the organization's website. 'It was heartbreaking because the Make-A-Wish program is designed to bring joy to children dealing with life-threatening illnesses, and seeing people try to game the system for their own gain was beyond disappointing,' Patrick said. 'There were times parents would say something along the lines of, "I wish my kid had cancer," just to get those benefits, completely oblivious to the weight and cruelty of their words. 'It's almost like people don't realize the impact of what they're saying, or maybe they just don't care in their desperation.'


Daily Mail
4 days ago
- Daily Mail
Nobody is trapped inside Chicago's Bean sculpture, officials insist after protesters claim someone has been stuck in there for 21 years
Chicago officials have insisted that nobody is trapped inside the world-famous Bean sculpture, after protestors went viral for claiming that someone has been stuck inside for 21 years. Footage taken from Chicago's Millennium Park, home of The Bean, showed a group of mock protestors clamouring for the release of the 'man in the Bean.' The satirical troupe, all of whom were holding signs and wearing black clothes, were heard shouting: 'There is a man in there. There is a man in the Bean'. The group accused, without merit, artist Anish Kapoor, the creator of Cloud Gate, the Bean's actual name, of kidnapping a child and placing it inside the sculpture to live 'in complete isolation.' One protestor said: 'There is a man trapped inside the Bean. We're calling for his immediate release. In 2004 Anish Kapoor, the chief architect of the bean, stole a baby and put that baby inside the bean. 'We are calling for the immediate release of the man trapped inside the bean.' The stunt has gone so viral that Chicago officials were forced to deny the accusations, and begged people to stop inundating them with calls about the Bean. Alderman Brendan Reilly, who represents Chicago's 42nd ward that is home to the bean, told local media: 'I am happy to confirm that a man has not been trapped inside "Cloud Gate" (a.k.a "the Bean") for the past 21 years.' He said that while he appreciates a 'lighthearted parody as much as the next guy', the sheer number of calls his office has taken about the man in the Bean is preventing them from carrying out 'the real work we do for the 42nd Ward and City of Chicago.' Despite official protests, Chicagoans seem to be loving the stunt. Marisol Nuñez told Block Club Chicago after her video of the group went viral: 'It makes me happy [that] people find it funny and even add onto the joke.' Karen Jessica Dorado, who works in a nearby shop, told the outlet: 'This is actually so unique, and I'm so amazed on how their brains work to put this protest together.' So far, Anish Kapoor has not broken his silence over the stunt. The Daily Mail has contacted Kapoor for comment. Cloud Gate is a 100-tonne structure made from 168 highly-polished stainless steel plates that are formed in the shape of a bean. Kapoor was inspired by liquid mercury to create the 66ft long and 33ft high shape.


The Guardian
4 days ago
- The Guardian
Painting by Chris Ofili to be auctioned for first time and expected to fetch up to £1.5m
An important work by the Turner prize-winning British artist Chris Ofili, featuring his signature use of elephant dung, will be auctioned for the first time at Christie's in October. Blossom (1997), a portrait created a year before Ofili became the first black artist to win the Turner prize in 1998, is estimated to sell for £1m to £1.5m. The piece blends sacred iconography with popular culture and African symbolism, using Ofili's signature materials of glitter, resin and elephant dung. Tessa Lord, the head of postwar and contemporary art at Christie's London, which is selling the work on 20 October, said: 'This is one of the most exciting paintings that I've worked with in a long time. Ofili's works are large-scale works that are rare to auction.' Ofili's painting will come under the hammer alongside four works by the Scottish painter Peter Doig, which will also be offered at auction for the first time: Ski Jacket, Country Rock, Concrete Cabin and Yara. Other notable works in the collection include 1981-82 by Jean-Michel Basquiat and Hon (She) by the Danish artist Karin Mamma Andersson. Ofili was born in Manchester and is of Nigerian descent. He studied at the Chelsea College of Arts and the Royal College of Art. In 2003, Ofili represented Britain at the Venice Biennale. He is based between London, New York and Trinidad. Blossom was exhibited in 2010 as part of Ofili's mid-career retrospective at Tate Britain, the most extensive display of his work to date. It was also included in the 2014-15 survey at the New Museum in New York. The painting draws upon traditional ideas of the mother and child, depicting a woman with an exposed breast, crowned by an orange flower placed in her afro. On the left-hand side, the painting's title, Blossom, is vertically spelled out, inscribed into spheres of elephant dung. 'The surface is extraordinary,' said Lord. 'It's got these almost pointillist textured dots all over the surface and resin that creates these layers that are really, in person, quite beautiful.' Sign up to Art Weekly Your weekly art world round-up, sketching out all the biggest stories, scandals and exhibitions after newsletter promotion The piece is from an 'important year' in the artist's career, said Lord. Ofili's 1997 solo exhibition, which showcased in the Southampton City Art Gallery, the Serpentine Gallery in London and the Whitworth Art Gallery in Manchester, 'cemented his nomination on to the Turner Prize in 1998, which he won'. As well as being the first black artist to win the prize, Ofili was the first painter in more than a decade to win the award. 'Previously it had been quite conceptual, so Ofili really represents the strength of British painting in that 90s, early 2000s moment.' The collection is owned by Ole Faarup, a late Danish design entrepreneur and philanthropist who acquired Blossom in 1997. The entire collection was assembled over a period of 50 years. All proceeds will go to the Ole Faarup Art Foundation, which aims to support young Danish artists by placing their works in museums around the world. 'The masterpieces in the collection are the works by two British artists,' said Lord. Ofili and Doig had a 'personal connection'. Having first met as students at Chelsea College of Arts, Doig would later stay with Ofili in Trinidad in the early 2000s, an experience that inspired the work Yara, which is up for auction in the collection. Ofili's style is often considered 'punk art' and is influenced by artists such as Jean-Michel Basquiat and Philip Guston. His work has garnered attention for its brazenness and provocation, particularly for the frequent use of elephant dung and pornographic imagery. His painting The Holy Virgin Mary attracted controversy in 1998 for its depiction of a Black Madonna surrounded by images from blaxploitation films and pornographic magazines. It was sold for £2.9m at Christie's. 'We really haven't had something like this or a work of this quality since 2015 when we sold The Holy Virgin Mary,' said Lord.