Nicole Scherzinger flaunts her amazing figure in a glamorous sequin gown at the Time 100 gala in New York
Nicole Scherzinger looked nothing short of sensational in a glamorous black gown as she attended the Time 100 Gala at The Jazz at Lincoln Center in New York on Thursday.
The singer, 46, made sure to turn heads as she flaunted her jaw-dropping figure in the sequin number which boasted a stunning off the shoulder velvet and satin top.
Nicole elevated her frame in a pair of towering heels and allowed her long dress train to cascade behind her as she walked the star-studded red carpet.
The Pussycat Dolls star accessorised with a chunky gold bangle and an eye catching pair of coordinated chandelier earrings.
Styling her long dark tresses in loose waves, the actress wore a flawless palette of makeup as she posed for the cameras.
During the evening, Nicole is one of the 2025 Time 100 highlighted figures alongside Demi Moore, Scarlett Johansson and Miuccia Prada.
The event served as the annual celebration of Time's list of the 100 most influential people in the world. The event brought together a diverse group of global leaders, entertainers, athletes and innovators recognized for their impact across various sectors.
Snoop Dogg hosted the gala, which included musical performances by Ed Sheeran and Myles Smith.
The evening featured the presentation of a Time Impact Award to Olympic gymnast and advocate Simone Biles. Notable attendees and speakers also included actress Blake Lively, former tennis player Serena Williams and actress Kristen Bell.
Nicole's appearance at the bash comes shortly after she showcased her toned physique in a sexy workout video posted to Instagram last Friday.
The singer flaunted her age-defying figure in a plunging teal gym bra which she paired with matching leggings.
She paired her stylish two-piece workout co-ord with black and white chunky Nike trainers.
Nicole appeared in very high spirits for her album as she was seen dancing around her lavish-looking gym.
In the various clips, Nicole could be seen using the deadlifting apparatus with a blue resistance band stretched around her thighs.
Continuing her leg workout, the performer showcased her strength with some reverse hyper donkey kickbacks.
Nicole then switched it up and started focusing on her core with some raised crunches.
Feeling in high spirits after the hard-looking workout, the star finished her post with a clip of her dancing.
Alongside her post, she penned: "Strength does not come from physical capacity. It comes from an indomitable will." — Mahatma Gandhi'
And her fans were in awe of the post as they flocked to her comment box to celebrate her hard work and incredible figure.
They penned: 'YOU ARE AMAZING .. YOUR BODY IS'; 'Don't ever let anyone dull your sparkle'; 'Inspiring in so many ways!!'
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Scottish Sun
25 minutes ago
- Scottish Sun
Scotland star ties the knot at plush Scottish wedding venue with team-mates in attendance
Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) LAWRENCE SHANKLAND might not be on international duty with Scotland this week but the Hearts striker had a few days to remember away from football. The Hearts and Scotland striker tied the knot with his new wife Nicole at a plush Scottish wedding venue at the end of last month. Sign up for Scottish Sun newsletter Sign up 2 Lawrence Shankland with his new wife Nicole 2 They enjoyed a walk along the beachfront Shankland, 29, had been engaged to Nicole since 2022 until they made it official on May 30 at the Seamill Hydro hotel in West Kilbride. The award-winning seaside hotel shared a stunning video detailing the special day for the newly-weds. In a short clip posted on Instagram, Lawrence and Nicole were filmed walking along the beachfront in the beautiful Ayrshire sun. It also showed Nicole posing for pictures in front of the shore, with Lawrence captured inside the hotel lobby, and both of them meeting up again outside the entrance. The couple shared intimidate moments both inside and outside of the hotel, while also being filmed when catching up their with their groomsmen and bridesmaids. The video also provides fans with a behind the scenes sneak peek of the wedding venue and how it all looked on the day for Mr and Mrs Shankland. The striker was joined by a number of his Hearts team-mates for the big day. Shankland will be enjoying his well-earned time off from football after season finished before his big day. But it won't be a quiet summer for the 29-year-old as he has a big decision to make on his future in football. Shankland is nearing the very end of his Hearts contract and could leave the club in the coming weeks. New Jambos boss Derek McInnes is keen to hold onto him but the striker has interest from down south. West Brom and Southampton have expressed interest in signing the forward on a free transfer. Keep up to date with ALL the latest news and transfers at the Scottish Sun football page
Daily Mail
an hour ago
- Daily Mail
Nicole Scherzinger proudly brandishes her Best Actress gong as she cosies up to Cynthia Erivo at glitzy Tony Awards afterparty
Nicole Scherzinger looked in great spirits as she joined Cynthia Erivo at the Tony Awards afterparty at MoMA in New York City on Sunday. The Pussycat Dolls singer, 46, was understandably pleased after accepting her first ever Broadway honor at the star-studded 78th Annual ceremony, which has held earlier that night at Radio City Music Hall. Nicole won the Best Leading Actress in a Musical award, for her performance of fading Hollywood star Norma Desmond in Sunset Boulevard, based on the 1950 film noir of the same name by Billy Wilder. She proudly brandished her award at the party, where she looked incredible in a sequinned scarlet gown that clung to her figure. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop. Also dressed to impress was Tonys host Cynthia, 38, who looked incredible in a black tulle dress with a puffball skirt. Sadie Sink looked phenomenal in a plunging satin gown as she partied at the event alongside her brother Mitchell. Julianne Hough was also a vision as she modelled a slinky white gown with a tulle skirt. The group looked in great spirits at the party after an emotional ceremony. During the event, Nicole burst into tears as she accepted her Best Actress award. 'Growing up I always felt like I didn't belong, but you all have made me feel like I belong, and I have come home at last,' she shared in her acceptance speech. She went on to thank her fiancé Thom Evans, adding he 'believes in me when I forget to believe in myself.' Darren Criss, 38, won big, earning his first Tony Award for Best Leading Actor in a Musical for his performance in Maybe Happy Ending, written by Will Aronson and Hue Park. Sadie Sink looked phenomenal in a plunging satin gown as she partied at the event alongside her brother Mitchell Tony Awards 2025 winners: AT A GLANCE MUSICAL CATEGORIES A sobbing Nicole Scherzinger won the Best Leading Actress in a Musical award, for her performance in Sunset Boulevard Best Performance by an Actress in a Leading Role in a Musical: Nicole Scherzinger — Sunset Blvd. Best Performance by an Actor in a Leading Role in a Musical: Darren Criss — Maybe Happy Ending Best Performance by an Actress in a Featured Role in a Musical: Natalie Venetia Belcon — Buena Vista Social Club Best Performance by an Actor in a Featured Role in a Musical: Jak Malone — Operation Mincemeat Best Musical: Maybe Happy Ending Best Revival of a Musical: Sunset Blvd. Best Direction of a Musical: Michael Arden — Maybe Happy Ending PLAY CATEGORIES Best Performance by an Actress in a Leading Role in a Play: Sarah Snook — The Picture Of Dorian Gray Best Performance by an Actor in a Leading Role in a Play: Cole Escola — Oh, Mary! Best Performance by an Actress in a Featured Role in a Play: Kara Young — Purpose Best Performance by an Actor in a Featured Role in a Play: Francis Jue — Yellow Face Best Play: Purpose — Author: Branden Jacobs-Jenkins Best Revival of a Play: Eureka Day — Author: Jonathan Spector Best Direction of a Play: Sam Pinkleton — Oh, Mary! The play — which explores themes of love, loneliness, and mortality and follows two 'Helperbots', robots designed to assist people, named Oliver and Claire — also won the top honor for Best Musical, with producer Jeffrey Richards accepting the award. Meanwhile George Clooney, 64 — who was nominated for Good Night, And Good Luck — was shockingly snubbed, when he lost the Best Actor in a Play award to Cole Escola, 38. The star, who uses they/them pronouns, won for their performance in Oh, Mary! which they wrote and star in. The show, hosted by Cynthia, celebrated Broadway's brightest talents in singing, acting, dancing and more. Nicole started her acceptance speech, telling the audience: 'First of all, I just have to thank God, for carrying me every step of the way. I give you all the glory.' 'I'm so honored to be recognized alongside these exceptional warrior women in this category. I want to thank you all so much for making this little Hawaiian/ Ukrainian/ Filipino girl's dream come true. So proud to represent.' She also thanked her family, including her mom, stating she 'had me at 18 and gave everything up for me.' She then thanked composer Andrew Lloyd Webber, sharing: 'It has been such an honor to be able to create with you the past 15 years.' Later she gave a shout out to producer Jamie Lloyd: 'Jamie, you saw in me what no one else did. You have given us all new ways to dream and you have changed my life forever.' She wrapped up her inspiring speech, sharing, 'If there's anyone out there who feels like they don't belong, or your time hasn't come, don't give up.' 'Just keep on giving and giving, because the world needs your love and your light now more than ever.' 'This is a testament that love always wins. Thank you so much. God Bess you.' In the Best Leading Actor in a Musical category, Criss beat out Andrew Durand for Dead Outlaw, Tom Francis for Sunset Boulevard, Jonathan Groff for Just in Time, Jeremy Jordan for Floyd Collins, and James Monroe Iglehart for A Wonderful World: The Louis Armstrong Musical. Sarah Snook, 37, kicked off the show, winning the Best Leading Actress in a Play award for her unbelievable performance in The Picture of Dorian Gray, where she played all 26 characters, including Dorian and Lord Henry. The Succession star made her Broadway debut in the ambitious stage adaptation of Oscar Wilde's 1890 novel, directed and written by Kipp Williams. George Clooney, 64 — who was nominated for Good Night, And Good Luck — was shockingly snubbed, when he lost the Best Actor in a Play award to Cole Escola, 38, who won for Oh, Mary! Sarah Snook, 37, kicked off the show, winning the Best Leading Actress in a Play award for her unbelievable performance in The Picture of Dorian Gray Snook beat out a strong lineup of nominees including Laura Donnelly for The Hills of California, acting legend Mia Farrow for The Roommate, LaTanya Richardson Jackson for Purpose, and Stranger Things star Sadie Sink for John Proctor Is the Villain. Bill & Ted's Excellent Adventure stars Keanu Reeves and Alex Winter presented her with the award. Francis Jue, 61, won the best featured actor in a play for his performance in Yellow Face. He beat out Glenn Davis for Purpose, Gabriel Ebert for John Proctor Is the Villain, Bob Odenkirk for Glengarry Glen Ross, and Conrad Ricamora, Oh, Mary! English actor Jak Malone, 30, nabbed the win for best featured actor in a musical, for his Broadway debut in Operation Mincemeat. He beat out Brooks Ashmanskas for Smash, Jeb Brown for Dead Outlaw, Danny Burstein for Gypsy, and Taylor Trensch for Floyd Collins. Kara Young won best featured actress in a play for her performance in Purpose. She triumphed over Tala Ashe for English, Jessica Hecht for Eureka Day, Marjan Neshat for English, and Fina Strazza for John Proctor Is the Villain. The Best Featured Actress in a Musical award went to Natalie Venetia Belcon, 56, for her performance in Buena Vista Social Club. The best new play award went to author Branden Jacobs Jenkins and producer Glenn Davis for Purpose. They were up against Oh, Mary!, John Proctor Is the Villain, English, and The Hills of California. Author Jonathan Spector and producer Lynne Meadow accepted the award for Best Revival of a Play for Eureka Day. They were up against Our Town, Romeo + Juliet, and Yellow Face. The best direction of a play award was given to theatre director Sam Pinkleton for Oh, Mary!. Meanwhile the best direction of a musical Tony award went to Michael Arden for Maybe Happy Ending. The prestigious ceremony honoring theatre was hosted by three-time Oscar nominee Cynthia Erivo, who kicked off the show with a thrilling performance featuring Oprah Winfrey. The star-studded list of presenters at this year's Tony's included Ariana DeBose, Adam Lambert, Ben Stiller, Bryan Cranston, Jesse Eisenberg, Keanu Reeves, Julianne Hough, Katie Holmes and more. Tony Awards 2025 WINNERS Best Musical Buena Vista Social Club Dead Outlaw Death Becomes Her Maybe Happy Ending - WINNER Operation Mincemeat: A New Musical Best Revival of a Play Eureka Day — Author: Jonathan Spector - WINNER Romeo + Juliet Thornton Wilder's Our Town Yellow Face — Author: David Henry Hwang Best Performance by an Actor in a Leading Role in a Play George Clooney — Good Night, And Good Luck Cole Escola — Oh, Mary! - WINNER Jon Michael Hill — Purpose Daniel Dae Kim — Yellow Face Harry Lennix — Purpose Louis McCartney — Stranger Things: The First Shadow Best Performance by an Actor in a Leading Role in a Musical Darren Criss — Maybe Happy Ending - WINNER Andrew Durand — Dead Outlaw Tom Francis — Sunset Blvd. Jonathan Groff — Just In Time James Monroe Iglehart — A Wonderful World: The Louis Armstrong Musical Jeremy Jordan — Floyd Collins Best Performance by an Actor in a Featured Role in a Play Glenn Davis — Purpose Gabriel Ebert — John Proctor Is The Villain Francis Jue — Yellow Face - WINNER Bob Odenkirk — Glengarry Glen Ross Conrad Ricamora — Oh, Mary! Best Performance by an Actor in a Featured Role in a Musical Brooks Ashmanskas —SMASH Jeb Brown — Dead Outlaw Danny Burstein — Gypsy Jak Malone — Operation Mincemeat: A New Musical - WINNER Taylor Trensch — Floyd Collins Best Direction of a Play Knud Adams — English Sam Mendes — The Hills Of California Sam Pinkleton — Oh, Mary! - WINNER Danya Taymor — John Proctor Is The Villain Kip Williams — The Picture Of Dorian Gray Best Book of a Musical Buena Vista Social Club — Marco Ramirez Dead Outlaw — Itamar Moses Death Becomes Her — Marco Pennette Maybe Happy Ending — Will Aronson and Hue Park - WINNER Operation Mincemeat: A New Musical — David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts Best Scenic Design of a Play Marsha Ginsberg — English Rob Howell — The Hills of California Marg Horwell and David Bergman — The Picture of Dorian Gray Miriam Buether and 59 — Stranger Things: The First Shadow - WINNER Scott Pask — Good Night, and Good Luck Best Costume Design of a Play Brenda Abbandandolo — Good Night, And Good Luck Marg Horwell — The Picture of Dorian Gray - WINNER Rob Howell — The Hills Of California Holly Pierson — Oh, Mary! Brigitte Reiffenstuel — Stranger Things: The First Shadow Best Lighting Design of a Play Natasha Chivers — The Hills Of California Jon Clark — Stranger Things: The First Shadow - WINNER Heather Gilbert and David Bengali — Good Night, And Good Luck Natasha Katz and Hannah Wasileski — John Proctor Is The Villain Nick Schlieper — The Picture Of Dorian Gray Best Sound Design of a Play Paul Arditti — Stranger Things: The First Shadow - WINNER Palmer Hefferan — John Proctor Is The Villain Daniel Kluger — Good Night, And Good Luck Nick Powell — The Hills Of California Clemence Williams — The Picture of Dorian Gray Best Choreography Joshua Bergasse — SMASH Camille A. Brown — Gypsy Christopher Gattelli — Death Becomes Her Jerry Mitchell — BOOP! The Musical Best Play English — Author: Sanaz Toossi The Hills of California — Author: Jez Butterworth John Proctor Is The Villain — Author: Kimberly Belflower Oh, Mary! — Author: Cole Escola Purpose — Author: Branden Jacobs-Jenkins - WINNER Best Revival of a Musical Floyd Collins — Book/Additional Lyrics: Tina Landau; Music & Lyrics: Adam Guettel Gypsy Pirates! The Penzance Musical Sunset Blvd. - WINNER Best Performance by an Actress in a Leading Role in a Play Laura Donnelly — The Hills Of California Mia Farrow — The Roommate LaTanya Richardson Jackson — Purpose Sadie Sink — John Proctor Is The Villain Sarah Snook — The Picture Of Dorian Gray - WINNER Best Performance by an Actress in a Leading Role in a Musical Megan Hilty — Death Becomes Her Audra McDonald — Gypsy Jasmine Amy Rogers — BOOP! The Musical Nicole Scherzinger — Sunset Blvd. - WINNER Jennifer Simard — Death Becomes Her Best Performance by an Actress in a Featured Role in a Play Tala Ashe — English Jessica Hecht — Eureka Day Marjan Neshat — English Fina Strazza — John Proctor Is The Villain Kara Young — Purpose - WINNER Best Performance by an Actress in a Featured Role in a Musical Natalie Venetia Belcon — Buena Vista Social Club - WINNER Julia Knitel — Dead Outlaw Gracie Lawrence — Just In Time Justina Machado — Real Women Have Curves: The Musical Joy Woods — Gypsy Best Direction of a Musical Saheem Ali — Buena Vista Social Club Michael Arden — Maybe Happy Ending - WINNER David Cromer — Dead Outlaw Christopher Gattelli — Death Becomes Her Jamie Lloyd — Sunset Blvd. Best Original Score (Music and/or Lyrics) Written for the Theatre Dead Outlaw — Music & Lyrics: David Yazbek and Erik Della Penna Death Becomes Her — Music & Lyrics: Julia Mattison and Noel Carey Maybe Happy Ending —Music: Will Aronson; Lyrics: Will Aronson and Hue Park - WINNER Operation Mincemeat: A New Musical — Music & Lyrics: David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts Real Women Have Curves: The Musical — Music & Lyrics: Joy Huerta and Benjamin Velez Best Orchestrations Andrew Resnick and Michael Thurber — Just in Time Will Aronson — Maybe Happy Ending Bruce Coughlin — Floyd Collins Marco Paguia — Buena Vista Social Club - WINNER David Cullen and Andrew Lloyd Webber — Sunset Blvd. Best Scenic Design of a Musical Rachel Hauck — Swept Away Dane Laffrey and George Reeve — Maybe Happy Ending - WINNER Arnulfo Maldonado — Buena Vista Social Club Derek McLane — Death Becomes Her Derek McLane — Just In Time Best Costume Design of a Musical Dede Ayite — Buena Vista Social Club Gregg Barnes — BOOP! The Musical Clint Ramos — Maybe Happy Ending Paul Tazewell — Death Becomes Her - WINNER Catherine Zuber — Just In Time Best Lighting Design of a Musical Jack Knowles — Sunset Blvd. - WINNER Tyler Micoleau — Buena Vista Social Club Scott Zielinski and Ruey Horng Sun — Floyd Collins Ben Stanton — Maybe Happy Ending Justin Townsend — Death Becomes Her Best Sound Design of a Musical Jonathan Deans — Buena Vista Social Club - WINNER Adam Fisher — Sunset Blvd. Peter Hylenski — Just In Time Peter Hylenski — Maybe Happy Ending Dan Moses Schreier — Floyd Collins
The Herald Scotland
5 hours ago
- The Herald Scotland
Revenge is sweet as Edinburgh Festival creep gets his comeuppance
When he goes to see Hayley Sinclair's terrible one-woman show about the climate crisis, he dashes off a typically excoriating review. Having filed his piece, he coincidentally bumps into Hayley at the Traverse, the two of them get talking and, without revealing his identity, Alex whisks her back to his flat to spend the night. The next morning, when Hayley sees the review and realises that the man she slept with is the same one who has just ruthlessly demolished her show in print, she feels furious, humiliated and betrayed. But her revenge will be sweet. That night, she scraps her original show, revamping it as The Alex Lyons Experience, which not only reveals the sleazy, unethical way he treated her but invites audience members to chip in with contributions about the appalling treatment they've suffered at the hands of callous, duplicitous men. Read more From an environmentally-themed show destined to sink without trace, Hayley's evening slot becomes the most sought-after ticket on the Fringe, a lightning rod for women's exasperation with cheats, creeps and rakes, and Alex achieves nationwide notoriety as an emblem of toxic masculinity. Interestingly, the story isn't told from the point of view of either Hayley or Alex, but of Sophie Rigden, an art critic from the same paper who is staying in the same flat as Alex over the Festival. Naturally, she's disgusted with her colleague's behaviour, but seeing Alex day after day she can't help but start to feel protective of him now that he's become Public Enemy No 1 and finds herself bringing a more nuanced view to events. We don't need to read Charlotte Runcie's bio to realise that she's done her fair share of Fringe reviewing: her account of Edinburgh at Festival-time is too accurate to be anything other than first-hand. And she weaves in a running theme of the role of the critic in an arts scene increasingly dominated by the TripAdvisor ethic. Author Charlotte Runcie (Image: Gordon Terris) Alex's strident declarations of the important work he's doing in helping to raise the standards of theatre, his high-minded claims to integrity and impartiality and his jibes about how Hayley has propelled herself to fame on the back of her encounter with him – none of them hold much water, but behind them Sophie can see a lost and somewhat bewildered little boy neglected by his mother, a theatrical Dame, who always put her art before her family. The situation forces Sophie to question how honest she is in her own arts journalism and to reflect on her relationship with her late mother and the state of her marriage. This stint at the Fringe is the longest she's been away from her young son, and as much as she wants to see her baby boy again she has doubts about her future with her partner, Josh. By highlighting Sophie's conflicted feelings, Bring the House Down steps back from being the kind of savage comic satire one might anticipate. It's funny, skewering both entitled men and the relationship between critics and performers, but Runcie's compassion overrides her killer instinct. In rejecting Alex's worldview, Runcie refuses to rate him either a one or a five, coming down somewhere in between and making this novel a gentle satire, with a heart.
