
War film based on real life but fans all have the same complaint
Enigma, the British-American war thriller from 2001, has garnered a 71% rating on Rotten Tomatoes despite leaving fans puzzled over a significant issue. Set during World War II, the film features high-tension drama focusing on the efforts of codebreakers at Bletchley Park trying to decipher Nazi Germany's formidable Enigma code.
The movie, directed by Michael Apted and based on Robert Harris's acclaimed novel with an adaptation penned by Tom Stoppard, has been praised for its gripping portrayal of historical events.
Even though the historical aspects have won it popularity, audience opinions remain divided as evidenced by mixed responses.
On Rotten Tomatoes, one viewer scathingly wrote: "Serious contender for worst film of all time. The acting is terrible, I mean really terrible, it is difficult to even work out what the story is supposed to be about, it is nothing to do with enigma in any real sense at all."
Conversely, another said: "The slow pace of the film was fine at the beginning while it introduced the period setting. However, that soon made it dull. Most of the main characters were uninteresting. Overall a very disappointing film.", reports the Express.
Despite boasting big names like Dougray Scott, Kate Winslet, Jeremy Northam, and Saffron Burrows who bring together a blend of spy drama and romance, Enigma's appeal is somewhat tarnished.
Behind its clever narrative and wartime suspense, the film faces criticism over one major stumbling block - its commitment to historical veracity, particularly concerning the pivotal role of Alan Turing.
Critics have earmarked Enigma for downplaying the essential input of Alan Turing, the bona fide mastermind whose work at Bletchley Park was paramount.
Turing's crucial contribution in deciphering the Enigma code is ignored, as well as his seminal work in the early stages of computing.
The film instead focuses on a fictional protagonist, Jericho, which has prompted many viewers to debate its fidelity to historical accuracy.
A viewer said: "I loved the story even though it didn't give any credit to the TRUE genius who actually broke the Modern code...Alan Turing, and his Polish predecessors in the 1920's who originally broke the code way back then....oh well...Hollywood gobbles facts and regurgitates them as truths."
Enigma is currently available to stream on Amazon Prime.
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Daily Mirror
2 hours ago
- Daily Mirror
Astonishing unseen Second World War photographs unearthed by 'stroke of luck'
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Daily Mirror
2 hours ago
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Telegraph
2 hours ago
- Telegraph
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Infused with alcoholism, drug addiction and a systemic instability typical of any group that has burned through more than two-dozen members, for more than 40 years, this has been metal's most enduring, and most watchable, soap opera. Honestly, you just don't know what's going to happen next. Even on their earliest tours, half of the band were in hock to hard drugs. Arriving in each city, the day would begin with guitarist Chris Poland and drummer (the late) Gar Samuelson attempting to source heroin in sketchy neighbourhoods. In 1986, Megadeth were kicked off a US tour with Motorhead after – yes, really – managing to offend Lemmy in the space of three days. They just couldn't be relied upon to play nice. At the after-show following the gig at the Hammersmith Odeon, one onlooker described Mustaine as 'a man who could start a fight with a speaking clock'. But there was more to them than mere dysfunction. Wild and unpredictable, Mustaine's vast reservoirs of talent place him on metal's Mount Rushmore. As a key architect of a movement that scared the pants off older longhairs, the pivotal speed and thrash metal scene of the 1980s simply wouldn't exist without him. If Metallica were the tanks on your lawn, and Slayer the unstoppable force, Megadeth were the sound of electricity, raw and sparking, fundamentally unstable. His talents as a guitarist, both rhythm and lead, are exceptional. As long-time frenemy Kerry King, from Slayer, (a man who played with Megadeth for the band's first six concerts) once noted, 'Dave can play a solo without looking down at his guitar. I can't do that even today.' A live wire from the start But even this remarkable ability wasn't spared the flames of Mustaine's life. After falling asleep with his arm in an awkward position, at the La Hacienda rehab facility, in Texas in 2002, a lack of circulation left him with a compressed radial nerve. After being told his career was on the line, the four-month march back to full-match fitness included extensive physical therapy, acupuncture, chiropractic adjustments and weight training. According to the group's website, after this, 'Dave took on the task of relearning [italics mine] to play the guitar.' He was a live wire from the start. Raised by a mother who kept her children on the move from an abusive father, by the time he joined Metallica, in 1982, he was already an LA drug dealer with the hustle of a roustabout. When the group later migrated to San Francisco, the bad attitude went with them. Mustaine would defend his bandmates with his fists, always. 'Dave didn't always start the fights he got into on Market Street,' a contemporary once told me, 'but he usually finished them'. His ejection from the band, in New York City in March 1983, opened a wound that has yet to heal. 'Don't use any of my stuff,' Mustaine told frontman James Hetfield after being dropped off at the Port Authority Bus Terminal for a four-day journey back to California. Riding coast to coast without a cent in his pocket, the spurned guitarist, aged just 22, relied on the kindness of strangers for food and refreshment. That Metallica did use his stuff was seen as a further betrayal. No fewer than six songs on Kill Em All and Ride The Lightning, the group's first two albums, feature his name on the writing credits. Feelings of spite and revenge That Mustaine is still inextricably linked to Metallica is entirely his doing. He just cannot stop talking about them. When I was told, prior to a proposed interview with him in 2022, that I couldn't ask about his old band, I could only laugh; he would have talked about them anyway, even if I had consented to sign my name on a piece of paper sent to me via his manager. The times when Mustaine reflected, or raged, about his short time with Metallica solely in response to questions asked by journalists are long gone. Today, it's an itch he scratches all by himself. In moments that I would genuinely describe as being heartbreaking, there are times when he seems to believe that his life and music have been rendered worthless by his old band. In a conversation with Metallica drummer Lars Ulrich, in the documentary film Some Kind Of Monster, he said, 'People say what a great guitar player Kirk [Hammett] is, and what a piece of s--- I am. And that I got kicked out of Metallica, and that I wasn't good enough for them, and I was a loser … it's a dreadful experience. It's been hard to watch everything you guys do turn to gold, and everything I do backfire.' To this Ulrich replied, 'Do I feel some guilt? Yes I do. But at the same time it's difficult for me to comprehend that what you feel when you look back … is rooted in the Metallica thing.' This is not unreasonable. Megadeth have sold more than 50 million albums, which ain't half bad for a band propelled into existence by feelings of spite and revenge. The truth of it, though, is that he was simply too unpredictable for the strategical mind of Metallica. His meanness as a drunk got him fired, sure, but his mouth alone would have done the job sooner or later. Mustaine is on record as saying that Barack Obama wasn't born in America, that starving African women should practice birth control by '[putting] a plug in it' and that he once cured a fan of cancer by praying. I could go on. At a concert at the Antrim Forum, in 1988, he caused a riot by dedicating a song to 'the cause' and proclaiming 'give Ireland back to the Irish'. The band left town in a bulletproof bus. 'Close to genius' But if Mustaine offers rather too much evidence of having the gob of an idiot, elsewhere, at its best, his artistry comes close to genius. Unlike Metallica, whose sapped collective energies have transformed them into a gilded nostalgia act, the singular vision of Megadeth means his group retain the capacity to astonish even in the 21st Century. More Dead Kennedys than Ted Nugent, on record, the mouth almighty can even be downright smart. 'The new slavery is to keep people poor and stupid … keep the public undisciplined 'til nothing left is sacred,' he sang on 2007's outstanding Washington Is Next! And on the subject of remaining sharp, even with his retirement drawing near, I'd still think thrice about turning my back on him. About 20 years ago, Mustaine promised to snap my neck 'like a twig' after I wrote that his music was better back in the days when he was strung out on drugs. About this I was wrong; I wasn't listening properly, I was being glib, and I owe him an apology. But if I speak with him again, I'll evaluate his mood, carefully, before proffering one. And perhaps I was only half wrong, anyway. Even in the teeth of truly reckless behaviour, Megadeth were astoundingly good. Rust In Peace, for example, the album many fans claim is the group's finest hour, was forged in chaos. According to former bassist David Ellefson, it is 'a masterpiece created in the darkness of heroin'. After 17 visits to rehab, in the end even Mustaine cleaned up his act. 'The sad thing was,' he once said, 'I was so out in the open with my debauchery and the fact was that if you didn't like it, I would fight you. That didn't end up very good for me' – here it comes again – 'in Metallica, but that's how I was. It was just a way of life … nobody told me what to do – not now, not ever. But as I started to get healthier, I began to realise that I could play guitar [sober], and that there's a lot more to life than smuggling stuff and trying to always have something on you.' For all his self-abasement, inevitably, there is something to Mustaine's claims that, when compared to Metallica, he's destined always to be 'number two'. OK. But his old group's dominating appeal is these days as much to do with a genius for marketing as it is the music itself. Megadeth have nothing of this kind; at times, in fact, their tours are a mess. Despite having headlined, and filled, Wembley Arena (twice, actually), in October, the group's first steps on their last lap around the track will be as the support act to plod-metal mediocrities Disturbed in British and European arenas. Fortunately, the music is something else. Rattlehead, My Last Words, Holy Wars…, Symphony Of Destruction, This Day We Fight! This is the stuff of pure excitement, with highs that are the equal of anything in metal. Over the years, the soap opera that accompanied it all has, of course, been riveting. But this is a band that will be remembered for the venom and artistry with which they infused their records. It might even be that, one day, Dave Mustaine will receive his full due as the movement's most propulsive talent. Either way, Megadeth will be missed.