Obituary: Ted Kotcheff, film-maker
Canadian film-maker Ted Kotcheff steered a diverse range of box office hits, such as Fun With Dick And Jane, Weekend At Bernie's and First Blood, the debut of Sylvester Stallone as traumatised Vietnam War veteran John Rambo. Kotcheff's career was equally as eclectic. Having started in Canadian TV, Kotcheff made his name overseas, directing TV series in Britain and ground-breaking Australian feature Wake In Fright. He returned to Canada to direct The Apprenticeship of Duddy Kravitz (1974), which won the Golden Bear at the Berlin Film Festival. Three years later, he started his US career with the George Segal and Jane Fonda vehicle Fun With Dick And Jane, which grossed $3 million in ticket sales. His most enduring hit, First Blood, was released in 1982. Although more cerebral than it was given credit for, its action sequences cemented Stallone's leading man credentials. Kotcheff's last big hit was the decidedly uncerebral slapstick comedy Weekend At Bernie's. Kotcheff switched back to television and most notably was a producer and director on Law & Order: SVU for 13 years. Ted Kotcheff died on April 10 aged 94. — APL/agencies
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
RNZ News
3 days ago
- RNZ News
White House lashes out at 'South Park' Trump parody
US President Donald Trump Photo: AFP / Andrew Caballero-Reynolds The White House on Thursday (US time) lashed out at the creators of South Park after the bawdy satire skewered Donald Trump in an episode featuring an AI-generated version of the US president crawling naked through a desert. In a no-holds-barred season premiere, the animated Trump character is also seen begging Satan for sex, only to be rebuffed - in part because his penis is too small. The White House was not amused. "This show hasn't been relevant for over 20 years and is hanging on by a thread with uninspired ideas in a desperate attempt for attention," spokesperson Taylor Rogers said. "President Trump has delivered on more promises in just six months than any other president in our country's history - and no fourth-rate show can derail President Trump's hot streak." The adult animated series, which frequently touches on hot-button issues in American life, is now in its 27th season and remains one of the world's most valuable TV shows. The season premiere begins with the foul-mouthed Cartman appalled that NPR has been taken off the air by the president, while Randy, a parent, is disturbed by the presence of Jesus in public elementary school. Complaints to the fictional White House receive only a threat from Trump to sue the mountain town of South Park for billions of dollars. Meanwhile, animated Trump is threatening to bomb Canada "like I did Iraq". "I thought you just bombed Iran," the Canadian prime minister replies. "Iran, Iraq, what the hell's the difference?" replies Trump. The episode, which sees the fictional Trump ride rough-shod over many aspects of American life, ends after the town of South Park makes a financial deal with the president that includes an agreement to make public service announcements. The AI generated short that follows, ostensibly one of those announcements, shows an overweight Trump staggering through a desert as a narrator casts him as a latter-day Jesus. The short ends with a naked Trump as the narrator says: "Trump. His penis is teeny-tiny, but his love for us is large." The episode aired days after creators Trey Parker and Matt Stone reportedly penned a US$1.5 billion (NZ2.4b) streaming deal with Paramount that gives the company global rights. The deal comes at a sensitive time for Paramount, which is trying to secure government approval for a multi-billion-dollar merger with entertainment company Skydance. The CBS parent caused a furore this month when it agreed to pay $16 million to settle a lawsuit Trump had brought over an interview the storied 60 Minutes current affairs programme aired with Kamala Harris ahead of last November's election. The payment was criticised by Democrats as little more than a bribe to help smooth the merger, with Paramount initially dismissing Trump's lawsuit as meritless. Last week CBS sparked fury after it cancelled The Late Show with Stephen Colbert whose host is a pointed critic of the president. The network insisted it was a financial decision, but opponents have painted the move as the latest example of American institutions bowing to Trump. -AFP
Otago Daily Times
4 days ago
- Otago Daily Times
Murder on stage in Mosgiel
The Fire Station Theatre in Mosgiel will complete a trio of murder mystery spoofs by Peter Gordon with a production of Death by Fatal Murder, staged over the next two weekends. Directed by Alison Ayers and featuring Matt Brennan as Inspector Pratt, the play continues the chaotic story of the hapless detective as he struggles with another mystery. Pratt's record of crime detection at Bagshot House is not enviable. In his two previous visits the body count mounted disastrously as he looked on, helpless and hopeless. Now he's back and, as usual, chaos reigns supreme. The follow-up to Gordon's plays Murdered to Death, and Secondary Cause of Death, Death by Fatal Murder promises plenty of laughs. The show is staged from July 25-27, and August 1-3, with performances at 7pm, and 2pm Sunday matinees. — APL
Otago Daily Times
4 days ago
- Otago Daily Times
Female big band to visit Dunedin
After years of being the only woman in the big bands she performed in, Lana Law has embraced the idea of an all-female big band. She tells Rebecca Fox about her passion for big band music. At a diminutive 5ft, there is not much of Lana Law to see when she plays the baritone saxophone. What she lacks in size, she likes to make up for in sound, loving the "really honky", grunty, big sound a baritone saxophone produces. It has been that way since she convinced her music teacher to dig out the saxophone from a storage cupboard at high school. Though when she first saw it, her reaction was "holy moly". "The baritone saxophone stands a metre high so it comes up to just above my belly button if I was to stand it on the ground, so when I play it takes up quite a lot of me." She was not deterred by its size or the fact most people learn saxophone on alto or tenor instruments first. "I played baritone sax through high school and the rest they say is history." Law discovered big band music when a music teacher, who played in a band, took her along to a rehearsal. "That was pretty much it. Something about the brass, something about the groove, usually the swing, that you can't just keep still listening to it. So when I'm playing, I can't keep still either." It sealed her fate — from then on she played in big bands, and she went on to study the saxophone at Victoria University in Wellington. After graduating, she wanted to travel and got a job playing in bands on cruise ships for the next four years. "I was playing in a 10-piece band then, it's a cut-down size one, but I was always the only female in the band." The band was mostly American and Canadian male musicians with the "Kiwi girl" on baritone saxophone. Back home in Christchurch, Law established a teaching career and began playing in different bands. One day, she and another female musician wondered if it would be possible to create a band of female musicians from Christchurch. "And ta-dah, we did." That was nearly 10 years ago. They rattled off a few names, sent out a few messages and in next to no time had volunteers for an 18-piece band made up of saxophones, trumpets, trombones and a rhythm section. "Next minute we had our first rehearsal, in January 2016." About 80% of the band are regulars from those first concerts, with other players coming and going depending on what is going on in their lives. "We have a base of probably about double the size of the band." Many of the members are music teachers in Christchurch, a lot are mothers and some are students. "It's just a really nice environment and full of very responsive female musicians and it's just a joy to work with them all." Due to their busy lives, they do not have a regular rehearsal schedule, instead coming together when they need to, often on a Sunday night. Keeping on point and doing what needs to be done is essential in those rehearsals. The band plays a variety of music and has put together a series of themed concerts over the years. Its first "themed" concert in 2016 was a tribute to Natalie Cole. For the band's first concert in Dunedin, it will perform "The Ages", which honours women who have changed music in the last 100 years. "It's kind of a historical journey through various female arrangers, composers and performers right through from the '30s up until now." Putting together the concert was a bit of a challenge as not all of the music had been arranged for big bands and some was hard to find. "We like to do our research and we like to see what is out there." One of the attractions of the band is that it plays different music to what Christchurch's other big bands play. "It's nice and refreshing. Some I grew up playing in when I was in high school and things like that. So it's nice to see the different styles that each band does. Each have their own niche." It has become so popular male musicians have wanted to join. "I'm like 'well, you're missing a few things'. And they're like, 'but we can put on a wig, we can wear a skirt'." Big bands also enable musicians of all skill levels to take part. "Players who like playing in a group situation, you've got five saxophones, four trumpets, four trombones, so you might not be a flashy trumpet player, for instance, but you can help your section by being a strong third or fourth player, and that goes for any of the instruments." Law leads the band from the alto saxophone as it is easier, leaving the baritone saxophone to another musician, although they reckon she still selects music with some "really cool bari lines it it". Overall, audiences enjoy listening to the band and watching them as they interact with each other as they play. "We've had so much fun and we make such a great sound. It's just a good time but we make sure the music's good because it has to be." The band is not a quiet bunch. "You know if someone does a great solo or there's a line that happens and it sounds really good, you're like 'yeah' and everyone will go 'yeah'." One expects a big sound to come out of a "big band", but there is also a range of dynamics a band can express. "To take you on that emotional journey through the tune so you can feel all the feels in one tune." There are a couple of tunes that give Law "goosebumps" when the band plays them — (You Make Me Feel Like) A Natural Woman and Here's to Life . "Those two tunes are ballads, right, so they're kind of slowish but very expressive, whereas we've got other tunes like Let the Good Times Roll , really punchy tunes. So they'll still have the dynamics." Her day job is as an itinerant and private music teacher. So she gigs in the evenings and at weekends. "It's nice to do something that you enjoy, it's something fun that I get to do all day, every day." She also squeezes in two school big bands, which she is taking to Blenheim for the Southern Jam Festival in August, and she is music director of the Christchurch Youth Jazz Orchestra, which plays in the big band festival at Labour Weekend. While down in Dunedin, she will be adjudicating the Dunedin Youth Jazz Festival. It is a role she enjoys, having co-adjudicated the National Youth Jazz Competition alongside the late Rodger Fox. But one of her top priorities while in Dunedin will be to get a photo of the band in front of the railway station. "That's a must-do, isn't it?" TO SEE All Girl Big Band, "The Ages Show", Hanover Hall, Dunedin, July 26, 7.30pm
