logo
9 Stylish Products for Your Home

9 Stylish Products for Your Home

New York Times03-03-2025

Today, in a world overrun with technology, with artists still dealing with the isolation and preoccupations of the pandemic, we're seeing a robust revival of handicrafts for the home. Below, some new objects from established leaders of the pack.
Step on It
Based in Philadelphia, Claudia Mills began by weaving rag rugs from recycled fabrics; today she works with new cotton so that her pieces are machine washable and colorfast. The rugs can be used for upholstery or hung as art, but all are made to be walked on. 'We send every rug out of here with a nonskid pad,' she said. From $195 for a 2-foot-square to $1,360 for a 2-by 8-foot runner. Custom designs are $95 a square foot. claudiamills.com
Into the Light
After her self-described failure as an actress, Shelley Simpson started playing with clay in a backyard shed in Melbourne, Australia. Thirty years later, her company, Mud Australia, employs 80 people to produce handcrafted dinnerware — and now lighting. The portable and rechargeable Pop Lamp is handmade from a single piece of porcelain. Available in six colors for $520. mudaustralia.com
A Delicate Balance
Born in Japan and educated in London, Hiroko Takeda came to New York City in 2001 to work with the eminent textile artist Jack Lenor Larsen. In 2010, she opened her own studio, in Brooklyn, which creates art pieces and fabrics for interiors. (A solo exhibition of her work is on view at Hunter Dunbar Projects, in Chelsea, through April 19.) For one of her latest textiles, Macaron, thick wool slub yarns are twisted and interlaced to create airy panels. The fabric is 48 inches wide and $500 a yard. hirokotakeda.com
Fuzzy Logic
Jessica Switzer Green, a former technology marketing executive, fell in love with wool after moving to a farm in Sonoma County, Calif., in 2018, and working with the local sheep. She founded JG SWITZER to produce hand-felted fabrics, blankets and pillows using a technique she described as 'painting with wool.' The Shetland Cloud reversible throw is approximately 70 by 50 inches and $895, and the Black Saffron hand-felted pillow is 36 by 28 inches and $780. jgswitzer.com
Blowback
Andrew Iannazzi began blowing glass as a student in upstate New York and opened his studio in 2013 in Cambridge, Mass., but his craft is an outgrowth of European traditions, particularly the 800-year-old glass industry on the Venetian island of Murano. Mr. Iannuzzi described his Spout pouring bowls as 'retro,' inspired by humble kitchen housewares from his youth. They come in three sizes and are $185 to $325. vitriccaiannazzi.com
Knots and All
The latest work of the furniture maker Chris Lehrecke, who has been in business for almost four decades, celebrates catalpa, ambrosia maple, black walnut and turkey feather ash — all types of wood from trees that surround his Hudson Valley home. He said he loved everything about those trees, including their defects: 'Maybe, as I grow older, I feel more of a connection to the imperfections.' His Turkey Feather Ash Screen with handcrafted steel knuckle hinges is 60 x 72 inches and $11,000. ralphpucci.com
Cache and Carry
Inspired by French fishermen's baskets that he saw in a Danish museum, Zach Matheson, an artist in Portland, Ore., designed baskets from upcycled materials like plastic zip ties and polyethylene fencing trimmed in leather. He began selling the baskets through Room & Board in 2020 and two years ago handed off the production to Softline, a company in Minneapolis. The baskets, called Fletcher, come in five sizes and cost $99 to $159. roomandboard.com
Opposites Attract
Working with the technique known as sgraffito, the ceramics artist Jennifer Falter, who in 1998 founded a studio in Springfield, Mo., with her husband, Nathan Falter, scrapes away the liquid clay coatings of her pieces to expose the solid layer below. 'I settled on just working in black-and-white because that made the strongest contrast,' she said. Her $425 Ginkgo vase is 10 inches high and 8 inches in diameter. springfieldpottery.com
Steel Crazy After All These Years
Founded in 1845, Shin In-Young's ironmonger shop is the oldest in South Korea. Using metal from discarded train tracks, Master Shin, who began apprenticing in the family business in 1966 at the age of 13, makes an assortment of kitchen and gardening implements, including this carving set whose knife and fork have handles of chestnut or oak. (The carbon steel knife blade needs sharpening only every two or three years.) The set, which is packaged in a leather pouch, is $620. ameico.com

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

A dapper young man has become the talk of Manchester-by-the-Sea
A dapper young man has become the talk of Manchester-by-the-Sea

Boston Globe

time2 hours ago

  • Boston Globe

A dapper young man has become the talk of Manchester-by-the-Sea

'There is something about Matthew Swindell that suggests he has just walked off the set of a period film, so perfect is each detail of his person,' gushed the local newspaper, 'The Manchester Cricket,' From the moment he arrived, Manchester-by-the-Sea suddenly had something it didn't realize it was lacking: a fashion icon. Advertisement 'It's been quite the experience for me,' Swindell said recently inside the tiny 'I humbly believe that people appreciate a well-dressed man, particularly a young person,' he said as he adjusted a stray hair on his head (held together, fittingly, with a pomade called Dapper Dan). Advertisement He speaks with a polished lilt, reinforcing what those who know him say: it's not just his clothes that seem pulled from a time machine; it is Swindell himself. 'He's not vintage. It's like he's from the 1920s, like he's stuck in an era,' said Anna Gonzalez, who sees Swindell a few times a week at the post office where he will wait in line to watch her hand stamp his cursive correspondence with the date and place, Manchester-by-the-Sea. His speech pattern adheres to a formal politeness, polished to a shine, and peppered with a natural lean toward old-timey sayings, like when he was asked about his evening strolls to Singing Beach, and said, 'Yes, when day's work is done.' What he's doing might go unnoticed in a more urban setting, where hipsters and vintage clothing stores abound. But in upper-crusty Manchester-by-the-Sea, where the preppy uniform is more Not to say that what Swindell is doing is either preppy or hipster. It's older than that, from an era of pleasing formalness, where a crowd at Fenway was better dressed than we are at weddings today. 'The first time I saw him I was like 'Oh, my God, I love you,'' said Beth Giblee, who owns Advertisement When Giblee asked Swindell why he dressed as he did, he gave his usual simple answer: He loves the feeling of it. 'It doesn't matter if he's got the umbrella or the straw hat or the fedora, there's never a hair out of place,' said Frank Fusco, assistant manager of Matthew Swindell stood inside the Manchester-by-the-Sea Museum. Jonathan Wiggs/Globe Staff Swindell said he started wearing traditional menswear when he was a student at Salem State, and committed to it when he landed an internship at the Manchester-by-the-Sea Museum after graduation. Nearly four years later, as he has risen to run the day-to-day operations, his look has become synonymous with the museum. And as he leads visitors on a tour of an exhibit highlight the town's 'resort era' in the late 18th and early 19th century, you can almost picture Swindell in one of the black-and-white photographs of bathers on Singing Beach, or strolling the grand lawn of the Masconomo House Hotel. As he looks at the photos, you can feel his pride in feeling connected to the era. He loves the detachable collars — 'I wish more people would join me in being an enthusiast for them' — and, particularly, the hats. Swindell is a dedicated follower of the tradition of switching from a winter felt hat to a summer straw hat on May 15. 'I've always loved history, but I have a particular fascination with happened before you in the places you know well,' he said. 'Some people say the past is another country. You might say I'm always visiting.' Advertisement Swindell switches from wearing a felt hat to a straw hat on May 15. Jonathan Wiggs/Globe Staff Billy Baker can be reached at

Llywela Harris, music teacher who exerted a lasting influence over generations of girls
Llywela Harris, music teacher who exerted a lasting influence over generations of girls

Yahoo

time18 hours ago

  • Yahoo

Llywela Harris, music teacher who exerted a lasting influence over generations of girls

Llywela Harris, who has died aged 94, was a pint-sized music teacher who inspired generations of public schoolgirls to express themselves through song. The diminutive Llywela Harris possessed a Welsh scepticism of rank: to her, it did not matter where her young wards came from or how rich their Midlands industrialist parents might be. It was a question of where they might go harmonically. Her choir at Abbots Bromley school in Staffordshire dominated girls' music in the 1970s and 1980s, and later she was the warden of the Royal School of Church Music in London and administrator of the St Davids Cathedral Festival, Pembrokeshire. It was at St Davids that she spent her last 25 years, presiding over the tiny city's cultural life like a retired empress. Organists, conductors and visiting soloists were summoned to her cottage in Goat Street to have the rule run over them. Llywela Harris encouraged, cajoled and made things happen. Sir John Rutter composed for her and she marched her girls behind the Iron Curtain for a singing tour of Hungary. Had she been born a generation later she would likely have become a cathedral director of music. Instead, it was at the school of St Mary and St Anne, Abbots Bromley, that her creative energies found an outlet and where she exerted a lasting influence over generations of girls. She also became a mentor to Adrian Partington, now director of music at Gloucester Cathedral, and to Geraint Bowen, director of music at Hereford Cathedral, who received encouragement from Llywela Harris during his youthful posting at St Davids. Abbots Bromley, founded in 1874 by the Rev Nathaniel Woodard, was one of the Woodard group of schools, intended to provide a Christian education for the middle classes. They were sometimes described as 'chapels with a few buildings attached', but in this instance the chapel came with a terrier-like choir mistress with an ear for a duff note and an unerring nose for slackers. The school's motto, 'That our daughters may be as the polished corners of the temple' (Psalm 144), was never better exemplified than by Llywela Harris, who had herself been educated there. Abbots Bromley was her life, even after retirement. She was its Miss Chips. Llywela Vernon Harris was born on April 11 1931 at Lampeter in Cardiganshire, the second daughter of the Rev William Henry Harris, precentor of St Davids Cathedral and Professor of Theology and Welsh at St David's College, Lampeter. He translated several hymns and the office of compline into Welsh. Llywela's mother, sometime mayor of Lampeter, was a fine organist. Llywela and her sister Elizabeth spent their childhood walking the cliffs and bathing at Caerfai and Whitesands. She was sent to board at Abbots Bromley in 1940 and quickly distinguished herself as a pianist. In 1948 she began her studies at the Royal Academy of Music in London, under Douglas Hawkridge on the organ and Eric Thiman for composition. After gaining her LRAM she took a brief post at Southmoor prep school in Berkshire before she returned to Abbots Bromley as Director of Chapel Music in 1953. Apart from a stint at the Guildford girls' grammar school (1958-60) and a sabbatical at Stanford (1967), there she stayed. Under Llywela Harris's direction a typical week's chapel stretched to more than 10 hours of morning assemblies, compline, evensong, choral society, choir rehearsals, organ recitals, Holy Communion and the occasional dawn mass. Requests for a less onerous routine were met with masterly incomprehension. On Saturdays she took the entire school through the next week's choral music. She would sweep in to the assembly, all of 5ft 2in, and the silence was instant. Immaculately coiffeured and made-up, dressed in knee-length skirts, kitten heels and winged spectacles, she would play the opening chords of a hymn before patrolling the aisles, exhorting the girls – many towering over her – to sing. 'You are not singing to yourselves, ladies, and you are not singing to your mothers. You are singing to God, and He is a long way up.' Hundreds of youngsters bent to the will of a single, small Welsh woman. Each pupil was armed with an English Hymnal and the Briggs and Frere Manual of Plainsong. When 100 Hymns for Today was added to the arsenal, Harris proved surprisingly open to new hymns such as God of concrete, God of steel. A singable tune was the benchmark. Some days the noise levels were worthy of Cardiff Arms Park. Choir practices were more rigorous. Sins included inappropriate breath-taking, slouching, fidgeting and casual enunciation – 'Lord of hoSTS'. On Speech Day the girls would process, veiled like nuns, to St Nicholas village church, walking in pairs arranged in height order and singing all 26 verses of Jerusalem, My Happy Home – a tradition known to all as 'Jerry Heights'. There they would launch into Harris's upper-part reduction of CV Stanford's Te Deum in B flat, which had been rehearsed for weeks ('Judge has SIX beats, ladies!'). EW Naylor's setting of the Benedicite was a fixture of Lent term. Such canticles had faded from most Anglican worship, yet at Abbots Bromley they endured. Llywela Harris's teaching room, named Mozart, overlooked a dappled lawn where girls gathered for iced buns at break time. Many of her pupils became musicians for life. Her choir often sang at Lichfield Cathedral. They performed for Songs of Praise and for Radio 3's Let the People Sing, and released two albums. Llywela Harris marked her retirement from teaching in 1990 by riding away in a hot air balloon, serenaded by the girls singing the soul song Up, Up and Away. Then, after a four-year stint at the RSCM at Addington Palace in Croydon, where she tightened the ropes as its warden, she returned to Goat Street and ran the annual St Davids Cathedral Festival. In old age she spent afternoons listening to Radio 3's Choral Evensong, surrounded by her grandfather's watercolours of Oxford; beside her bed was a framed list of the school's choral society collaborations with Repton. Despite more than one engagement, Llywela Harris never married. Llywela Harris, born April 11 1931, died May 13 2025 Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.

Derrick Henry's spot in future Adam Sandler film hinges on cracking this NFL milestone
Derrick Henry's spot in future Adam Sandler film hinges on cracking this NFL milestone

New York Post

time19 hours ago

  • New York Post

Derrick Henry's spot in future Adam Sandler film hinges on cracking this NFL milestone

Coming to the big screen near you: Adam Sandler and Derrick Henry (maybe). This week, Baltimore's star running back revealed to Dan Patrick, a good friend of Sandler's, that Sandler is his favorite actor and that he'd love to meet him one day. Patrick then upped the ante as he told Henry, who compiled 1,921 rushing yards last season in his first year with the Ravens, that if he could surpass 2,000 yards next season, he'd make sure to get him a spot in a Sandler movie. Advertisement 3 Adam Sandler spoke to Derrick Henry in a video to agree to the deal that would land Henry a role in a Sandler movie. The Dan Patrick Show The iconic actor and comedian agreed wholeheartedly. 'Yo Derrick, I just woke up, you know that. That's why I look disgusting — on top of the fact that I am disgusting,' Sandler joked at the start of a video message for Henry. 'I love ya, congrats on everything, 2,000 yards-plus gets you not only in the movie, but we have a nice dinner together and we talk about Dan Patrick's facial hair and how hard it is to grow it.' Advertisement Henry watched the video, grinning ear to ear. 'That's my dog, man,' Henry said as Sandler's message concluded. 'Hell yeah, man, that's cool as hell.' Henry then sent a heartfelt message to Patrick to thank him for getting him in contact with his favorite actor. Advertisement 'Dan thank you for sending the message for the video, that was really cool!' the Ravens running back wrote. 'Much love!' 3 Dan Patrick helped Derrick Henry get in contact with Adam Sandler. The Dan Patrick Show So, the stakes have been raised. Henry has reached 2,000 yards in a season just once across his nine-year NFL career — hitting the mark in year No. 5 of his eight seasons spent with the Tennessee Titans. Advertisement In his inaugural season with the Ravens in 2024-25, he just barely missed the mark. 3 Derrick Henry came up just short of 2,000 yards last season. AP But by coming up just 79 yards short, the 31-year-old — who was awarded a $30 million extension with the Ravens last month — certainly showed that he's got some left in the tank as he looks to jumpstart his movie career on the one condition that Patrick and Sandler laid out for him. The five-time Pro Bowler and 2020 AP Offensive Player of the Year has appeared in plenty of advertisements and commercials across his NFL years, so he's got some acting chops already.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store