Dianne dumped a deluge, now this diva will storm the outback
Considered by many to be the world's best coloratura (or quick and virtuosic) soprano, Sumi Jo made her operatic debut as Gilda in Verdi's Rigoletto in 1986 and would go on to be famous for her Queen of the Night in Mozart's The Magic Flute and the title role in Donizetti's Lucia di Lammermoor.
She has appeared at La Scala, Covent Garden, the Metropolitan Opera, and even once sang in the arrivals hall of Washington Dulles International Airport for an audience of dubious customs officers.
'I was very young, and I'm a tiny little Asian girl, and they simply couldn't believe that I was able to sing opera,' she recalls with a laugh.
For the Festival of Outback Opera, Sumi Jo will perform under the stars at a cattle station near Longreach, and on a prehistoric plateau called the Jump-Up at the Age of Dinosaurs Museum outside of Winton.
The dinosaur museum was cut off for days in the floods and spectacular waterfalls formed, but the location, with its fossils and life-size creature models, is ready to host its signature concert on May 15.
'What they're doing is really, really special, so I was very happy that they invited me,' Sumi Jo says.
'Sumi Jo is a phenomenal artist,' says Nolan. 'She's renowned for her technique and her capacity to sing extraordinarily complex melodies.
'Despite being one of the great divas of our time, she is remarkably down to earth, with a sense of fun and a commitment to ensuring the audience are having a good time. I think she will fit right into the festival.'
The festival is in its fifth year and firmly established as a leading event in outback Queensland, drawing visitors from far and wide as well as enthusiastic locals.
In addition to the two major concerts, there is a lavish lunch, an Opera Ball, a trivia night, a community singalong, and a celebration of opera and country music titled Are You Lonesome Tonight?
As an added attraction this year, the recent flooding means the region's usually arid landscapes will be lush and green.
'You will never see this region look as beautiful as it will be in the next couple of weeks,' White says.
'It'll be full of wild flowers, the birdlife has come back … The outback is open for business.'
While she has not sung in the outback before, Sumi Jo is no stranger to Australia, having performed at the Sydney Opera House many times.
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Late Australian soprano Joan Sutherland was an enormous inspiration to her, and she recorded her 1994 album Carnaval under the baton of Sutherland's husband Richard Bonynge.
'As soon as we finished the recording, [Sutherland] invited me to her home in Switzerland,' Sumi Jo recalls.
'She cooked dinner and said she was quite jealous – 'oh my God, Richard never gave these songs!' – obviously she was making a joke.
'I became a coloratura because of her, because of her recordings.'
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Sydney Morning Herald
15 hours ago
- Sydney Morning Herald
These are the best and worst moments from the 2025 Tony Awards
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Couldn't we swap out a drug ad or a few host jokes to show these prizes on the main stage? – AS Best farewell to cynicism: Hester's open heart In the World War II caper Operation Mincemeat, Jak Malone's big song, Dear Bill, is nearly six minutes long. It's a major reason he won a featured-actor Tony, because that is the moment when his character — a middle-aged British intelligence secretary named Hester — opens her wounded heart to the audience. 'They weep for her,' Malone said in his speech, 'they invest in her, they love her for her old romantic heart. And if you watched our show and found yourself believing in Hester, well, then I am so glad to tell you that, intentionally or otherwise, you might have just bid farewell to cynicism, to outdated ideas, to that rotten old binary, and opened yourself up to a world that is already out there in glorious Technicolor and isn't going away anytime soon.' – LCH

The Age
15 hours ago
- The Age
These are the best and worst moments from the 2025 Tony Awards
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For the same reason some of the less artful shows do: It's faster, cheaper and, for audiences who have to be pried away from their own screens, perhaps more enticing. – JG Best homecoming: Asian and Asian American artists win big It was a historic evening for a troupe of Asian and Asian American theatre artists, including Nicole Scherzinger, Francis Jue and Darren Criss, who all won performance Tonys. Marco Paguia also received a Tony for his Buena Vista Social Club orchestrations, and Hue Park won for writing the lyrics and co-writing the book for Maybe Happy Ending, the evening's breakout success. In their speeches, several of the artists made reference to feeling left out or ignored before finding a home in the theatre. Scherzinger, who noted her Filipina, Native Hawaiian and Ukrainian ancestry, said, 'I always felt like I didn't belong, but you all have made me feel like I belong and I have come home at last.' – ALEXIS SOLOSKI Best sell: Making the plays pop For all their glamour, and their genuine recognition of talent, the Tonys are an industry advertisement — meant not only to sell tickets in New York, but also to give the nominated shows a life beyond Broadway. Musicals, with their colourful numbers, have always had an advantage in making their case for that. Plays, by comparison, have tended not to translate. But there was real charm to the way this year's best play nominees were introduced. With a framed screen of video clips playing upstage, a Tony-nominated star from each show spoke with an insider's affection while giving a synopsis of it: Marjan Neshat for English, Sadie Sink for John Proctor Is the Villain, Cole Escola for Oh, Mary!, Harry Lennix for Purpose, Laura Donnelly for The Hills of California. It was easy to imagine would-be producers and audience members out there, their interest suddenly piqued. – LAURA COLLINS-HUGHES Best 'sing-off': Cynthia Erivo's My Way It's always a delicate matter: how to usher off winners whose speeches go too long. A clever step up from canned elevator music: Erivo singing a passage from the standard My Way, popularised by Frank Sinatra. When Kara Young, accepting her award for Purpose, was still in the thick of her extensive list of thank-yous to those who had made her back-to-back featured actress in a play wins possible, it was a gentle balm to hear 'And now, the end is near / And so I face the final curtain …' – SARAH BAHR Loading Worst placement: Preshow spot for book and score awards Not every scene deserves a spotlight, but relegating the book and score awards to the Tonys preshow felt at least a little rude. What is a musical without its songs? Or its occasionally effortful patter between songs? (And is dance really an also-ran, too?) At the 2025 Tonys, a win for Maybe Happy Ending was practically assured after its wins for book and score, though viewers watching only the main broadcast would never have known this. Couldn't we swap out a drug ad or a few host jokes to show these prizes on the main stage? – AS Best farewell to cynicism: Hester's open heart In the World War II caper Operation Mincemeat, Jak Malone's big song, Dear Bill, is nearly six minutes long. It's a major reason he won a featured-actor Tony, because that is the moment when his character — a middle-aged British intelligence secretary named Hester — opens her wounded heart to the audience. 'They weep for her,' Malone said in his speech, 'they invest in her, they love her for her old romantic heart. And if you watched our show and found yourself believing in Hester, well, then I am so glad to tell you that, intentionally or otherwise, you might have just bid farewell to cynicism, to outdated ideas, to that rotten old binary, and opened yourself up to a world that is already out there in glorious Technicolor and isn't going away anytime soon.' – LCH

Sky News AU
2 days ago
- Sky News AU
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