logo
For a huge train nerd like me, rail travel in Japan is a dream. I took a trip on a train that feels like it's from the future

For a huge train nerd like me, rail travel in Japan is a dream. I took a trip on a train that feels like it's from the future

Right from the start, it's clear that something special is happening on Platform Five. Although the track is empty, the little guardrail is already lined three-deep with Japanese onlookers, their phones held aloft. Video mode: on and recording.
An announcement heralds the Spacia X limited express as it pulls into Tokyo's Asakusa station. It looks like it's not just arriving from the ancient town of Nikko but also the future. The silvery, super-streamlined train sweeps around the bend, and I see the engineer at the controls. He eyes the excited waves of the small crowd and returns just one stern nod, as if to say,
We're doing important work here: moving a whole nation, by track
.
This is just another day on the greatest rail system the world has ever seen. Every stat about Japanese trains seems like hyperbole. By one estimate, more than 22 billion people travel by train every year in this country. The nation is the birthplace of the fastest train on Earth. Still in development, the L0 Series Maglev (short for magnetic levitation — yes, it will 'float') has been clocked at more than 600 km/h in test runs.
The vast majority of the world's 20 busiest train stations are in Japan. The busiest, Tokyo's Shinjuku, sees about 3.5 million riders pass through each day. Why all the fuss about the
Spacia X
? It's quite new and very different from a typical Japanese train.
The whole design takes inspiration from destinations along the Tobu Railway track. The window frames are a nod to Edo-period kumiko crafts, for instance, while the exterior colouring resembles the gofun pigment used on shrines. Perhaps the coolest part: compartments like you've never seen on a train, including a cockpit suite inspired by a private jet, and a cockpit lounge with a bar. (More on that later.)
The cockpit suite aboard the Spacia X was inspired by a private jet.
For a lifelong train nerd like me, riding the rails in Japan is a dream. I've travelled on the Trans-Siberian across Russia, and on the Indian Pacific for the breadth of Australia. But there's no feeling like buying an unlimited Japan Rail Pass and settling into a seat in the Green Car, with my destination still unknown.
The
JR Pass
, sold only to overseas tourists, allows you to ride as much as you want for 7, 14 or 21 days, on the JR network, which operates all over the country. (Travelling on the Spacia X is a separate ticket.) My 'plan,' usually: Ride until I'm tired, then disembark at a town that, you know, looks nice. Then, do it all again the next day.
Japan's transportation decision-makers went all-in on trains after the Second World War. They rebuilt their nation by binding it together with ribbons of steel. All that accelerated with the Tokyo Olympics in 1964, when the country wowed the world with the first Shinkansen (bullet trains). More and more trains and tracks have been added in the decades since.
Trains operate all over Japan. The popular Tokaido Shinkansen, for example, makes it easy to zip between Tokyo, Osaka and Kyoto.
But even if you're not a train nerd, rail travel is the best way to explore Japan, as tourists continue to visit in record numbers. Japanese trains are safe, efficient and almost always on time. And they'll whisk you away, right quick, from crowded cities to small towns and villages, big mountains and rugged shorelines in the countryside. Plus, riding the rails here is a cultural attraction in itself.
Today's trip on the Spacia X will carry me only a couple of hours north of Tokyo. But in many ways, the ride is a microcosm of all the charm and quirk and fun features that create Japan's magic on the rails.
Gliding away from Platform Five, the train slides along on an elevated track, slicing through the urban morass. Crammed little laneways roll by below, our viewpoint allowing peeks into people's tiny backyards.
There are thousands of stations in Japan, and each stop is announced with its own unique jingle, called an
eki melo
. Here on this train, the seven-second song sounds like a 19th-century waltz being interpreted by an old-school Nintendo system. (Johann Strauss meets Super Mario, if you will.)
Eventually, Tokyo falls away, and soon, dark mountains rise on the horizon. I make a visit to the cockpit lounge at one end of the train, right behind the engineer's controls. There's a gleaming bar with beer taps, huge hexagonal windows and cushy couches, plus the main attraction: a glass wall at the front. Those lucky enough to secure a seat in the lounge enjoy a constantly moving view of the oncoming track.
In the cockpit lounge, travellers can enjoy beers along with a constantly moving view of the oncoming track.
I snap a few photos, and vow that on my return trip, I'll secure a seat here. (I do.) After a chat with a friendly cabin attendant, who points out a few design elements, including geometric patterns that recall Japan's Edo period, I return to my seat.
Hot springs and 17th-century temples and a snazzy stay at the lakeside Ritz-Carlton await me in Nikko. But what I'm most excited about right now, as we slow into our destination station? Getting back on board this train, for the ride back to Tokyo.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Watch the Official Main Trailer of ‘My Hero Academia' Final Season
Watch the Official Main Trailer of ‘My Hero Academia' Final Season

Hypebeast

time2 hours ago

  • Hypebeast

Watch the Official Main Trailer of ‘My Hero Academia' Final Season

Summary TOHOhas revealed the main trailer forMy Hero Academia's final season, delivering a high-impact preview of the series' climactic showdown. Central to the trailer is the announcement of its new opening theme, 'THE REVO,' performed by renowned Japanese rock band, PORNOGRAFFITTI. The track's driving guitars and soaring chorus align with the trailer's intense energy, cementing a musical bridge between the series' signature heroism and its more mature, war-driven narrative. The final season ofMy Hero Academiais set to premiere on October 4, 2025, with new episodes released weekly in Japan and overseas viaCrunchyroll. In the meantime, watch the official trailer above.

PORTER Marks 90th Anniversary With Landmark Celebration at ICONSIAM
PORTER Marks 90th Anniversary With Landmark Celebration at ICONSIAM

Hypebeast

time6 hours ago

  • Hypebeast

PORTER Marks 90th Anniversary With Landmark Celebration at ICONSIAM

Summary Japanese bagmakerPORTERis celebrating its 90th anniversary in Bangkok with a symbolic installation and immersive pop-up atICONSIAM. Rising six meters tall along the Chao Phraya River, the PORTER Landmark Sculpture pays tribute to time, tradition and craftsmanship while bridging Japanese heritage with Thai culture. Inside ICONSIAM, the brand has created an anniversary pop-up that invites visitors to explore nine decades of design. Exclusive bags, archival pieces and storytelling displays showcase PORTER's meticulous attention to detail and evolving artistry, creating a space where history and innovation meet. The celebration also launches the PORTER Bangkok Tour, a year-long series that will take the brand to iconic and unexpected locations across the city. Each stop will feature limited-edition collections, interactive experiences and special events that reveal new chapters of PORTER's legacy. The ICONSIAM installation is the first step in a journey designed to highlight craftsmanship, culture and community while engaging fans of the brand in Bangkok and beyond.

With Denzel Washington's Co-Sign, Ilfenesh Hadera Became Highest 2 Lowest's Secret Weapon
With Denzel Washington's Co-Sign, Ilfenesh Hadera Became Highest 2 Lowest's Secret Weapon

Refinery29

time14 hours ago

  • Refinery29

With Denzel Washington's Co-Sign, Ilfenesh Hadera Became Highest 2 Lowest's Secret Weapon

Spike Lee trusts her. Denzel Washington knows what she can do. Now is time for the rest of Hollywood to wake up to the powerhouse that is Ilfenesh Hadera. 'Put me in, coach,' The Harlem-born actor said to Refinery29 in a recent Zoom interview. In Spike Lee's latest joint, Highest 2 Lowest, Hadera stars opposite Washington as Pam King. The neo-noir thriller, which is an adaptation of Japanese filmmaker Akira Kurosawa's High and Low, follows David King (Washington), a successful music executive who gets extorted by an up-and-coming rapper (A$AP Rocky). David faces the ultimate moral dilemma as he's forced to make a decision that could either cost him his family and legacy or his empire. Though the choice is ultimately David's, his wife Pam becomes a critical sounding board. She's the film's 'North Star,' Hadera said. Her voice also offers the thesis for the underlying message in the film: when did the art we make become less important than fame and riches that come with it? Like Washington, Hadera has become a regular in Lee's work. She first appeared in Da Brick, Oldboy and Chi-Raq and then landed a more significant role in the Netflix adaptation of She's Gotta Have It. She said his sets foster a freedom to be creative and fly or fail without fear. 'On a Spike joint, he keeps the same loyal, capable people around project after project. So despite the newness of it all on a movie set, everybody feels really relaxed and kind of at home,' she said. 'You don't always get that and you have to feel free as an artist to play and maybe not get it right.' And though the role of Pam King is a dream the Harlem-born actor manifested, she's nowhere new to this. With an acting career that spans 15 years, she's worked her way up the call sheet through dozens of projects, including Billions, Master of None and Chicago Fire. She's currently starring in Godfather of Harlem, which is heading into its fifth and final season, opposite Forest Whitaker. *Minor spoilers ahead.* Refinery29: There wasn't a role for you in the script initially. How did your role as Pam King come about? Ilfenesh Hadera: I saw that Spike had this collaboration coming up with Denzel on this Kurosawa film. And I was like this is incredible first for Spike as a friend and supporter of his, I know how much he loves Kurosawa's work. I saw that announcement and I was so stoked for him. And then, of course, I'm like is there a role for me in this? Spike actually asked what my upcoming schedule looked like so I was like, this might be a good sign. As I'm watching the original film, I'm thinking there aren't many female roles in this movie. I reached out to my agent, and asked if he read the script. And he very, like, bluntly, said, 'There's no role for you in this.' But I still held out hope, because Spike had asked about my availability. And then the calls from Kim Coleman, Spike's longtime casting director, started coming in, and the rest is history. It was such an emotional roller coaster. It's like a testament to the idea that closed mouths don't get fed, right? IH: Truly. I mean, I don't like to ask for much. Spike has become such a dear friend of mine, and he's kept me in work for so many years. He knows my artistic abilities. So, if he doesn't think of me for a part, I don't want to come to him who's given me so much already with hands out. I'd much rather him come to me and say, 'Hey, I've got this idea.' Maybe it's a smaller role, maybe it's the role of Pam King, which is a more significant role. But, you know, I always like to let him initiate conversations about casting. ' Spike trusts me. He's not gonna put my name in the mix if he's not sure that I can bring it... [but] it feels nice to know that I got the Denzel Washington co-sign and it wasn't all Spike's pull. Ilfenesh Hadera ' IH: At this point, I'm like, wow, Spike trusts me. He's not gonna put my name in the mix if he's not sure that I can bring it. We've worked together for many years and are close, but he said to me going into the chemistry read with Denzel, 'This is going to be Denzel's choice. He brought me this project, he's a producer on it, he's the star of the show, so this decision will really be his in the end.' So it feels nice to know that I got the Denzel Washington co-sign and it wasn't all Spike's pull. I can't even imagine the feeling as an actor. Of course, Denzel has been in so many Spike Lee joints. So to have not only that trust from him, but also that trust from Spike. He's tapping you in similar ways that he's tapped Denzel throughout his career. IH: It feels great and validating, but also, at this point in my career, I'm like give me a chance, man. Put me in, coach. I know what I can do. You just hope that the people around you trust you and will let you do what you know you can. It's not every day that people have faith in your abilities and let you show them and rise to the occasion. What role do you think Pam has when it comes to her husband's decision? IH: I think she gives him the freedom to figure it out. People have been calling her the moral compass. I think she guides him gently towards what they both know is the right thing to do. She's not naive, despite knowing what the choice to make is to the implications of giving up basically all they own. What does this mean for their life, for their lifestyle, for what they've worked so hard to build? But I think she lets him come to the right conclusion on his own while guiding him with a gentle hand. I love how this film emphasizes the value of Black art over fame and riches. But a lot of times art does get compromised for business. I'm curious if this film challenged or influenced how you think about and approach art going forward? IH: If you're lucky, you get both. And that is such a very small percentage of artists who get the pleasure of doing work that they're passionate about and being able to live a nice lifestyle. You hope people don't go into this with the goal of achieving fame or becoming a multimillionaire. Those should not be the reasons you follow the path of an artist but you shouldn't be demonized for wanting to be recognized by people who consume and love your art and wanting to live a nice lifestyle. When I think about projects that are presented to me or jobs that I choose to do, I'm at a place where I do have some financial freedom. I'm really grateful for not being dictated by the dollar amount attached to the project. I have taken jobs in the past that don't strike a creative nerve but, financially, have been necessary for me at the time, and that's not where you want to be. If you can create a foundation so you can stop doing work because of the paycheck, you're in a really great spot. But I'm not turning my nose up at anyone who chooses jobs for safety. We've all got to live. And it's harder and harder right now in this industry. So it becomes more and more challenging to say no to a gig. Are there any artistically underrated or projects that you've been a part of that you feel like didn't get the attention that they deserve? IH: I know people are starting to get hip to Godfather of Harlem. When Epix greenlit us, it was a pretty little known network. Now Epix is MGM, MGM plus. But I think, at the time, if that show had been on another streamer with more subscribers, it would have exploded. But it has to be this perfect storm, right? I think we're starting to get more love, but I wish it had been that way from the beginning. But then you look at a show like The Wire, when that was on in real time, some people were watching it. But now we consider [The Wire] one of the best television shows of all time. So maybe we just need to take a little time step away from it and revisit in a few years, when people have finally caught up to us.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store