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‘UK's weirdest arcade with a robot that massages your feet is the perfect day out'

‘UK's weirdest arcade with a robot that massages your feet is the perfect day out'

Daily Mirror16 hours ago
Housed in a small unit, tucked away on a quiet by-street in Holborn, London, just off of Red Lion Square, is the strange yet excellent Novelty Automation
"When a man is tired of London, he is tired of life, for there is in London all that life can afford," once mused Samuel Johnson. Presumably he had just come back from an afternoon at Novelty Automation when he said that.

Housed in a small unit, tucked away on a quiet by-street in Holborn, London, just off of Red Lion Square, is the perfect afternoon out, especially for those who have begun feeling that they've tasted all that the English capital has to offer.

You've been to M&M World. You've seen the big blue whale at the Natural History Museum more times than you care to admit. You've looked at Big Ben from Westminster Bridge. The obvious next step is Novelty Automation.

The shop is a vibrant treasure-trove of Victorian-style automatons operated by shiny silver coins that roll down the cashier's chute into your awaiting bucket.
Do you know of an unusual place you think we should visit? Please email milo.boyd@reachplc.com

Over the course of one to two hours, you'll make your way around the small shop, slotting between one and three coins into each of about 20 machines. The cost is reasonable: a bucket of 35 coins coming in at £28 and seeming plenty enough for three.
Some machines do all of the work for you, such as the AirbedbugBNB, which invites up to two players to draw a curtain around them and witness the story of a family of bedbugs as they look for a suitable holiday let to settle down in. Another, the Instant Eclipse, had my friend clamber into a small, dark rocket-shaped pod. He emerged a minute later and refused to explain what had happened. He seemed similarly perturbed after placing his socked foot inside the robot chipodist machine.
Those units that do require some participation are still much more focused on being vehicles of satire than on putting a gamer's hand-eye coordination to the test.

One of the most addictive had the three of us tensely willing on a magnetised haul of coins up past financial regulators to the top of a skyscraper, where our ill-gotten gains could be effortlessly lost amid the City of London's modern spires.
A particularly silly yet on-the-nose bit of satire comes in the form of the Fulfillment Centre machine, which has players powering an Amazon warehouse worker on an impossible and gruelling trial shift by running manically on the spot.
Novelty Automation is the work of Tim Hunkin, a Suffolk-based inventor and cartoonist who presented a TV show called The Secret Life of Machines and drew a comic strip for The Observer called The Rudiments of Wisdom.
Clearly, that combination of experiences has been brought together and used to excellent effect. The stylisation of the machines, their absurdist humour and gross characters remind me of the work of Chris Simpsons Artist.
Arguably, the pinnacle of it all comes in the form of Is it Art?, which invited us to put an object into a small glass box. We chose a lighter which then rose up into the eyeliner of a mannequin art critic. After a short moment of consideration and a closer look he concluded that yes, it was indeed art.
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Shoppers are snapping up ‘dirt cheap' toys from B&M from 80p – and they're perfect to put away for Christmas
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Shoppers are snapping up ‘dirt cheap' toys from B&M from 80p – and they're perfect to put away for Christmas

Plus, how to get the best bargains from B&M TOY STORY Shoppers are snapping up 'dirt cheap' toys from B&M from 80p – and they're perfect to put away for Christmas Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) B&M shoppers are racing to snap up 'dirt cheap' toys from B&M that are discounted to as low as just 80p. The purse-friendly retailer currently has a summer sale on, and many people are taking advantage of it to start on their Christmas shopping. Sign up for Scottish Sun newsletter Sign up 8 A shopper has revealed how they spotted numerous discounted toys at B&M, including this Disney Bitzee for £18 Credit: B&M 8 They also spotted this doll for just 80p Credit: B&M 8 They found a Tattoo Meez set with a plushy for just £2.50 Credit: B&M 8 This beauty set was just £1 in the sale Credit: B&M One bargain hunter took to the Facebook group Extreme Couponing and Bargains UK to show off the toy haul they did this week. They wrote: 'Check your local B&M folks. Just got all this for dirt cheap.' One of the cheap items they snapped up was a Tiffany doll with a scooter, which was just 80p. They also got a Tattoo Meez set with a plushy for just £2.50, and they spotted a Disney Bitzee for £18. The shopper added: 'They also had Power Ranger Funko Pop, Lego Star Wars for £9, Ninja Turtles stuff and more.' B&M just this week launched a two for £20 offer on over 20 of its products but has dropped prices on others by even more. In any case, always remember to compare prices before buying any product as you might find it cheaper elsewhere. PriceSpy, Price Runner and Idealo are three websites well worth using to find the best price for a particular item. You can also use the Google Shopping/Product tab to do a less extensive trawl of the internet. If you're looking to find similar bargains next time you're at B&M, there is one trick you can use as well - the B&M scanner app. 6 ways to get the biggest bargains in B&M The app can be downloaded for free on to your smartphone via the Apple App Store or Google Play. It has a barcode price check feature which lets you scan product labels in-store to find out their true price. It sometimes shows up products that have been slashed to just 10p. The app also offers you a description of the product you are scanning. 8 This singalong Moana toy was just £10 Credit: B&M 8 This metal detector toy was just £6 down from £10 Credit: B&M 8 They found this Fireman Sam toy for £7.50 down from £15 Credit: B&M How else to save money at B&M The best time to get cut-price products is 10am on a Wednesday, according to one ex B&M manager. This is when staff slash items to as little as 10p to clear excess stock and make way for new products. It's worth signing up to Facebook pages dedicated to hunting for bargains from B&M and other discounters too. Some worth joining are B&M Bargains, Extreme Money Saving Deals and More and Extreme Couponing and Bargains UK group. Meanwhile, B&M super shopper Sam Penney recently revealed her six top tips for bagging a bargain at the discount chain. 8 B&M just this week launched a two for £20 offer on over 20 of its products but has dropped prices on others by even more Credit: Getty

Shoppers are snapping up ‘dirt cheap' toys from B&M from 80p – and they're perfect to put away for Christmas
Shoppers are snapping up ‘dirt cheap' toys from B&M from 80p – and they're perfect to put away for Christmas

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time21 minutes ago

  • The Sun

Shoppers are snapping up ‘dirt cheap' toys from B&M from 80p – and they're perfect to put away for Christmas

B&M shoppers are racing to snap up 'dirt cheap' toys from B&M that are discounted to as low as just 80p. The purse-friendly retailer currently has a summer sale on, and many people are taking advantage of it to start on their Christmas shopping. 8 8 8 8 One bargain hunter took to the Facebook group Extreme Couponing and Bargains UK to show off the toy haul they did this week. They wrote: 'Check your local B&M folks. Just got all this for dirt cheap.' One of the cheap items they snapped up was a Tiffany doll with a scooter, which was just 80p. They also got a Tattoo Meez set with a plushy for just £2.50, and they spotted a Disney Bitzee for £18. The shopper added: 'They also had Power Ranger Funko Pop, Lego Star Wars for £9, Ninja Turtles stuff and more.' B&M just this week launched a two for £20 offer on over 20 of its products but has dropped prices on others by even more. In any case, always remember to compare prices before buying any product as you might find it cheaper elsewhere. PriceSpy, Price Runner and Idealo are three websites well worth using to find the best price for a particular item. You can also use the Google Shopping/Product tab to do a less extensive trawl of the internet. If you're looking to find similar bargains next time you're at B&M, there is one trick you can use as well - the B&M scanner app. 6 ways to get the biggest bargains in B&M The app can be downloaded for free on to your smartphone via the Apple App Store or Google Play. It has a barcode price check feature which lets you scan product labels in-store to find out their true price. It sometimes shows up products that have been slashed to just 10p. The app also offers you a description of the product you are scanning. 8 8 8 How else to save money at B&M The best time to get cut-price products is 10am on a Wednesday, according to one ex B&M manager. This is when staff slash items to as little as 10p to clear excess stock and make way for new products. It's worth signing up to Facebook pages dedicated to hunting for bargains from B&M and other discounters too. Some worth joining are and Extreme Couponing and Bargains UK group. Meanwhile, B&M super shopper Sam Penney recently revealed her six top tips for bagging a bargain at the discount chain. 8 How to save money at B&M Shoppers have saved hundreds of pounds a year by using B&M's scanner app. The scanner lets you see if an item's price is cheaper than advertised on the shop floor label. Products that are typically discounted are seasonal items and old stock that B&M is trying to shift. The app is free to download off the B&M Stores mobile app via Google Play or the Apple App Store. According to one ex-B&M manager, you'll want to visit your local branch at 10am on a Wednesday too. Here's how you can join the B&M bargain hunt: Download the B&M app for free on any smartphone with an App Store or Google Play. Once you've installed it on your device, click on the option labelled "more" on the bottom, right-hand side of the app home page. You'll then find an option that says "barcode scanner". Click on this and you'll open a camera screen. Use the camera to hover over the barcode of the product you wish to check. If the price comes up as lower, take it to the cash desk and it will automatically scan at the lower price. You don't need to sign up to the B&M app to use the barcode scanner.

Beginner's Gluck: how the 18th-century composer and a castrato changed opera forever
Beginner's Gluck: how the 18th-century composer and a castrato changed opera forever

The Guardian

time24 minutes ago

  • The Guardian

Beginner's Gluck: how the 18th-century composer and a castrato changed opera forever

Operas tell stories; like all great art, the operas that endure don't just tell stories – they reshape the way stories can be told. And it takes more than memorable tunes and a finely honed libretto to bring a piece into the hallowed pantheon of the operatic canon. Often it is the challenging of expectations that moves the dial for ever, permitting the art form to evolve, inspire and establish new ways of telling old stories. In my career as a countertenor opera singer I am often to be found singing the works of Handel, a composer whose oeuvre helped to define opera in the first half of the 18th century. Today, we often perform his operas in a style that befits our time; directors such as Katie Mitchell, Barrie Kosky, Richard Jones or Claus Guth push the singing actor far beyond what the famed castrati or prima donnas of Handel's day were expected to do. And, as I prepare to take on singing Gluck's opera Orpheus and Eurydice at the Edinburgh international festival I am acutely aware that its success will lie in both the staging and the piece itself. A quarter of a millennium ago Gluck's work broke new ground by challenging audiences' expectations. This staging with Circa will do the same. Gluck and his librettist Calzabigi 'reformed' opera. They wanted to move towards a noble simplicity and away from arcane plots. They chose for their mission the story of Orpheus and his descent into the underworld to rescue his wife, Eurydice. At its heart then was a character famed for his musical skill, moreover one who played an intrinsic role in the interpretation of classical mythology in western culture. The final piece in their jigsaw was to engage the famous Italian castrato Gaetano Guadagni, who as a young singer had enjoyed great success working in London with Handel. Together with Gluck, Guadagni found a musical language that did away with complex virtuosity – instead of arias that paused to reflect and repeat, as the audiences at the time were used to, it focused on driving the drama forwards. In fact, Guadagni had made many enemies in the London audiences who were said to have hissed his appearance on the stage after his refusal to bow to acknowledge applause (in order to maintain dramatic unity). He also shunned the overindulgence, prevalent at the time, to repeat well-received arias. Most notably, it was his association with the English actor David Garrick that bore fruit in his subsequent collaboration with Gluck. Garrick himself had changed the English stage. Gone were the soliloquies delivered standing stock-still. He dared to move around the stage while talking, gesticulate and, even (rare at the time), listen to the other characters and react to what they said! He was admired for his range of facial expressions and the air of truthfulness he brought to his parts. He worked with Guadagni in London and it is clear that the singer adopted the actor's innovative stage behaviour. Guadagni's commitment to playing Orpheus over the span of his later life suggests an empathy with the character brought about by an involvement with the role akin to what we might call method acting. In a break from operatic tradition, the majority of Gluck's new opera was declamatory in nature, hardly ever pausing to signal a shift from the recitative (the more narrative parts, often sung in the rhythm of speech) to the songs or arias. On stage in Gluck's new work, Guadagni was noted for his continuous acting throughout; he was praised for the resultant vigour and verisimilitude this brought. This shift would have shocked audiences of the time. In a daring challenge to his colleagues, the castrato no longer put himself first, but rather the character and the story. As a result he was one of the first singers ever to build a career through identification with a single role. It's a role that I have sung before in concert and on record but not as yet on stage. I associate closely with Guadagni, having performed a number of his parts written for him by Handel, and also in sharing the dubious honour of us both having had racehorses named after us. (Mr Davies's career was not long, nor distinguished). My countertenor range probably shares many of the qualities of a falsetto singer such as Guadagni. Countertenor voices are often described as 'otherworldly' and 'ethereal' in sound, and there's a beautiful, expressive legato to be found throughout Guadagni's roles that appeals to me. Furthermore, in the past two decades of my career I have relished more than anything else opportunities that give me a chance to be a 'singing actor' in the truest sense of the phrase. I learned a great deal from being on stage opposite Mark Rylance in the play Farinelli and the King: the magic he was able to conjure through his tinkering with rhythm and phrasing; dynamic range seemed to be a key attribute to his delivery; and, above all, his constant connection with the audience via an invisible thread that tugged gently at their attention throughout was masterly. I can see a connection to how to play Orpheus, who as a lone character on the stage is so inside of himself, and the subtle way in which actors such as Rylance communicate their thoughts with such transparency. Helping me on this journey is the breathtaking performing arts company Circa together with its artistic director Yaron Lifschitz. At the time of writing I have yet to meet them and my experience of this production has been limited to watching a dress-rehearsal video (the staging premiered in Australia in 2019). But it is not often that I find myself gasping out loud at so many moments of heart-stopping wonder as the acrobats climb, tumble, fall, stretch, dance and cover the stage in a kind of physical expression of the inner machinations of Orpheus's mind. At certain points, I will be literally standing on the shoulders of these giants and pushing my own boundaries of my stage experience to date. Gluck's opera combined the beauty of singing with the poise and refinement of ballet and there's no lack of gracefulness in Circa's often audacious schemes. Indeed, at all times it looks and feels human; I can imagine the excitement Gluck's Viennese audience would have felt in seeing this new and energetic style when I watch Circa. The story transforms from a psychological drama into a living and breathing organism around the two central singers. The Australian soprano Samantha Clarke, in a twist on tradition, performs both the roles of Eurydice and Amore (Cupid) in director Yaron Liftschitz's interpretation. When a great opera tells a story well, as Gluck's Orpheus and Eurydice does, it becomes a piece we can bring back time and time again. And in the hands of an imaginative director, surprises emerge that cast new light on the music in ways you never imagined. I have been lucky enough to be a part of Barrie Kosky's hit production of Handel's Saul at Glyndebourne this summer, and what I have learned from it is that when you challenge expectations, and do so with vivid imagination and a sprinkling of audacity fuelled with integrity and commitment, you are more than likely to make people sit up and engage. In Orpheus and Eurydice, Gluck, Calzabigi and Guadagni knew this too. Orpheus and Eurydice (with the Scottish Chamber Orchestra and chorus of Scottish Opera) is at Edinburgh Playhouse from 13-16 August, part of the Edinburgh international festival

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