logo
Choose Chicago launches new marketing campaign: Never Done. Never Outdone.

Choose Chicago launches new marketing campaign: Never Done. Never Outdone.

Yahoo12-06-2025
Chicago, that toddlin' town with the big shoulders, is ready to rebrand itself through a new slogan and marketing campaign aimed at driving tourists, businesses and even locals to explore the second city.
Developed over more than a year of listening sessions, focus groups, research and spitballing with creative agencies, the new campaign was unveiled by Choose Chicago on Thursday. The city's tourism arm is hoping it has found a way to sum up and sell Chicago to the world in four words:
'Never Done. Never Outdone.'
The city's new branding will launch at home and abroad as summer ushers in Chicago's busiest tourist season. The rollout also coincides with the U.S. Travel Association's IPW 2025 trade show, which returns to McCormick Place this weekend for the first time in a decade, providing an influential international test audience for the new campaign.
'I think it's going to change the narrative for Chicago,' Kristen Reynolds, Choose Chicago's new president and CEO, told the Tribune.
Destined for everything from billboards and social media to TV, the campaign is being introduced with a 60-second spot featuring fast-moving vignettes of the city, from obligatory overhead shots of the 'L' to street festivals, sporting events and skyscrapers. The video is narrated by award-winning Chicago poet J. Ivy, who touts the people and places in the 'greatest city in the world.'
The campaign, which is slated to run locally, nationally and internationally, incorporates the red stars and colors of the Chicago flag, and features scenes of people making doughnuts, running by the lakefront and partying en masse at a live concert. The ads include slogans such as 'outwork,' 'outplay' and 'outlast,' sounding very much like the tagline from the 'Survivor' TV show.
Reynolds, who took the helm at Choose Chicago in May after previously serving in the same role at Discover Long Island, didn't take credit for the campaign, but added a few last-minute tweaks and gave her stamp of approval to 'Never Done. Never Outdone.'
'The first part really is about evolution and always staying and innovating and keeping current,' Reynolds said. 'And then never outdone is really dropping that Midwestern humble and bringing some of that New York City swagger in here, and being able to say, we're the best at what we do, and we're going to work harder and we won't settle.'
Choose Chicago has an annual marketing budget of about $4 million — far less than comparable cities such as Boston. But Reynolds said the campaign will find its way out into the world through paid and earned media, and partnered with other Chicago institutions.
Target domestic markets will include Atlanta, Los Angeles, Miami and New York City, while international focus will be on Brazil, Canada, Ireland, Japan, Mexico and the United Kingdom.
Choose Chicago created the new marketing campaign in collaboration with local agencies including Envisionit, Agents of Slang, October Productions, Word and Soul, and Chu Batsaihan. The branding was developed with MMGY Global, which works with many destination marketing organizations.
Successfully branding a city can significantly boost visibility and tourism, searing memorable taglines into the collective unconscious of potential visitors. A good example is 'What happens here, stays here,' the ubiquitous Las Vegas slogan which has captured the essence of the city's appeal in countless commercials since its introduction in 2003.
The slogan was updated in 2020 to 'What happens here, only happens here.'
Chicago, which has accumulated a number of slogans over the years from sources both literary and cultural, has evolved from 'hog butcher for the world' to a diverse world city, a major convention and tourism destination, and an international business center.
But recent attempts at rebranding have not quite stuck.
In 2015, Choose Chicago introduced 'Chicago Epic,' a bold national TV campaign recasting the city as a hotbed of music festivals, hipsters, fine dining and shopping. At the time, officials said the slogan 'Chicago Epic' would become as famous as 'I Love New York.' It didn't.
In 2022, a pandemic-battered city launched 'Chicago Not in Chicago,' a low-budget guerrilla marketing campaign touting a long list of homegrown innovations — from the cellphone and the coffee maker to the skyscraper — that changed the world, but with little credit given to Chicago. Despite the campaign, for the most part, the world has yet to thank us.
Officials nonetheless have high hopes for the new slogan and marketing campaign.
'I am proud of the work our colleagues at Choose Chicago have done in developing this new campaign,' Mayor Brandon Johnson said in a news release Thursday. 'I'm confident it will ultimately share an authentic depiction of our city and convey the open-minded, welcoming spirit of Chicagoans.'
Chicago seeing fewer international travelers, but local hotels still expect 'solid' summer
Tourism in Chicago is on the rise, with the city welcoming 55.3 million visitors in 2024, up 6.5% year-over-year and setting a post-pandemic high, according to data released last month by Choose Chicago.
But economic and political headwinds may make it hard to match that total this year, with tariffs, civil unrest and international backlash to President Donald Trump's policies and bluster potentially tamping down tourism.
Choose Chicago is nonetheless projecting a strong summer tourism season, with events such as upcoming Premier League soccer exhibitions and the NASCAR Chicago Street Race setting the pace in July.
While the budget is limited, Choose Chicago will remain nimble in targeting markets — domestic and international — for the best chance to get a return on investment, Reynolds said. A newer market she has her sites set on is Phoenix, hoping to lure Chicago expatriates and transplanted Californians to visit from the 'Valley of the Sun.'
As to the new campaign, Reynolds expects the 'Never Done. Never Outdone' slogan to become ubiquitous, including buy-in from Chicagoans, who provide the bulk of recreational activity during the winter months.
Chicago saw a boost in tourism last year. Will the pope be a blessing in 2025?
'This is a campaign that we're hoping the entire community embraces and you're going to see it so much that it's going to be second nature,' Reynolds said.
If the new marketing campaign doesn't resonate, the city's image may still get a boost from divine intervention — the selection of south suburban Dolton native Robert Francis Prevost as the first American pope. On Wednesday, Pope Leo XIV was photographed sporting a White Sox cap at the Vatican, spreading the gospel of Chicago around the world.
rchannick@chicagotribune.com
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Data center developer to buy mobile home park in Archbald
Data center developer to buy mobile home park in Archbald

Yahoo

time12 hours ago

  • Yahoo

Data center developer to buy mobile home park in Archbald

ARCHBALD — A developer intends to purchase a mobile home park on the Eynon Jermyn Road as part of a nearly 1-million-square-foot data center campus, leaving residents unsure where they will live. Earlier this month, residents of the Jermyn Mobile Home Village, also known as Valley View Estates, received letters dated July 26 informing them their community is being sold to Archbald Developer II LLC, with the anticipated transfer of ownership on April 15, according to a copy of the letter reviewed by The Times-Tribune. The sale agreement was signed May 21, according to the letter. Located at the bottom of the Eynon Jermyn Road just shy of the Jermyn border, the mobile home park is on the outskirts of a proposed data center campus known as Project Gravity, according to the project's subdivision/land development application form and concept plan obtained by The Times-Tribune in April via a Right to Know Law request. Project Gravity proposes to build at least six two-story data center buildings, each 135,000-square-feet per floor, across 186 acres between Business Route 6 on its western border and the Eynon Jermyn Road on its east, with entrances on both roads. The mobile home park would be just a few hundred feet from the closest data center building, with the main entrance to the data center campus paralleling the entrance to the park. Western Hospitality Partners—Jermyn LLC signed a memorandum of purchase and sale agreement Oct. 15 to buy the 186.21-acre parcel from property owner Five Up Realty LLC, 805 Enterprise St., Dickson City. James Marzolino signed on behalf of Five Up; Harry Bram signed for Western Hospitality. The agreement, which was recorded with the Lackawanna County recorder of deeds on Oct. 21, does not include a sale price. Marzolino is involved in two other data center projects in Archbald and Blakely; he is also the president of Scranton-based Kriger Construction. Less than half a mile up the Eynon Jermyn Road from Project Gravity, Marzolino purchased the Highway Auto Parts junkyard for $1,575,000 this month to build three more data centers for his Archbald Data & Energy Center, and he and co-developer Alpesh 'Al' Patel of Al's Quick Stop convenience stores asked Blakely to rezone land along Business Route 6 and Terrace Drive to build four data centers. For Project Gravity, a firm known as Archbald 25 Developer LLC initially filed with the Pennsylvania Department of State on Oct. 10 as Western Hospitality Partners—Jermyn LLC under a Denver-based law firm, Brownstein Hyatt Farber Schreck LLP, which describes itself on its website as 'one of the nation's leading lobbying firms, offering a bipartisan team with full-service lobbying, public policy and legal representation that helps companies, associations, nonprofits and other organizations interpret federal government actions, solve challenges and seize opportunities.' That same law firm and one of its paralegals, Meredith Whatley, signed a certificate of organization for Archbald Developer II LLC on May 9, according to the Department of State filing obtained by The Times-Tribune. Check back for updates. Solve the daily Crossword

Every day can be Halloween: Why theme parks are going big on year-round horror experiences
Every day can be Halloween: Why theme parks are going big on year-round horror experiences

Miami Herald

time12 hours ago

  • Miami Herald

Every day can be Halloween: Why theme parks are going big on year-round horror experiences

I turn a bend and see a figure in a cornfield. The gray sky is foreboding, a storm clearly on the horizon. When I take a step forward, I'm hit with a gust of wind and fog. Suddenly, it's no longer a silhouette in the haze but a scarecrow, shrouded in hay, lurching toward me. Only I am not on a Midwestern farm, and there is no threat of severe weather. I'm in a warehouse in Las Vegas, walking through a maze called "Scarecrow: The Reaping." I jump back and fixate my phone's camera on the creature, but that only encourages them to step closer. I'm hurried out of the farmland and into a hall, where giant stalks now obscure my path. Welcome to Universal Horror Unleashed, which aims to deliver year-round horrors and further expand theme park-like experiences beyond their hubs of Southern California and Central Florida. Horror Unleashed, which opened Aug. 14, is an outgrowth of Universal's popular fall event, Halloween Horror Nights, which has been running yearly at the company's Los Angeles park since 2006 and even longer at its larger Florida counterpart. Like Halloween Horror Nights, there are maze-like haunted houses - four of them here themed to various properties such as "The Texas Chainsaw Massacre" and "The Exorcist." Their more permanent status allows for a greater production factor - think disappearing walls and more elaborate show scenes - and they are surrounded by brooding bars, a pop-up rock-inspired dance show and a host of original walk-around characters. "Hey, sugar," said a young woman as I near the warehouse's main bar, a wraparound establishment themed to a large boiler. The actor's face was scarred with blood, hinting at a backstory I didn't have time - or perhaps the inclination - to explore. Horror Unleashed is opening just on the cusp of when theme parks and immersive-focused live experiences are entering one of the busiest times of the year: Halloween. The holiday, of course, essentially starts earlier each year. This year's Halloween Horror Nights begins Sept. 4, while Halloween season at the Disneyland Resort launches Aug. 22. Horror shows and films are now successful year-round, with the likes of "Sinners" and "The Last of Us" enrapturing audiences long before Oct. 31. Culture has now fully embraced the darker side of fairy tales. "You can make every month horrific," says Nate Stevenson, Horror Unleashed's show director. That's been a goal of David Markland, co-founder of Long Beach's Halloween-focused convention Midsummer Scream, which this year is set for the weekend of Aug. 15. When Midsummer Scream began in 2016, it attracted about 8,000 people, says Markland, but today commands audiences of around 50,000. "Rapidly, over the past 10 or 15 years, Halloween has become a year-round fascination for people," Markland says. "Halloween is a culture now. Halloween is a lifestyle. It's a part of people's lives that they celebrate year-round." There will be challenges, a difficult tourism market among them, as visits to Las Vegas were down 11.3% in June 2025 versus a year earlier, according to data from the Las Vegas Convention and Visitors Authority. And then there's the question of whether audiences are ready for year-round haunts that extend beyond the fall Halloween season to winter, spring and summer. I entered Horror Unleashed for a media preview on an early August night when it was 105 degrees in the Las Vegas heat. It's also been tried before, albeit on a smaller scale. Las Vegas was once home to Eli Roth's Goretorium, a year-round haunted house that leaned on torture-horror and shuttered after about a year in 2013. But Universal creatives are undaunted. More than a decade, of course, has passed, and Horror Unleashed is more diverse in its horror offerings. A maze themed to Universal's classic creatures winds through a castle and catacombs with vintage-style horrors and a mid-show scene in which Frankenstein's monster comes alive. Original tale "Scarecrow: The Reaping," which began at Universal Studios Florida, mixes in jump scares with more natural-seeming frights, such as the aforementioned simulated dust bowl. TJ Mannarino, vice president of entertainment, art and design at Universal Orlando, points to cultural happenings outside of the theme parks in broadening the terror scene - the success of shows such as "The Walking Dead" and "American Horror Story," which found audiences outside of the Halloween season, as well as "Stranger Things," which he says opened up horror to a younger crowd. Theme parks are simply reflecting our modern culture, which is craving darker fantasies. Universal, for instance, recently opened an entire theme park land focused on its classic monsters at its new Epic Universe in Florida, and even Disney is getting in on the action, as a villains-focused land is in the works for Walt Disney World's Magic Kingdom. "We think our audience really wants this," says Mannarino, noting theme park attendance surveys were prodding the company to give horror a permanent home. And at Universal's Orlando park, Halloween Horror Nights starts earlier, beginning in late August. "Just a couple years ago, we started in August, and we were selling out August dates," Stevenson says. "On a micro level, we're seeing that, boy, it doesn't matter if you extend past the season or extend out before the season - people are coming. People want it." Universal is betting on it, as the company has already announced that a second Horror Unleashed venue will be heading to Chicago in 2027. Smaller, more regional theme park-like experiences are once again something of a trend, as Netflix has immersive venues planned for the Dallas and Philadelphia regions, and Universal is also bringing a kid-focused park to Frisco, Texas. There are antecedents for what Universal is attempting. Disney, for instance, tried an indoor interactive theme park with DisneyQuest, for which a Chicago location was short-lived and a Florida outpost closed in 2017. Star Trek: The Experience, a mix of theme park-like simulations and interactive theater, operated for about a decade in Las Vegas before it shuttered in 2008. "I know there's horror fans and Halloween fans who are always looking for something to do," Markland says. "What (Universal is) doing is very ambitious and big, and so I'm nervous along with them. We'll see how it goes. I'm sure people will go as soon as it opens and through the Halloween season, but after that, I don't know. ... They've definitely invested in Halloween and horror fans. They're all-in." Horror, says author Lisa Morton - who has written multiple books on the Oct. 31 holiday, including "Trick or Treat: A History of Halloween" - is thriving in part because today it is taken more seriously by cultural critics. The genre also has metaphorical qualities - the struggle, for instance, that is life, art and creativity in "Sinners" or the underlying themes of PTSD that permeated the latest season of "The Last of Us." That makes it especially appealing, she says, for today's stressful times. "I suspect that's part of the reason horror is booming right now," Morton says. "Everything from climate change, that we seem to have no voice in, and our politics, that don't seem to represent us. Many of us are filled with anxiety about the future. I think horror is the perfect genre to talk about that. When you add a layer of a metaphor to it, it becomes much easier to digest." To step into Horror Unleashed is to walk into a demented wonderland, a place that turns standard theme park warmth and joy upside down. Don't expect fairy tale-like happy endings. The space's centerpiece performance is twisted, a story centering on Jack the Clown and his female sidekick Chance, who have kidnapped two poor Las Vegas street performers and are forcing them to execute their acts to perfection to avoid murder. The deeper one analyzes it, the more sinister its class dynamics feel, even if it's an excuse to showcase, say, street dancing and hula hoop acrobatics. The space has an underlying narrative. Broadly speaking, the warehouse is said to have been a storage place for Universal Studios' early monster-focused horror films. That allows it to be littered with props, such as the throne-like chair near its entrance, and for nooks and crannies such as a "film vault" to be renamed a "kill vault." Somehow - horror loves a good mystery - the space has come alive, and don't be surprised to be greeted by a vampire or a costumed swampland figure that may or may not be related to the Creature from the Black Lagoon. The goal, says Universal creatives, is to give Horror Unleashed a bit of an immersive theater feel, something that can't really be done among the chaotic scare zones and fast-moving mazes of a Halloween Horror Nights event. But here, guests can linger with the actors and probe them to try to uncover the storyline that imbues the venue. One-to-one actor interaction has long been a goal of those in the theme park space but often a tough formula to crack, in part because cast members are costly and in part because of the difficulty to scale such experiences for thousands. "As we've evolved this style of experience, we have given more and more control of the show to the actors," says Mannarino on what separates Horror Unleashed from Halloween Horror Nights. "It's less programmed. It's less technology. I've had conversations with tech magazines, and they'll ask me what is the most critical piece, and I'll say it's the actors. ... The lifeblood of our all stories - we can build all of this, but it doesn't go without the actors. "It's what really drives this whole animal," he adds. It extends a bit to the mazes as well. Audiences should expect to spend about five to seven minutes in each of the four walk-through attractions, but unlike a Halloween Horror Nights event, where guests are rushed from room to room without stopping, in Las Vegas there will be one dedicated show scene per maze. Here, groups will be held to watch a mini-performance. In the "Exorcist" maze, for instance, that means witnessing a full exorcism, complete with special effects that will have walls give way to demonic specters. In the '70s-themed "Texas Chainsaw Massacre" haunt, look out for a bloody scene designed to drench guests. The mazes are intended to be semi-permanent. Stevenson says there's no immediate plans to swap them out in the near future but hints that Horror Unleashed will be an evolving venue and, if all goes according to plan, will look a bit different in a few years. Thus, he says the key differentiator between Horror Unleashed and Halloween Horror Nights is not necessarily the tech used in the mazes, but the extended time they can devote to unwrapping a story. "When Universal builds a haunted house, the level of story that starts that out is enormous," Stevenson says. "There's so much story. All of our partners need that because they base every little nuanced thing off of that story. Unfortunately, we don't always have the chance to tell that story, and all our fans tell us they want to know more story." Story percolates throughout the venue. Flatbreads, for instance, are shaped like chainsaw blades. Desserts come on plates that are mini-shovels. Salad dressing is delivered in syringes. In the past, says Mannarino, no one wanted their food to be played with. '"Don't do horrible things to my food!'" he says in mock exaggeration. "But now, people really love that." Little, it seems, is obscene, when every day can be Halloween. ___________ Copyright (C) 2025, Tribune Content Agency, LLC. Portions copyrighted by the respective providers.

Chicago Tribune film critic Michael Phillips takes buyout
Chicago Tribune film critic Michael Phillips takes buyout

Axios

time12 hours ago

  • Axios

Chicago Tribune film critic Michael Phillips takes buyout

Chicago Tribune film critic Michael Phillips has accepted a buyout from the paper, ending his 24-year run reviewing film and theater. Why it matters: For the first time since the 1950s, the Chicago Tribune no longer has a chief film critic. Phillips follows Richard Roeper, who left the Sun-Times earlier this year. What they're saying:"My options were to stick around for a newsroom reassignment to be named later, or take the buyout. I went with the buyout," Phillips wrote on social media. "I've had a ball in a great city working with people who care, and writing about a Platonic ideal of a great city's devotion to cinema, and to every artistic realm imaginable," Phillips wrote. Flashback: Phillips started as a theater critic at the paper. He gradually moved over to reviewing films, replacing Michael Wilmington, who had replaced Gene Siskel. Between the lines: The move to eliminate Phillips' position follows the industry trend to cut back on arts and culture reporting, specifically film reviews. While Phillips and Roeper are hardly the only cuts at local newspapers, their departures hit home in Chicago because of the national success of film critics Siskel and Roger Ebert. The two paired up to create the television program "At the Movies," which ran for several years. In 2009, Phillips was tapped to co-host "At the Movies." The syndicated show ended in 2010. The intrigue: Phillips said Tribune management was eliminating his position as critic, but the company did not respond to Axios' request for confirmation.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store