
'The Three Musketeers' (1973)/'The Four Musketeers' (1974) Criterion Collection 4K UHD Blu-Ray Review
Alexandre Dumas's immortal tale of adventure and camaraderie received perhaps the finest of its numerous screen adaptations with this two-part swashbuckling spectacular from A Hard Day's Night director Richard Lester. Featuring Michael York, Oliver Reed, Frank Finlay, and Richard Chamberlain as the swaggering swordsmen, who thrust and parry their way through courtly intrigue in seventeenth-century France, The Three Musketeers and The Four Musketeers are also graced with an all-star supporting cast that includes Raquel Welch, Faye Dunaway, Geraldine Chaplin, and Charlton Heston. Lester's exuberant epic breathes new life into an oft-told classic through its boisterous slapstick invention, its meticulous attention to period detail, and a sense of pure, unbridled bravado that is thrilling to behold.
The Three Musketeers – Richard Lester's spirited adaptation of Alexandre Dumas's timeless novel immediately distinguished itself from previous film versions with its irresistible lightheartedness. It follows the brash, young wannabe musketeer d'Artagnan (Michael York) as he travels from the French countryside to Paris and befriends Athos (Oliver Reed), Porthos (Frank Finlay), and Aramis (Richard Chamberlain), famed swordsmen whom he must help to stop the conniving Cardinal Richelieu (Charlton Heston) and his plot to undermine the king. The Three Musketeers sweeps viewers away with its exquisite sets and costumes, chivalric romance, and breathless duels punctuated by the ingenious physical comedy that was Lester's trademark.
The Four Musketeers – It may be 'all for one and one for all,' but it took director Richard Lester two films to contain the sweeping spectacle of Alexandre Dumas's swashbuckling adventure. This sequel—shot simultaneously with The Three Musketeers, since they were originally conceived as a single film—dials down the comic high jinks that distinguished the first installment in favor of a more somber tone, as our heroes are drawn into a deadly revenge plot orchestrated by the seductive Milady de Winter (a deliciously wicked Faye Dunaway). Upping the psychological stakes and deepening our sense of the characters, The Four Musketeers brings this beloved tale of honor and friendship to a close with a rousing emotional flourish.
For thoughts on The Three Musketeers / The Four Musketeers: Two Films by Richard Lester, please check out my thoughts on No Streaming Required:
Video Quality
The Three Musketeers and The Four Musketeers come to 4K UHD Blu-Ray in their original 1.85:1 aspect ratio with a 4K restoration conducted by StudioCanal from the 35mm Original Camera Negatives. Each film is housed on individual discs for a consistent viewing experience across the two parts of the story. The presentations are as close to perfection as you could dream up, as the new transfers look impeccable. There are no major instances of print damage, and overall clarity and detail are out of this world. The aesthetic remains the same across both parts of the epic story with the lavish production design and opulent costumes rendered with ideal texture in 4K UHD. The picture also showcases the environments and facial features with a delicate, tactile touch.
These 4K UHD Blu-Ray discs are presented in Dolby Vision for a brilliant example of the benefits of high dynamic range. Colors are bold and favorably saturated in a visually dazzling manner. The color grade takes on a natural appearance with nothing leaning overly warm or cool. Skin tones are lifelike and consistent with subtle facial features easily noticeable in close-ups, especially in regards to makeup. Highlights are never overcooked in any setting, and black levels hold up very well with nothing in the way of crush. There do not appear to be any issues with digital noise due to compression limitations or other such nuisances, thanks to the thoughtful allocation of disc space. This new collection is an incredible treat for fans of these films.
Audio Quality
The 4K UHD Blu-Ray set comes with remastered LPCM 1.0 tracks for each of these films in the original English with optional English SDH subtitles. The wonderful scores from Michel Legrand and Lalo Schifrin emanate with moving clarity and fidelity, as no weak moments are observed. Dialogue comes through crisp and clear with most of the ensemble sporting stately British accents. There are no major signs of distortion or shortcomings as competing moments avoid clipping important information. There was previously an issue with incorrect pitch on the StudioCanal release overseas that appears to be corrected on this release. Environmental sounds such as the sounds of sword fighting or rain are cleanly rendered alongside everything else. The Criterion Collection has given this collection a stellar audio presentation by all metrics.
Special Features
The Criterion 4K UHD Blu-Ray of The Three Musketeers / The Four Musketeers: Two Films by Richard Lester includes a booklet featuring the essay 'En Garde For Joy!' by author Stephanie Zacharek in which she delves into the career of Richard Lester, the history of this text on screen, and much more that is very illuminating. The on-disc special features are as follows:
The Three Musketeers
The Saga of the Musketeers, Part One:
A 23-minute beginning to a documentary directed by David Gregory in 2002 that features interviews with the cast and creative team including producer Ilya Salkind, actors Michael York and Charlton Heston, and countless more. There are discussions about the decision to go back to the original source material to make a picture less sanitized, the casting of the ensemble, the direction of Richard Lester, and more.
Two For One, Part One:
The 30-minute beginning of a new four-part documentary created by critic David Cairns that explores the pre-production of this series through a visual essay style and audio interviews with key creative figures.
Two For One, Part Two:
The 43-minute continuation of the new documentary that continues to explore the production of the film in Spain, Lester's directing style to maintain authenticity, working with large swaths of extras, and more.
The Making of The Three Musketeers:
A seven-minute promotional piece from 1973 that gives you a glimpse at the production.
Trailer (3:01)
The Four Musketeers
The Saga of the Musketeers, Part Two:
A 25-minute conclusion to a documentary directed by David Gregory in 2002 that features interviews with the previously-named interview subjects and more. There are discussions about the stunt work, the injuries sustained, memories of the ensemble, the success of the film, and more.
Two For One, Part Three:
The 42-minute third entry of a new four-part documentary created by critic David Cairns that continues to examine the production of the film including the set design, the costumes, money issues, the cinematography, and more.
Two For One, Part Four:
The 26-minute conclusion of the new documentary that transitions to the post-production of the film including the tense editing process, the dubbing of many jokes into the background dialogue, the decision to make a sequel, and more.
Trailer (3:01)
Final Thoughts
The Three Musketeers and The Four Musketeers are a pair of swashbuckling films that tackle the classic material with respect while also injecting a sense of levity into the experience. The ensemble is stacked to the brim with amazing actors putting forth memorable performances that only grow in estimation over the two installments. The direction of Richard Lester may be a bit too slapstick for some, yet there is a clear sense of vision, scale, and brutality in the combat as you witness the story unfold in grand fashion. You will have a lot of fun with these films. The Criterion Collection has released a 4K UHD Blu-Ray set that features the films with a wonderful A/V presentation and a fine assortment of special features. If you are a fan of this timeless story, you should spend some time with these films. Recommended
The Three Musketeers / The Four Musketeers: Two Films by Richard Lester will be available to purchase on Blu-Ray and 4K UHD Blu-Ray on May 27, 2025.
Note: Images presented in this review are not reflective of the image quality of the 4K UHD Blu-Ray.
Disclaimer: The Criterion Collection has supplied a copy of this disc free of charge for review purposes. All opinions in this review are the honest reactions of the author.
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New York Times
2 hours ago
- New York Times
French Open recap: Lorenzo Musetti avoids default after kicking ball into linesperson
Follow The Athletic's French Open coverage Welcome to the French Open briefing, where The Athletic will explain the stories behind the stories on each day of the tournament. On day 10, tennis' bizarre relationship with unsportsmanlike conduct took another twist, the wind whipped up the clay on Court Philippe-Chatrier, and Roland Garros' decision to keep line judges came under scrutiny. Lorenzo Musetti is headed to the semifinals of the French Open, but he could easily be heading home. Musetti, the occasionally feisty Italian, cruised through the first set of his quarterfinal against Frances Tiafoe on Tuesday afternoon. In the second, things started to go south. His slice backhand wasn't biting. His forehand was flying. Tiafoe had gotten used to his spins and was outplaying him. Advertisement As the second set wound down, Musetti vented by kicking a ball toward the back wall of Court Philippe-Chatrier. It accidentally whacked a line judge near her shoulder. The ball wasn't moving particularly fast, but sending a ball in flight in anger and hitting anyone with it, much less a line judge, comes with a ball abuse penalty that can include being ejected from the tournament. Tennis is weird about defaults — the ultimate penalty for bad behavior, which involves automatically losing the match. Whether or not a player smacks a ball in frustration, or throws or kicks it like Musetti, the penalty more often than not is outcome-based. If the person struck is in distress, the player gets defaulted, they are allowed to continue. But per the rulebook, that should be irrelevant. 'Players shall not violently, dangerously or with anger hit, kick or throw a tennis ball while on the grounds of the tournament site except in the reasonable pursuit of a point during a match (including warm-up). 'For purposes of this rule, abuse of balls is defined as intentionally or recklessly hitting a ball out of the enclosure of the court, hitting a ball dangerously or recklessly within the court or hitting a ball with disregard of the consequences.' The problem with the logic currently applied is that it gives players credit for being in control of something which they are not in control of. Smashing or kicking a ball into a crowd of people or an enclosed space is risky. Whether or not it hits someone with a glancing blow or square on is pure luck. On this occasion, chair umpire Timo Janzen let Musetti off with a warning. Tiafoe complained, but to no avail. Novak Djokovic was defaulted from the 2020 U.S. Open when he whacked a ball that inadvertently hit a line judge in the throat. Two years ago at Roland Garros, doubles player Miyu Kato and her partner were defaulted after Kato accidentally hit a ball kid in the neck when returning a ball to her — not even swatting it in frustration. Advertisement Kato originally received a warning, but her opponents complained and the supervisor ultimately disqualified Kato and her partner, Aldila Sutjiadi of Indonesia. The year before, Romania's Irina-Camelia Begu accidentally bounced her racket into the crowd. It hit a small child, who started crying but his parents said he was fine. She received a warning. If all this sounds a bit inconsistent, it is. Tiafoe was still annoyed with Janzen's handling of the situation an hour after the end of the match. He called the decision 'comical.' 'He did that and nothing happened,' Tiafoe said. 'Obviously it's inconsistent.' Musetti said later he was scared that he was going to get booted from the tournament. 'I did not want to harm anybody,' he said. 'There was no intention about it.' Matt Futterman Sports stadiums can be weird places when it comes to wind. The air can be nearly still four stories up, but swirling about at court level. That was Court Philippe-Chatrier on Tuesday, the second quarterfinal day for the men and the women. There were several moments during Iga Świątek's match against Elina Svitolina when the players had to stop and turn their heads away from the wind to avoid getting a mouthful of red dust. Players talk about feeling like small bugs in the cavernous stadium, which seats just 15,000. The stands slope gently outward, leaving a low broad opening at the top, while the retractable roof slides over from just one side, leaving a big opening at the top for gusts to get in. This was not as bad as 2019, when gusts measured at nearly 50 mph (and Rafael Nadal) sent Roger Federer packing in their semifinal. But it was not great. In tennis, wind direction can be just as important as its speed. Wind will make serving difficult regardless, but it has its clearest impact when it is blowing parallel to the sidelines, rather than perpendicular. At one end, players have to be wary of overhitting with the breeze at their back. On the other, they have to be mindful of how much it will hold up their shots. The player receiving a ball with wind behind it needs to react quicker; if it's slowing a ball down, their footwork needs to take them to it and adjust to any sudden changes of direction. Advertisement If air is buffeting around a stadium every which way, things get a little more chaotic. Świątek said the worst wind she has experienced was at Wimbledon, where she has problems on the grass even when it's still, but this was rough. 'In the second set, it got pretty crazy,' Świątek said. 'I never had that here, but in the first set it wasn't that bad. I think it kind of slowed down also at the end of the match.' Of course she thought that: she served three aces in the final game of her 6-1, 7-5 win. Matt Futterman From the start of play, it's felt inevitable that the French Open's decision to opt for line judges over electronic line calling (ELC) would come under scrutiny. Mixed events on clay, and every other surface, use ELC, but the tournament opted against it. The France Tennis Federation (FFT) president, Gilles Moretton, said in April that this was because it trusts their industry-leading officials to do a good job, claiming last week that ELC had been shown not to be totally effective at the earlier clay events this year. The downside of no ELC was duly exposed Tuesday when at a critical moment in the quarterfinal between Aryna Sabalenka and Zheng Qinwen, a bad error from the officials could have made a major difference. With Zheng serving at 5-6, 30-30, Sabalenka hit a backhand that looked to have drifted long — so much so that Zheng stopped the point, despite there being no out call. The umpire got off her chair to inspect the mark, and backed up the line judge's call, but television replays using Hawk-Eye technology showed that the ball had actually been 7mm out. ELC has a margin of error, but it is smaller than 7mm. Given the speed at which Sabalenka's ball was traveling, it should have been relatively easy for the line judge to track, but bad errors like this are always possible with humans calling the lines. Zheng was able to hold her serve, so the incorrect call didn't have a material impact on the match, but it's an embarrassing look for the sport that such a critical call at a Grand Slam could have been botched like that. Advertisement There were a couple of further wrong calls that were at least correctly overruled by the umpire. The FFT did not respond to a request for comment on the officiating errors from the match. Later on Chatrier, Tiafoe was involved in a number of heated discussions with the umpire Janzen during his defeat to Musetti. On one occasion in the fifth set, Janzen got off his chair and incorrectly overruled an out call. The players are generally in favour of ELC, partly because while they know it's not completely infallible, there's certainty and no argument. Speaking of arguments, it's getting harder and harder to make one for relying on humans to make these decisions. Charlie Eccleshare Pretty much everyone who even vaguely follows tennis knows about or remembers the Rafael Nadal vs. Roger Federer Wimbledon final in 2008. Very few remember either of their paths to that final, however. Both were incredibly straightforward, with just one set dropped between them along the way. As the rounds went on, it felt as though each was trying to outdo the other and send out a little statement. Something similar is happening here, where the top two seeds Jannik Sinner and Carlos Alcaraz are taking it in turns to showcase their title credentials in their bids to set up a meeting in Sunday's final. After Sinner eviscerated Jiří Lehečka Saturday for the loss of just three games, Alcaraz beat a much tougher opponent in Ben Shelton the following day, even if it took him four sets. Sinner then thrashed a similarly ranked opponent to Shelton in Andrey Rublev on Sunday night, losing eight games. Not to be outdone, Alcaraz only gave up five in a 6-0, 6-1, 6-4 battering of American world No. 12 Tommy Paul on Tuesday night. Sinner took two hours to beat Rublev; Alcaraz only took 94 minutes to get past Paul, who was physically hampered but would not have quelled the version of Alcaraz he played even at full fitness. Advertisement The way it's been going, perhaps Sinner was watching Alcaraz's masterclass against Paul and thinking about how he could improve on it in his own quarterfinal Wednesday. So good luck, Alexander Bublik. Charlie Eccleshare Tell us what you noticed on the tenth day… (Top photo of Lorenzo Musetti: Alain Jocard / AFP via Getty Images; design: Eamonn Dalton / The Athletic)


New York Times
2 hours ago
- New York Times
More about Musetti's ball-kick that hit lineperson
Follow live reaction from Roland Garros after Carlos Alcaraz convincingly beat Tommy Paul in straight sets (6-0, 6-1, 6-4) Getty Images Both American men that reached the French Open quarterfinals have been eliminated on day 10. Carlos Alcaraz (2) needed just 94 minutes to see off U.S. No.2 Tommy Paul (12) in straight sets after compatriot Frances Tiafoe (15) was beaten in four sets by Lorenzo Musetti (8). Earlier in the day, Aryna Sabalenka (1) beat Olympic champion Zheng Qinwen (8) to set up a mouthwatering semifinal against defending champion Iga Świątek (5), who beat Elina Svitolina (13) in straight sets. TV: TNT, truTV, Tennis Channel (U.S.); TNT, Discovery+ (UK) TNT, truTV, Tennis Channel (U.S.); TNT, Discovery+ (UK) Streaming: Max for main coverage, Fubo (try for free) for secondary Max for main coverage, Fubo (try for free) for secondary Join the discussion: live@ GO FURTHER Tennis gets the Iga Swiatek vs. Aryna Sabalenka showdown the WTA Tour craved Connections: Sports Edition Spot the pattern. Connect the terms Find the hidden link between sports terms Tennis is weird about defaults — the ultimate penalty for bad behavior, which involves automatically losing the match. Whether or not a player smacks a ball in frustration, or throws or kicks it like Musetti, the penalty more often than not is outcome-based. If the person struck is in distress, the player gets defaulted, they are allowed to continue. But per the rulebook, that should be irrelevant. 'Players shall not violently, dangerously or with anger hit, kick or throw a tennis ball while on the grounds of the tournament site except in the reasonable pursuit of a point during a match (including warm-up). 'For purposes of this rule, abuse of balls is defined as intentionally or recklessly hitting a ball out of the enclosure of the court, hitting a ball dangerously or recklessly within the court or hitting a ball with disregard of the consequences.' The most famous default for ball abuse in recent times came in the 2020 U.S. Open, when Novak Djokovic was defaulted from his match against Pablo Carreño Busta after accidentally striking a linesperson with the ball. The problem with the logic currently applied is that it gives players credit for being in control of something which they are not in control of. Smashing or kicking a ball into a crowd of people or an enclosed space is risky. Whether or not it hits someone with a glancing blow or square on is pure luck. Musetti is lucky to still be on court. Musetti 6-2, 4-6, 2-1* Tiafoe Things got a bit testy in that service game. It got to 30-30, with Frances Tiafoe eager to get a break point chance. Lorenzo Musetti said, 'Not this game.' The Italian blasted a 191 km/h ace, his fifth of the match. Then, he crunches a cross-court forehand winner, before letting out a loud 'Come on.' Still on serve in the third set. How does the American respond? Musetti 6-2, 4-6, *1-1 Tiafoe I blinked and Frances Tiafoe's service game was over. Getting a quick hold is critical for the American to keep pace with Lorenzo Musetti. We're tied in the third set. The Italian serves now... Musetti 6-2, 4-6, 1-0* Tiafoe Oh my goodness! That was such a cheeky backhand slice from Lorenzo Musetti. The ball just catches the far left line in to give the Italian the game. A big start for Musetti to secure the opening service hold of the third set. Your turn, Frances Tiafoe... Getty Images Musetti 6-2, 4-6, *0-0 Tiafoe No worries here. Tiafoe swiftly out to 40-15 and this tempo is proving a little too hot for Musetti to handle right now. A Tiafoe forehand flier seals the second set and we are back on level terms. Boy could this match get really fun from here… Over to you, Lukas Weese — I will leave you in his extremely capable hands from here! To clarify, Lorenzo Musetti's warning for unsporting behaviour came as he kicked a loose ball in frustration — which did indeed fly into the line judge's chest. Frances Tiafoe was very quickly asking the umpire for a default too. Musetti 6-2, 4-5* Tiafoe Lorenzo Musetti has looked so calm for the majority of this match — and indeed this French Open. For a moment though, it looks like he's playing rattled. That includes Tiafoe coming into the net and winning a soft point to put on a little more pressure. But Musetti comes through that to hold. Next up, Tiafoe serving for the second set… Getty Images Musetti obviously felt that too. He is served with a warning for unsporting behaviour as he whacks a ball and it flies into the chest of a line judge. The Italian looks a bit sheepish after that too. Rightly so. Getty Images Musetti 6-2, *3-5 Tiafoe Tiafoe at 40-30 opts to drop and Musetti not only makes it — he manages to run his pick-up along the top of the net, before it drops on Tiafoe's side. We've had the odd roar into the sky from the American in this game. But then he takes out the frustration on a forehand winner crosscourt, which is an absolute peach. Hold sorted — one game from the second set now for Tiafoe… Musetti 6-2, 3-4* Tiafoe There has been a huge improvement in Frances Tiafoe's serves in this second set, compared to the first. His first-serve percentage is up from 52 to 79, his points won on those serves from 54 to 58, and his top speed hitting 252km/h compared to 196. It's giving Tiafoe a platform — but he has to keep his foot on the pedal. Musetti has a look at 30-30 in this one… Getty Images Musetti 6-2, 3-4* Tiafoe Another pair of holds as we tick through the middle part of this second set. Musetti's hold to love comes with an outrageous drop shot that almost threatens to bounce back over the net given how much spin there is on it. Admittedly, hitting the line and the gusty wind also play a part in that. It feels like we're in the calm before the real storm arrives in the coming games. Over to you, Frances… Musetti 6-2, 2-3* Tiafoe It felt like Musetti wanted to settle down a little bit — equally, Tiafoe knew consolidating his previous break was in the bag. So it's a swift hold to 15 and we're back on the Tiafoe serve after the changeover. Getty Images Musetti 6-2, *1-3 Tiafoe Back onto the Tiafoe serve we go, where Musetti is 15-30 and mucks up going between his legs as he chases back on the cover. The Italian continues to give Tiafoe real problems but this time, Tiafoe judges a drop shot much better. It still takes another shot, but that other shot flies into the open court. One break point saved by Tiafoe but another two come along as the Italian senses a way back in. And when I say sense, maybe I just mean the vibes from some of the incredibly nonchalant shots that Tiafoe is playing. By some distance the longest game of the match and after three visits to deuce, the American finds the first serves he needs to hold on and consolidate his previous break. Getty Images Musetti 6-2, 1-2* Tiafoe Now then, Tiafoe has a look at 0-30 after a strong forehand winner. But somehow he fails with a smash and then volley at the net on the same point, to let Musetti off the hook. It should be 0-40. Instead it's 15-30. Maybe Musetti then feels sorry for the American? Because he throws in his first double fault of the match, then sends his next first serve into the net… Some of the salvage operations being run here by Musetti are so impressive thereafter, and Tiafoe is also giving him the next shot so many times. But after a couple of smashes, Tiafoe takes the second of two break points to finally dent the Musetti serve in this match. Getty Images Musetti 6-2, *1-1 Tiafoe Musetti continues to fire off the backhand winners, now up to four for the match. But when Tiafoe is nailing his first serve, these games become so much easier for him. He tidies up here and we're now fully up and running in this second set. Getty Images Musetti 6-2, 1-0* Tiafoe It is such a bonus when you're on top in a set, to then win it earlier than you might so you can also serve first in the second. Musetti is serving well, and he drills through that opening service game of the second set to 15 — and to make sure Tiafoe doesn't get a sense of a fresh start. Getty Images I watched Lorenzo Musetti in last year's semifinal against Novak Djokovic at Wimbledon. He lost in straight sets that day, but earned plenty of plaudits for his elegant playing style. One of those shots today — a jauntily flicked one-handed backhand that turned into a flashing cross-court winner — is just one of the shots in his arsenal. Brilliant stuff. Musetti 6-2, *0-0 Tiafoe We are being treated to some wonderful shots off the racket of Lorenzo Musetti. A beautiful flicked backhand flies crosscourt and clips the line, as he travels to 0-30. A poor drop shot and fluffed forehand on his heels puts Tiafoe in real trouble, facing two break points and handing Musetti the first service game in the second. And so it plays out. Tiafoe tiptoes into the net off a wobbly approach and volleys wide of the target. Musetti has the first set inside 35 minutes and looks more than comfortable right now. Getty Images Musetti 5-2* Tiafoe Just a few signs that Musetti can be a bit flimsy here against a full-force Tiafoe. A lazy backhand into the net gets Tiafoe to 30-30 and the backhand power then brings the American his first break point of the match — saved by a remarkable backhand slice from Musetti that almost tickles the net before dying at Tiafoe's feet. From there, Musetti isn't hanging around and he holds. The Italian is now a game away from taking the first set.

Associated Press
3 hours ago
- Associated Press
French Open: Carlos Alcaraz beats a hurting Tommy Paul 6-0, 6-1, 6-4 to return to the semifinals
PARIS (AP) — It's tough enough for any player to deal with Carlos Alcaraz at the French Open. When you're not at your absolute best against the defending champion, as was the case for Tommy Paul in the quarterfinals Tuesday night, there's no chance. No. 2 seed Alcaraz returned to the semifinals at Roland-Garros for the third consecutive year with a 6-0, 6-1, 6-4 victory over No. 12 Tommy Paul, who had his right thigh heavily taped and was unable to run, serve or hit groundstrokes at full force. It took just 52 minutes for Alcaraz to collect the first two sets. The 22-year-old Spaniard compiled a 23-5 edge in winners in that span, and the final totals were 40-13. Things got more competitive in the third set, which Paul led 4-3 as some spectators at Court Philippe-Chatrier chanted his first name. But Alcaraz grabbed the next three games to wrap things up after a little more than 1 1/2 hours. Alcaraz, seeking his fifth Grand Slam trophy, is the first reigning men's champion in Paris to get back to the semifinals the next year since 14-time French Open champion Rafael Nadal in 2021. He improved to 20-1 on red clay this season and leads the men's tour with 35 wins and three titles. Alcaraz's opponent in the semifinals will be No. 8 Lorenzo Musetti, who eliminated No. 15 Frances Tiafoe in four sets earlier Tuesday. The last two men's quarterfinals are Wednesday: No. 1 Jannik Sinner vs. unseeded Alexander Bublik, and No. 3 Alexander Zverev vs. 24-time major champion Novak Djokovic. Paul, a semifinalist at the 2023 Australian Open, and Tiafoe, a two-time semifinalist at the U.S. Open, were the first American men to get to the round of eight at Roland-Garros since Andre Agassi in 2003 — and the first pair to do so in the same year since Jim Courier and Pete Sampras in 1996. Since Agassi completed his career Grand Slam by winning the French Open in 1999, U.S. men are now 1-60 against opponents ranked in the top 10 at the clay-court tournament. ___ Howard Fendrich has been the AP's tennis writer since 2002. Find his stories here: More AP tennis: