
‘Out of the blue': search for answers goes on after North Sea tanker collision
In the North Sea, about 12 miles off the coast of East Yorkshire, the smouldering wreck of a 183-metre tanker is being kept in place by tugboats.
The central part of the vessel has been caved in, with water gushing from a hole in its side. Sections are covered in black soot, evidence of the raging blaze that engulfed the ship when it was struck by a smaller cargo ship on Monday morning, with the flames from multiple explosions only just dying down on Tuesday afternoon.
The 220,000 barrels of jet fuel the tanker was carrying for the US military has mostly burned up, experts say, though it had ignited to a degree that the huge plume of smoke was visible from space, a swirl of black clearly identifiable on satellite images.
The vessel it was hit by, the 140-metre Solong, drifts about two miles south, also with grey smoke emanating from somewhere inside. Shipping containers on its deck are charred and beaten. It is likely to sink.
'Modelling suggests that should Solong remain afloat, it will remain clear of land for the next few hours. The assessment of HM Coastguard is, however, that it is unlikely the vessel will remain afloat,' the maritime minister, Mike Kane, told parliament on Tuesday afternoon.
Though not entirely unique by global standards, a sight such as this is rare off the British coast, and a collision resulting in loss of life is even rarer.
It was 9.48am when the alarm was first raised.
The US-flag tanker, Stena Immaculate, had been stationary having arrived from a port in the Peloponnese region of Greece, ship-tracking software shows. It had been anchored while it waited for a berth to become available at the Killingholmeport, on the River Humber, its management company, Crowley, said.
Solong was sailing from Grangemouth in Scotland to Rotterdam in the Netherlands, at a speed of about 16 knots, equivalent to 18 miles an hour, when it collided with the tanker.
Normally a ship should be detectable on radar 24 miles (39km) away, and visible approximately 10 miles away. Fog and haze meant the visibility was poor, though this is not something uncommon in the North Sea.
There should have been at least one crew member on deck of the Solong but a crew member of the Stena Immaculate told CBS News that the Solong 'came from out of the blue' and it appeared no one was on its bridge when the crash happened.
It is thought alerts set up to warn of an impending crash may have been disabled. These devices are prone to false alarms, according to one former captain, and can be a nuisance for crews.
At 10.20am, after reports of a 'massive fireball', the coastguard put out a signal to nearby boats and ships, saying: 'Solong has collided with tanker Stena Immaculate in the outer anchorage, both vessels are abandoning. Vessels who have firefighting equipment or who can assist with search and rescue contact Humber coastguard on channel one six. Vessel Stena Immaculate is carrying jet 1A fuel, which is on fire and in the water. Request vessels remain at a safe distance.'
Firefighting vessels raced to the scene to help control the blaze and lifeboats were scrambled to support the response and assist in evacuating the crew of both ships. A total of 36 people were taken to shore safely, with one treated in hospital. One man is missing presumed dead, having entered the water and not been accounted for among those rescued.
Initial reports speculated the highly toxic chemical sodium cyanide may have been aboard the Solong but these were later proved incorrect – it had four empty containers that had previously held the substance, its German owner, Ernst Russ, said.
Fire crews battled to get the inferno under control throughout Monday and into Tuesday. By Tuesday afternoon most of the fire was out and a multimillion pound salvage operation was beginning, with salvage experts and investigators arriving in Grimsby, attempting to understand how the crash occurred.
While it remains unclear which country will lead the investigation into the collision – it is usually agreed between the 'flags' of the vessels – Humberside police on Tuesday said a 59-year-old man had been arrested on suspicion of gross negligence manslaughter.
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The Guardian
an hour ago
- The Guardian
Ronald Corp obituary
Ronald Corp, who has died aged 74, made an indelible mark on the British music scene, particularly in his work with choral singers. Having founded the New London Orchestra in 1988, he went on to establish and conduct its children's choir, as well as directing the London Chorus (previously the London Choral Society) and Highgate Choral Society, bringing together singers of all ages and abilities. A prolific composer, especially of choral pieces and songs, he wrote in an engaging style that delighted performers and audiences alike. His works in all genres were well crafted, often characterised by lively, syncopated rhythms and abundant melodic appeal. In 1996 he launched a series of recordings of Light Music Classics (four of British music, one of European and one of American) with his New London Orchestra. The British discs featured the signature tunes to such classic radio and television programmes as The Archers, Music While You Work, Dr Finlay's Casebook and Desert Island Discs, with scores by Eric Coates, Ronald Binge and many others. His own music, though similarly easy on the ear, was generally more serious in tone, owing much to the English choral tradition; it was also mildly dissonant, with Benjamin Britten, Holstian bitonality and Martinů among the notable influences. Corp's aim in founding the New London Children's Choir was to involve children in the performance of music both traditional and contemporary. To that end, he both commissioned pieces by such composers as Michael Nyman and Louis Andriessen (both patrons of the choir) and wrote many himself. The choir made multiple appearances at the BBC Proms and at other venues, as well as recording for film and television. Born in Wells, Somerset, the son of Geoffrey, a municipal gardener, and an amateur pianist and piano accordionist, and his wife, Elsie (nee Kinchin), Ronald began composing even before he learned to play the piano, using his own notation to remind himself of his intentions. After studying music at Oxford University, where Simon Preston was an important mentor, he worked for the BBC in London as a librarian, producer and presenter (1973–87). In 1999 he was ordained as a priest in the Church of England, serving as a non-stipendiary minister successively at St Mary's Kilburn, St Mary's Hendon and St Alban the Martyr, Holborn. A considerable proportion of his vocal works are settings of sacred texts or works by such poets as Gerard Manley Hopkins (Laudamus), George Herbert (Mary's Song), Francis Thompson (The Hound of Heaven) or John Ruskin (Nothing Can be Beautiful Which is Not True), reflecting his religious and ethical approach to life. Despite his calling, he did not restrict himself to Christian texts. Adonai Echad (2000), for soloists, choruses and orchestra, juxtaposes texts from the Jewish and Christian faiths, including psalms, prayers and poems. His orchestral compositions included four symphonies, two piano concertos and concertos for flute, recorder and cello. The Wayfarer (In Homage to Mahler), drawing on melodic fragments from that composer's music, was composed for Help Musicians UK and premiered at the Royal Festival Hall, London, in 2011. It may be performed either by 16 solo singers (as at the premiere), or chorus and orchestra. Another piece for chorus and orchestra, This Sceptr'd Isle, was given its premiere at the Barbican the following year in a concert with the Highgate Choral Society, marking the diamond jubilee of Queen Elizabeth II. And All the Trumpets Sounded, given its premiere in 1989 by the Highgate Choral Society, which commissioned it, was considered by Corp his first important composition. Referencing Vaughan Williams's Dona Nobis Pacem and Britten's War Requiem, both of which he hugely admired, the work similarly features poems of the first world war, the requiem sequence and the trumpets of the Last Judgment. Other substantial choral works with orchestra included Behold the Sea (2016), again commissioned by the Highgate Choral Society. Among his smaller-scale works were Dover Beach, commissioned by the BBC Singers, and a setting of Dante for the ensemble Gesualdo Six. His operas included The Pelican, based on the play by Strindberg; Wenceslas, a Christmas opera for children; and The Ice Mountain, also for children. Letters from Lony (2017) was a setting of letters from a Jewish woman in Nazi-occupied Amsterdam, Leonie (Lony) Fraenkel, to her infant grandson, Peter Lobbenberg, unfolding a story of the writer's removal from her home to the Westerbork transit camp, to Theresienstadt and thence to Auschwitz. Scored for soprano, piano and string quartet, the work is essentially conversational – there are mentions of the ping-pong club upstairs and a bathtub crocodile that squirts water – though Corp succeeded in darkening the tone in a series of four interludes. He was due to conduct it again at the Three Choirs festival this August. He was a voracious reader, not least of poetry, and his songs include sets devoted to the verse of individual poets, among them Walt Whitman, Francis Thompson, Robert Browning, AE Housman, WB Yeats and William Blake. As in his choral works, Corp displayed a mastery of word-setting: his compositions were unfailingly pleasing to sing. Some of Corp's finest music is contained in the symphonies: the First, with its opening bold brass sonorities presaging powerful harmonic plunges later; the darker, serious-minded Second and Third; and the Fourth commissioned for the chamber forces of the Echo Ensemble. The Cello Concerto, with its movingly elegiac slow movement, and the First Piano Concerto are also worthy of special note. Releases on CD included The Songs of Ronald Corp sung by Mark Stone; Dhammapada, a setting of Buddhist texts for chamber choir; three string quartets, a clarinet quintet ('Crawhall') and the dramatic scena The Yellow Wallpaper, adapted from the short story of Charlotte Perkins Gilman. His recordings of music by other composers included, in addition to the light music series, Rutland Boughton's opera The Queen of Cornwall, and works by John Foulds, Arthur Sullivan (Corp was vice-president of the Sullivan Society), Satie, Poulenc, Prokofiev and Grazyna Bacewicz. His orchestrations of Satie's Trois Gnossiennes featured in the film Chocolat (2000), starring Juliet Binoche. Corp believed strongly in the spiritual power of music. Inspired by his religious faith, a thirst for life and a sense of the act of creation as a voyage of discovery, he used to say that 'a day without writing is a day wasted'. In public and private, he was a warm-hearted, sympathetic man, who wanted his music to be useful to society. He is survived by his civil partner, John Glass, sister, Pauline, and brother, Robert. Ronald Geoffrey Corp, composer, conductor and priest, born 4 January 1951; died 7 May 2025


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