
Why Arabic art is everywhere in Scotland now – and why it matters
Few will have missed the opening in Edinburgh last month of the Palestine Museum. Located on Dundas Street in the New Town, it is devoted to contemporary Palestinian art and is the first of its kind in Europe. And if you make the journey across the Tay to visit the excellent Garden Futures exhibition at V&A Dundee you'll find a chunk of the show devoted to garden design as a force of cultural expression in various places, including in the Israeli-Occupied West Bank. In the same show there's also a massive, wall-mounted mosaic panel in yellows and blues showing floral motifs and dating from the 17th century. It was originally sited in Isfahan, the ancient city in Iran renowned for its Persian-Muslim architecture.
Elsewhere Iranian film director Jafar Panahi won the Palme d'Or for It Was Just An Accident, shot secretly in his homeland, and No Other Land, by the Palestinian-Israeli team of Basel Adra, Hamdan Ballal and Yuval Abraham, won the Oscar for Best Documentary Feature at this year's Academy Awards. The Middle East and its art is swirling all around us, if we care to look.
Back in Dundee, meanwhile, the V&A is about to open a new exhibition titled Thread Memory. It uses textile design to tell the history of Palestinian dress and tatreez – the elaborate hand-embroidery through which women mark their identities and chart the ups and downs of their lives. Some of the textile exhibits are from the V&A mother-ship in London, though some have come from the Palestinian Museum in Birzeit in the Occupied West Bank. There's also a selection of jewellery, veils and archival photographs, and the show has been mounted in part to celebrate the 45th anniversary of Dundee's twin city relationship with Nablus, which has a population of 150,000 and sits just north of Jerusalem. That show opens on June 26.
Still from a video work by Wael Shawky (Image: Wael Shawky) There's more. Heading south-west from Nablus and south from Dundee brings us to Egypt and Edinburgh. The first is the birthplace of artist Wael Shawky, who last year represented the country at the 60th Venice Biennale and whose video work uses puppetry to dissect the legacy of the crusades among other things. The second is home to the Talbot Rice Gallery, where Sawky sets up from June 28 in an expansive exhibition which promises to be once of the centrepieces of this year's Edinburgh Art Festival.
Artistic events and innovations like these don't alter the day to day reality of life in the region. The bombs and missiles continue to fall. But enquiring minds willing to engage with the contemporary art and culture of the Arab world will find context and explanation in these places – and maybe even a dash of hope. Please do take up the offer.
Egyptian artist Wael Shawky sets up from June 28 in an expansive exhibition at Talbot Rice Gallery (Image: Wael Shawky)
Home time
Its seven year refit must have tried the nerves and the patience of all involved, but no matter: Glasgow's feted Citizens Theatre finally re-opens on September 12 with the premiere of Small Acts Of Love, a major new work about the bonds forged between the people of Lockerbie and the American relatives of those who lost their lives in the bombing of Pan Am 103 over the town in December 1988. Now, full cast details have been announced for the 14-strong production which will be led by Blythe Duff.
Featuring music by Deacon Blue's Ricky Ross in collaboration with playwright Frances Poet, the show will use a five-piece band including Louis Abbott, frontman of Mercury Prize-nominated Admiral Fallow, and Jill O'Sullivan, formerly with Sparrow And The Workshop and now performing as Jill Lorean. Also in the cast are Robbie Jack and Beth Marshall, who both appeared in BBC dramas Lockerbie: The Bombing Of Pan Am 103.
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'To be announcing our cast for Small Acts Of Love is an exciting and pivotal moment in our journey home,' says Citz director Dominic Hill. 'Ranging from some of the most experienced and well-known actors in Scotland to newly graduated stars of the future, this cast and this production announce the ambition and quality of the new Citizens Theatre.'
Lots to look forward to, then. And ahead of that, the Citz will be mounting a multi-day autumn Homecoming festival to whet the appetite for what promises to be a welcome re-awakening.
And finally
The Herald critics have sharpening their pens, filling their notebooks and – in the case of intrepid reporter Martin Williams – pogoing in the grass at Bellahouston Park, but each leaving the show with a surfeit of observations and opinions.
At regular hunting ground Òran Mór, theatre critic Neil Cooper watched Gothic comedy-drama The Haunting Of Agnes Gilfrey, a co-production between Mull Theatre and the island's An Tobar art centre. He also visited Pitlochry Festival Theatre where he enjoyed a revival of Grease, strengthened he thinks by owing more to the original stage show than the blockbuster film version.
The pogoing came courtesy of the throng of ageing punks who turned up to watch an outdoor Punk All-Dayer featuring The Stranglers, The Undertones, The Rezillos, Buzzcocks and Skids, and headlined by the Sex Pistols, with Frank Carter replacing you-know-who on vocals. Good fun. All that remains to be determined is what is the proper collective noun for a bunch of ageing punks moshing to Anarchy In The UK, No More Heroes and Into The Valley. Answers on a beermat, please.
Finally, Gabriel McKay headed to a hot and sweaty King Tut's Wah Wah Hut to see Mallrat, aka fast-rising Brisbane-born indie pop challenger Grace Shaw. Plot the mid-point between Olivia Rodrigo and Lana Del Rey and you won't be far off a description of her winning pop sound.
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Daily Mail
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The Sun
3 hours ago
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Scotsman
4 hours ago
- Scotsman
Edinburgh Fringe comedy reviews: Zainab Johnson Charlie Mulliner
Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Zainab Johnson: Toxically Optimistic ★★★★ Pleasance Courtyard (Venue 33) until 24 August Zainab Johnson calls herself 'toxically optimistic', the legacy, perhaps, of a terrible accident she suffered as a teenager, hospitalising her for a year but leaving her relatively unscathed. That's the context for her disclosing she's bought a gun. The US stand-up may be debuting at the Fringe. But she's performed in Europe enough to appreciate the frisson of discomfort such a statement might cause in these isles. 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So she and us can only guiltily enjoy the sass that she wields when she acquires the shooter. The final third of this smoothly related, consistently compelling hour seems to take a leftfield turn, with Johnson recalling the bond she formed with an actual home invader, an opossum. However, prompted by the experience of another comic, there's justification for this tactic, with her demonstrating she can do anything she puts her mind to on stage. Jay Richardson Love Hunt ★★★★ Just the Tonic at The Caves (Venue 88) until 24 August A vivacious blend of character comedy and clowning, Charlie Mulliner's Love Hunt delightfully depicts yearning, desire and soul-searching in all its messy chaos. Her principal creation is Amber, a privileged but pitiable young woman. She's poured herself into a decade with Rob, an unfeeling, oblivious rugger bugger, who leaves her utterly distraught and desperate when he casts her aside. Relating their relationship in heartbreaking, unwitting testimony, unable to fully appreciate the wretchedness of their loveless procession through skiing holidays with well-to-do friends, the whirl of endless weddings and external pressure to tie the knot, Amber is a beautifully realised study in personal implosion. Advertisement Hide Ad Advertisement Hide Ad Thanks to Mulliner's affecting, exquisitely pitched performance, you'll find yourself laughing hard at the character's romantic naivety, her commitment to conventional illusions of happiness, then sad and guilty for doing so. Never for too long though, because you're invested in Amber's recovery. And Mulliner intersperses her resurgence with various other, more outlandish characters. The first of these is a wild-eyed nun, slavish in her commitment to rooting out lustful thoughts in the crowd, pelting hither and thither with a bloodhound's nose for sin, inhaling the reek of carnality as a vicarious turn-on. At the opposite end of the spectrum and indeed, the universe, is a lonely star, RSF32, hesitantly dipping its points into dating, its shy inhibition expressed in a winningly soft Welsh accent. A hardcore, antipodean personal trainer is maybe the least original of Mulliner's set, her commitment to the burn and ill-disguised mismanagement of her own issues approaching caricature. But then the vampiric femme fatale is a familiar archetype as well. And the comic imbues hers' with a viscerally gruesome horror. Entertainingly involving the audience, getting them on board to support her, Love Hunt is a fun, early afternoon diversion to gladden your heart and soul. Jay Richardson Trevor Lock: How to Drink a Glass of Water ★★★ Hoots @ The Apex (Venue 108) until 24 August We are asked to observe our fellow audience members closely at the start of the show and to compose a couple of lines of poetry. We will learn a lot about everyone in the room – where they are from, relationship status, even spiritual beliefs. Advertisement Hide Ad Advertisement Hide Ad Lock, who is drinking a glass of water, asks a series of questions which divide the room, over and over again, into a myriad of different possibilities. Some of the questions are comic, some are intriguing, others are psychological and some are positively cosmic. It's an object lesson in the way comics capture our attention and analyse a room, but this time we are part of the process. It becomes quite dream-like as an experience. We are all the same, even if we have different points of view. We are an audience. Lock talks us through a few of the entries in an alternative dictionary he claims to be writing. And he suggests a plethora of alternative ways to configure a hipster restaurant. It's a strangely hypnotic show which reveals our common humanity by showing what separates us and what we have in common. The poems, which Lock reads out to us at the end, are surprisingly lovely. Claire Smith Tiff Stevenson: Post Coital ★★★ Hive 1 @ Monkey Barrel Comedy (Venue 313) until 24 August She might have mis-sold this show by giving it such a sexy title, particularly as it's taking place in one of Edinburgh's most notoriously smelly cellars. But Tiff Stevenson has a lot to get off her chest – and she's not going to let the sulphurous surroundings get in the way. Her subject is womanhood – and the expectations placed upon us as we age. In her youth, Tiff was a bit of a babe. It has to be said she's ageing very gracefully, but she's noticed that the world doesn't leap to attention for her in the same way it used to. Now she's fully in her power, but also starting to think about ageing, especially as she's concerned about her dad, who is living with dementia. Advertisement Hide Ad Advertisement Hide Ad Tiff always has an interesting perspective on class, and she brings out some choice hypocrisy about the way women are treated depending on their accent and their social status. I loved her material about dementia, which was beautifully written and full of insight and compassion. I'd actually like to hear her talk about the subject for a full hour, particularly if it could take place in a fragrant, light-filled room. Claire Smith Robin Ince: The Universe and the Neurodiverse ★★ Gilded Balloon at the Museum (Venue 64) until 17 August Once a regular nerdy comic known as a lover of rare and obscure books, Robin Ince is now a popular broadcaster who brings a bit of levity to shows about science and hobnobs with the stars. The show starts well with some lovely photos Robin took on his morning walk around Arthur's Seat. There's some poetry, some half-arsed observations about art and science, rather a lot of name-dropping and far too many exhortations for all of us to 'Be Kind.' His audience, who he describes as mostly librarians and knitters, listen politely. Perhaps they are being kind. Claire Smith 50 Ways To Succeed at a Pointless Job ★★ Advertisement Hide Ad Advertisement Hide Ad Hollywood at Laughing Horse @ City Cafe (Venue 85) until 24 August It is tricky to put one's finger on quite why this show fails to be funny, because the premise is good, some of the writing is not bad, and there is such a wellspring of ridiculous business jargon and methodology to draw on. But when the guy from the audience who wins the Pointless Bingo prize comes up at the end to give the bucket speech and wipes the floor with both performers, you realise that a comic needs to be more than someone who just says the occasional well-crafted comedy line.