logo
Rodin ‘copy' sells for $1.26 million in France

Rodin ‘copy' sells for $1.26 million in France

Straits Times09-06-2025
A marble sculpture by French sculptor Auguste Rodin entitled "Le Desepsoir" (The Despair), created between 1892 and 1893. PHOTO: AFP
RENNES, France - The owners thought the sculpture perched for years on the corner of a piano was a Rodin copy, but after being declared as the real thing the small marble figure has now sold for €860,000 (S$1.26 million) at auction, organisers said on June 9.
Described as an 'extremely rare' find by auction organiser Aymeric Rouillac, the figure was in fact an 1892 work, 'Despair' by Auguste Rodin, that had gone missing after being sold at auction in 1906.
The work was put on sale at the weekend at an opening price of €500,000, but eventually sold for €860,000, according to Mr Rouillac.
The family had long believed the 28.5cm figure of a sitting woman holding one foot was a copy of the legendary sculptor's work, said Mr Rouillac.
After the owners approached Mr Rouillac about another matter, he and his team spent months investigating the origin of the sculpture, including even looking into the family's origins.
He went to the Comite Rodin in March and the body that is considered the leading authority on the French artist confirmed its authenticity six weeks later.
Mr Rouillac said the committee found that 'Despair' was sold at auction in 1906 and then disappeared from view.
'So we have rediscovered it,' he told AFP. AFP
Join ST's Telegram channel and get the latest breaking news delivered to you.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

6 highlights from JF3 Fashion Festival 2025
6 highlights from JF3 Fashion Festival 2025

Vogue Singapore

time7 hours ago

  • Vogue Singapore

6 highlights from JF3 Fashion Festival 2025

@jf3_info Within the bustling pulse of Southeast Asia's fashion calendar, JF3 Fashion Festival 2025 supported by the facilities of Summarecon Malls, steadily grew into something much bigger than an annual event—this year held from July 24 to 27 at Summarecon Mall Kelapa Gading and July 30 to August 2 at Summarecon Mall Serpong. Now in its 21st edition, JF3 stands as a bubbling, vibrant ecosystem—the strongest and most comprehensive fashion ecosystem in Indonesia, supported by a wide network of partners. At the heart of this symbiotic platform lies a fierce dedication to uplifting Indonesian craft and entrepreneurship. Mr. Soegianto Nagaria, chairman of JF3, has transformed the festival from the city's fashion event into a modish regional force shaping sartorial culture and commerce. Mrs. Thresia Mareta, founder of Lakon Indonesia and trusted advisor to JF3, brings sustainable craftsmanship and cultural preservation to the table, weaving them into the festival's DNA. Beyond runway showcases and talks, JF3 even holds its own Model Search, spotlighting fresh faces alongside emerging designers. Also, meaningful initiatives like the PINTU Incubator fuel emerging talent and spark lasting connections that ripple across borders, solidifying JF3 as a growing powerhouse in the region. Mrs. Thresia Mareta, founder of Lakon Indonesia and advisor to JF3, and Mr. Soegianto Nagaria, Chairman of JF3, with the JF3 Model Search winners. Courtesy of JF3 The 2025 theme, Recrafted: A New Vision, perfectly captures this zeitgeist. It invites creators to see heritage as a pristine foundation for limitless evolution. Artistry embraces change, pushing boundaries while honouring the finesse thoughtfully injected into every handmade creation. Homegrown designers thread age-old techniques into fresh narratives, while partnerships with Korean and French creatives bring eclectic energy that invigorates the festival. This year, JF3 takes it a step further by expanding its network through a collaboration with Busan Fashion Week. Through runway shows, panel talks, and cross-cultural collaborations, JF3 chronicles fashion as a dynamic platform for cultural exchange, creative growth within Southeast Asia and global horizons. JF3 Fashion Festival is alive and thriving, carving a future for the Southeast Asian fashion industry that's grounded in cultural preservation and charged with restless innovation. Below, peruse through six highlights from this year's festival. Courtesy of JF3 1 / 6 PINTU Incubator The PINTU Incubator carried its torch as a creative crucible, connecting Indonesian talent with French mentorship from École Duperré Paris. Now in its fourth year, this vital bilateral platform brings together six Indonesian brands—CLV, Dya Sejiwa, Lil Public, Nona Rona, Rizkya Batik, and Denim It Up—and three emerging designers from École Duperré: Pierre Pinget, Björn Backes, and Mathilde Reneaux. After six months of intensive incubation, these creatives showcased their journey in a collaborative runway titled 'Echoes of the Future by PINTU Incubator featuring École Duperré' at JF3. Beyond the runway, the program's residency immerses French designers in Indonesia's rich culture and crafts like batik and weaving, fueling a hands-on cultural exchange. This blend of heritage and innovation sparks fresh conversations on how craft evolves in a globalised fashion landscape, underlining the incubator's role in nurturing voices that will shape the future of the industry's cultural narrative. Courtesy of JF3 2 / 6 K-Fashion show The K-Fashion show brought three brands—Doucan, Re Rhee, and Reonve—to the JF3 runway, their collections a dance between fluid contemporary shapes and digital prints that nod subtly to heritage. This was a tangible blossoming of an artistic dialogue between Korea and Indonesia, amplified by the Memorandum of Understanding (MoU) signing that happened right before the show, promising a rich creative exchange in the years ahead. Getty 3 / 6 Homegrown voices: Indonesian designers The festival's heartbeat pulsed strongest in its celebration of Indonesian designers uniquely speaking their own creative languages. Ernesto Abram's Radical Revolutionary collection roared with punk-fueled energy, layering heritage motifs over exaggerated silhouettes and 3D-printed accents that whispered of a future already in motion. At the same time, Hartono Gan refined tailoring to a sharp polish, infusing '80s sensibility with fresh confidence. Sofie's Algorirebel transformed the sarong into a playground of patchwork and contemporary cuts, rebellious yet deeply rooted. Meanwhile, Brilianto's Mahakirti plunged into Nusantara's spiritual depths, weaving modern silhouettes with intricate motifs that breathed mythology into the present day. 4 / 6 A talk on the role of fashion media and the creative ecosystem A highlight panel brought together Lakon Indonesia founder Thresia Mareta, Vogue Singapore's Publisher-at-Large Bettina von Schlippe, and Ramon Galicia, Chief Operating Officer of One Mega Group and Publisher of VMAN SEA, to dive deep into the vital role of fashion media within the creative ecosystem. Beyond just reporting trends, they unpacked how fashion journalism shines a spotlight on emerging voices and designers, helping them gain crucial recognition and access to resources needed for growth. The enriching conversation also emphasised the urgency of preserving and celebrating Southeast Asia's unique cultural artistry, building a strong local foundation that can then propel regional and international expansion. It served as a powerful and timely reminder that storytelling and media are essential engines for driving a sustainable and vibrant future for our industry. Getty 5 / 6 Lakon Indonesia x Victor Clavelly x Héloïse Bouchot: Urub Urub was nothing short of an experiential journey, a visionary spectacle where the gritty grit of heritage collided with a fantastical sci-fi edge. Lakon Indonesia's signature unruly spirit was the perfect foil to Victor Clavelly and Héloïse Bouchot's armour-inspired 3D printed designs—pieces that twisted and warped the human form into surreal sculptures of body and technology. The show was a rare alchemy of craftsmanship and cutting-edge innovation, enveloped in theatrical storytelling that transcended the traditional runway format. Getty 6 / 6 French designers bring drama to Jakarta French designers brought a dramatic close to the festival's runway lineup, with each voice uniquely pushing boundaries and blending eras. Paris-based Solène Lescouët fused punk glam rock with '70s flair, her collection rich with expressive colors and theatrical visuals. Jude Ferrari, founder of Ferrari Ornella, Jude, Salomé, Julia, delivered RODEO—a wild mix of urban grit and Wild West-inspired silhouettes that boldly fused eras. Louise Marcaud's minimalist, Bauhaus-inspired designs brought retro-futuristic elegance to the stage, her work marrying local craftsmanship with strong, sculptural forms. Together, they elevated the festival's narrative with punk-fueled storytelling and a fearless play with fashion's visual language.

Rock band Oasis reunion tour set to worsen UK inflation woes
Rock band Oasis reunion tour set to worsen UK inflation woes

Straits Times

time9 hours ago

  • Straits Times

Rock band Oasis reunion tour set to worsen UK inflation woes

Sign up now: Get ST's newsletters delivered to your inbox The Britpop band's sell-out concerts this month could lift headline inflation by as much as four basis points. The Oasis comeback tour looks set to add to a resurgence of inflation in the UK, complicating an already tricky situation that has divided the country's central bank. The Britpop band's sell-out concerts this month could lift headline inflation by as much as four basis points if they coincide with the Office for National Statistics' data collection dates, according to economists. A jump in the consumer prices index would be unwelcome ahead of a crucial autumn for the Bank of England as it decides whether it can carry on cutting interest rates even as prices spike. The situation echoes Taylor Swift's UK tour last year when some commentators argued that it helped to fuel services inflation, primarily by pushing up hotel prices. However, any effect will be temporary and contained to July and August's data as the tour moves on to North America in September before returning to London long after possible data collection dates. The Oasis reunion caused a scramble to see the most successful band of the 1990s Britpop era with fans paying hundreds of pounds for tickets, while songs such as Live Forever, Wonderwall and Don't Look Back in Anger re-entered the UK singles chart. The Gallagher brothers Noel and Liam – known for their feuding – last performed together in 2009. Top stories Swipe. Select. Stay informed. Singapore NEL, Sengkang LRT resume service after hours-long power fault; Punggol LRT remains down Singapore Live: NEL services resume fully; Sengkang-Punggol LRT services still unavailable Singapore Plan to base Singapore's F-15 fighter jets in Guam cancelled Business Singapore raises 2025 economic growth forecast but warns of uncertainty from US tariffs Singapore Off-duty SCDF officer dies after accident in Punggol; 15-year-old pillion rider taken to hospital Singapore 14 political parties asked for proof of existence have yet to comply with foreign interference law: MHA Business Goh Cheng Liang, Nippon Paint billionaire and richest Singaporean, dies aged 98 Business StarHub buys rest of MyRepublic's broadband business in $105m deal; comes after Simba buys M1 The effect from the band's Edinburgh gig may be amplified by it coinciding with the Fringe festival that takes over the Scottish capital throughout the month. TD Securities said headline inflation will be lifted by four basis points at most with its data showing hotel prices booked one day in advance of the Aug 8 concert were, compared with the same period last year, 65 per cent higher for three-star hotels and up 50 per cent for four-star stays. Capital Economics also pointed to a possible effect from one of the band's Manchester concerts in July that happened the day after a possible collection date. It said there is 'perhaps a greater chance of an effect with the Oasis concerts' than with Taylor Swift's tour. 'The Bank will be able to have a go at quantifying it and ignore it as a one-off price effect that won't be repeated,' said Mr Paul Dales, chief UK economist at Capital Economics. 'At the margin, though, it could give some more ammunition to those on the MPC who want to cut interest rates more slowly because they are worried about inflation being too high for too long. If in doubt, they may want to sit on the sidelines,' he added. While the central bank policymakers cut interest rates last week by a quarter point, officials are becoming more wary over price pressures. They are particularly concerned about whether it causes second-round effects as workers try to make up lost income. The Bank of England now expects inflation to peak at 4 per cent in September, driven by a stronger-than-expected surge in food bills. Mr James Rossiter, head of global macro strategy at TD Securities, said the Oasis concerts and Fringe festival 'put immense upward pressure on hotel prices in Edinburgh'. 'It's important to note that Edinburgh has a small weight in the hotel CPI index,' Mr Rossiter said. 'At a stretch, if prices remain where they are, this could temporarily boost UK headline inflation by about 3 to 4 basis points in August.' The ONS has tweaked how it collects hotel prices after recent volatility caused by surges in demand. Instead of relying on quotes on a single day, it now takes price readings at different times during the month. Barclays estimates that fans expect to spend more than £1 billion (S$1.7 billion) attending the Oasis tour – an average of £766 per person. However, economists believe that such events are unlikely to be a major boost for the economy as gig-goers merely offset the extra spending elsewhere. BLOOMBERG

Taylor Swift announces 12th album for 'pre pre-order'
Taylor Swift announces 12th album for 'pre pre-order'

Business Times

time9 hours ago

  • Business Times

Taylor Swift announces 12th album for 'pre pre-order'

[WASHINGTON] US popstar Taylor Swift announced her 12th album, titled 'The Life of a Showgirl, for 'pre pre-order' just after midnight on Tuesday (Aug 12) in posts on her website. Her online shop displayed blurred images of a record, CD and cassette tape overlaid with a glittery orange lock, explaining the album artwork would be 'revealed at a later date.' A disclaimer also notes that the release date has not yet been announced, and the album will ship before Oct 13. 'So I wanted to show you something,' the singer says in a video clip posted to her Instagram as she holds up a vinyl album, its cover completely blurred. 'This is my brand new album The Life of a Show Girl', she says in the clip from the 'New Heights' podcast, hosted by her boyfriend, American football player Travis Kelce, and his brother, ex-NFL player Jason Kelce. The Life of a Showgirl is the follow-up to Swift's last studio album, The Tortured Poets Department, which was released last year and sold 1.4 million copies the first day. A NEWSLETTER FOR YOU Friday, 2 pm Lifestyle Our picks of the latest dining, travel and leisure options to treat yourself. Sign Up Sign Up Since 2021, she has been making good on her vow to re-record her first six studio records in a bid to own the rights to them. In May, the 14-time Grammy Award winner, who was locked in a feud with record executives since 2019 over the ownership of her music, said she had bought back the rights to her entire back catalogue for an undisclosed sum. The 35-year-old songwriting sensation shattered records with her nearly two-year-long Eras tour that ended last year. It raked in US$2 billion over 149 shows around the world, making it the most lucrative tour in music history. Tickets for the tour sold for sometimes exorbitant prices, and it drew millions of fans. AFP

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store