![Double Screening of "Hypnosis Mic -Division Rap Battle-" and "Uta no☆Prince-sama♪ TABOO NIGHT XXXX" at Anime Expo 2025! [Official Report]](/_next/image?url=https%3A%2F%2Fenglish-kyodo.ismcdn.jp%2Fmwimgs%2Fb%2Fc%2F1200x%2Fimg_bc68242378defe6d6e4572968157915a276251.jpg&w=3840&q=100)
Double Screening of "Hypnosis Mic -Division Rap Battle-" and "Uta no☆Prince-sama♪ TABOO NIGHT XXXX" at Anime Expo 2025! [Official Report]
Official Report: Double Screening of "Hypnosis Mic -Division Rap Battle-" and "Uta no☆Prince-sama♪ TABOO NIGHT XXXX" at Anime Expo 2025
"Hypnosis Mic -Division Rap Battle-" Movie
I arrived at the cinema fifteen minutes early, securing a front-row seat on the second floor. The crowd seemed sparse, but a glance downstairs revealed groups of cosplaying fans, light sticks in hand. My attention then shifted to the screen, displaying a QR code for an app to vote for battle winners during the film. This wasn't just a movie; it was an interactive experience where the audience would decide the outcome of the rap battles.
The film, "Hypnosis Mic -Division Rap Battle-" or "HypMic," depicts a world where physical violence is outlawed. Conflicts are settled through rap battles using "Hypnosis Mics," which influence the mind, with winning teams gaining territory. These battles are organized by the "Party of Words," a female-led group, featuring teams from various divisions.
The battles are fought in teams of three, with six representative teams:
● Buster Bros!!!: Representing Ikebukuro Division
● MAD TRIGGER CREW: Representing Yokohama Division
● Fling Posse: Representing Shibuya Division
● Matenrou: Representing Shinjuku Division
● Bad Ass Temple: Representing Nagoya Division
● Dotsuitare Hompo: Representing Osaka Division
Teams advance from the first stage of the tournament and emerge victorious from the second stage's round-robin battles to earn the right to challenge the "Party of Words" in the final battle. While the movie itself covers the entire final stage, this special Anime Expo edition concludes after the second stage.
A key feature of this film is an innovative movie experience powered by the CtrlMovie app. After each battle sequence, a 10-second voting countdown begins, during which viewers tap the logo of the team they believe performed better. Within seconds, the winner is displayed on screen, and the story progresses.
As the outcome for each team hinges on the audience's earnest votes, tension builds during the countdown, even for those unfamiliar with the series. When results are revealed, the venue fills with cheers of joy and cries of disappointment, fostering a powerful sense of unity among attendees.
The team members' reactions and comments vary based on the results, offering a unique story with each viewing. With an astonishing 48 different possibilities, fans will undoubtedly be eager to experience every permutation.
Anticipation surged as I observed the venue filling up, with seats completely taken and standing room only at the rear and throughout the ground floor. The MC began to hype up the crowd, and finally, the screening commenced.
The event began with thunderous applause, as each team showcased their performance in their respective divisions. The atmosphere was electric with excited cheers and fans waving color-coded glowsticks, a detail whose purpose—color coordination—now became clear. The video presentation effectively highlighted each character's unique traits and team dynamics. This was followed by an opening movie featuring all participants, allowing their individual voices to be heard, and setting the stage for the upcoming competitions. The crowd's equally intense enthusiasm for all teams made the outcome entirely unpredictable.
And now, it's time for the rap battles!
Battle 1: Buster Bros!!! vs. Bad Ass Temple
This highly anticipated face-off pitted former teammates Ichiro (Buster Bros!!!) against Kuko (Bad Ass Temple). As the voting results were revealed, the Buster Bros!!! logo appeared, eliciting a dramatic mix of cheers and gasps. A touching moment of mutual respect between Ichiro and Kuko on screen was met with warm applause from the audience.
Battle 2: MAD TRIGGER CREW vs. Dotsuitare Hompo
Samatoki (MAD TRIGGER CREW) and Sasara (Dotsuitare Hompo), once partners, knew each other's every strength and weakness. However, this was a team battle, demanding maximum collective power for victory. Dotsuitare Hompo's logo appeared during the decisive voting, sparking a massive cheer. Samatoki's gracious acceptance of defeat garnered encouraging shouts, leaving a lasting impression.
Battle 3: Fling Posse vs. Matenrou
The relationship between Ramuda (Fling Posse) and Jakurai (Matenrou) was marked by an apparent mutual discomfort, adding intrigue to their battle. Their close proximity during the performance ignited shrill screams of excitement from the crowd. Matenrou's logo emerged victorious at the crucial voting moment, leading to a mix of cheers and screams. The tension between the two seemed to dissipate, with Jakurai considering Ramuda a friend, though Ramuda's amusement and irritation at Jakurai's unintentionally condescending remarks were a highlight.
The Second Round: Round-Robin Battle
The three victors from the first round—Buster Bros!!!, Dotsuitare Hompo, and Matenrou—faced off in a round-robin format. During the decisive voting, with cheers echoing for each team, Dotsuitare Hompo emerged triumphant. The arena erupted in the loudest cheers and screams of the day, bringing the event to a thrilling conclusion.
The "Hypnosis Mic" screening concluded just as we were anticipating the final face-off with "Party of Words."
Despite the outcome not favoring my preferred team, I'm eager to witness how the battle unfolds between the Kansai-based "Dotsuitare Hompo" and the all-female "Party of Words."
You can find the voting results for this screening at: https://hypnosismic-movie.com/voting-status/ax2025/
For those interested, all voting results from screenings held in Japan are available here: https://hypnosismic-movie.com/voting-status/results/
I highly recommend checking them out!
"Uta no☆Prince-sama♪ TABOO NIGHT XXXX" Movie
Following a brief shift in the audience from "HypMic" to "UtaPri" fans (though in small numbers), the MC's introduction of "UtaPri" ignited immense excitement. This marks the third theatrical release in the "Uta no Prince-sama Maji LOVE" series, a multimedia franchise rooted in an otome game (a dating simulation for female players). This particular film features full live animation and centers on QUARTET NIGHT, a group of four senior idols, in an entirely new story.
The members are:
● Reiji Kotobuki
● Ranmaru Kurosaki
● Ai Mikaze
● Camus
Setlist:
● Jewelful XXXX
○ Seize me if you can (Reiji)
○ Force & Faith (Ranmaru)
○ Wandering in a maze (Ai)
○ Do you know who I'm (Camus)
● Ice Pierrot (Camus)
● Rei-Zero- (Reiji)
● Black Panther (Ranmaru)
● Am I a fairy or...? (Ai)
● The RUN to the RAY (Reiji & Ranmaru)
● God Love Keihou Hatsurei (Ai & Camus)
● TABOO NIGHT XXXX (All)
● JINN-Ω-RAY (All)
The audience changed their light sticks to match each idol's image color, cheering enthusiastically and perfectly executing the call-and-response chants - all in Japanese, of course. Th scene was reminiscent of an idol live concert in Japan, brought to life right here in the theater.
Event Overview
Anime Expo 2025
'HYPNOSISMIC -Division Rap Battle- Movie / Utano☆Prince Sama TABOO NIGHT XXXX' Screening
July 5, 12:30–2:30 PM | The Novo
About "HYPNOSISMIC -Division Rap Battle- Movie"
Introduction
"HYPNOSISMIC -Division Rap Battle-" is Japan's first theatrical film to be an interactive movie. The outcome of the rap battle that unfolds on the screen is decided by the audience's votes in the theater. Voting takes place in real time via a smartphone app, and the story progresses according to the choice that receives the most votes. The development and ending (= the winning division) of each screening will change depending on the choices made by each audience member... This is Japan's first participatory video experience.
Cast
Buster Bros!!!
Ichiro Yamada: Subaru Kimura
Jiro Yamada: Haruki Ishiya
Saburo Yamada: Kohei Amasaki
MAD TRIGGER CREW
Samatoki Aohitsugi: Shintaro Asanuma
Jyuto Iruma: Wataru Komada
Rio Mason Busujima: Shinichiro Kamio
Fling Posse
Ramuda Amemura: Yusuke Shirai
Gentaro Yumeno: Souma Saito
Dice Arisugawa: Yukihiro Nozuyama
Matenrou
Jinguji Jakurai: Show Hayami
Hifumi Izanami: Ryuichi Kijima
Doppo Kannonzaka: Kent Ito
Dotsuitare Hompo
Sasara Nurude: Ryota Iwasaki
Rosho Tsutsujimori: Kengo Kawanishi
Rei Amayado: Takaya Kuroda
Bad Ass Temple
Kuko Harai: Shota Hayama
Jyushi Aimono: Yuki Sakakihara
Hitoya Amaguni: Eiji Takeuchi
Party of Words
Otome Tohoten: Yu Kobayashi
Ichijiku Kadenokoji: Chiaki Takahashi
Nemu Aohitsugi: Nozomi Yamamoto
©HYPNOSISMIC -Division Rap Battle- Movie
About "Utano☆Prince Sama TABOO NIGHT XXXX"
Synopsis
Witness QUARTET NIGHT's New Pinnacle: Utopia!
Cast
Reiji Kotobuki: Showtaro Morikubo
Ranmaru Kurosaki: Tatsuhisa Suzuki
Ai Mikaze: Shouta Aoi
Camus: Tomoaki Maeno
©UTA☆PRI-MOVIE TN PROJECT
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Tokyo Weekender
7 hours ago
- Tokyo Weekender
Upcoming Tokyo Exhibitions and Art Shows: August 2025
A look at upcoming exhibitions and art shows across Tokyo for the month of August. Whether you want to see some traditional Japanese art or a modern exhibit, here's everything worth checking out. List of Contents: Tokyo Art Shows in August Tokyo Exhibitions in August Related Posts Tokyo Art Shows in August Aki Sasamoto: Laboratory Explore Aki Sasamoto's 20-year journey in Laboratory, blending sculpture, performance and video at the Tokyo Metropolitan Museum. Date & Time Aug 23-Nov 24・10:00-18:00・Last entry 30 minutes before closing Price Free Location Tokyo Metropolitan Museum of Contemporary Art, 3F Special Exhibition Room More Details 60th Anniversary Gacha Gacha Exhibition Gachapon, or capsule toys, have been a staple of Japanese pop culture. Marking the 60th anniversary of gachapon in Japan, the Marunouchi Building is hosting a special exhibition highlighting the evolution of the toys and some of the biggest names in the industry. Date & Time Jul 26-Aug 15・10:00-19:00・Last Admission at 18:30, Closes at 17:00 on the last day of the exhibit (Last Admission: 16:30) Price ¥1200 for adults, ¥1000 for high school students, ¥800 for elementary and junior high school students, free for preschool children Location Marunouchi Building More Details Exhibition: World Fair in Japan 1970-2005 Architecture fans will delight in this deep dive into Japan's Expo designs, from Osaka in the '70's to Aichi 2005's eco-conscious pavilions. Date & Time Mar 08-Aug 31・10:00-16:30 Price Free Location National Archives of Modern Architecture More Info Closed on Mondays, except public holidays (closed the following day instead) More Details The Fear Exhibition The Fear Exhibition, at the Beam Gallery in Shibuya, explores fears and anxieties of the human heart. Focusing on both conventional and irrational fears, the exhibit is an opportunity for visitors to explore a wide range of phobias while also confronting their own fears. Date & Time Jul 18-Aug 31・11:00-20:00・last admission 30 minutes before closing Price ¥2300 Location Shibuya Beam More Details Isao Takahata Exhibition: The Man Who Planted Japanese Animation Explore the life and legacy of Isao Takahata, co-founder of Studio Ghibli, through rare art and materials from his iconic films, including Grave of the Fireflies, opening this summer at Azabudai Hills Gallery. Date & Time Jun 27-Sep 15・10:00-20:00・Last Entry 19:30 Price ¥1,200-¥2,000 Location Azabudai Hills Gallery More Details Ooku: Women of Power in Edo Castle Ooku: Women of Power in Edo Castle is a new special exhibition at the Tokyo National Museum running from July 19 to September 21 organized in cooperation with the Tokugawa Memorial Foundation. The exhibit features over 180 artifacts, connecting guests to the Empress Dowagers, concubines and maids of the shogunate. Date & Time Jul 19-Sep 21・~17:00・closed on July 22, open until 20:00 every Friday and Saturday, last admission 30 minutes before closing Price ¥2100 for adults, ¥1300 for university students, ¥900 for high school students Location Tokyo National Museum More Details The Architecture of Sou Fujimoto: Primordial Future Forest The Mori Art Museum will be exhibiting "The Architecture of Sou Fujimoto: Primordial Future Forest," a comprehensive overview of projects from architect Sou Fujimoto's design journey. Date & Time Jul 02-Nov 09・10:00-22:00・10:00-17:00 on Tuesdays, Open until 22:00 on September 23 Price ¥2300 for adults, ¥2000 for seniors, ¥1400 for university/high school students, free for children Location Mori Art Museum More Info admission price varies on weekends and holidays, online tickets are discounted More Details Discover Tokyo, Every Week Get the city's best stories, under-the-radar spots and exclusive invites delivered straight to your inbox. By signing up, you agree to our Privacy Policy . Tokyo Exhibitions in August Ando Teru Exhibition: The Sculptor of The Hachiko Statue This exhibition revisits the sculptor behind Shibuya's beloved Hachiko statue, marking 80 years since his death. Date & Time Jun 21-Aug 17・10:00-20:00 Price ¥1000 Location The Shoto Museum of Art More Info Closed on Mondays (except for July 21, and August 11, 2025), July 22(Tue.), and August 12(Tue.), 2025 More Details Related Posts Vatican Returns 26 Martyrs of Japan Portraits to Japan After 94 Years Kioi Seido: Tokyo's Enigmatic 'Building With No Purpose'


Yomiuri Shimbun
11 hours ago
- Yomiuri Shimbun
Ghost Story Boom Triggered by Social Conditions; Experts Theorize Why People Are Drawn to Ghost Stories
Ghost stories, called 'kaidan' in Japanese, are enjoying a quiet boom in the country. Live performances by popular ghost storytellers attract large crowds, and paperbacks featuring ghost stories are regularly published. Experts say that the boom has been fueled by YouTube and anxiety about the future of society. Popular after COVID-19'I'll share a somewhat strange story.' In March, ghost storyteller Murakami Rock, 47, began speaking slowly to customers under dim, purple-red lighting at Thriller Night, a bar in Tokyo's Kabukicho district that features live ghost storytelling. Murakami's performance opened with a description of a strange experience he heard about from a man in his the story, the man moves into a new apartment in Tokyo and starts to experience strange things in it a few days later. The apartment, which was built on land that had been vacant for nearly 50 years, has something very wrong with it. At one point, the story takes a spine-chilling turn. Murakami's skillful storytelling captivated the audience, who found themselves screaming in terror. The bar's main attraction is that customers can enjoy ghost stories while drinking alcohol. The interior is decorated with eerie Western dolls, skeletons and other creepy items, creating a spooky atmosphere. Every day, the bar attracts many customers wanting to hear ghost stories told live, giving it a reputation for providing 'amazing experiences.' Murakami, who said he was a 'struggling actor,' became a storyteller specializing in ghost stories in 2014. His popularity got a boost thanks to performances that he streamed on YouTube beginning in 2021 during the COVID-19 pandemic.'The response was huge,' Murakami said. 'As soon as the pandemic subsided, the bar started getting many customers.' He is now a highly sought-after ghost storyteller, getting requests to perform from all over the country. The publishing industry is also enjoying the ghost story boom. Takeshobo Co., for example, publishes the 'Takeshobo Kaidan Bunko' (ghost story paperback) series, releasing five books a month. The series specializes in ghost stories that are based on the authors' own experiences or the accounts of others. Yoriko Ogawa, deputy editor-in-chief, explains that ghost-themed videos and ghost story gatherings have become popular since the pandemic. 'Many readers are impressed by the fact that the people who experienced the events actually exist, which gives the events a sense of realness and authenticity,' Ogawa said. Ghost story culture in EdoThe history of ghost stories in Japan started many years ago. Some ghost stories are already found in 'Konjaku Monogatari-shu,' a collection of old tales from the Heian period (794 to late 12th century). Ghost story culture flourished during the Edo period (1603-1867). Some ghost stories were adapted into kabuki plays that gained popularity among common people. 'Yotsuya Kaidan' (The ghost story of Yotsuya) based mainly on rumors that spread in Edo, now Tokyo, is among those stories. According to Prof. Yoshiyuki Iikura, a folklorist at Kokugakuin University who is knowledgeable about ghost stories, death was a frequent occurrence in everyday life during the medieval period due to wars and epidemics. In the era of peace that followed, death became more of a distant concept. As a result, people began to be scared by ghost stories, which relate to death, and even enjoy them for entertainment. Prof. Iikura said: 'Ghost stories didn't flourish during times of war. People only started enjoying them when there was no more immediate threat to their lives.' Many ghost stories from the Edo period, such as 'Yotsuya Kaidan,' feature oppressed women who become ghosts and seek revenge against powerful men. 'Although society in the late Edo period was stable, there was a sense of stagnation, and common people were anxious about the future,' Prof. Iikura said. 'They sought to vent their frustrations through ghost stories.' 'Real-life ghost stories' in 1990s People today may share a mindset of using ghost stories to distract themselves from anxiety. Ghost story researcher Yuki Yoshida, 44, says that the recent boom began in the 1990s, when 'school ghost stories' became popular in books and films. Then 'real-life ghost stories' based on personal experiences emerged and went mainstream. The collapse of the bubble economy, which filled people with anxiety about the future, coincided with the growing popularity of ghost stories. 'Ghost stories depict a mysterious and unstable world,' Yoshida said. 'That's why they resonate with unstable social climates and easily attract people.' He added, 'They evoke a certain sense, suggesting that this world is not the only one, that there might be another world out there.' Awe of deceased in disaster areas Ghost stories have also become an important bridge, connecting the memories of deceased loved ones with the feelings of those living today. Prof. Kiyoshi Kanebishi, an expert of disaster sociology at Kwansei Gakuin University, compiled a book titled 'Yobisamasareru Reisei no Shinsaigaku' (Awakened Spirituality in Earthquake Disaster Studies) with his seminar students and had it published by Shin-yo-sha Publishing Ltd. while working at Tohoku Gakuin University. The book includes accounts of ghost sightings in areas affected by the 2011 Great East Japan Earthquake. In Ishinomaki, a city in Miyagi Prefecture affected by the disaster, several taxi drivers said they had 'ghost' passengers after the earthquake. A common thread in these narratives is that the people involved felt Lemore awe or kindness toward the ghosts than fear. Some people have visited the locations where the ghosts are said to have appeared in hopes of sensing the presence of their missing loved ones. 'In disaster-affected areas, ghosts are treated thoughtfully,' Prof. Kanebishi said. 'Unusual phenomena involving the appearance of deceased people are viewed as relatively common events.' One possible reason for the emergence of ghost stories is that the unprecedented quake resulted in a huge number of missing people. Many surviving families have had difficulty sending their loved ones off to the afterlife and calming their souls. 'The feelings of the families of missing people have not settled down,' Prof. Kanebishi said. 'I want people to understand that those in disaster-affected areas have a different perception of ghost stories from the typical perception involving curses and evil spirits.'


Japan Today
12 hours ago
- Japan Today
Japan publisher sorry for column targeting people with foreign roots
A Japanese publisher has apologized for running a column in its weekly magazine last month that was criticized as discriminatory toward people with foreign roots and for promoting xenophobia. In the column in the July 31 issue of "Shukan Shincho," published by Shinchosha, journalist Masayuki Takayama discussed naturalization and attacked author Ushio Fukazawa -- who is of Korean descent -- for speaking out against discriminatory attitudes in Japan. Shinchosha said in a statement, "We offer our sincerest apologies. We are acutely aware of, and take responsibility for, our shortcomings as a publisher." "We recognize that while 'freedom of speech and expression' is extremely important, the scope of that freedom varies depending on the subject matter and social context, and changes over time," the publisher added. At a press conference the same day, Fukazawa said, "I wonder how frightened people with foreign roots must feel." She added, "I hope Japan remains a country where people from diverse backgrounds can live with pride." Comments condemning the column from around 40 individuals, including novelist Natsuo Kirino and manga artist Akiko Higashimura, were also presented. In the column, Takayama also bashed model Kiko Mizuhara for accusing a producer in the Japanese film industry of sexual harassment, saying, "She was born to an American and a Korean, and has absolutely no connection or ties to a Japanese." "It's hard to accept someone using a Japanese name while sounding as if they are exposing Japan from the inside. Shouldn't they speak openly under a foreign name instead?" he wrote. Shinchosha previously suspended publication of its monthly magazine "Shincho 45" after it was lambasted in 2018 for running a contributing piece that used a derogatory term to describe the LGBT community. © KYODO