Billy Idol details near death experiences involving heroin and motorbikes
The 69-year-old 'Dancing with Myself' hitmaker, real name William Broad, just premiered a documentary about his life, Billy Idol Should Be Dead, at the Tribeca Festival.
As the film's title suggests, Idol had multiple scrapes with death in his youth due to heavy drug use. In the first scene, he references a near-fatal overdose in 1984 where he took heroin with some friends in London.
After taking multiple lines of the Class A narcotic, Idol turned blue and was resuscitated in an ice bath.
'I nearly died that night. And the next day, we're on Top of the Pops doing 'Eyes Without a Face',' he told the iPaper of the incident.
Idol moved to New York City in 1981 to pursue a solo career in music. His debut studio album Billy Idol (1982) became a commercial hit in the US with singles 'Dancing with Myself' and 'White Wedding'.
He hadn't received the same warm reception in the UK and wanted his 1983 Rebel Yell album to be a hit at home, selling millions of copies like his music had done Stateside.
'I'm just glad I didn't die,' he said, 'because I had this great album and I wanted to come back to England and say – 'Now what do you think?' I nearly blew that. So I'm glad I lived through it.'
Idol had so many near-fatal overdoses in the mid-Eighties that his father, an accountant, flew to America and staged an intervention.
'I needed someone to show me they loved me beyond the music,' Idol reflected. Yet, his father's love couldn't: 'I suppose when you're that young, you just don't see the red flags that much,' he said.
In 1990, Idol was involved in a severe motorbike accident he was lucky to survive and almost saw him lose a leg.
While in hospital, he was put on a main box that injected him with pure morphine every 12 minutes, which ironically helped him give up drugs.
'I thought, 'When are you ever going to be on something this pure again? Never,' he said. 'How high can you get? I think I'm there.''
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You want to show up and know your parts, as every detail is very important to him. He is also constantly thinking about ways to make the show better. Even during our soundchecks, he'll say, 'I have a thought of adding this here,' so the show is constantly developing and consequently fresh. I am filled with gratitude that I get to do this. It's great being in Billy's band. He is a fascinating human and is a lot of fun. Billy is so well read and is a wealth of information. His obsessions are World War II and Elvis Presley. I've learned a lot from him on our travels together. 'It's great being in Billy's band. He is a fascinating human and is a lot of fun. Billy is so well read and is a wealth of information. His obsessions are World War II and Elvis Presley. I've learned a lot from him on our travels together.' – Paul Trudeau GM: The It's a Nice Day to…Tour Again! concerts also include Joan Jett and the Blackhearts. PT: I've been watching their performances from the side of the stage. They have a song called 'If You're Blue,' from their 2023 6-song EP Mindsets, which I am just obsessed with. GM: Now onto your new album Lost Diamond Boy. Steve plays acoustic guitar on the bouncy 'Three Little Things.' PT: When I went to record the album, Steve said, 'Let me know if you want me to stink up your record or anything.' I love his playing on everything. Musically, 'Three Little Things' sounds simple but there are subtle changes throughout the song while I deliver the lyrics. When I write lyrics, I try not to think about them too much. My lyrics give me something to sing, but when I look back at what I have written, it means something to me. I have trained myself to not overthink things. Most of my lyrics tend to be about personal relationships with other people, whether it be romantic or otherwise. GM: 'Kindness of Strangers' is a steady rocker with wild guitar and drums, the most Billy Idol-like song on the album. PT: Shawn Fabian plays guitar on that one. He and I are friends who go way back. Before I moved from Boston to Los Angeles, I had an interim stop in Santa Barbara for a period, met Shawn, and was in a band with him called Young Adults, a cover band where we played many Billy Idol songs. He has fire in his playing and is always his own worst critic. I tell him when he is in the studio to not overthink his playing, just be who he is. He played such a cool solo. Erik Eldenius, also in Billy's band, plays drums on the song, and throughout the album, and on my prior album, Shirley Road in 2017. When we made that album, I had been playing with Billy for a couple years, and I knew Erik before that too. On Shirley Road, Erik and I weren't in the same room at the same time. Working on this album brought our relationship closer and I can't say enough about his playing. When I was putting the band together with my producer Camilla Darling, the only thing I knew for certain is that I wanted Erik to be on the album. There is a trust element. He understands what I am trying to accomplish and supports it perfectly. I feel safe having Erik as the drummer. GM: While Camilla Darling was producing your album, her uncle Dave Darling was producing Bernie Barlow's album. She joins you on background vocals for the gentle ballad 'Which Way to Go,' which also has a pedal steel guitar that adds such warmth. PT: Bernie's vocal adds a lot, and that was Doug Livingston playing pedal steel guitar, an instrument I have always loved. One of my favorite albums is Neil Young's Harvest, which feels like a moment in time being captured and includes pedal steel guitar and strong background vocalists. GM: Doug's steel pedal guitar and your piano blend nicely on 'Gaslight' a beautiful plea to understand a lost love. PT: Another one of my favorite albums that sonically captures a moment in time is Elton John's Madman Across the Water and I drew from that for 'Gaslight.' I wrote the song at the beginning of a relationship, played it for my girlfriend at the time, and it affected her because she was planning to break up with me. I must have been sensing something. It was a weird premonition but we're still good friends. GM: Another instrument that comes through nicely on the album is Eric Gorfain's violin on 'Taken Away' PT: Eric has played on other Blue Élan artists' recordings, so I have known him for a while. Also, he is the stepdad of my son's ex-partner, so there is a six degrees of separation element with him. I pictured having a string quartet, but Camilla told me that it would be one of the most expensive things to do, so we went with Eric, and he played beautifully on this song and on 'Break You.' GM: You mentioned, 'Break You,' which is a wonderful duet with Kathy Fisher, and what a surprise it was to hear her sing first, before you, on your song. This is a wonderful duet on par with Suzi Quatro and Chris Norman's 'Stumblin' In' and Stevie Nicks with Don Henley on 'Leather and Lace.' The strings, flute, keyboards, and piano create a wonderful atmosphere. PT: I wrote the song, recorded a demo of it, and reconnected with Kathy, who I met when I first got to L.A., hung out, played music, and wrote some songs. She said that she would sing a harmony part for me on this song. I sent her the track, and she sang what was planned as a harmony part. I listened to it and wondered what it would sound like if I just started with just her vocal part. A good singer-songwriter friend of mine told me, 'You shouldn't have Kathy start it off because then it sounds like you are singing on her record.' I remember another male artist having a duet start with a female vocal leading it off, and I always thought that was a cool thing to do. GM: You have mentioned California quite a bit, well there certainly is a Red Hot Chili Peppers influence on the power ballad 'One at a Time' with a guitar solo from your son Lucien Valen. PT: It was fun having Lucien on the project, blasting out a bunch of songs. 'One at a Time' is the most genre removed song from what the rest of the album sounds like. I am so pleased that this album is one of your favorites of 2025. I'm honored. Thank you for having me. It was so lovely chatting with you. To celebrate Lost Diamond Boy, Paul Trudeau will perform a special album release show this Thursday, August 7 at 7:15 p.m. at Molly Malone's in Los Angeles, bringing his songs to life in an intimate setting. Related links: Related items in our Goldmine store (see below): Click here for the Goldmine store This story was originally reported by Goldmine on Aug 4, 2025, where it first appeared. Solve the daily Crossword