‘David Goldblatt: No Ulterior Motive' Review: The Aura of Apartheid
New Haven, Conn.
There are some works of art so magisterial that the only appropriate response to them is silence, because anything one says will be inadequate and could potentially diminish them. The photographs of David Goldblatt are of that order, so I proceed with trepidation in discussing 'David Goldblatt: No Ulterior Motive' at the Yale University Art Gallery through June 22. Judy Ditner, curator of Photography and Digital Media at Yale, ably organized the roughly 150 mostly black-and-white prints. Ms. Ditner, with Leslie M. Wilson and Matthew S. Witkovsky, also edited the excellent catalog.
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7 days ago
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He launched modern conservatism, but what do we really know about William F. Buckley?
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The reactionary Buckleys mirrored the progressive Massachusetts dynasty — Wall Street tycoons as patriarchs, a rough-and-tumble household, heated discourse on global events — but with conflicting views on public service. (Bill was just four days younger than Robert F. Kennedy, a champion of racial equality.) When the Republican center of gravity migrated toward the Sun Belt, Buckley embraced Barry Goldwater, sensing the Arizona maverick was shifting the Overton Window. Those Great Elm affectations did not always fit amid a party whose emerging power brokers tried to connect with middle- and working-class white voters. As Tanenhaus writes, 'Bill Buckley had been a great figure. But that time had passed. A new ideological battle was forming — rather, a new cultural battle' among the ranks of the GOP, the genteel National Review 'outmoded,' 'Blue Bloods' receding before 'Blue Collars.' 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