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Ahmaud Arbery's mother ‘overwhelmed' by choral tribute to her son: L.A. arts and culture this week

Ahmaud Arbery's mother ‘overwhelmed' by choral tribute to her son: L.A. arts and culture this week

Ahmaud Arbery. His name is just one that we've come to associate with senseless racial violence in America. On the afternoon of Feb. 23, 2020, in Georgia's Glynn County, Arbery, 25, was out running when three white men chased him down and shot him. His death ricocheted across the nation just three months before the murder of George Floyd by a white Minneapolis police officer.
Now, five years later, the Grammy-winning choral ensemble Tonality is dedicating a show to Arbery at the Wallis in Beverly Hills. The May 24 program, 'Put Your Guns Down,' includes the world premiere of founding Artistic Director Alexander Lloyd Blake's piece 'Running From, Running To: A Musical Reflection on Ahmaud Arbery.'
Arbery's mother, Wanda Cooper-Jones, will attend the concert and has already heard Blake's 30-minute work for choir, orchestra and soloists. She took time while traveling to answer questions via email about experiencing the music.
'When I first heard the composition, I was overwhelmed. It's beautiful. I wish I could play it over and over again,' Cooper-Jones wrote. 'The fact that someone took the time to honor Ahmaud in this way — it means more than I can put into words. One of the movements is called 'Running Free,' and when I heard that, I told Alex that it was like we were made to make a connection.'
After Arbery's death, Cooper-Jones channeled her grief into creating the Ahmaud Arbery Foundation, which champions mental health awareness and provides scholarships and youth development camps for young Black men.
'One of my favorite quotes from Ahmaud is, 'When life gets hard, you gotta get hard with it,'' Cooper-Jones wrote. 'I hear his voice saying that all the time, especially when I get to the point where I want to give up. Starting the Ahmaud Arbery Foundation hasn't been easy. It's hard work. But those words keep me going.'
Arbery, Cooper-Jones explained, inspired everything she does.
'He had a way of leaving every person with 'I love you,' no matter who they were. Since losing him, I try to do the same, letting people know I love them, just in case I leave here tomorrow,' she said. 'Through the foundation, I'm working to be the change for young Black men like Ahmaud who may be facing mental health challenges or simply struggling to find their place in the world. If they choose running as their outlet, I want them to be able to run free, without fear. That's what this work is about, honoring Ahmaud's legacy by fighting for freedom, for justice, and for love.'
Tonality's Blake also wants to honor Arbery's life with his music.
'I remember reading about Ahmaud Arbery's story in 2020 and feeling a deep frustration at how little attention it received. That frustration led me to create a project in 2020 with 60 Black musicians to honor the countless Black lives lost without consequence,' Blake wrote in an email. ''Running From, Running To' is my way of ensuring his story is not forgotten — a reflection of our need to remember, to heal, and to strive toward justice that has yet to be fully realized.'
'Put Your Guns Down,' begins at 7:30 p.m. on Saturday at the Wallis Annenberg Center for the Performing Arts. Tickets can be purchased at thewallis.org.
I'm arts and culture writer Jessica Gelt, grateful for Cooper-Jones' reflections on the power of love. Here's a rundown of this week's other arts news.
Playwright and actor Roger Q. Mason made waves with their play 'Lavendar Men,' which reimagined Abraham Lincoln's life through a queer lens. Now Mason has launched the 'Califas Trilogy,' plays exploring the California dream at various points in the past, present and future. Times contributor Amanda L. Andrei sat down with Mason to discuss the works, two of which are up and running. Check them out and dive into Mason's story. 'California Story' runs through June 3 at Caminito Theatre of Los Angeles City College 'Hide and Hide' runs through May 29 at Skylight Theatre in L.A.; 'Juana Maria' runs May 25-June 1 at Caminito Theatre. www.califastrilogy.com
Tod Machover's opera 'Schoenberg in Hollywood' is based on a remarkable incident from 1935: In the office of legendary Hollywood producer Irving Thalberg, composer Arnold Schoenberg asks for more than an astronomical fee to score the MGM feature film adaptation of Pearl S. Buck's 'The Good Earth.' He also asks for full control of the movie's sound — and wants the actors to recite their lines to his musical rhythms. Three more performances of 'Schoenberg in Hollywood' by the UCLA Herb Alpert School of Music are scheduled this week at the Nimoy Theater in Westwood. Until then, you can read music critic Mark Swed's take on Schoenberg and his contribution to the L.A. sound.7:30 p.m. Monday, Tuesday and Thursday. Nimoy Theater, 1262 Westwood Blvd., L.A. schoolofmusic.ucla.edu
Since Henrik Ibsen's classic play 'A Doll's House' premiered in 1879, one thing has not changed: It's still shocking for a woman to walk out on her child. Which is where playwright Lucas Hnath's starts his 2017 play, 'A Doll's House, Part 2': 15 years after Ibsen's female protagonist, Nora, left her husband and daughter to find her own way in life. In a new production at Pasadena Playhouse, screen actors Elizabeth Reaser and Jason Butler Harner play Nora and husband Torvald, coming up with their own answers about what these two former life partners may now think and feel about each other. Read all about the show here.
Times theater critic Charles McNulty, a part-time professor at CalArts, enjoyed reading playwright Sarah Ruhl's new book, 'Lessons From My Teachers.' Ruhl is a playwriting instructor at Yale who finds plenty to learn from her students. 'Even in the classroom, with its necessary hierarchies and rigorously observed boundaries, teaching isn't a one-way street,' McNulty writes in review of the book. 'Authority is enriched, not undermined, by intellectual challenge. The most thrilling moments in my years of teaching drama have come when in the dialectical heat of class discussion, a new way of understanding a scene or a character's psychology emerges from conflicting perspectives.'
The classical music world is abuzz with the thought that conductor Esa-Pekka Salonen might return to lead the Los Angeles Philharmonic after Music and Artistic Director Gustavo Dudamel leaves at the end of next season to take over the New York Philharmonic. Times critic Swed ruminates on the possibility of Salonen playing a transitional role for a couple years while the search continues for a permanent successor.
Massive cutbacks to the National Endowment for the Arts continue to send shock waves through L.A.'s arts community. East West Players announced that it lost a $20,000 grant meant to support the creative team behind the world premiere of Prince Gomolvilas' 'Paranormal Inside,' scheduled for the fall. 'The loss of this funding represents more than a financial setback; it is a symbolic blow to our mission and to the creatives who rely on institutional support to tell vital, underrepresented stories,' the theater wrote in an email to supporters. The loss, which represents 10% of the budget for the project, couldn't come at a worse time for the company, which in April was forced to layoff five full-time staff members. The theater is calling on members of the community to help fundraise and to contact their local representatives to protest the Trump administration's proposed elimination of the NEA.
A massive art installation created by transgender and nonbinary artists in support of visibility and acceptance for their community was unveiled Saturday in Washington, D.C. The 'Freedom to Be' project was spearheaded by the American Civil Liberties Union and helped kick off World Pride in the capital by displaying hundreds of quilts meant to build on the legacy of the 1987 AIDS Memorial Quilt.
The Getty has announced the lineup for its free outdoor summer concert series, 'Off the 405.' This year's performers include Bartees Strange, Cate Le Bon, Helado Negro, Alabaster DePlume and Moses Sumney. Check out the full schedule here.
Times travel writer Christopher Reynolds, who may have the best job at the paper, just released this list of 'the 34 coolest, kitschiest, most fascinating motels in California,' which appeals to just about every aspect of my personality and taste. Now I just need a few months off — and a lottery win — to stay at each and every one.
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Eddie Palmieri, Latin jazz musician and Grammy winner from East Harlem, dead at 88
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Eddie Palmieri, Latin jazz musician and Grammy winner from East Harlem, dead at 88

Eddie Palmieri, the avant-garde musician who was one of the most innovative artists of rumba and Latin jazz, has died. He was 88. Fania Records announced Palmieri's death Wednesday evening. Palmieri's daughter Gabriela told The New York Times that her father died earlier that day at his home in New Jersey after 'an extended illness.' The pianist, composer and bandleader was the first Latino to win a Grammy Award and would win seven more over a career that spanned nearly 40 albums. 6 Puerto Rican-American Latin Jazz composer, pianist, and bandleader Eddie Palmieri poses for a portrait during a sound-check at the Birdland nightclub, New York, New York, September 22, 2003. Getty Images Palmieri was born in New York's Spanish Harlem on December 15, 1936, at a time when music was seen as a way out of the ghetto. He began studying the piano at an early age, like his famous brother Charlie Palmieri, but at age 13, he began playing timbales in his uncle's orchestra, overcome with a desire for the drums. He eventually abandoned the instrument and went back to the playing piano. 'I'm a frustrated percussionist, so I take it out on the piano,' the musician once said in his website biography. His first Grammy win came in 1975 for the album 'The Sun of Latin Music,' and he kept releasing music into his 80s, performing through the coronavirus pandemic via livestreams. In a 2011 interview with The Associated Press, when asked if he had anything important left to do, he responded with his usual humility and good humor: 'Learning to play the piano well. … Being a piano player is one thing. Being a pianist is another.' Palmieri dabbled in tropical music as a pianist during the 1950s with the Eddie Forrester Orchestra. He later joined Johnny Seguí's band and Tito Rodríguez's before forming his own band in 1961, La Perfecta, alongside trombonist Barry Rogers and singer Ismael Quintana. 6 Pianist Eddie Palmieri poses for a portrait in New York, Aug. 15, 2011. AP La Perfecta was the first to feature a trombone section instead of trumpets, something rarely seen in Latin music. With its unique sound, the band quickly joined the ranks of Machito, Tito Rodríguez, and other Latin orchestras of the time. Palmieri produced several albums on the Alegre and Tico Records labels, including the 1971 classic 'Vámonos pa'l monte,' with his brother Charlie as guest organist. Charlie Palmieri died in 1988. Eddie's unconventional approach would surprise critics and fans again that year with the release of 'Harlem River Drive,' in which he fused Black and Latin styles to produce a sound that encompassed elements of salsa, funk, soul, and jazz. 6 Eddie Palmieri arrives for the Latin Grammy Awards in New York, Nov. 2, 2006. AP Later, in 1974, he recorded 'The Sun of Latin Music' with a young Lalo Rodríguez. The album became the first Latin production to win a Grammy. In 1975, he recorded the album 'Eddie Palmieri & Friends in Concert, Live at the University of Puerto Rico,' considered by many fans to be a salsa gem. In the 1980s, he won two more Grammy Awards, for the albums 'Palo pa' rumba' (1984) and 'Solito' (1985). 6 Eddie Pamieri at the Pritzker Pavillion in Millenium Park in Chicago, Illinois, June 27, 2016. Getty Images In 1987, he recorded salsa singer Tony Vega on the album 'La verdad,' and in 1992, he introduced the vocalist La India to the salsa world with the production 'Llegó La India vía Eddie Palmieri.' In 1998, he released 'El rumbero del piano,' in which he once again explored the aggressive salsa that had always characterized him. Palmieri released the album 'Masterpiece' in 2000, which teamed him with Tito Puente, who died that year. It was a hit with critics and won two Grammy Awards. The album was also chosen as the most outstanding production of the year by the National Foundation for Popular Culture of Puerto Rico. During his long career, he participated in concerts and recordings with the Fania All-Stars and Tico All-Stars, standing out as a composer, arranger, producer, and orchestra director. 6 Grammy Award winner Eddie Palmieri performs during his concert 'Listen Here' at Tito Puente Amphitheatre in San Juan, Puerto Rico, April 7, 2005. AP In 1988, the Smithsonian Institute recorded two of Palmieri's concerts for the catalog of the National Museum of American History in Washington. Yale University in 2002 awarded him the Chubb Fellowship Award, an award usually reserved for international heads of state, in recognition of his work in building communities through music. In 2005, he made his debut on National Public Radio as the host of the program 'Caliente,' which was carried by more than 160 radio stations nationwide. 6 Pianist Eddie Palmieri plays with Manny Oquendo and his Conjunto Libre during a fundraising benefit for bassist Andy Gonzalez on April 28, 2004. Staff photographer He worked with renowned musicians such as timbalero Nicky Marrero, bassist Israel 'Cachao' López, trumpeter Alfredo 'Chocolate' Armenteros, trombonist Lewis Khan, and Puerto Rican bassist Bobby Valentín. In 2010, Palmieri said he felt a bit lonely musically due to the deaths of many of the rumberos with whom he enjoyed playing. As a musical ambassador, he brought salsa and Latin jazz to places as far afield as North Africa, Australia, Asia and Europe, among others.

Eddie Palmieri, pioneering Latin jazz musician, dies at 88
Eddie Palmieri, pioneering Latin jazz musician, dies at 88

NBC News

time2 hours ago

  • NBC News

Eddie Palmieri, pioneering Latin jazz musician, dies at 88

Eddie Palmieri, the avant-garde musician who was one of the most innovative artists of rumba and Latin jazz, has died. He was 88. Fania Records announced Palmieri's death Wednesday evening. Palmieri's daughter Gabriela told The New York Times that her father died earlier that day at his home in New Jersey after 'an extended illness.' The pianist, composer and bandleader was the first Latino to win a Grammy Award and would win seven more over a career that spanned nearly 40 albums. Palmieri was born in New York's Spanish Harlem on December 15, 1936, at a time when music was seen as a way out of the ghetto. He began studying the piano at an early age, like his famous brother Charlie Palmieri, but at age 13, he began playing timbales in his uncle's orchestra, overcome with a desire for the drums. He eventually abandoned the instrument and went back to the playing piano. 'I'm a frustrated percussionist, so I take it out on the piano,' the musician once said in his website biography. His first Grammy win came in 1975 for the album 'The Sun of Latin Music,' and he kept releasing music into his 80s, performing through the coronavirus pandemic via livestreams. In a 2011 interview with The Associated Press, when asked if he had anything important left to do, he responded with his usual humility and good humor: 'Learning to play the piano well. ... Being a piano player is one thing. Being a pianist is another.' Palmieri's early career and Grammy triumph Palmieri dabbled in tropical music as a pianist during the 1950s with the Eddie Forrester Orchestra. He later joined Johnny Seguí's band and Tito Rodríguez's before forming his own band in 1961, La Perfecta, alongside trombonist Barry Rogers and singer Ismael Quintana. La Perfecta was the first to feature a trombone section instead of trumpets, something rarely seen in Latin music. With its unique sound, the band quickly joined the ranks of Machito, Tito Rodríguez, and other Latin orchestras of the time. Palmieri produced several albums on the Alegre and Tico Records labels, including the 1971 classic 'Vámonos pa'l monte,' with his brother Charlie as guest organist. Charlie Palmieri died in 1988. Eddie's unconventional approach would surprise critics and fans again that year with the release of 'Harlem River Drive,' in which he fused Black and Latin styles to produce a sound that encompassed elements of salsa, funk, soul and jazz. Later, in 1974, he recorded 'The Sun of Latin Music' with a young Lalo Rodríguez. The album became the first Latin production to win a Grammy. The following year he recorded the album 'Eddie Palmieri & Friends in Concert, Live at the University of Puerto Rico,' considered by many fans to be a salsa gem. A global ambassador for Latin Jazz In the 1980s, he won two more Grammy Awards, for the albums 'Palo pa' rumba' (1984) and 'Solito' (1985). A few years later, he introduced the vocalist La India to the salsa world with the production 'Llegó La India vía Eddie Palmieri.' Palmieri released the album 'Masterpiece' in 2000, which teamed him with the legendary Tito Puente, who died that year. It was a hit with critics and won two Grammy Awards. The album was also chosen as the most outstanding production of the year by the National Foundation for Popular Culture of Puerto Rico. During his long career, he participated in concerts and recordings with the Fania All-Stars and Tico All-Stars, standing out as a composer, arranger, producer, and orchestra director. In 1988, the Smithsonian Institute recorded two of Palmieri's concerts for the catalog of the National Museum of American History in Washington. Yale University in 2002 awarded him the Chubb Fellowship Award, an award usually reserved for international heads of state, in recognition of his work in building communities through music. In 2005, he made his debut on National Public Radio as the host of the program 'Caliente,' which was carried by more than 160 radio stations nationwide. He worked with renowned musicians such as timbalero Nicky Marrero, bassist Israel 'Cachao' López, trumpeter Alfredo 'Chocolate' Armenteros, trombonist Lewis Khan, and Puerto Rican bassist Bobby Valentín. In 2010, Palmieri said he felt a bit lonely musically due to the deaths of many of the rumberos with whom he enjoyed playing with. As a musical ambassador, he brought salsa and Latin jazz to places as far afield as North Africa, Australia, Asia and Europe, among others.

Eddie Palmieri, pioneering Latin jazz musician and Grammy winner, dies at 88
Eddie Palmieri, pioneering Latin jazz musician and Grammy winner, dies at 88

San Francisco Chronicle​

time3 hours ago

  • San Francisco Chronicle​

Eddie Palmieri, pioneering Latin jazz musician and Grammy winner, dies at 88

Eddie Palmieri, the avant-garde musician who was one of the most innovative artists of rumba and Latin jazz, has died. He was 88. Fania Records announced Palmieri's death Wednesday evening. Palmieri's daughter Gabriela told The New York Times that her father died earlier that day at his home in New Jersey after 'an extended illness.' The pianist, composer and bandleader was the first Latino to win a Grammy Award and would win seven more over a career that spanned nearly 40 albums. Palmieri was born in New York's Spanish Harlem on December 15, 1936, at a time when music was seen as a way out of the ghetto. He began studying the piano at an early age, like his famous brother Charlie Palmieri, but at age 13, he began playing timbales in his uncle's orchestra, overcome with a desire for the drums. He eventually abandoned the instrument and went back to the playing piano. 'I'm a frustrated percussionist, so I take it out on the piano,' the musician once said in his website biography. His first Grammy win came in 1975 for the album 'The Sun of Latin Music,' and he kept releasing music into his 80s, performing through the coronavirus pandemic via livestreams. In a 2011 interview with The Associated Press, when asked if he had anything important left to do, he responded with his usual humility and good humor: 'Learning to play the piano well. ... Being a piano player is one thing. Being a pianist is another.' Palmieri dabbled in tropical music as a pianist during the 1950s with the Eddie Forrester Orchestra. He later joined Johnny Seguí's band and Tito Rodríguez's before forming his own band in 1961, La Perfecta, alongside trombonist Barry Rogers and singer Ismael Quintana. La Perfecta was the first to feature a trombone section instead of trumpets, something rarely seen in Latin music. With its unique sound, the band quickly joined the ranks of Machito, Tito Rodríguez, and other Latin orchestras of the time. Palmieri produced several albums on the Alegre and Tico Records labels, including the 1971 classic 'Vámonos pa'l monte,' with his brother Charlie as guest organist. Charlie Palmieri died in 1988. Eddie's unconventional approach would surprise critics and fans again that year with the release of 'Harlem River Drive,' in which he fused Black and Latin styles to produce a sound that encompassed elements of salsa, funk, soul and jazz. Later, in 1974, he recorded 'The Sun of Latin Music' with a young Lalo Rodríguez. The album became the first Latin production to win a Grammy. The following year he recorded the album 'Eddie Palmieri & Friends in Concert, Live at the University of Puerto Rico,' considered by many fans to be a salsa gem. A global ambassador for Latin Jazz In the 1980s, he won two more Grammy Awards, for the albums 'Palo pa' rumba' (1984) and 'Solito' (1985). A few years later, he introduced the vocalist La India to the salsa world with the production 'Llegó La India vía Eddie Palmieri.' Palmieri released the album 'Masterpiece' in 2000, which teamed him with the legendary Tito Puente, who died that year. It was a hit with critics and won two Grammy Awards. The album was also chosen as the most outstanding production of the year by the National Foundation for Popular Culture of Puerto Rico. During his long career, he participated in concerts and recordings with the Fania All-Stars and Tico All-Stars, standing out as a composer, arranger, producer, and orchestra director. In 1988, the Smithsonian Institute recorded two of Palmieri's concerts for the catalog of the National Museum of American History in Washington. Yale University in 2002 awarded him the Chubb Fellowship Award, an award usually reserved for international heads of state, in recognition of his work in building communities through music. In 2005, he made his debut on National Public Radio as the host of the program 'Caliente,' which was carried by more than 160 radio stations nationwide. He worked with renowned musicians such as timbalero Nicky Marrero, bassist Israel 'Cachao' López, trumpeter Alfredo 'Chocolate' Armenteros, trombonist Lewis Khan, and Puerto Rican bassist Bobby Valentín. In 2010, Palmieri said he felt a bit lonely musically due to the deaths of many of the rumberos with whom he enjoyed playing with. ___ Former Associated Press Writer Sigal Ratner-Arias is the primary author of this obituary.

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