
Lollapalooza 2025: What to know for Day 4
The gates are open from 11 a.m. to 10 p.m. daily. Main gates are located at Michigan Avenue and Ida B. Wells Drive and the North Entrance is located at Monroe Street and Columbus Drive. For more information about your wristband, travel and what to bring, check our top 10 tips for attending, as well as Lollapalooza's bag policy and wristband assistance and activation pages.
Metra is adding extra trains with added railcars daily on most lines. For details on your CTA route, visit the CTA Lollapalooza page and consult their website for up-to-date information on delays and closures. Lollapalooza also has a travel guide.
Sabrina Carpenter (T-Mobile stage at 9 p.m.) and A$AP Rocky (Bud Light Stage at 8:45 p.m.) are Sunday's headliners. It's been nearly 10 years since A$AP Rocky last played Lollapalooza.
As for artists not to miss, Tribune music writer Britt Julious also recommends Finneas (Lakeshore Stage at 6:00 p.m.) and The Marias (Bud Light Stage at 7:00 p.m.). Her music guide has critic's picks by day through Sunday.
Other artists playing Sunday include Martin Garrix, Dominic Fike, Still Woozy, Remi Wolf, Latin Mafia, Gryffin and Maria the Scientist.
Official Lollapalooza aftershows Sunday night include Dominic Fike at House of Blues, Julie at Lincoln Hall, Midnight Generation at Schubas and Jane Remover at Subterranean. Lollapalooza has a full list of official aftershows.
The festival will close out with an exciting genre mix of pop and hip hop. Fans are looking forward to the fresh sound of Sabrina Carpenter and hip hop favorite A$AP Rocky, who will cap out the festival. Social media is buzzing about surprise guest appearances and encores for each artist.
Sunday will bring festivalgoers one last near-perfect weather day. Rain is not predicted during festival hours and the temperature will be a high of 79 and a low of 63 degrees.
Colliding sets for Sunday include Dominic Fike (T-Mobile Stage at 7 p.m.); Gryffin (Perry's Stage at 7 p.m.); The Marias (Bud Light Stage at 7 p.m.); and Still Woozy (Lakeshore Stage at 8:00 p.m.) and Rebecca Black (Tito's Stage at 8 p.m.) as well as others.
Crowds navigating the Bud Light and T-Mobile Stages are sure to converge on the final night of the festival, so plan accordingly.

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Forbes
3 hours ago
- Forbes
Sabrina Carpenter, Martin Garrix, Katseye Close Lollapalooza 2025
The summer of 2025 has brought sweltering heat, pummeling humidity and the seemingly constant threat of storms to the city of Chicago. But all of that went on hiatus as Lollapalooza arrived in Chicago last week to celebrate its 20th year as a destination festival, with a mild weekend in the upper 70s providing fans the perfect weather in which to indulge in the American installment of what's become arguably the strongest global brand in the festival sphere. Argentinian guitarist Ivan Singh headed to Chicago just four years ago with little more than a cigar box guitar, racking up local gigs at iconic Windy City blues clubs like Rosa's and Legends since. Last week, Singh, 26, was joined on stage at Legends by venue owner and iconic Chicago bluesman Buddy Guy just a few days ahead of his 89th birthday and appeared in Grant Park throughout the weekend to perform as part of Hulu's online livestream of Lollapalooza, showcasing his scorching guitar playing as both Hulu and Lolla embraced arguably Chicago's most famous musical export: electrified blues music. 'I'm really grateful to the Hulu team. Because they wanted to include something representative of Chicago. And I was blessed enough to get the call,' said Singh, providing viewers of the stream live blues between each set. 'Honestly, playing blues, being in Chicago and having the chance to share my own Latino way? My experience playing blues at Lolla has been great.' For Singh, performing during the Hulu stream put an unprecedented amount of new eyeballs on his playing, showcasing his prowess to fandom across a variety of genres. Prepping the release of new music, he wears a number of hats as a versatile independent artist. 'I'm my own producer, my own manager and everything. And, you know, you've got to make things happen. I try to do the best I can,' said the guitarist of navigating life as an independent musician. 'I've only been here for four years. This is also a different cultural language for me as well,' Singh said. 'I actually just recorded three new songs. They're done. I'm hoping to at least put them out before September or October.' Amidst the rise of the internet, online streaming has quickly become the primary source of consumption for music fans, upending the sale of physical media over the course of the last 25 years. As that's made it harder and harder for artists to monetize recorded music, most have been forced to look to the road as the primary musical revenue stream. But emerging from pandemic, the ability to generate income via touring and live concerts has also become harder, with elements like inflation and venue merch cuts leaving a slimmer profit margin for artists out on tour. While it was anathema for an artist to partner with a brand 20 or 30 years ago at the height of the major label system, today, such partnerships aren't just common, in many cases they're critical. 'You know, Crown Royal and I kind of have a little bit of history now. We've been together for about a year. I feel like we're in a relationship,' said country singer songwriter Tanner Adell with a smile on her brand partnership with the whisky maker. 'As an independent artist, they came in and said, 'We want to support your first tour.' This was my first headlining tour and it went amazing. Now we are renewing our vows and doing a second tour together.' In addition to a set on the Lollapalooza main stage Friday night, Adell helped close up the festival late Sunday, appearing at the Ramova Theatre on the city's south side as part of Crown Royal's 'Pancake Palace' pop-up, one which fed concertgoers whiskey driven appetizers as Sunday gave way to Monday while shining a spotlight on the company's new apple, peach and blackberry flavorings. A collaboration between Crown Royal and Juicy Couture on a branded tank top benefits Women In Music. And the unique parallels that exist in the creative approach to both songwriting and mixology were on full display throughout the event. 'It's super cool. I think it's the way in which they brought worlds together - you've got Tanner performing which is exciting. And I'm a big whiskey guy myself,' said reality star Miguel Harichi, who appeared in season six of Love Island USA and took part in Sunday's pop-up alongside Adell. 'I used to be a mixologist, used to be a barman. And now I'm still making cocktails. At parties, at functions, I'll be throwing it down in the bar. So, I think it just made sense.' Tour support is a crucial element for any artist, with corporate partnerships helping to foot the bill. For Adell, the collaborative endeavor continues to pay dividends. 'Being an independent artist makes so many things that are dreams and goals that you have very difficult to attain. And going on tour is really hard to do as an independent artist,' explained the singer, who released her debut full length album Buckle Bunny in 2023, appearing on Beyoncé's Cowboy Carter album a year later. 'For me, live shows are my favorite thing. Being on stage is the reason that I am here,' said Adell. 'It makes me feel like, 'OK. When it's my turn to give back to a smaller artist, I'm going to remember these times and how someone took a chance on me.'' Singer and rapper Isaiah Rashad took to the stage of the Riviera Theatre on the city's north side for a Saturday night aftershow ahead of a one hour performance on the festival's T-Mobile north main stage Sunday. Partnering with the telecom giant, Rashad interacted with fans on site at T-Mobile's 'Club Magenta' installment during a Q&A session, a great example of the way corporate sponsors vie to provide concertgoers (and customers) a unique experience on site at festival activations across the country. 'The aftershow was fire,' said Rashad prior to his performance. 'I've been in dad mode since yesterday. I've been kicking it with my baby. We're excited to see Katseye and Sabrina Carpenter and Dominic Fike,' he said. 'But this is one of my first corporate things, first corporate brandings, that I've done. It kind of validates me, makes me feel like I'm heading in the right direction.' While some artists seek corporate partnerships as a way of financing and exposing their music to a wider audience, others continue to choose reality television. New Jersey-born singer songwriter Carol Ades appeared in season five of NBC's The Voice in 2013, releasing a pair of EPs after. 'When I was on The Voice, I was 17. I think when you're 17, you're just way more confident than you are at 29. You're like delusionaly confident,' said Ades with a laugh. 'So, I think it was really so valuable for me to have that experience then and be like, 'Oh, I can do anything. Nothing's real. Whatever. Just show up and try it.' Especially now that I'm a little bit older and wiser - and dumber because I'm older, you know what I mean?' explained the songwriter with a smile. 'But I have that to look back on and be like, 'Yeah but you did that thing! You can do anything.'' Last September, Ades released her debut full-length studio effort Late Start, recently embarking upon her first headlining tour, arriving in Chicago for a 40 minute set Friday night on the BMI stage. Having recently collaborated with artists like Kesha, Ades is able to apply what she's learned from the collaborative efforts as she hones more new music of her own. 'I think the main thing I learned from writing for other artists is just that no idea is bad. Just ideas, ideas, ideas,' she said. 'Because it could be for me, for Kesha, for someone else - and the process is just so fun when you let it be fun and you don't overthink it. They're just songs. So, just have fun with it.' Pennsylvania-born hip-hop duo Joey Valence & Brae took in Lollapalooza 2024 as fans but arrived in the Windy City as performers this year, rolling through a 45 minute set Sunday on the Grove stage. 'We got to Chicago last night and did the afterparty show at midnight - woke up, came here. We love Lollapalooza, love Chicago. It's the best. Ready to party!' said Brae backstage prior to the duo's set Sunday. 'We're gonna go see A$AP Rocky!' added Valence excitedly. Following the release of their second studio album No Hands last summer, Joey Valence & Brae are set to drop their major label debut Hyperyouth August 25 via RCA. 'It's just good,' said Brae with a smile. 'It's gonna be a dance album. You're gonna laugh, you're gonna cry, you're gonna dance, you're gonna bounce. That's all. Get ready to party.' For fans looking to continue the party, aftershows take artists from the massive festival stage into the more intimate club environment of venues across the city, with headlining performances beginning somewhere around midnight. While his set was a highlight on day four at Lollapalooza 2025, FINNEAS took advantage of his Saturday night aftershow, highlighting a special guest. 'So, Ashe and I, in secret the last two years, made an album together,' he said welcoming the singer songwriter to the House of Blues stage while setting up the pair's new single 'The Hudson.' Ashe handled piano on 'The Hudson' with the duo further offering up their 2021 collaboration 'Till Forever Falls Apart,' with their new album The Dream due September 19. Opening the aftershow solo on piano FINNEAS navigated 'Starf–er,' picking up an electric guitar as the House of Blues floor began to shake soon after, with the five piece backing band joining in as fans hopped along in time during a spirited take on 'Lotus Eater.' 'Chicago, thanks for staying up late with me. I appreciate you!' said FINNEAS detailing fond moments spent at House of Blues, like watching Sabrina Carpenter perform in 2023 and supporting his sister Billie Eilish on stage at the venue in 2013. 'This is a long day! I appreciate you being up in the wee hours!' 17 year old Chicago rapper Star Bandz performed at Lollapalooza on Friday with the Chicago Youth Symphony Orchestra offering up an unparalleled Lollapalooza performance Saturday night. Lollapalooza's spotlight upon young, local talent continued Sunday via the embrace of large ensemble The Happiness Club. The Happiness Club offers a performing arts education program to Chicago youth between the ages of 8 and 18 free of charge, providing camaraderie, purpose and leadership while helping kids to embrace the idea of responsibility. 'It's a really unique experience that, I think, changes their perspective on what's possible for them,' said Artistic Director Tanji Harper, who's been with Happiness Club for over 20 years. 'We're literally backstage at one of the biggest rock concerts that happens in all of the world. So, for them to be exposed to stuff like this at such a young age, it just brightens their whole world up to what's possible for them later. And they don't have boundaries or limitations on what they think they can do or what they think they can accomplish. They're wide open now,' she said. 'We have great teachers. They learn rap, hip-hop, dancing, and singing. We have a vocal director. They write their own songs. All of that's great,' added Maureen Schulman, board president of the not-for-profit. 'But it also instills a lot of confidence and a strong work ethic. And I think that whether they go into the arts or not, it really helps them be successful after The Happiness Club.' The Happiness Club offered up a pair of the weekend's most resonant Lollapalooza performances Saturday and Sunday on the Kidzapalooza stage, collaborating with bassist Divinity Roxx (former bassist and musical director for Beyoncé), who took to Kidzapalooza prior to their set, encouraging the youth ensemble. 'We create songs about social issues that they go through. Mostly positive stuff: things that help them cope with stress or bullying at school or their self-confidence,' Harper explained. 'A bunch of kids getting together to sort of talk about issues that they go through on a daily basis. And then we make the music. And then we go out and we tour the songs anywhere anybody will let us,' she said. 'We try to keep it upbeat, a fun show - so that everybody is in on it. And we get complete buy in from the young people that hear it. It's positive and it's uplifting.' K-pop adjacent L.A.-based pop group Katseye proved to be a hit during a highly-anticipated 45 minute performance on the festival's north main stage Sunday, one delivering an equally uplifting message of connection during divisive times. Touting American, South Korean, Swiss and Filipino members, Katseye sing primarily in English with a clear goal not just for their Lollapalooza performance but the path forward following the release of their second studio album Beautiful Chaos earlier this summer. 'We've been a girl group for only a little over a year. And hitting these milestones is insane,' said Manon backstage prior to the set. 'It's been a super exciting weekend so far. We've had lots of fun. And we are all super, super thrilled about [the set]. It's going to be the biggest thing we've done in our career so far. I think we just want to inspire - especially young girls out there - to chase their dreams and put in the work and show that it really pays off,' she said. 'I think that we have always tried to have a touch in our music that can resonate with any age group, all different cultures and people from around the world,' added Lara. 'Especially because we are all from different places, we try to incorporate a little bit of our individuality and cultures into everything. But, also, when it comes to ages and stuff like that, we really want Katseye to be a universally loved group rather than just for this demographic,' said the singer. 'We have been working so, so hard, rehearsing every single day for this moment,' added Daniela. 'We're going to be doing new things that people haven't seen yet. So, we're very excited to show that off.' A quieted hush fell over the crowd Sunday as an introductory video rolled on screen, alerting fans to the imminent arrival of pop star Sabrina Carpenter, who would perform for over an hour opposite rapper A$AP Rocky and Dutch DJ and producer Martin Garrix as Lollapalooza 2025 drew to a close in Chicago. 'I feel so grateful and so honored to be here, Lollapalooza!' said Carpenter early in Sunday's set. 'Thank you for bringing me back. Make some noise for all of the artists that performed this weekend!' Carpenter was the epitome of poise, delivering an energetic and entertaining performance on stage while controlling the moment with a quick wit between songs. Carpenter conjured up images of Fleetwood Mac's 'Seven Wonders' via the rewarding pop rock feel at the heart of 'Taste' second in the set, with a series of videos continually localizing the Lollapalooza performance for the Windy City faithful. Acoustic guitar drove 'Coincidence' as Carpenter crouched down with a tambourine early, with the video screens showing members of TWICE in attendance during 'Juno' later. But the real surprise lay in Carpenter's handpicked guests, as Chicago-born R&B/funk legends Earth, Wind & Fire arrived for a bit of a homecoming celebration alongside Carpenter on the Lollapalooza stage. 'Chicago, the first time I played here it was to a room of 300 people,' said Carpenter incredulously, looking back. 'Now, because of you guys, we get to play this one,' she continued. 'I just thought it would be fun if we could bring some friends out!' she exclaimed, introducing her iconic guests. Moving from 'Let's Groove,' a funky, rollicking bassline soon drove 'September,' with Philip Bailey smiling through a killer early vocal as the ensemble worked in a snippet of The Emotions' 1977 hit 'Best of my Love.' Nearby, fireworks and pyro soared as Garrix worked up the crowd over 75 minutes on Perry's stage. 'I played Ibiza Thursday night. Friday night and Saturday was Las Vegas and then today in Chicago. Tonight, I fly right after the show to Utah,' said Garrix, racking up frequent flyer miles in the run up to Lollapalooza. 'I remember the first time I came here. And I was just mindblown by the size of the festival - by the energy, by the crowds. And just the skyline,' said the DJ, looking back upon Lolla Chicago sets in 2014 and 2016. 'What I remember the most is that I walked on stage and it felt so surreal. You've got the crowd of people and then the skyline in the back. Really special.' For Garrix, the process of collaboration is a rewarding one which found him working with songwriter and producer Lauv on 'Mad' earlier this year while teaming with AFROJACK, David Guetta and Amél on 'Our Time.' Collaborating with Dutch DJ and producer Armin van Buuren and vocalist Libby Whitehouse, Garrix is set to release his latest single 'Sleepless Nights' this Friday, August 8. 'Any collaboration, I'm learning so much from the people that I collaborate with - from the production point of view or the songwriting point of view,' said Garrix Sunday backstage at Lollapalooza 2025. 'I love Armin. I've known him since forever. So, it was just a matter of time until we ended up doing a song together. And Libby was incredible,' he said. 'We recorded with her in the studio. We wrote the bridge together. And just the whole song has been fun. It's my first trance song ever. My first song at 138bpm,' Garrix explained. 'So, I'm excited to play it tonight.'
Yahoo
4 hours ago
- Yahoo
Grayson Waller Is In The Best Shape Ever After Dropping A Huge Amount Of Weight
Grayson Waller feels like a new man. Austin Theory and Grayson Waller have been teaming as 'A-Town Down Under' for the better part of two years now. However, WWE teased their split and an eventual feud for the past several months. Despite the tease, the duo never broke up and feuded. In fact, the 'official' split took place off camera, and it happened without much of an explanation. Last week, Waller sent a message to 'all five' of Austin Theory's fans on social media. (This was after Waller tried to join The New Day on WWE RAW.) Waller says Theory's fans should thank him for saving Theory's career after John Cena buried him on WWE RAW two years ago. 'Big G' said he wasted two years making Theory relevant, but that's over now. Now, Waller has continued taking shots at Theory on social media. Waller joked that he's in the best shape of his life now that he has dropped '220 lbs of dead weight.' Theory is reportedly out with an injury. His last match was a loss to El Grande Americano on the July 17 episode of WWE Main Event. A-Town Down Under's last match was a win over the LWO on the May 26 episode of Main Event. In May, Waller also shared his frustrations with Theory on The Amin Show. Waller said that Theory is a good guy, but he lacks a certain killer instinct. 'For right now, we are working as a team. Maybe he's not working the same way that I am. I think the problem with Austin Theory is that he's a good guy. He's not what people assume he is, and that kind of frustrates me at times, like he's not willing to do whatever it takes. We're walking into the venue, and he wants to stop and take photos with the kids and the fat blokes with the black shirts on. That's just not me. I'm there to work, I'm there for myself, and sometimes we don't see eye to eye. But the problem is, we're both supremely talented, so as a tag team, we work pretty well,' Grayson Waller said. Read More: The post Grayson Waller Is In The Best Shape Ever After Dropping A Huge Amount Of Weight appeared first on Wrestlezone.


Newsweek
9 hours ago
- Newsweek
WWE Star Reportedly Removed From Internal Roster
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. An update has been provided on the status of injured WWE Raw superstar Austin Theory. According to a new report from the former United States Champion has been removed from the company's internal active roster. This move comes after Theory was written off television with a storyline injury two weeks ago. The removal from the active roster is a standard procedural step for a performer who is sidelined for an extended period. Removed From The Active Roster The PWInsider report, citing WWE sources, confirms that Theory is no longer on the internal list of talent available to be booked for television or live events. It is important to note that this does not mean he has been released from his WWE contract. Wrestlers recovering from legitimate, long-term injuries are typically taken off the active roster list until they are medically cleared to return to action. The specific nature and severity of Theory's injury, and a potential timeline for his return, have not yet been publicly disclosed. Fightful Select reports that he's listed with the other injured talent like Zoey Stark and Ilja Dragunov. An Abrupt End To A-Town Down Under Theory's injury has been woven into a major new storyline. On the July 21st episode of Monday Night Raw, his tag team partner, Grayson Waller, announced that their team, A-Town Down Under, was officially "done" due to Theory being on the shelf. HOUSTON, TEXAS - MARCH 11: A general stadium view during WWE Monday Night RAW at Toyota Center on March 11, 2024 in Houston, Texas. HOUSTON, TEXAS - MARCH 11: A general stadium view during WWE Monday Night RAW at Toyota Center on March 11, 2024 in Houston, Texas. Waller showed no sympathy for his partner. He has since been seen on Raw attempting to form new alliances and has cut a scathing social media promo, claiming he "wasted two years" of his career making Theory relevant. This on-screen betrayal sets up a major grudge feud for when Theory is eventually cleared to return. A Career of Highs and Lows Austin Theory's WWE career has been a rollercoaster. He was initially pushed as the hand-picked protégé of Vince McMahon and became the youngest United States Champion and Mr. Money in the Bank in WWE history. However, his momentum stalled after an infamous failed cash-in attempt and a brutal promo from John Cena on the road to WrestleMania 39. He was successfully repackaged alongside Grayson Waller, and the arrogant duo captured the SmackDown Tag Team Championship at WrestleMania 40. This latest injury and the split from Waller mark another major turning point in the career of the talented 28-year-old. More WWE News: For more on WWE, head to Newsweek Sports.