logo
Grit, broken bones and goosebumps - My month with the inspirational Lionesses

Grit, broken bones and goosebumps - My month with the inspirational Lionesses

Daily Mirror28-07-2025
The Lionesses have brought football home again after winning their second successive Euros, and it was a triumph against the odds during a remarkable campaign in Switzerland
When the chorus of Neil Diamond's Sweet Caroline rang around Basel's St Jakob Park on Sunday night, I had goosebumps. I'd heard this song blasted across stadium speakers countless times over the last four weeks. But this moment was different.

With her signature bunny hop run, Chloe Kelly had just scored the winner - a rocket shot penalty against Spain. It was an outcome fans could have only dreamed of at the start of this tournament, and one many secretly feared too good to be true.

Ahead of their Euros campaign, the Lionesses were blighted with major losses to their squad just days before it was announced. Former captain Millie Bright stepped down from the running on account of prioritising her mental health.

While Mary Earps, who won the Golden Glove for her performance at the Australian World Cup, and Fran Kirby, who helped make history at Euro 2022, both retired from international duty.
All of this cast a shadow of doubt over the team, who just three years ago had enjoyed a historic 2-1 victory over Germany at Wembley in the last Euro final. But now they faced a whole new challenge; to do it on foreign soil.
Things looked bleak when their opening game against France saw England lose 2-1. It must have prompted a war cry from boss Sarina Wiegman, whose players were so galvanised by the loss that they could barely wait for the next game.
I'll never forget the brutal honesty from Georgia Stanway who candidly told reporters she didn't want to do a press conference because she was "fed up of talking" and wanted to "put things right on the pitch". The Lionesses went on to thrash the Netherlands (4-0) and Wales (6-1), after promising to deliver some 'proper English' football.
And if the group stages alone weren't enough of a sensational comeback, nothing could prepare us for the drama the squad had stored up their sleeves. With a few rest days ahead of our quarter-final match against Sweden, we decided to visit the women in yellow and blue to see what they were made of.

We drove from our hotel in Zurich to the Swedish base 30 minutes away in Cham. As they walked out onto the training pitch and began pelting footballs around, I gulped - 'they're huge', I thought.
Sweden were the first ever team to win the Women's Euros. They beat England 4-3 on penalties in its debut year of 1984, but have never been able to win back the title since.

The match is legendary in their country, it was a mud bath that became known as 'The Battle of Kenilworth Bog' due to the state of the pitch in Luton. But after England knocked Sweden from a place in the Euro final in 2022, the Swedes felt it was time for revenge this year.
And when the Lionesses were still 2-0 down against them at 79 minutes, I thought 'they're finally going to get it'. The next 103 seconds will go down in footballing history.
In less than two minutes, the Lionesses' oldest and youngest players; Lucy Bronze, 33, had both scored sending the fans into a frenzy. Even Sarina Wiegman admitted the subsequent penalty shootout was 'hard to watch', with several missed chances on both sides.

When England won, Zurich's Stadium Letzigrund erupted. The was relief and disbelief was palpable. Even in the media room, everyone still seemed to be buzzing with adrenaline.
By the time the semi-final with Italy arrived, fans, players and their families alike were desperate for a straightforward win in 90 minutes.

No-one wanted to spend another 120 minutes with their hearts in their mouths. But it would be another last-gasp victory for the Lionesses, who won in the 119th minute inside a packed out Stade de Geneva.
And then the scene for the last act was set; England would face Spain, who had clinched the World Cup from them in such heartbreaking style just two years ago. Fans began texting me from back home to see if I could help them secure tickets for the final.

Stories of people being forced off overbooked planes and fans scrambling to Switzerland on four-day coach journeys began streaming in. The Lionesses had sent the nation wild with their rollercoaster ride and everyone wanted to watch the last chapter unfold.
On the day of the final the atmosphere in Basel was a heady mix of excitement and nerves. Despite the magic we had all witnessed from this England team, every fan knew the pain Spain could cause if the red waves were allowed near our net.

I had been in the stands covering the World Cup final and watched, devastated, as the tearful Lionesses fell to the floor in defeat. So when Mariona Caldentey scored in the 25th minute my head fell into my hands. It felt all too familiar.
But if this team had proved anything, it was that England is never done. Alessia Russo's 57th minute goal settled the score, and when extra time couldn't find a goal it was time for another penalty shootout.
My chest was tight, I held my breath. But after two shocking misses from Spain, a big grin stretched across my face.

Cool, confident, Chloe Kelly walked up for her spot kick. I thought 'there's no way she's missing this'. A euphoric roar ripped through the stands, everyone was on their feet. The 27-year-old who just six months ago admitted she considered quitting football had scored the winner in a Euros final again.
Silver and gold confetti rained from the sky, fireworks blasted from the pitch and the hairs on the back of my neck stood up. I started thinking about all the fans I've met at these major tournaments, who have spent thousands to be here for this moment.

The mums and daughters, fathers and sons, the ladies in their 60s and 70s who never could have dreamed of a sold out women's final like this in front of 34,000 fans.
My five-year-old niece watching back home, who is obsessed with princesses and now Lionesses too.
And just when I thought they couldn't show more grit, resilience and determination; the news breaks that my favourite player, Lucy Bronze, has played the whole tournament with a fractured tibia in secret.
Join our new WhatsApp community and receive your daily dose of Mirror Football content. We also treat our community members to special offers, promotions, and adverts from us and our partners. If you don't like our community, you can check out any time you like. If you're curious, you can read our Privacy Notice.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Premier League 2025-26 preview No 7: Chelsea
Premier League 2025-26 preview No 7: Chelsea

The Guardian

time16 minutes ago

  • The Guardian

Premier League 2025-26 preview No 7: Chelsea

Guardian writers' predicted position: 4th (NB: this is not necessarily Michael Butler's prediction but the average of our writers' tips) Last season's position: 4th Securing Champions League qualification on the last day of the Premier League season and an unlikely Club World Cup triumph have transformed the club, their finances and ambitions for 2025-26. Chelsea stayed relatively under the radar for much of the Club World Cup – in part because of their relatively kind route to the later stages – but their commanding 3-0 victory against Paris Saint-Germain in the final means they are again regarded as a potentially dominant European force and perhaps even as contenders for the Premier League title. That is if Chelsea are ready – mentally, physically and tactically – for the new season. By the time Chelsea played the Club World Cup final on 13 July, nearly every other Premier League side had started their pre-season. Since then, while Liverpool, Arsenal and co have been hard at work, the players have had three weeks off and returned on Monday, with two friendly matches, two days apart, scheduled before their Premier League opener against Crystal Palace on 17 August. To say Chelsea are playing catch-up is a severe understatement. That said, this is probably the most exciting period for Chelsea since the Champions League triumph in 2021. With the exception of goalkeeper and possibly centre-back, Enzo Maresca has a claim to having two elite players in every position and he could yet add further depth with Xavi Simons and Alejandro Garnacho heavily linked. Departures will be needed to trim the fat and balance the books – Chelsea were given a €31m (£27m) fine last month by Uefa for breaking financial rules – but few would argue against them having the deepest squad in the league and one of Maresca's biggest challenges will be maintaining harmony and continuity, on and off the pitch. Last season, the Conference League was a useful chance to rest and rotate players. The Champions League will not be so accommodating. As recently as April, Maresca was at odds with the Chelsea fans and appeared to blame a negative environment at Stamford Bridge for a 2-2 home draw with Ipswich that left top-five hopes fading fast. But five wins from the final six league games secured fourth place, saving Chelsea's season and possibly Maresca's job. 'They were saying that we are too young, we are not good enough,' he said. 'Unfortunately for them, they have all been wrong. So in English, how do you say? Eff-off to all of them.' Chelsea's Club World Cup triumph – and the tactical masterclass by Maresca in the final to neutralise PSG's front three and create pockets of space for Cole Palmer – means he will get a very different reception at Stamford Bridge for Chelsea's league opener. Chelsea's much-maligned financial gymnastics of recent years – the eight-year contract amortisation (a loophole closed by Uefa), the sale of their hugely successful women's team (to their own parent company) and their rampant use of multiclub ownership and the loan system – have infuriated rivals and allowed them to assemble one of the deepest, youngest, most talented squads around. In the Todd Boehly era, Chelsea have spent more than £1.5bn and the club face an additional €60m fine from Uefa if they fail to comply with regulations over the next four years. A bigger stadium would help, but what Chelsea do with Stamford Bridge remains unclear; the 40,044-capacity ground is not easily developed given challenges ranging from the freehold to a nearby railway line. A move to Earl's Court has been mooted. Sign up to Football Daily Kick off your evenings with the Guardian's take on the world of football after newsletter promotion Estêvão was courted by PSG, Real Madrid, Barcelona and Bayern Munich and is widely regarded as the biggest talent to come out of Brazil since Vinícius Júnior. The 18-year-old's performances at the Club World Cup – including a brilliant strike for Palmeiras against Chelsea in the quarter-final – suggests that the summer arrival is already world class. Players swooned over the teenager at the final whistle in Philadelphia – 'I told Estêvão: 'We are excited for you to join' but he didn't understand a single word I said,' Palmer said after swapping shirts with the £52m signing. Capable off both wings or as a No 10, the slender Estêvão will want to impress the former Chelsea manager Carlo Ancelotti, now of Brazil, before the World Cup next summer. 'He potentially can be a top defender for this club,' Maresca said of Josh Acheampong after the defender's performances at the Club World Cup prompted whispers that several clubs in England and Europe were tracking the teenager. How the 19-year-old fits into Maresca's plans remains to be seen, but his versatility, 6ft 3in stature and composure enabled him to enjoy a breakthrough year with 13 first-team appearances. Naturally a right-back or a centre-back but capable of playing anywhere across the backline, Acheampong joined Chelsea as an under-eight and signed a new five-year contract in 2024. 'The clubs that were mentioned, they like Josh, but we also like Josh,' Maresca said. 'The best plan for Josh is to be with us.' Roméo Lavia. The 21-year-old's quality is not in question. Chelsea are a better side with Lavia, more fluid and press-resistant, and he was sensational in a 3-1 win against Liverpool in May when he completed 100% of his passes. Maresca even moved Moisés Caicedo to right-back to accommodate Lavia alongside Enzo Fernández at the back end of last season, but concerns remain over the Belgian's fitness. After a first year when he managed 32 minutes in 2023-24, another injury-hit campaign followed, starting 11 league games. Another year on the sidelines could spell trouble, particularly as Chelsea have Caicedo, Fernández, Dário Essugo, the impressive Andrey Santos and perhaps Reece James competing for two spots in defensive midfield in Maresca's preferred 4-2-3-1 formation.

Filming wraps on series 13 of Father Brown, as first look images and special guest stars are revealed
Filming wraps on series 13 of Father Brown, as first look images and special guest stars are revealed

BBC News

time16 minutes ago

  • BBC News

Filming wraps on series 13 of Father Brown, as first look images and special guest stars are revealed

Sorcha Cusack will also be making a special return as Mrs McCarthy for the first episode. Mark Williams is back as Father Brown, the crime busting clergyman based on the classic character created by GK Chesterton. The 13th series also sees the return of fan favourite cast members Tom Chambers as Inspector Sullivan, Claudie Blakley as the new Mrs Isabel Sullivan, Ruby-May Martinwood as Brenda and John Burton as Sergeant Goodfellow. Also returning are Nancy Carroll as Lady Felicia, John Light as Hercule Flambeau, Lex Shrapnel as Father Lazarus, Roger May as Canon Fox and Kieran Hodgson as Father Lindsey. Following the jubilant wedding celebrations at the end of series 12, the new Mr and Mrs Sullivan settle into married life and a new home, with Isabel thrilled to be welcomed into the Policeman's Wives Society. Meanwhile, Brenda goes on a journey of self-empowerment as she covers the role of Parish Secretary and learns to drive with the help of Sergeant Goodfellow. Father Brown is tasked by Flambeau to visit Father Lazarus in prison, resulting in a deadly game of cat and mouse which ruffles the feathers of Canon Fox. With his consecration now looming, Bishop-Elect Fox plans to enact his revenge upon Father Brown, leaving Kembleford changed forever. And in a Father Brown first – the group take a trip to the seaside! Mark Williams says: 'My Dad was a surveyor and taught me how to look at buildings, not just their architecture but how they were used, and why they were where they are. So one of the constant pleasures of filming Father Brown for me is the places we film in, and I always have the relevant Pevsner's 'Buildings of England' book to hand. This year, our 13th, has been a great year for interesting locations. We have filmed in The Chateaux Impney a French fantasy in Droitwich, the little theatre in Chipping Norton (an ex Salvation Army Citadel), the wonderful 18th Century octagonal Crown Courts in Warwick and an atmospheric ex-Nunnery in Great Malvern with a glorious chapel by Ninian Comper. Also, The Fleece Inn in Bretforton which is a English pub time capsule, the spectacular Baroque church at Great Witley, and to top it off a selection of lovely stone Cotswold houses and churches. What a fabulous itinerary. And we filmed an episode at the seaside! Lucky lad, as my Dad would have said.' Commissioning Editor for BBC Daytime Helen Munson says: 'Father Brown has many loyal fans and they are NOT going to be disappointed with the latest episodes. The team at BBC Studios have delivered another fabulous series, and there are some very exciting guest appearances too!' Executive Producer Neil Irvine says: 'I'm delighted that Mark Williams is back as Father Brown for a phenomenal thirteenth series, which promises to be the most exciting to date. Mrs McCarthy's return, a rock'n'roll invasion and a trip to the seaside are just a few of the treats in store for our loyal audience. And when Canon Fox becomes Bishop-Elect, Father Brown finds his position dangling perilously on a thread. Can he secure his position in Kembleford once and for all?' Father Brown, which first aired on BBC Daytime in 2013, is the UK's number 1 Daytime drama of the last decade and a global success with 140 episodes made (including those just filmed). Father Brown's 12th series recently concluded on screen and is the number 1 daytime drama of 2025 to date. The series continues to be a hit internationally and is viewed by audiences in US, Canada, Australia, New Zealand, India, Italy, Denmark, Finland, Belgium, Netherlands, Luxembourg, Hungary, Poland, Turkey, South Korea, Azerbaijan, Estonia, Ireland, Latvia, Lithuania and Japan. Father Brown is a BBC Studios Drama Production for BBC One and BBC iPlayer, commissioned by Rob Unsworth, Head of BBC Daytime and Early Peak commissioning. The Executive Producer for BBC Studios Drama Productions is Neil Irvine, the Series Producer is David Innes Edwards and the Script Producer is Dawn Coulson-Beckett. Helen Munson is the Commissioning Editor for BBC Daytime. BBC Studios is handling global sales. Father Brown series 13 will air on BBC One and BBC iPlayer early next year. FM About BBC Studios BBC Studios is the main commercial arm of BBC Commercial Ltd and generated revenues of £2.1 billion in the last year and profits of over £200 million for a fourth consecutive year. Able to take an idea seamlessly from thought to screen and beyond, the business is built on two operating areas: the content studio, which produces, invests and distributes TV and audio globally and media & streaming, with BBC branded channels, services including UKTV, and BritBox International and joint ventures in the UK and internationally. The business made almost 3,300 hours of award-winning British programmes last year for a wide range of UK and global broadcasters and platforms. Its content is internationally recognised across a broad range of genres and specialisms, and includes world-famous brands like Strictly Come Dancing/Dancing with the Stars, the Planet series, Bluey and Doctor Who. BBC Studios | Website | Press Office | X | LinkedIn | Instagram |

First edition of The Hobbit sells for a ‘record-breaking' £43,000
First edition of The Hobbit sells for a ‘record-breaking' £43,000

The Guardian

timean hour ago

  • The Guardian

First edition of The Hobbit sells for a ‘record-breaking' £43,000

A rare first edition of JRR Tolkien's The Hobbit that was found during a house clearance has sold at auction for a 'record-breaking' £43,000. Bought by a private collector in the UK, the book is one of 1,500 original copies of the seminal fantasy novel that were published in 1937. Of those, only 'a few hundred are believed to still remain', according to the auction house Auctioneum, which discovered the novel without a dust cover on a bookcase at a home in Bristol. Bidders from around the world drove the price up by more than four times what the auction house expected. Caitlin Riley, Auctioneum's rare books specialist, said: 'It's a wonderful result, for a very special book.' Riley added: 'Nobody knew it was there. It was just a run-of-the-mill bookcase. It was clearly an early Hobbit at first glance, so I just pulled it out and began to flick through it, never expecting it to be a true first edition.' The copy is bound in light green cloth and features rare black-and-white illustrations by Tolkien, who created his Middle-earth universe while a professor at the University of Oxford. The book was passed down in the family library of Hubert Priestley, a botanist connected to the university and the brother of the Antarctic explorer and geologist, Sir Raymond Edward Priestley. 'It is likely that both men knew each other,' according to Auctioneum, which said Priestley and Tolkien shared mutual correspondence with author CS Lewis, who was also at Oxford. The Hobbit, which was followed by the epic series The Lord of the Rings, has sold more than 100m copies worldwide and was adapted into a film trilogy in the 2000s. A first edition of The Hobbit with a handwritten note by Tolkien in Elvish, a family of fictional languages, sold for £137,000 at Sotheby's in 2015.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store