
Atomfall: How a forgotten nuclear disaster inspired a video game
Fukushima. Three Mile Island. Chernobyl. Places that will forever be remembered as the sites of nuclear disasters.Most people will have heard of them. But fewer are aware of the Windscale fire.It was one of the world's first - and remains the UK's worst - nuclear accident.A nuclear reactor at the site in Cumbria caught fire and burned for three days, releasing radioactive material into the atmosphere.Many details of the event were kept quiet for decades, and it is far less famous than some of the more recent examples.But a new video game has brought the disaster, and the area where it happened, back into the spotlight.
Atomfall is the latest release from Oxford-based Rebellion, best known for its long-running Sniper Elite series.CEO Jason Kingsley tells BBC Newsbeat he was walking in the Lake District when the idea of using the real-life Windscale story "as a trigger point for a fictionalised version of the disaster" began to take shape.Atomfall is set in the rolling green landscapes of the beauty spot, but on an alternative sci-fi inspired timeline where the area surrounding the plant has become a quarantine zone."It went pretty wrong in real life, but it was controlled," says Jason. "It was a proper disaster, but it didn't cause strange glowing plants or mutants or dangerous cults to emerge."
Although the Windscale fire was "very serious", Jason says it's not something that is especially well-remembered, even among locals.It is estimated about 240 cases of thyroid cancer were caused by the radioactive leak and all milk produced within 310 square miles (800 square km) of the site was destroyed for a month after the fire.Windscale was eventually renamed Sellafield and produced nuclear power until 2003. It still employs about 10,000 people in the local area.When Newsbeat visits Cumbria, most young people we speak to say they haven't heard of the disaster.And indie game developers Hannah Roberts and Harry Hawson say that they became more aware of it once the game was announced.For two people like them, who hope to break into the games industry, they're excited to see a game set in the place where they live.Hannah, 26, says it's evident Atomfall's makers have done their research. "The actual environments are spot on, they've got fantastic Morris dancing stuff going on - it really tickled me when I saw that," she says. Hannah says other small details - like black and white Cumbrian signposts - were also pleasing to see.Atomfall's setting and its inspiration have made it an anticipated title since it was first revealed last year, and Harry, 23, says that's been encouraging for him. "Seeing that such a small space like Cumbria can be taken by the games industry and built upon and people are receptive to that, it's exciting for the future and I look forward to seeing what's next for me," he says.
It's fairly unusual for high-profile games set in the UK to be set outside London. While indie games - such as the Shropshire-set Everybody's Gone to the Rapture and last year's Barnsley-based laughfest Thank Goodness You're Here! - have ventured further north, bigger games haven't tended to stray beyond the M25.Jason says the US is about 40% of the video games market, so it's important to appeal to players there, and there's a "natural tendency" to follow the norms.Being an independent company, he feels, allows Rebellion to do things differently, and Britain offers lots of inspiration for new settings - if you're prepared to look for them."The UK, I think, to understand certain aspects of our culture, you've got to dig into it a little bit because we tend to understate things quite a lot."Head designer Ben Fisher says the goal was to create a "slightly theme parkish" version of the Lake District with accurate details."There are things that, as locals, it's easy for us to forget are unique to Britain, that are unusual," he says.The team that worked on the game has members from various countries, Ben says, which helped to highlight things the UK natives might have missed."The lead artist on the project is from Seattle and was mystified by dry stone walls," says Ben.He adds the team spent time recreating the structures - which are constructed without the use of mortar - to "capture those local details".Featuring a local area in a film or TV show can expose a new audience to that place."Ultimately, what's incredibly rewarding about this industry is you can put your ideas down and they can be played by people across the globe," Jason says."And you know, how wonderful is it to sort of talk about the Lake District to people that live in Africa or Southeast Asia or Canada or wherever it might be. "That's a kind of form of soft power that very few types of media have."
Oliver Hodgson, 21, can see Sellafield from his bedroom window.He hopes that the local area will benefit from some of the soft power Jason describes."I think it's just an incredibly powerful thing for young people in west Cumbria," he says. "I think it's really positive to see such a big gaming developer set a story in Cumbria, which is normally just known for its lakes and mountains," he says.Oliver who runs his own PR firm, is working with the creators of a project to create a £4m gaming hub in Whitehaven aimed at boosting digital skills in the area.Oliver says he's glad the game has taken its inspiration from Windscale and is drawing attention to the area, as well as switching locals on to their history."I think we should own it,' he says. 'The story of the Windscale disaster obviously isn't a positive one but we can't rewrite history. "So acknowledging what happened and teaching and letting young people learn about that history, if this is what brings it into the classroom or on to young people's phones or their social media, then so be it."
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Scotsman
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The Meadows Festival at 50
Festival-goers basked in the sun at the Meadows Festival 2024 This weekend the Meadows Festival marks its 50th anniversary - a milestone for one of Edinburgh's longest-running community festivals. Sign up to our daily newsletter Sign up Thank you for signing up! Did you know with a Digital Subscription to Edinburgh News, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... First held in 1974, the event remains entirely volunteer-run and continues to offer free entry, welcoming thousands to the city's historic parkland each year. This year's programme includes two live music stages featuring a wide range of local acts, a community zone showcasing Edinburgh-based charities and groups, and over 100 market stalls selling crafts, food and vintage goods. A popular dog show returns on Sunday, along with a funfair and children's entertainment across both days. Advertisement Hide Ad Advertisement Hide Ad The festival aims to be as accessible and inclusive as possible. There are dedicated quiet spaces, baby changing areas and fully accessible toilets. In recent years organisers have also placed a strong emphasis on sustainability, providing water refill stations and encouraging low-waste practices. Events like the Meadows Festival play an important role in the civic life of Edinburgh. They offer a platform for local performers, artists, traders, and campaigners, and bring residents together in a shared space at the heart of the city. As MSP for Edinburgh Central, I commend the volunteers and organisers who have sustained the festival over five decades. Their work has created a valuable cultural institution rooted in community participation. Whether you're a first-time visitor or a regular attendee, I encourage everyone to visit the Meadows this weekend and take part in a proud Edinburgh tradition.


The Herald Scotland
3 hours ago
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He urged the venues to ask 'existential questions' about their scale and running costs, and suggested they should not be using the same business model as they were operating under five or 10 years ago. The Fringe Society has faced growing hostility from the Fringe Alliance, an independent collective of venue operators and promoters involved in the festival every year. When the Fringe Alliance was launched in 2023 it pledged to 'work with and support' the Fringe Society, as well as 'raise financial support for the Fringe community and ensure that appropriate support reaches all parts of the Fringe ecology". However a leaked dossier from the Fringe Alliance revealed concerns it has raised privately with politicians and funding bodies about the Fringe Society's growth, budget, influence and funding priorities. 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Whether that is lip service or not I don't know, but I'm taking it at face value. 'For me, the underlying thing is the relationship between the Fringe Society and all the components of the wider ecosystem, improving communication, which we may not have always got it right in the past, and rebuilding trust where it has broken down. 'We have a business relationship with every single venue. Many millions of pounds move around the ecosystem. If there was genuinely zero trust no-one would be trusting us to sell their tickets. 'There might be some suspicions, a slight circling of each other and a wariness. I think it's just about bringing alignment now. 'Everyone in the ecosystem has their own agenda. That's how it should be. They want to see the Fringe Society supporting their agenda. The reality is there are some things we can support them on, but there are others that are not our business. We rely on them to run their businesses as best they can.' 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'If venues are not constantly looking at their business model, looking at the pressures of a changing landscape and still trying to do the same things they did five or 10 years ago the results are going to be pretty sore for them. 'There are existential questions everyone should be asking about size, scale and costs. That kind of business model stuff should be as real for the venues as it is for the Fringe Society or anyone else.' Lyndsey Jackon, deputy chief executive of the Fringe Society, said: 'It has been worrying some people for a while that artists are coming to the Fringe for shorter periods of time. 'But artists have always done a variety of runs. We did do a trend analysis last year and it wasn't particularly stark in any shift. 'We've always said that one of the benefits of doing a full run for three weeks is that you just don't get that level of professional development and immersion in a festival experience anywhere else. 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Edinburgh Reporter
13 hours ago
- Edinburgh Reporter
Desert island delights – literary feasts that feed both mind and soul
What would your Desert Island book be? Mine is 'Family Life – Birth, Death and the Whole Damn Thing' by Elisabeth Luard, a book I first read when it launched in 1996 but remains as poignant today as it was then. It's a recommendation I've made countless times over the years. In truth, any book by Luard would keep me happily contented and satiated as I plotted my escape route from the island. Her unique ability to weave heartfelt stories with sketches and recipes means I'd never go hungry – in body or spirit. Luard's story begins in 1963 when, at twenty-one, she married Nicholas Luard, co-founder of Private Eye. Within six years, she had four children and moved to a remote valley in Southern Spain. 'Family Life' chronicles the love that holds a family together, told both in sunlight and shadow. No family is immune to tragedy – still less one that lives life to the full. In Francesca, the eldest daughter, we find a true heroine. She tells her own story until that moment when she can tell it no more. Ultimately, it's a mother's tale, one of love without regret – a story of laughter and tears, of joy and sorrow, of life and death. It's unforgettable. However, a new literary contender has recently entered my life. I attended another excellent Toppings Bookshop event celebrating Edinburgh-based writer Caroline Eden's third book in her colour trilogy, 'Green Mountains', following 'Black Sea' and 'Red Sands'. This latest work is split between Armenia and Georgia, tracing Caroline's walks in the South Caucasus, exploring culture, history, religion and politics through the lens of food. I'm rather annoyed I hadn't discovered Eden sooner. Like Luard, she has a remarkable ability to bring countries to life through storytelling. By her own admission, she's no chef, but she has a nose for a good recipe and an ear for extraordinary stories. Throughout the book are what she calls 'Edible Postcards' – recipes that capture the essence of place. I was quick to secure tickets for Toppings' first supper club – an event that sold like hot cakes. I found myself seated at a table nestled among bookshelves with four foodie friends and three strangers, all united by our love of good food. Tables were elegantly set with white cloths, vases of wild spring flowers, and cutlery tied with string adorned with marigolds. Our first edible postcard was an aperitif called Armenian Dawn: apricot, almond essence, brandy and prosecco. As Caroline later explained: 'If an Armenian hands you an apricot, they are, in a way, handing you Armenia.' The apricot is Armenia's national symbol, and this sunrise-coloured delight perfectly launched an evening of revelations. What followed was a delicious feast: Summer tolma with cranberries from Armenia, lobio croquettes from Georgia, courgettes with Georgian spices and walnuts, citrus and walnut salad, potato and cabbage pirozhki, sauerkraut and pickles, finishing with tarragon panna cotta. This somewhat scathing cynic – who typically wouldn't choose a meatless menu – left the evening satisfied in both stomach and mind. The combination of great company, mental stimulation, and fabulous food sent me home with Eden's entire trilogy plus her recent memoir 'Cold Kitchen', written during lockdown when travel ceased. 'Cold Kitchen' celebrates curiosity and feeling at home in the world, opening in Uzbekistan and concluding in Ukraine. Named a 'best summer read' by both the Financial Times and The Observer, I'm sure it will become one of mine as well. Discover other Cooks and Books events at Toppings, Edinburgh: Both Caroline Eden and Elisabeth Luard publish weekly newsletters on Substack – 'Journeys Beyond Borders' every Wednesday and 'Elisabeth Luard's Cookstory' Like this: Like Related